In the summer of 2009, a series of Modern Art Music Movement™ (MAMM) Happenings were held in world famous venues and at music festivals from New York to Florida, including “The Stephen Talkhouse”, “Martha Clara Vineyards”, “Pindar Vineyards”, “Rock The Harvest” music festival, in New York’s wine country, near Southampton, and the “Miami Music Festival”, to raise money and awareness for Domestic Violence Services.
JOSH HORTON OF BIG SUGA ON STAGE WITH MAVERICK ARTIST VICTOR-HUGO VACA II AND MILES TO DAYTON AT THE “2009 ROCK THE HARVEST MODERN ART MUSIC MOVEMENT HAPPENING” IN NEW YORK.
Big Suga has shared stages with Sonny Landreth, The Outlaws, Eddie Money and blues legend Kerry Kearney.
MODERN ART MUSIC MOVEMENT PAINTING CREATED AT “ROCK THE HARVEST” MUSIC FESTIVAL BY MAVERICK ARTIST VICTOR-HUGO VACA II TO RAISE AWARENESS ABOUT DOMESTIC VIOLENCE IN AMERICA.
Joshua Young Horton is the song writer, frontman & lead singer and rhythm guitar player for BIG SUGA. His grit, energy and soulful stage presence leads the band and fans into unforgettable performances.
THE STEPHEN TALKHOUSE MODERN ART MUSIC MOVEMENT MAMM JAM HAPPENING MANIFESTED ARTWORK BY VICTOR-HUGO VACA II, CREATED ON CANVAS AND ON DISCARDED BUILDING PLANS, FOR A VETERANS HOSPITAL, THAT WAS NEVER BUILT, BECAUSE OF THE WALL STREET BANK BAILOUT.
Josh Horton with Big Suga and the Modern Art Music Movement™ (MAMM) Founder, Maverick Artist Victor-Hugo Vaca Jr., performed together to raise money and awareness for, “The Retreat”, a safe-space center for battered women and children, offering domestic violence services.
MAVERICK ARTIST VICTOR-HUGO VACA II ON STAGE AT THE “ROCK THE HARVEST MODERN ART MUSIC MOVEMENT HAPPENING” WITH JOSH HORTON AND BIG SUGA.
Big Suga rocks the house with Josh Horton as the Maverick Artist Victor-Hugo fuses the energy of the band, venue and audience on canvases in color.
MODERN ART MUSIC MOVEMENT PAINTING CREATED AT “ROCK THE HARVEST”, LONG ISLAND’S ONLY INDEPENDENT MUSIC AND WINE FESTIVAL, AT PINDAR VINEYARDS, IN PECONIC, NEW YORK, BY VICTOR-HUGO VACA II.
As a solo artist, Josh Horton, has performed across the United States in bars, biker joints, honky-tonks, coffee houses, small theaters, on the decks of ships and in the streets. His life experience as a merchant seaman, Tugboat Captain, elected public official, Josh Horton took 4 years off from performing to run a town, father, former hard drinker, traveler and so on make him one of the most eclectic songwriters and performers in the New York music scene.
SOME OF THE ART CREATED IN THE SUMMER OF 2009 AT MAMM JAMS IN NEW YORK WITH JOSH HORTON’S BIG SUGA AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.
“The Drummer” captures the energy culminated at the end of the Modern Art Music Movement™ coast-to-coast performances at music festivals from New York’s Wine Country Summer spectacular, “Rock The Harvest”, to the first-annual, “Miami Music Festival” with Josh Horton and Big Suga.
“THE DRUMMER” (42×52) BY VICTOR-HUGO VACA II WITH BIG SUGA AND JOSH HORTON.
“The Drummer”, was manifested live on stage by Maverick Artist Victor-Hugo Vaca Jr. with Josh Horton and Big Suga at the Inaugural Miami Music Festival Modern Art Music Movement™ MAMM Jam Happening on December 12, 2009.
THE KINKS, ROLLING STONES, COLDPLAY AND THE WHO ARE AMONG SOME OF THE LEGENDARY ARTISTS WHO HAVE PERFORMED ON THE SAME STEPHEN TALKHOUSE STAGE, WHERE MAVERICK ARTIST VICTOR-HUGO VACA II PRODUCED MODERN ART MUSIC MOVEMENT PAINTINGS, AT MAMM JAM HAPPENINGS WITH JOSH HORTON AND BIG SUGA.
Modern Art Music Movement™ creations were manifested with the inspiration of some of the greatest artists in the world, who have left their spiritual energy imprinted on the Stephen Talkhouse stage, where legendary artists have performed, including the following musicians, who are all in the “Rock & Roll Hall Of Fame”: The Kinks, The Rolling Stones, The Who, The Platters, The Coasters, Bo Diddley, The Drifters, Paul Simon, Paul McCartney, The Byrds with Roger McGuinn, John Lee Hooker, Van Morrison, The Animals with Eric Burden, Jefferson Airplane, The Velvet Underground, Buffalo Springfield, Billy Joel, The Allman Brothers Band, The Band with Robbie Robertson, The Mama’s and The Papa’s, The Talking Heads, The Police, Traffic with Dave Mason, Percy Sledge, Grandmaster Flash and The Furious Five, Patti Smith, Jimmy Cliff, Leon Russell, Lynyrd Skynard, The Supremes, Red Hot Chili Peppers and Crosby, Stills & Nash.
MODERN ART MUSIC MOVEMENT WORKS BY MAVERICK ARTIST VICTOR-HUGO VACA II CREATED ON THE HISTORIC, STEPHEN TALKHOUSE STAGE, IN AMAGANSETT, NEW YORK.
Big Suga drummer Jamie Schott co-founded the band with Josh Horton. They are life long friends.
Jamie Schott has performed and recorded with numerous acts in Los Angeles, kicked it with Bob Marley’s Original Wailers and founded the renowned New York Funk band, Golden Fists of Fury.
“THINK LOVE” DIPTYCH CREATED AT THE INAUGURAL MIAMI MUSIC FESTIVAL BY MAVERICK ARTIST VICTOR-HUGO VACA II WITH JOSH HORTON AND BIG SUGA.
Phil Mastrangelo is the bassist for Big Suga. He is an original and current member of the widely known NY Indie Power Pop act, “Knockout Drops”, and has worked as a musician since the age of 14 performing throughout the U.S. and Europe, sharing the stage with some of Rock ‘N Roll’s biggest names.
MODERN ART MUSIC MOVEMENT PAINTING CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II DURING 2009 MAMM JAM HAPPENINGS IN NEW YORK; MANIFESTED ON BUILDING PLANS, FOR A VETERANS HOSPITAL IN AMERICA, THAT WAS NEVER BUILT, BECAUSE OF THE U.S. ECONOMIC COLLAPSE, THAT BIRTHED THE WALL STREET BANK BAILOUT.
Tom “Shecky” Davis plays lead guitar for BIG SUGA and is still a regular stand in and session man when “The Wailers” are performing and recording in New York.
Russell “Lee” Smith Jr. and Tonnie “Swann” Franklin are the big Gospel of Big Suga; they have performed, toured and recorded with a myriad of Gospel, Pop and Rock acts on the East Coast.
ARTWORK CREATED DURING 2009 MODERN ART MUSIC MOVEMENT MAMM JAM HAPPENINGS FROM NEW YORK TO FLORIDA WITH JOSH HORTON AND BIG SUGA BY VICTOR-HUGO VACA II.
“The fusion of art and music is the Modern Art Music Movement. “- Maverick Artist Victor-Hugo Vaca II
THE UNDECIDED VOTER ASKS: “WHY, IF HILLARY CLINTON CLAIMS TO CHAMPION WOMEN’S RIGHTS, HAS SHE RETAINED HUMA ABEDIN, AS VICE CHAIR OF THE HILLARY CLINTON PRESIDENTIAL CAMPAIGN?
The Undecided Voter understands that,Anthony Weiner, also known as, “Carlos Danger”, is married to Hillary Clinton’s top aide, Huma Abedin.
CARLOS DANGER : THE ALTER EGO OF AMERICAN POLITICS
The Undecided Voter understands that, the former Congressman and New York City mayoral candidate, Anthony Weiner, sent explicit photos to a woman multiple times during Hillary Clinton’s run for President of the United States.
“THAT DEPENDS ON WHAT THE DEFINITION OF, ‘IS,’ IS.” – PRESIDENT BILL CLINTON
The Undecided Voter understands that, Anthony Weiner, spent 12 years in the House of Representatives before resigning in June 2011 after posting an explicit image of himself on his Twitter account. At the time, Weiner admitted that he had, “exchanged messages and photos of an explicit nature with about six women”, over the previous three years.
REPUTATION IS WEALTH
The Undecided Voter understands that,AnthonyWeiner’s wife,Huma Mahmood Abedin, Hillary Clinton’s top campaign aide, and the woman who might be the future White House chief of staff to the first female US president, edited, for ten-years, a radical Muslim publication that opposed women’s rights and blamed the US for 9/11.
The Undecided Voter understands that, Huma Mahmood Abedin, while working in the White House, as an intern, for then-first lady Hillary Clinton, published “Women’s Rights Are Islamic Rights,” a 1996 article that suggests single moms, working moms and gay couples with children, should not be recognized as families.
AS LONG AS MEN, TREAT WOMEN AND CHILDREN, LIKE “BITCHES” AND “SLAVES”, BLACK LIVES MATTER AND FAILING TO STAND UP FOR THE PLEDGE OF ALLEGIANCE OR STAR SPANGLED BANNER, IS JUST, HYPOCRISY DISGUISED AS ACTIVISM.
The Undecided Voter understands that, the”Journal of Muslim Minority Affairs” article, published by Clinton’s top aide, Huma Mahmood Abedin, born in Kalamazoo, Michigan, states that more revealing dress ushered in by women’s liberation, “directly translates into unwanted results of sexual promiscuity and irresponsibility and indirectly promote violence against women.”, suggesting sexually liberated women are asking to be raped.
POLITICAL CORRECTNESS RUN AMOK.
The Undecided Voter understands that, Huma Mahmood Abedin, as assistant editor of the Saudi, “Journal of Muslim Minority Affairs”, working under her mother, Saleha Mahmood Abedin, who remains editor-in-chief of the controversial publication, published an article that debunked, devalued and dehumanized Hillary Clinton’s feminist platform.
The Undecided Voter understands that, the following statements are from a 31-page article published by Hillary Clinton’s top aid Huma Mahmood Abedin:
-“More men are victims of domestic violence than women . . . If we see the world through ‘men’s eyes’ we will find them suffering from many hardships and injustices.”
-“Acknowledging the very central role women play in procreation, child-raising and homemaking, Islam places the economic responsibility of supporting the family primarily on the male members.”
“‘Empowerment’ of women does more harm than benefit the cause of women or their relations with men,”
“A WOMANS RIGHT TO BE SUPPRESSED IS ALWAYS CHAMPIONED BY THE SUPPRESSOR.” MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided Voter understands that, in 1999 a Saudi funder published a book, edited by Saleha Mahmood Abedin, Huma Mahmoud Abedin’s mother, Hillary Clinton’s top aide, that justifies the barbaric practice of female genital mutilation under Islamic law.
“RESPECT, TICKLE AND SAVE THE CLITORIS.” -MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided Voter understands that, Huma Mahmood Abedin, was assistant editor of the Saudi, “Journal of Muslim Minority Affairs”, when she published an article written by her mother, Saleha Mahmood Abedin, that stated the following: “The spiral of violence having continued unabated worldwide, and widely seen to be allowed to continue, was building up intense anger and hostility within the pressure cooker that was kept on a vigorous flame while the lid was weighted down with various kinds of injustices and sanctions . . . It was a time bomb that had to explode and explode it did on September 11, changing in its wake the life and times of the very community and the people it aimed to serve.”
THE UNDECIDED VOTER ASKS: “CAN IRAN, SAUDI ARABIA, RUSSIA OR CHINA, BRIBE HILLARY CLINTON, AS U.S. PRESIDENT, BY USING THE HACKED, TOP-SECRET EMAILS, FROM HER PERSONAL SERVER, AS SECRETARY OF STATE?”
The Undecided Voter understands that, Bill Clinton, allegedly bombed Saddam Hussein to deflect from his Monica Lewinsky affair, as claimed in a 2002 article written by Sina Ali Muscati titled, “Arab/Muslim ‘Otherness’: The Role of Racial Constructions in the Gulf War and the Continuing Crisis with Iraq.”, published in the “Journal of Muslim Minority Affairs”, where Huma Mahmood Abedin was a member of the group of people who decide what is published in the academic journal.
“THE POLITICS OF THE PENIS AFFORDS EXPENSIVE DISTRACTIONS.”- MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided Voter understands that, the Bill Clinton article published by Huma Mahmood Abedin, Hillary Clinton’s aid and the wife of Anthony Weiner states, “The crisis with Iraq has also probably benefited Clinton, serving as a good deterrent of attention from personal crises, such as his campaign funding scandals, legislative failures, or the Monica Lewinsky affair,” and “By occasionally bombing Iraq in the name of humanity, at least, he has been able to look strong and presidential.”
DURING BILL CLINTON’S PRESIDENCY, HE AND HILLARY CLINTON CAMPAIGNED TO MAKE THE ACT OF ORALLY PLEASING THE MALE GENITALIA, LEGALLY CONSIDERED, A NON-SEXUAL ACT; THUS, MANIFESTING GENERATIONS THAT DEFINE, “FELLATIO”, AS, ‘ORAL EXERCISE’, NOT SEX.
The Undecided Voter understands that, Bill Clinton’s bombing of Iraq in December 1998 was widely mocked as ‘Monica’s war’ because he ordered four days of strikes by bombers and cruise missiles at the height of his impeachment trial, during his admission of having a ‘not appropriate’ relationship with Monica Lewinsky. The strikes were officially known as Operation Desert Fox and were ordered the day after the House of Representatives issued a report accusing the president of ‘high crimes and misdemeanors’ then ended on the day the articles of impeachment were passed.
“Duke” By Victor-Hugo Vaca II.
“Slick Willie” is the nickname of Hillary Clinton’s Husband, alleged sex offender and former U.S. President, Bill Clinton.The Undecided Voter understands that, Hillary Clinton is expected to pick Huma Mahmood Abedin for chief of staff if she wins the 2016 Presidential election against Donald Trump.
“A GIRL SIZE HAND NEEDS A GIRL-SIZE PENIS” BY VICTOR-HUGO VACA II.
The Undecided Voter understands that, in 2010, Huma Mahmood Abedin arranged for then-Secretary of State, Hillary Clinton, to speak alongside her mother, Saleha Mahmood Abedin, at an all-girls college in Jeddah, Saudi Arabia.
DONALD TRUMP VS. HILLARY CLINTON
The Undecided Voter understands that, according to a transcript of the speech, Hillary Clinton said Americans have to do a better job of getting past “the stereotypes and the mischaracterizations” of the oppressed Saudi woman. She also assured the audience of burqa-clad girls that not all American girls go “around in a bikini bathing suit.”
CONTEMPORARY ART MEME COMMENTING ON THE BLATANT CLINTON HYPOCRISY THAT SUBJUGATES WOMEN, CHILDREN AND MINORITIES.
The Undecided Voter understands that, at no point in Hillary Clinton’s extended visit, which included a question-and-answer session, did she protest the human rights violations Saudi women suffer under the Shariah laws that Huma Abedin’s mother, Saleha Mahmood Abedin, actively promotes.
“WOMEN AND CHILDREN HAVE A RIGHT TO EXIST IN PEACE.” – VICTOR-HUGO VACA II
The Undecided Voter understands that, Secretary of State, Hillary Clinton, said nothing about the laws barring women from driving or traveling anywhere without male “guardians” while speaking alongside Huma Mahmood Abedin’s hijab-wearing mother, Saleha Mahmood Abedin, at the all-girls college in Jeddah, Saudi Arabia.
“THE DON’T BE A DICK SHOW” WAS CREATED DURING A 90- MINUTE VARIETY SHOW PRODUCED IN FRONT OF A LIVE STUDIO AUDIENCE BY THE MODERN ART MUSIC MOVEMENT.
“The Golden Rule supersedes any proclamation of man-made law because the collective will do the right thing with common sense and love.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II PROMOTES THE GOLDEN RULE AND COMPASSIONATE WEALTH.
The Modern Art Music Movement Examines Mystery And Vandalism, Surrounding The Alleged, “New World Order 10 Commandments”, A.K.A. the,”Illuminati Monument To Population Control”, In The Middle Of No-Where, USA.
The Georgia Guidestones is a granite monument constructed in 1979-80 in Elbert County, Georgia, in the United States. The monument stands at the highest point in Elbert County, about 90 miles (140 km) east of Atlanta, 45 miles (72 km) from Athens, and 9 miles (14 km) north of the center of Albertan. The Georgia Guidestones are visible from Hartwell Highway. Allegedy, this creepy, man-made monument to the annihilation of mankind is on government owned property.
MODERN-ART-GONZO-JOURNALISM PRODUCED BY MAVERICK ARTIST VICTOR-HUGO VACA II AND THE MODERN ART MUSIC MOVEMENT.
10 guidelines are inscribed in eight modern languages, and a shorter message is inscribed at the top of the structure in four ancient language scripts:
Babylonian, Classical Greek, Sanskrit and Egyptian hieroglyphs.
CHINESE CHARACTER GRAFFITI BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Georgia Guide Stones are under 24 hour video surveillance.
CONTEMPORARY ART MEME
The Georgia Guide Stones have been vandalized over the years with spray painted words such as: “You will not succeed. Jesus will beat U Satanist.”, “No One World Government. Death To The New World Order.”, “Obama is a Muslim. The Elite want 80% of us dead. See #1. Inside Job.”, “CFR Scum. Rockefeller sucs. Rothechild sucs.”, “Fuck You read This Rockefeller.”,”Death to the Globalist.”, “Council on Foreign Relations is ran by the devil.”, “Fuck The New World Order.”, “No North American Union. Skull & Bones sucs dick.”
GRAFFITI STREET ART
THE MODERN ART MUSIC MOVEMENT DOES NOT CONDONE VIOLENCE OR VANDALISM IN PROMOTING MODERN-ART-GONZO-JOURNALISM.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM DUE TO STAFF AND BUDGET CUTS.
The newspaper, in its 300-year-long history, was the primary source for news and events. American society depended on newspapers to let them know what was happening and how to prepare for things to come. Since the advent of the Internet, a number of major metropolitan dailies have been shuttered or drastically pruned. This massive decline in Newspaper circulation has led to a Rebirth of Journalism. The way news is transmitted, shared and read have all been transformed.
OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
Maverick Artist Victor-Hugo Vaca II In Front Of Skeletal Remains Of The Miami Herald Building Before It Is Imploded, Bulldozed & Scrapped, Due To Declining Public Trust In Reporting, Declining Sales & Circulation.
What Victor-Hugo Vaca II has manifested, for public consumption, is modern-art-gonzo- journalism. By fusing the style of Salvador Dali’s cryptic artwork, containing hidden messages and clues, with Hunter S. Thompson’s gonzo journalism, he has created a diary of the world on canvas, to tell the untold story of an, alleged, serial-killer spinal-surgeon using money, lawyers and influence to perpetuate his, alleged scheme, of becoming the most prolific serial-killer in history and to warn masses of a small group of home-grown terrorists, disguised as lawyers, judges and lobbyists, who have infiltrated the U.S. Justice system, Congress, Senate and The White House, to undermine the Constitution, in order to actualize the death of democracy and herald a New World Order.
THE INFAMOUS MIAMI HERALD VICTOR- HUGO VACA II U.S. NAVAL ACADEMY ARTICLE THAT EXPOSED WEAK INVESTIGATIVE JOURNALISM OVERLOOKING THE DANGERS OF ENABLING TOXIC LEADERSHIP AND ITS FUTURE IMPACT ON SOCIETY.
On May 24, 1990, The Miami Herald published a story by staff writer, Mike Wilson, titled, “DIARY OF A YEAR IN HELL: The Navy called it ‘plebe year’. Midshipman Fourth-Class Victor Vaca called it harassment.” Besides getting his name wrong in the headline, his birth certificate reads, “Victor-Hugo Vaca Jr.”, The Miami Herald whitewashed the front-page world news story by understating the dangerous impact of breeding toxic leadership at the world famous United States Naval Academy, by training young officers to torture suspects and sexually assault female officers in an elite, powerful, clandestine community. It is no wonder that, recent news headlines indicate, U.S. military leadership problems persist, at the U.S. Naval Academy and other tactical training institutions.
THE SUNDAY CAPITAL ANNAPOLIS, MARYLAND FRONT PAGE ARTICLE SUNDAY MAY 27, 1990 FEATURING QUOTES FROM USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II.
SEE SOMETHING; SAY SOMETHING: Victor-Hugo Vaca II felt it was his patriotic duty, to expose the horrors he witnessed, as a United States Naval Academy Midshipman. He saw leadership training, that eventually led to Abu Ghraib torture and prisoner abuse, as acceptable practice by U.S. military command and he knew that what he had witnessed, was not proper instruction for future commanders of the free world.
VICTOR -HUGO VACA II QUOTED IN THE SUN FRONT PAGE USNA ARTICLE “I TRIED TO STICK UP FOR MY RIGHTS, AND THATS’S WHAT GOT ME INTO TROUBLE.”
Maverick Artist Victor-Hugo Vaca II was a whistleblower, trying to warn mankind, of the dangerous butterfly-effect, abuse of power would have on the future that now exists, in the age of Donald Trump versus Hillary Clinton, where lies are acceptable as truth and honor has all but disappeared, but The Miami Herald chose to present the story as a personal account of hazing instead of focusing on the big picture.
SUNDAY MAY 27, 1990 VOL. 90 NO. 21 THE BALTIMORE SUN FRONT PAGE ARTICLE FEATURING USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II. (REPRINTED FROM MIKE WILSON AP NEWS WIRE MIAMI HERALD KNIGHT RIDDER ARTICLE.)
When Victor-Hugo Vaca II gave The Miami Herald his diary, he trusted editors would see the big picture and focus on the potential global impact of his unique experience; instead, they chose to spotlight minor incidents, like upperclassmen teasing his name. Teasing is a lot different than torture and shortsighted journalists failing to differentiate between the two in foreseeing the long term impacts on society is one example of why public trust has plummeted in news outlets.
USNA Midshipman Officer Victor-Hugo Vaca Jr.
Fast-forward to November 30, 2005, when The Miami Herald published a story by staff writer, Elinor J. Brecher, titled, “ARTIST SAYS CONDO WORKERS DESTROYED HIS ART PROJECT: An artist complained to police that his Hurricane Wilma-related art installation was damaged by somebody making repairs after Hurricane Wilma.” Besides getting Victor-Hugo Vaca II’s name wrong, again, the article failed to mention the fact that the 2005 Miami Art Basel week exhibit, was created to bring worldwide attention to allegations, that Baltimore spinal-surgeon, Dr. Charles Edwards, was more than just a slumlord, he was also, an alleged serial-killer.
THE MIAMI HERALD FULL PAGE ARTICLE FEATURING VICTOR- HUGO VACA JR. -JOURNALISTS AGAIN LOSE PUBLIC TRUST BY COMPLETELY IGNORING ALLEGED SERIAL-KILLER BUILDING OWNER ASPECT OF THE NEWS STORY IN FAVOR OF FLUFF, BECAUSE THE SUSPECT WAS A MAJOR ADVERTISER WITH THE NEWSPAPER.
When Victor-Hugo Vaca II confronted Elinor J. Brecher about this, she said Dr. Edwards legal team had sent a letter to The Miami Herald editors reminding them that he was a long time advertiser with the newspaper and that her series of investigative reports about the notorious Doctor and his trouble plagued North Bay Village monolith, The Grand View Palace, were creating potential harm to there longstanding business relationship.
“I thought newspapers were about reporting news?” Victor-Hugo Vaca II said.
“Wake up!” Elinor J Brecher answered. “Newspapers are a business.”
Crackhead Jesus Is Coming On Miami Herald
She went on to tell Victor-Hugo Vaca II how Miami Herald staff had been worried about losing their jobs based on rumors of a Knight-Ridder buyout by McClatchy and that the newspaper industry, would be decimated by the Internet. In March of 2006, McClatchy assumed about $2 billion in Knight Ridder’s debt when they purchased The Miami Herald and Brecher’s prediction about mobile technology and the Internet transforming newspapers came to fruition.
MAVERICK ARTIST VICTOR-HUGO VACA II, NY BORN FINE ARTIST, CREATES 7,000 SQUARE FOOT GRAFFITI MURAL INSIDE THE HAUNTED HALLS OF THE INFAMOUS MIAMI BEACH ADDRESS OF LEGENDARY HOT SPOTS, LIQUID AND SHOCK NIGHTCLUB, TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD AND ECONOMIC TERRORISM DESTROYING AMERICAN ECONOMY ENABLED BY WEAK INVESTIGATIVE JOURNALISM.
Fast forward, to February 17, 2011, when a Miami New Times article by Michael E. Miller, titled “SHOCK NIGHTCLUB OWNER SKIPS TOWN WITHOUT PAYING HIS BILLS” revealed that Julien Manival nicknamed, “The French Bernie Madoff”, had bragged to El Nuevo Herald, The Miami Herald’s Spanish language sister- publication, that he wanted his patrons’ heads to spin for days from all the special effects in his new nightclub, located at the former address of the legendary Liquid Nightclub.
MAVERICK ARTIST VICTOR-HUGO VACA II INSIDE THE 7,000 SQUARE FOOT MODERN- ART-GONZO-JOURNALISM GRAFFITI MURAL, WRITTEN IN SEVEN LANGUAGES INCLUDING: ARAMAIC, FRENCH, GERMAN, CHINESE AND SPANISH, HE MANIFESTED THROUGHOUT THE HAUNTED HALLS OF THE INFAMOUS LIQUID, SHOCK NIGHTCLUB, WASHINGTON AVENUE, MIAMI BEACH, FLORIDA, ADDRESS.
Having been hired as the official artist of Shock Nightclub by Manival himself, to create, “a world-record sized fine-art-graffiti mural” at the infamous 1437-39 Washington Avenue address on South Beach, Victor-Hugo Vaca II witnessed, first hand, the corruption and dangers to public safety that existed before two separate FBI corruption investigations led to eight individuals charged and arrested in a corruption probe including Miami Beach Code Compliance Officers, Miami Beach Firefighters and a Miami Dade Police Officer.
MIAMI BEACH MAYOR, MATTI BOWER, AND MIAMI HERALD EDITORS KNEW THAT THOUSANDS OF INTERNATIONAL PARTYGOERS WERE IN CLEAR AND PRESENT DANGER OF CEILING COLLAPSE AT 1437-39 WASHINGTON AVENUE, SHOCK NIGHTCLUB, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, BUT NEITHER DID ANYTHING TO GAIN PUBLIC TRUST BY WARNING TRAVELERS AND CONSTITUENTS.
Mayor Matti Bower and Miami Herald Editors had photographic evidence of clear and present danger, including shocking images of a rotting second story dance floor being concealed, without permits, to withstand the weight of hundreds of trusting revelers. Every editor at the Miami Herald was alerted to the dangerous situation being perpetrated by the epidemic of economic fraud and corruption endangering the lives of unsuspecting visitors to Miami Beach and its constituents.
MIAMI HERALD AND MAYOR MATTI BOWER FORFEIT PUBLIC TRUST BY IGNORING CLEAR AND PRESENT DANGER AT POPULAR MIAMI BEACH NIGHTCLUB ADORNED WITH FINE ART AND GIGANTIC GRAFFITI MURAL BY NEW YORK BORN HISPANIC ENTREPRENEUR MAVERICK ARTIST VICTOR-HUGO VACA II.
CBS NEWS MIAMI FILMED THE 7,000 SQUARE FOOT MODERN-ART-GONZO- JOURNALISM GRAFFITI MURAL TITLED, “FLOW”, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE MURAL CONTAINED SUBLIMINAL GRAFFITI IN SEVEN LANGUAGES AND POINTERS, FOR THE INQUISITIVE, PAINTED WITH FINE ART OIL BRUSHES, WITHIN THE LARGE WORDS, THAT TOLD A STORY OF CORRUPTION, FOR SAVVY SOCIALITES, INVESTIGATIVE JOURNALISTS AND THOSE ENTRUSTED WITH PUBLIC SAFETY TO DO THEIR JOB AND CATCH THE CLUES LEADING TO THE REALIZATION OF A CLEAR AND PRESENT DANGER POSSIBLY EXISTING ABOVE THE HEADS OF UNSUSPECTING INTERNATIONAL LUMINARIES AND CELEBRITIES, LIKE LADY GAGA AND RICKY MARTIN, DANCING THE NIGHT AWAY, IN THE VIP SECTION, OF ONE OF THE MOST INFAMOUS CLUBS ON SOUTH BEACH.
For reasons unknown, CBS News producers never aired the footage they obtained from inside of Shock Nightclub but Jenny Scordamaglia (Miami TV, VidBloggerNation), dared to air the following segment on the first season of her show, “Off Limits”, featuring the infamous censored and stolen paintings and 7,000 square foot fine-art-graffiti mural by Maverick Artist Victor-Hugo Vaca II, intended to raise awareness about economic terrorism and the epidemic of economic fraud impacting the global economy.
After a couple of weeks, Shock Nightclub abruptly shut down. When “The French Bernie Madoff”, Julien Manival’s, checks started bouncing, the Frenchman jetted back across the Atlantic, leaving behind over $100,000 in outstanding debts and an unsafe dance floor that could collapse under pressure on hundreds of unsuspecting people.
MONEY TRUMPS PUBLIC SAFETY: THE MIAMI HERALD FAILED TO REPORT UNSAFE STRUCTURE AT THE WORLD FAMOUS, SHOCK NIGHTCLUB, FEATURING DECOR BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Once money became an issue, mainstream media news outlets like, The Miami New Times, began reporting the economic fraud and money laundering taking place between Miami Beach and France. Yet, editors at The Miami Herald failed to publish the photos they had in their possession, of rotting, unsafe, elevated dance floors, in the heart of Miami Beach, where the privileged pay good money to play and party like rock stars, royalty and celebrities in venues like Shock Nightclub, with artistic decor by Florida International University Alumni, Victor-Hugo Vaca II.
THOUSANDS OF WINTER MUSIC CONFERENCE REVELERS FROM ALL OVER THE GLOBE WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT “SHOCK NIGHTCLUB” BECAUSE THE MIAMI HERALD FAILED TO REPORT ON THESE PHOTOS, IN POSSESSION OF MAYOR MATTIE BOWER, SHOWING CONSTRUCTION WORK DONE WITH NO LICENSE OR PERMIT TO SECURE A ROTTING CEILING AND DANCE FLOOR.
The Miami Herald showed their commitment to public trust by dismissing the report. The only article published by the Miami Herald regarding Shock Nightclub was an article, that appeared in the Spanish language newspaper, El Nuevo Herald, noting the exceptional artwork and graffiti created by the New York born Hispanic artist Victor-Hugo Vaca II and heralding Julien Manival, as a nightclub impresario, creating a safe haven for elite patrons and public figures from around the world, in the heart of Miami Beach, Florida.
JET-SETTERS AND WEALTHY GLOBE TROTTERS WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT THE WORLD FAMOUS SHOCK NIGHTCLUB, DECORATED IN GRAFFITI AND FINE ART BY MAVERICK ARTIST VICTOR-HUGO VACA II, BECAUSE THE MIAMI HERALD DISMISSED PUBLIC TRUST IN REPORTING CLEAR AND PRESENT DANGERS TO THE COMMUNITY.
MAVERICK ARTIST VICTOR-HUGO VACA II MASSIVE “FLOW” GRAFFITI MURAL TOWERS OVER PARTY PEOPLE FROM ALL OVER THE WORLD, COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT SHOCK NIGHTCLUB, BECAUSE THE MIAMI HERALD FAILED PUBLIC TRUST, IN FAVOR OF PUBLISHING AN ARTICLE PRAISING THE ARTWORK OF THE MODERN-ART-GONZO- JOURNALIST.
MAVERICK ARTIST VICTOR-HUGO VACA II 7,000 SQUARE FOOT GRAFFITI MURAL TITLED, “FLOW” AND FINE ART BY THE MODERN ART MUSIC MOVEMENT FOUNDER DECORATED THE WALLS OF THE WORLD FAMOUS MIAMI BEACH SHOCK NIGHTCLUB FREQUENTED BY AFFLUENT TRENDSETTERS AND GLOBETROTTING CLUBGOERS.
Fast forward again, this time to September 19, 2013 when the Pultizer Prize winning, Sun Sentinel published two stories about a high-speed chase on a winding, ocean-front, mansion-lined, two-lane road, through an exclusive residential neighborhood, without sidewalks, the day after an innocent victim was killed during another high-speed chase in the Miami Herald readership area and just days before Miriam Carey, was shot to death in D.C., with a 1-year-old girl in her car, after a high-speed car chase. The front-page articles contained quotes from the eyewitness account, of Victor-Hugo Vaca II, which were also given to Miami Herald reporters, who asked for bystander testimony.
‘THE BOOK OF LIFE PASSED ME BY AS I WALKED MY DOG’ BY VICTOR-HUGO VACA II
Neither newspaper mentioned the cavalry of black, grey and blue, unmarked SUV’s, that trembled earth, through the community, known as, “Millionaires Row”, like an endless rumbling freight train, at unsafe speeds, for over forty-five minutes, after the media reported, “two-minute” car chase, was over.
THE MIAMI HERALD REPORTS AN EARTH SHAKING, FORTY-FIVE MINUTE ONSLAUGHT OF HIGH-SPEED UNMARKED CARS RACING THROUGH “MILLIONAIRES ROW” ON A TIGHT, WINDING ROAD, AS A “TWO-MINUTE” CAR CHASE.
The Sun Sentinel Article read:
Victor-Hugo Vaca Jr. was walking his dog Romeo in front of his Hillsboro Beach home when the suspect’s vehicle and patrol cars whooshed past him like a barreling train, he said. Vaca feared for his life and first thought of Medina, he said.
“That’s the first thing that flashed in my mind. The second thing was my dog and my own safety,” he said. “I had enough time to grab his neck back with the leash before he walked into that chaos. It gave me just enough time to react.
“I felt the force of the chase coming towards me. They were coming at such a velocity and there was such a caravan of metal,” he said. “We were stuck in our tracks; we didn’t move.”
A bicyclist on the opposite side of the road jumped off his bike because he was so shaken and told Vaca how terrified he was, he said.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HIS DOG ROMEO.
Roaring past pedestrians on a narrow, winding road at high speeds, for over forty-five minutes, a motorcade of unmarked law enforcement vehicles in one of the wealthiest neighborhoods on earth, recklessly endangered the lives of pets and pedestrians in the name of the law, but that’s not how The Miami Herald reported the incident, witnessed by Hillsboro Beach, Florida resident, Victor-Hugo Vaca II.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM- OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
The Miami Herald made it seem like all the life threatening chaos along “Millionaires Row” ensued over a burglary suspect and never delved deeper into this curious story that begged the questions, “Why would over 60 unmarked cars race through a winding road at breakneck speeds for over forty-five minutes endangering civilians to catch a burglar? What exactly did the suspect steal in the mega-mansion neighborhood, to warrant such an extreme response, from undercover law enforcement and where did all the unmarked vehicles come from?”
WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT ALL-STAR DJ MAMM JAM EVENT FEATURING MAVERICK ARTIST VICTOR-HUGO VACA II.
The painting titled, “Public Trust: The Story of How Miami Herald Circulation Declined”, was created for the promotion of public welfare, live, on-stage, at the 2013 Winter Music Conference (WMC) Sunbreeze Dance Music Festival with All-Star Dj’s including Ron D *8*Lim (Power of Love), DJ Romain, DJ Yass, Nermin, Viktor Simonelli, Patrick Bo, N ‘Dinga Gaba and Neal Fox (Polydor, RCA and Columbia Records recording artist).
MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTING, “PUBLIC TRUST: THE STORY OF HOW MIAMI HERALD CIRCULATION DECLINED”, ON STAGE AT THE WINTER MUSIC CONFERENCE ALL-STAR DJ’S MAMM JAM IN MIAMI BEACH.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH THE POWER OF LOVE, RON D 8 LIM, PERFORM MODERN ART MUSIC MOVEMENT, AT THE WINTER MUSIC CONFERENCE ALL STAR DJ’S MAMM JAM.
The Power Of Love with Ron D 8 Lim has performed at The Winter Music Conference (WMC), FUSE, Detroit Electronic Music Festival, Art Basel Miami and fashion shows for BCBG and Elle.
MAVERICK ARTIST VICTOR-HUGO VACA II PERFORMS WITH RON D 8 LIM AT THE WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT MIAMI MUSIC WEEK MAMM JAM IN MIAMI BEACH FLORIDA.
The Maverick Artist Victor-Hugo Vaca II and Neal Fox (The Conspiracy Project, Deliberate Dumbing Down of America, Fuck The Fed, Thank You, Dan Rather) collaborated on the following video, which premiered at the Miami Music Week Winter Music Conference (WMC) All Star Dj’s MAMM Jam event.
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