Tag: buy art

JEFF BEZOS KILLS PUBLIC TRUST IN WASHINGTON POST AS CNN CRUMBLES ON DAY OF TRUMP FAKE NEWS AWARDS

Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.

Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”

As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.

And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.

“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II

Taharrush CNN EXPOSE RACE BAITING BUSINESS MODEL AT CORE OF FAKE NEWS NETWORK IN DON LEMON ANDERSON COOPER RANTS

January 11, 2018- Educated minorities, immigrants and feminists realized CNN was race baiting when talking heads Don Lemon, Anderson Cooper and other fake news reporters at the propaganda network used the term “Shithole” more than 195 times, against FCC regulations, over gossip of unsubstantiated allegations against President Donald Trump, as the “shithole” of Sweden was crowned “The Rape Capitol of Europe” the racist fake news network failed to mention the word for Muslim Gang Rape Culture, Taharrush, that is exploding across Europe and creeping into the United States.

Educated audiences witness the insincerity of fake feminists like Anderson Cooper and Don Lemon fighting back tears over allegations of the word “shitthole” being used to describe countries like Sweden and Haiti, while completely ignoring the word “Taharrush” which can be witnessed in multiple videos on YouTube, showing women being gang raped by Muslim immigrants in the streets of Europe, as police officers passively stand by, listening to the screams of women being sexually assaulted by packs of men, playing the rape game in public.

By ignoring the actions of men caught on tape sexually assaulting women, over the alleged words of a man describing the condition of countries like Sweden as shitholes, CNN fake news pundits show feminists and minorities how toxic leadership is more concerned with gossip than action.

HOUSTON MAYOR SYLVESTER TURNER AND CRACKHEAD JESUS EXPOSE DANGERS OF TOXIC LEADERSHIP IN AMERICA.

Democrat Mayor Embodies Character Censored By Facebook And Instagram.

Needy Latino’s, Blacks and other minorities, banding together with their White Brothers and Sisters in Houston, Texas, to survive a natural disaster, compounded by a man-made catastrophe, built on hubris and ignorance, have recognized the massive incompetence displayed by toxic Democratic party leadership, hell bent on destroying the American Dream, for everyone but the top one-percent, of U.S. constituents. If Houston Mayor, Sylvester Turner, to spite Donald Trump, put politics over the safety of his trusting constituency and ignored dire warnings from experts and the Republican Governor of Texas, Greg Abbott, then, Mayor Turner is, by definition, a crackheadjesus.

The world has now twice witnessed toxic Democratic party leadership, order police and citizens to stand down and be victimized, by man and mother nature, rather than evacuate and protect the weakest of citizens, in two deadly, dramatic instances, in the states of Texas and Virginia, within the past two months, fueled by political warfare, waged against Republicans, by Democrats.

Both illogical commands to, ‘stand down’, by the highest ranking toxic Democrat party leadership were given without consideration or deference to common sense and rather than erring on the obvious side of caution, Houston Mayor, Sylvester Turner, issued a death sentence, to trusting constituents ordered to stay at home and take shelter in place, versus, evacuating to higher ground. Houston Mayor Sylvester Turner, days before the arrival of Hurricane Harvey tweeted, “please think twice before trying to leave Houston en masse.” His plea came shortly after Governor Abbott held a news conference urging Gulf Coast residents to pack up and leave, whether or not their cities are under evacuation orders.

The compounded chaos, induced by the Democratic Mayor, has allegedly been created for no other reason, than to spite the Trump Presidency. On August 24, 2017 at 6:30 PM, the day before Hurricane Harvey made landfall in Texas, Houston Mayor Sylvester Turner proclaimed to his constituents, publicly on Twitter, “Ignore unfounded, unsourced weather predictions that have needlessly frightened Houstonians. Get info from trusted outlets. @HoustonOEM”

Needy-Latino’s and Super-Predators don’t need to be racist to realize that CNN is fake news and toxic leadership, both Democrat and Republican, come in all colors, from politically correct social environments, that breed and promote life-threatening incompetence. By mocking Mother Nature’s wrath and ignoring fact based warnings from experts, days before Hurricane Harvey hit Houston, Mayor Sylvester Turner, forcefully manifested a Hurricane Katrina-effect, so that fake news media, like CNN and MSNBC, could manipulate facts, in their obvious attempt to damage and impede, the beleaguered United States President’s ability, to govern and lead, in times of conflict and natural disaster, so that the United States could implode, because it’s good for ratings and ad revenue.

The United Slaves of America and Houstonians who survive Hurricane Harvey, will never forget that Democratic Mayor Sylvester Turner, for sake of politics, sacrificed lives, to ensure dire, long-term consequences, for disenfranchised American refugees, created by a swiftly swirling butterfly-effect of negative-impact, seeping into outlying areas of Texas, in waves of humanity.

Lack of concern for collateral damage, by toxic military and government leadership, at the highest levels, clearly indicates a dangerous, subversive, political-warfare happening, that the silent-majority of minorities can witness and relate to, from their experience with gang conflicts, in urban jungles.

The inexcusable and irresponsible actions of both Mayor Mike Signer, in Charlottesville, Virginia, and Houston Mayor, Sylvester Turner, exemplify the kind of orders, that would be given by the censored fictional character, Crackhead Jesus, to ignite a race war, in the controversial modern-art-graphic- iNovel, that warns of a dangerous lack of competent leadership in America, inspired by modern-art-gonzo-journalism, from The Victor-Hugo Collection, that begot the award-winning cult-film, “Crackhead Jesus: The Movie”, produced by the Modern Art Music Movement, during a seventy-two hour marathon movie making competition, in Delray Beach, Florida.

“The problem is not leadership in America. The problem is, in favor of political correctness, an overwhelming amount of toxic leadership, has become status quo in the U.S.”- Victor-Hugo Vaca II

Midshipman Officer Victor-Hugo Vaca II

IS FACEBOOK CEO MARK ZUCKERBERG RACIST?

Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.

Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?

Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?

This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.

The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.

In the New World Order, being created by social media, an educated minority asks:

Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?

If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?

If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?

Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.

Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.

MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.

“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II

Maverick Artist Victor-Hugo Vaca II

Happy Herald Cover Story Titled If A Picture Is Worth A Thousand Words The Artwork Of Victor Hugo Vaca II Speaks Volumes.

http://www.happyherald.com/article-746-victor-hugo-vaca-jr.html

SUFFOLK TIMES COVERS CRACKHEAD JESUS AS CBS REPORTS FAKE NEWS BALLOON BOY

BALLOON BOY EXPOSES FAKE NEWS WHILE CBS NEW YORK SUPPRESSES WARNING OF ATTACKS ON FIRST AMENDMENT THAT LEAD TO LOVE GRAFFITI. How The Maverick Artist Victor Hugo And President Barack Hussein Obama Mutual Admiration Of Rat Dog Manifested A Modern Art Music Movement.

“Love Graffiti” By Victor-Hugo Vaca II.

On the day Balloon Boy exposed fake U.S. news , for what it is worth, Victor-Hugo Vaca II was interviewed by a CBS New York reporter, for a segment on the CBS Evening News, questioning why police issued the artist a citation for displaying a bumper sticker on his BMW that proclaimed, “Crackhead Jesus is coming”.

As Victor-Hugo Vaca II headed to the Rat Dog concert afterwards, police and Secret Servicemen swarmed the artist and corralled him along with everyone on the block into a corner, behind barricades, for over an hour.

News crews surrounded Victor-Hugo Vaca II as he stood next to a man holding a cardboard sign that introduced him as RocOpera. The WPIX Newscaster at the scene, informed Victor-Hugo that his “1st Amendment story on CBS evening news never aired”. According to Wanda, a CBS New York producer, the fake news of Balloon Boy had pre-empted the canary-in-the-coal-mine of free speech in America documented in a Suffolk Times article by Erin Schultz titled, “Pulled Over In The Name Of Crackhead Jesus?“. The newspaper article records the following:

Traveling artist says Southold police officer profiled him.

A bumper sticker bearing the phrase “Crackhead Jesus is coming” got an author pulled over in Southold last month, the man told The Suffolk Times.

Victor-Hugo Vaca Jr., a multimedia artist formerly of Brooklyn who now calls the road home, said that Southold Town Police Officer Frank Lyburt violated his First Amendment rights by pulling him over Oct. 11, simply because the officer was offended by the bumper sticker on Mr. Vaca’s rear windshield.

“I wasn’t speeding and I knew there was nothing wrong with my car,” said Mr. Vaca, 39, noting that the sticker is a promotional tool for his graphic novel, “Crackhead Jesus.”

The bumper sticker in question, which Mr. Vaca described as a ‘promotional tool’ for his upcoming graphic novel ‘Crackhead Jesus.’

“[The officer] said he was doing me a favor by handing me that ticket, the same way someone knocks on your door on a Sunday morning, saying you’re wicked for not going to church.”

The wandering author, who claims to have traveled across the country raising awareness of issues not typically covered in mainstream media, said he was ticketed while driving to the Hampton International Film Festival to promote “Crackhead Jesus,” the story of a man who went to work one day high on crack and told his co-workers that they were his disciples.

“[The sticker] has nothing to do with Jesus Christ,” Mr. Vaca said. “It has to do with the modern devils out there.”

Southold Town Capt. Martin Flatley said the ticket issued to Mr. Vaca is a valid summons, adding that there is a section in vehicle and traffic law that prohibits “the placing of posters or stickers on windshields or rear windows of motor vehicles.”

“I believe Officer Lyburt might have stopped the driver for another violation but ended up writing him this summons,” Capt. Flatley said. “This section of law may not be written often, but it is a valid section. This is part of the officer’s discretion when performing a traffic stop.”

Mr. Vaca said Officer Lyburt appeared very upset with the bumper sticker after he scanned his Florida license.

“He came back to my car and asked me, ‘What’s the deal with the Crackhead Jesus sticker?'” Mr. Vaca said. “Here I am, a white guy in a BMW with all this fancy artwork in the back, and for the first time, I felt what it was like to be profiled.”

Mr. Vaca made an appearance in September at Rock the Harvest, a concert held in Southold to benefit The Retreat of East Hampton.

“So I’m in town to help raise money for battered women, and I get mistaken for a guy spitting in the face of God,” he said. “I went to Southold to do good work, and I leave getting punished.”

Mr. Vaca said he plans to drive back to Southold from Florida — where he is attending a music festival in Miami — to fight the ticket.

“So many people are apathetic — they’ll just pay the ticket and get it over with, but that’s the problem,” he said. “I’m not just going to pay this ticket. I’m going to take a chance to look deeper into this.”

Reporters informed Victor-Hugo Vaca II that because President Barrack Hussein Obama is a fan of Rat Dog, everyone on the New York City Street next to the concert venue, were detained against their will, in zones, by Police and Secret Service agents, to protect President Obama, while he attended the first half of the Rat Dog concert.

Victor-Hugo Vaca II missed the first-half of the Rat Dog show because of President Obama. However, as a result of their mutual appreciation of Rat Dog and The Grateful Dead, this Modern Art Music Movement™ work of art was born.

As seen being manifested in the Modern Art Music Movement™ MAMM Music Video, “Crackhead Jesus: Shake The City”, Produced, Directed and featuring the Maverick Artist Victor-Hugo with music By RocOpera.

Behind The Scenes: On set with the Maverick Artist Victor-Hugo, RocOpera, Joanne Togati and Paparazzi.

Portions of the music video were filmed inside the Gulfstream Park Racing and Casino in Hallandale Beach, Florida.

Behind The Scenes: RocOpera on MI-VI set with the Maverick Artist Victor-Hugo.

Portions of the music video were filmed inside the legendary MI-VI Nightclub, as seen on tv news and in print newspapers.

Maverick Artist Victor-Hugo, RocOpera and filmmaker, Chris Alonso, inside, “The Labyrinth Of Creativity Miami”.

Portions of the music video were filmed inside Victor-Hugo Vaca Jr.’s production studio in Miami known as, The Labyrinth of Creativity Miami.

Behind the scenes, with filmmaker Victor-Hugo.

Behind the scenes, with RocOpera and director Victor-Hugo Vaca II.

Behind the scenes with filmmakers Victor-Hugo Vaca II, Chris Alonso, Mike McGill and Paparazzi.

HAPPY EASTER Modern Art Gonzo Journalism Vintage Series Christmas Card Lampoons Santa Clause And Coca Cola As Plantation Capitalism Marketing Icons In A New World Order Consumed With Fake News Gender Fluid Millennials Voter Fraud And 9/11 Conspiracy Theorists.

“Happy Easter” By Victor-Hugo Vaca II

Girl meets boy who used to be a girl but is not gay or bisexual.

Girl becomes boy and falls in love with boy who used to be a girl but is not gay or bisexual.

The two boys marry at the National September 11 Memorial & Museum surrounded by straight, gay, lesbian, bisexual and transgender friends.

The minister is Santa Clause.

Santa Clause was paid minimum wage to marry the two boys so he felt it was justified to steal a Coke from the lavish reception at The Waldorf Astoria.

In the shadows of the Twin Towers, the Terrier made his voice heard, as Santa sipped his booty, while placing gifts for the newlywed naughty boys, under the Christmas tree.

“Happy Easter and Merry Christmas.” – Victor-Hugo Vaca II

Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR HUGO AND SAX LEGEND LEO CASINO USE MODERN ART MUSIC MOVEMENT AT SAINT JOHNS CHURCH TO HELP HEALTHCARE IN HAITI AFTER EARTHQUAKE.

On June 26, 2010, I found myself kneeling in front of a giant, golden cross, as the souls of Haiti earthquake victims passed through my frantic, swirling hands onto a blank canvas, in a multi-colored expression of strength and humility at Saint John’s Church. While transmitting the whisper of ghosts in a choir of Light Workers singing, “Haiti Will Rise”, I channeled the heartfelt conviction of a small nation, that fought slavery and won, into an artistic statement of hope.

Maverick Artist Victor-Hugo Vaca II MAMM Jamming At Saint Johns Church.

I heard wavelengths and frequencies in bright colors, as the spotlight shone on the Modern Art Music Movement™ fusing art and music to tell stories on a blank canvas that document the wisdom of ages, in the form of modern-art-gonzo-journalism, in front of a large multi-cultural audience, gathered peacefully, inside a Holy place of worship.

Leo Casino and Victor-Hugo Vaca II perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.

As I channeled the wisdom of ages and felt the word think emerge under a cross emerging from a perfect circle, I saw eternity and realized why art transcends politics, religion, gender and race. In nature, art is, because art is life.

The word, “Think”, emerges beneath the golden cross as the Maverick Artist Victor-Hugo creates modern-art-gonzo-journalism on the alter of Saint Johns Church with Leo Casino in front of a live audience as film crews document the Modern Art Music Movement™(MAMM) event.

The Maverick Artist Victor-Hugo paints under cross on alter of St. John’s Church.

As I worked to raise hope and money under the sign of the cross, I thought of the road to redemption and how easy it is to lose faith, in the day to day struggle, of our human condition. Song elevated my spirit to capture, in art form, the beautiful chaos that surrounds us all, in an attempt to awaken the realization that our souls are eternally connected in the multi-universe.

The Maverick Artist Victor-Hugo shares stage with Leo Casino, Fabian Dominique & Friends at St. John’s Church Modern Art Music Movement™ MAMM Jam for Haiti.

When introduced, on stage during performances I am often invited to participate as part of the band during the encore. For me, it is a dreaded highlight because I am introverted off-stage and do not consider myself worthy of performing, as a musician who plays piano, drums, guitar and sings with such music industry legends but on stage I am the Maverick Artist Victor-Hugo and I realize the show must go on, so I throw fear and insecurity aside to immerse myself in the moment, thus becoming the confident artist musician.

The Maverick Artist Victor-Hugo overcomes stage-fright to become part of the band, with Fabian Dominique, Leo Casino and El Electrico, on percussion, at Saint John’s Church.

When I find myself singing a hit song on stage with musicians that have sold millions of records around the world, I am too stunned to be nervous and overwhelmingly relieved when I recognize the song enough to know the lyrics and beat.

The Maverick Artist Victor-Hugo interacts with audience from the alter of St. John’s Church.

When given the opportunity to speak in front of crowds, I try to keep things real but I also try to keep things positive, by reminding everyone that, everything is everything and nothing is nothing. Nothing is by chance. We are all connected. Live, love, flow. Shine.

Chris Phashion, Maverick Artist Victor-Hugo Vaca II and Leo Casino at St. John’s MAMM Jam to benefit Haiti.

Some think it is ironic that the creator of “Crackhead Jesus: The Movie” has spoken before audiences at places of worship. I don’t, because the inspiration for the award-winning film was, “Redemption: The Story of The Crackhead Jesus Trials”, a modern day parable for the Lied To Generation based on actual events, which I created to promote The Golden Rule and promulgate compassionate wealth.

The Maverick Artist Victor-Hugo sandwiched between a sage man and Muse.

Poster For Leo Casino Haiti Will Rise Concert featuring The Maverick Artist Victor-Hugo & The Modern Art Music Movement.

Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.

“An artists’ life consists of sex, parties and lucid intervals of recognition, within the zeitgeist, communicated through conscious effort and action.” – Victor-Hugo Vaca II

Maverick Artist Victor-Hugo Vaca II

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.

HAITI MUSE EXAMINES THE CLINTON FOUNDATION CORRUPTION AND ITS IMPACT ON HURRICANE MATTHEW. How Secretary Of State Hillary Clinton Ignored Conflict Of Interest To Benefit From Tragedy.

In the years following the 2010 Haiti earthquake, The Clinton Foundation reportedly raised $30 million for relief projects, but locals say that the promises made by Bill and Hillary Clinton never fully materialized.

Haitian survivors who trusted, Secretary of State Hillary Clinton, to make good on her promises, to rebuild, have been left vulnerable and living in shanty structures, six-years after the catastrophic natural disaster. Victims point to luxury hotels that were allegedly constructed with The Clinton Foundation relief funds, to benefit the country’s ruling establishment, as the Category 4, Hurricane Matthew, rumbles towards Haiti, with expected wind gusts of 170MPH.

“HAITI MUSE” (36X48) UNIMPRESSED CAT, INSPECTS WORK IN PROGRESS, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

Secretary of State Hillary Clinton, despite the obvious conflict of interest, decided to contract with The Clinton Foundation to provide for the relief effort in Haiti, following the 7.0 magnitude earthquake that left over 316,000 people dead and over 1.5 million survivors, destitute, while struggling with a deadly outbreak of cholera. According to the former Senate President of Haiti, Bernard Sansaricq, The Clinton Foundation stole billions from the Haiti relief fund.

“HAITI WILL RISE” (33X52) CREATED IN 2010, AT THE ST. JOHN’S CHURCH, MODERN ART MUSIC MOVEMENT™ (MAMM) HAITI RELIEF CONCERT, FEATURING SAX LEGEND LEO CASINO AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.

Haitians, like Dhoud Andre of the Commission Against Dictatorship, have accused Bill and Hillary Clinton of duplicity, malfeasance, and theft. “We are telling the world of the crimes that Bill and Hillary Clinton are responsible for in Haiti.” Andre said.

As Secretary of State, Hillary Clinton, was in charge of allocating the $3.9 billion U.S. aid to Haiti. Bill Clinton was the designated UN representative for aid to Haiti. Together the Clintons controlled the flow of over $14.5 billion in aid donated to Haiti from around the world.

Astute Haitians noticed that a number of companies that received contracts in Haiti happened to make large donations to The Clinton Foundation. Haitian relief deals appeared to be a quid pro quo for filling the coffers of the Clintons.

For the first time in 50 years, Haiti awarded two new gold mining permits and one of them went to the company that had hired Hillary’s brother, Hugh Rodham, who mysteriously found himself on the advisory board of a U.S. mining company called VCS. In October of 2013, despite his never having any mining experience, VCS brought Hugh Rodham on board to help secure a valuable gold mining permit in Haiti. He was promised a “finder’s fee” if he could land the contract and sure enough, with the help of his sister, Secretary of State Hillary Clinton, he did.

MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER. THIS PHOTO CAUSED “THE CLINTON MACHINE” TO INSIST THAT INSTAGRAM CENSOR AND DELETE THE PERMANENT DIGITAL FOOTPRINT OF THE MAVERICK ARTIST VICTOR-HUGO VACA II ON THE POPULAR SOCIAL NETWORK.

The Hugh Rodham mining deal provoked outrage in the Haitian Senate. “Neither Bill Clinton nor the brother of Hillary Clinton are individuals who share the interest of the Haitian people,” said Haitian mining representative Samuel Nesner. “They are part of the elite class who are operating to exploit the Haitian people.”

“Bank of America stole my money and The Clinton Machine censored my Instagram account.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

“MUSE FOR HAITI”(38X53) MANIFESTED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE HAITI MEMORIAL MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM, FEATURING TITO PUENTE JR., AS SEEN ON TV.