FOR IMMEDIATE RELEASE- August 23, 2018. AMERICAN PRINTING MONOPOLY USES POLITICAL CORRECTNESS TO CENSOR NEW YORK BORN HISPANIC ARTIST, VICTOR-HUGO VACA II, BEFORE MIDTERM ELECTIONS IN USA. What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
Maverick artist Victor-Hugo Vaca Jr. claims the much anticipated modern-art-graphic-novel series inspired by Florida Case Number 50-2006-CC-016579, dubbed, “The Crackhead Jesus Trials”, by mainstream media news outlets, has been censored by a powerful United States corporation, whose owner deemed the Latin author’s content to be inappropriate for the “men, women and children employed by the company”, according to PRC Book Printing CEO, Jacob Hope.
It appears a corporate monopoly of communication is subversively using political correctness to veil racism that effectively muzzles the voice of a Hispanic-American citizen, described by the USA Today Network as an, “Artist. Author. Filmmaker. Journalist. Maverick. Revolutionist.” , from publishing his highly anticipated “diary of the world on canvas”.
The fact that a print media monopoly is arbitrarily censoring books, before they ever get printed in hardcover, for copyright and registration into the United States Library of Congress, should alarm both capitalists and Constitutionalists alike. This frightening reality begs the question: “Why are the most powerful companies in the world, suddenly, so threatened by an independent Hispanic-American author from Queens, New York, that they are willing to lose business in order to silence him?”.
The sharp decline of newspaper readers and bookstores in America has decimated the printing industry, leaving only two companies, to produce high-quality, hardcover books, in the United States. This reality has manifested a racist business model, disguised in political correctness, that enables top notch printing monopolies, to mute strong Latin voices, by sweeping minority authors into a ghetto of publishing mediocrity.
In his explanation for why the Hispanic-American authored book is being suppressed, in violation of the First Amendment and anti-discrimination laws, the PRC Book Printing CEO claims that “children” are employed by the printer, to examine material that is about to be released and quell any parts that are considered, obscene or politically unacceptable.This business model enables the printer to arbitrarily censor free speech and eliminate any historical records deemed offensive, such as The Spanish Inquisition, slavery in America or the Crackhead Jesus Trials, by refusing to accept payment, from any independent minority business owners, seeking to self-publish historical-fiction and modern-art-gonzo-journalism, through interstate commerce, in the United States.
The contentious saga titled, “Redemption: The Story of The Crackhead Jesus Trials-Part II: The Second Coming of The Three Muses.”, by New York born Hispanic multi-media artist, Victor-Hugo Vaca II, was scheduled for release as a Limited Edition First Print Collector’s Item in time for the start of the 2018 Christmas shopping season, as a unique stocking stuffer, sold in select markets, after a prototype was successfully test marketed, during Art Basel Miami, in 2017 and later featured in a 2018, Vigore Chicago Magazine, cover story.
The planned mid-September 2018 roll-out of the first in a series of ten modern art graphic novels, about the origin of modern-art-gonzo-journalism and the Modern Art Music Movement, is now on hold, indefinitely, due to the crippling stranglehold printing press monopolies have in the United States to dictate culture and control speech. Whether the controversial series, over ten years in the making, will ever be published, is now in question, as the epidemic of censorship in the United States muzzles the voice of outspoken minorities that dare to speak truth to power.
The Supreme Court case of Jack Phillips, a Colorado baker who refused to make a custom cake for a same-sex-couple echoes the hardcover book printers, denial of service to one of the most influential artist’s of the 21st Century, Hispanic-American author, Victor-Hugo Vaca II. The difference in incidents being, the number of bakeries available to same-sex couples, versus the number of hardcover book printers made available to minority customers in the United States is a huge gap that makes it impossible, for independent minority-owned small businesses to publish thought provoking literature, in hardcover fine print. This unlawful action deprives minorities the right to reach a wide audience of intellectuals, craving unique political perspectives, before critical midterm elections in the United States.
In 2017, the Slants won a Supreme Court, First Amendment battle, that made world headlines, including Amsterdam’s, deVolkskrant Newspaper. The verdict enabled Victor-Hugo Vaca Jr. to apply for trademark of “Crackhead Jesus”, after initially being rejected, several times, by the United States Patent and Trademark Office, which labeled the fictional title character, “rude, disgusting, vulgar and offensive”.
Having overcome a series of free-speech obstacles, including an infamous incident wherein The Palm Beach Post, on October 29, 2010, inexplicably used “nine question marks” to redact the title of Vaca’s award-winning film, “Crackhead Jesus: The Movie”, when it screened alongside Stanley Kubrick’s “A Clockwork Orange” and “Pink Floyd’s The Wall” at the Modern Art Music Movement Midnight Cult Movie Series in Lake Worth, Florida, the dogged artist claims that he is determined to get his book published, even if it means taking a discrimination case to the Supreme Court.
Palm Beach Post Movie Listing 10/29/2010
The envelope pushing Hispanic-American author planned several book signings at select retailers across America including New York City, Brooklyn, Queens, New York, Miami, Marco Island, Naples, Fort Myers, Venice, Florida, Myrtle Beach, South Carolina, and Austin, Texas, before receiving news that the printer refused to honor his signed contract or accept payment in full, from the Latino artist, without any written explanation as to what content was deemed by someone in production to be “inappropriate” and why.
In a letter dated August 23, 2018 from Jacob Hope to Victor-Hugo, the following is stated, “My sincerest apologies. PRC Book Printing itself does not have issues with the files we received and would be happy to print your book if we had the ability. Unfortunately, our third-party printer, which we use for jobs with short turnaround times such as yours, is unwilling to produce your book due to some of the content.”
The alternative, according to Hope, is to buy hardcover books from China and postpone release of the revolutionary modern-art-graphic-novel series, produced by the Modern Art Music Movement, as a means of documenting history, through works of fine contemporary art, some of which, were manifested live, on stage, at “MAMM Jam Happenings” across America, orchestrated and choreographed by the multimedia artist, Victor-Hugo Vaca II, creator of modern-art-gonzo-journalism and founder of the Modern Art Music Movement, alongside legends in the music industry, seeking to raise awareness and spread compassionate wealth, through artistic charity benefit concerts.
So, what’s the takeaway for every American Citizen, regardless of race, creed or color?
That a U.S. company, responsible for documenting history and culture in print, would willfully turn business over to China, begs the question: What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
“The subtle racism of colonial capitalism enables print communication companies to censor the voice of outspoken Hispanic-American artists documenting history in the United States during revolutionary times.” – Victor-Hugo Vaca II
Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.
Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?
Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?
This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.
The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.
In the New World Order, being created by social media, an educated minority asks:
Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?
If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?
If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?
Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.
Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.
“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
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