Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.
Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.
“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.
“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.
“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.
According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.
CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.
The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.
MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.
Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.
“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.
Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.
“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.
Maverick Artist Victor-Hugo Reflects Upon His Unique Experience As A Finalist, In “The Best Comic Standing Competition”, At The New York Comedy Club.
As an artist, I see no limitations, only challenges. Therefore, when I heard from friends in the entertainment industry that doing stand up comedy, in front of a live audience, is one of the most challenging things to do, if not the most difficult, in the business of entertainment, I realized I had to find out for myself, if this was, in fact, true. So, I convinced the owner of the New York Comedy Club, to let me enter “The Best Comic Standing Competition” in spite of warnings from the owners and seasoned stand-up comic professionals, that the audience would literally, eat me alive and throw me off stage, if my inexperience showed, in the least bit, during my performance as a comedian.
DETAIL FROM, “THE VIRGIN MARY AND LAMBCHOP VISIT AMSTERDAM”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Part of being an artist is learning how to fail, because failure comes with risk and without risk, there is no progress and progress comes from learning to cope with the experience of disappointment and without disappointment, an artist can never experience success.
An artist, should always be smart enough to fear failure but strong enough to realize, that hard work and study of craft can minimize the risk. Therefore, as an artist, I listened to the sound advice of modern masters I have met, in my curious passage through this blessed, spectacular lifetime.
When I lived in Beverly Hills, California, I met “The Diceman”, Andrew Dice Clay, and at first I thought he was being insulting when, in front of his manager at a pizza shop on Rodeo Drive, he told me, “If you want to be Hollywood, Victor-Hugo, you have to act Hollywood.”
As a wayward artist, living in the 90210 zip code, The Diceman’s words threw me into a brief but deep depression, that caused me to soul search, while walking the streets of Hollywood alone. Eventually, I ended up at The Backstage Cafe, in Beverly Hills; Ian Copeland’s legendary, hole-in-the-wall club, frequented by the likes of Herbie Hancock, Slash, Sting, Elizabeth Hurley, Sharon Stone, Dr. Dre and Tom Hanks, where L.A.’s top musicians often show up, to jam on their off nights. While trying to make sense of what I perceived to be, Andrew Dice Clay’s insult to my face, Bill Maher, the celebrated comic, spilled a drink on me, while walking upstairs, to the VIP section, at The Backstage Cafe. Mr. Maher immediately apologized and graciously offered to by me a drink. I accepted his offer and joined Bill Maher at his table for an unforgettable learning experience, surrounded by Hollywood aristocracy, that would forever change my worldview and life, as a maverick artist.
At the end of the day, upon reflection, I realized The Diceman had done me a huge favor, because the meaning of what he said sunk in to the fiber of my being and opened my eyes to the reality that there are no rules in art. I learned that Hollywood is an illusion that exists within reality and to be a true artist, I must convey the tangible reality of illusions to audiences clearly and succinctly.
I never thought I would make it to the finals of a stand-up comedy competition but then again, I never thought I would earn my living as an artist, either. I was supposed to be a Doctor, dutifully serving my country and Brothers In Arms, in the United States Navy, after graduating from the prestigious, world famous, leadership laboratory in Annapolis, Maryland known as, the U.S. Naval Academy.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II (USNA CLASS OF 93)
Alas, life has a funny way of happening when you least expect it and so I found myself, alone, on a beautiful beach in Florida, practicing my stand-up comedy routine, in front of an audience of sharks and fish, in the ocean.
JANUARY 2012 HAPPY HERALD FEATURING COVER STORY ON BEACHFRONT PROPERTY OF THE MAVERICK ARTIST VICTOR- HUGO VACA II
For six years, God blessed me with the opportunity to live on a pristine beachfront property on Millionaires Row in Florida.
HAPPY HERALD ARTICLE DESCRIBING THE LABYRINTH OF CREATIVITY ON THE BEACH, WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II LIVED AND BREATHED ART, IN NATURE.
The surrounding, undeveloped area, afforded me the unique opportunity to soak in the inspiration of my natural environment, without the clutter of distractions, chaos and noise from the outside world.
OASIS THAT PROVIDED SERENITY AND INSPIRATION FOR THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MATURE AS AN ARTIST.
I created masterpieces and developed my stature as a modern-art-gonzo-journalist reflecting on the human condition through the Modern Art Music Movement (MAMM).™
ARTICLE DESCRIBING THE LIFESTYLE OF MAVERICK ARTIST VICTOR-HUGO VACA II.
For hours and days before my performances, I studied comics at home, on tv and practiced the timing and nuances of my carefully crafted routine, in front of the flying fish and circling nurse sharks, that served as my captive audience, in the ocean. I figured, if the sharks didn’t bite and the fish were jumping, it meant my comedy routine wasn’t half bad.
BEACH WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II PRACTICED HIS STAND UP COMEDY ROUTINES CAN BE SEEN IN THIS REAL ESTATE AD.
To my amazement, I made it past the first couple of rounds and into the finals of “The Best Comic Standing” competition. It’s not that I doubted myself, because I had practiced and was sure of my ability, at least in front of the fish and sharks, but the New York Comedy Club competition was full of lifelong talent, that graciously embraced me as a newcomer on the comedy circuit and I didn’t think I could compete against such seasoned professionals, all I was looking for was the experience, to be quite honest.
Winning posed a new set of problems, because it meant having to come up with seven minutes of new material every week, to move on to the next round and I wasn’t sure the fish and sharks could take any more of my nonsensical babbling every day in practice. The secret of stand up comedy is making the scripted material seem off-the-cuff. That, and winning the audience over immediately, for if you don’t have the audience in the palm of your hand, within the first fifteen seconds of your performance, the remaining time on stage will seem like an eternity in hell, for anyone attempting to do stand up comedy.
An angry audience can make a great white shark seem like Santa Clause and scar an artist for life, if one is not prepared to fall hard, on the sharp knife of failure, without a safety net. Stand up comedy is not for the insecure, timid or faint of heart but I can honestly say it was one of the most thrilling and rewarding experiences of my remarkable life. In closing, I will say this, when people laugh at you, it hurts to the very core of ones soul, which is why bullying is so dangerous and unacceptable in any civil society; on the flip side, one of the most satisfying things in life is to witness people laughing with you, it warms my heart to see people smile.
The following is footage from one of my performances at The New York Comedy Club during “The Best Comic Standing Competition”. I understand there is footage of my other stand up performances, floating around somewhere, in the ether of the internet, and if I ever find those clips, I will gladly share them with you as well, if you wish.
In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.
Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.
“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)
Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.
“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)
For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.
“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)
The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.
RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.
The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).
‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)
When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.
“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)
“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”
“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:
Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
Jane Wieidlin – Musician (The Go-Go’s), Actress (Bill & Ted’s Excellent Adventure)
Dave Wakeling – Musican (Lead Singer The English Beat, General Public)
W. Nelson Lewis – Media maven, TV Personality (FOX News Greta Live Wire), Journalist, Television Producer (FOX News Laura Ingraham Show, FOX News Greta Van Susteren, GOLF Channel)
Michael Posner – Movie Maven, Delray Beach Film Festival Founder
Roger A. Bauman – Wolfsonian Museum Advisory Board Member, Entrepreneur, Business Mogul (Baumann Cosmetic Dermatology)
Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.
In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”
MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.
The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.
DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.
The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.
THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.
Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.
THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.
The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.
THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.
Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.
THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.
“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”
The fusion of art, music, film, fashion and literature fostering peace, love and compassionate wealth, worldwide.
Modern Art Music Movement
MAMM Mission Statement
Through the active participation in:
The Victor-Hugo Collection LLC, including fine art originals, limited edition reproductions, lithographs of artwork created by Victor-Hugo Vaca II at MAMM jams and novelty items such as t-shirts, hats, clothing, postcards, etc.
MAMM Film Production Company producing movies, documentaries and series inspired by MAMM books, art and future content for other filmmakers that share the MAMM vision.
MAMM Music Production Company producing original soundtracks for film and book series by musicians that share the MAMM vision.
MAMM publishing division, “Redemption: The Story of the Crackhead Jesus Trials.” Series, “The Greatest Love Story Ever Told or How I Took A Chance and Gambled on Love.” including future writings.
MAMM teaching guides and curriculum implementing MAMM programs in schools around the world.
Modern Art Music Movement
History/Background
The Modern Art Music Movement™ (MAMM) is the umbrella company for The Victor-Hugo Collection LLC that includes fine art originals, limited edition reproductions and lithographs of artwork created by Victor-Hugo Vaca II. The Victor-Hugo Collection visual arts catalog exceeds 1,000 original contemporary fine art paintings, sketches, drawings, modern-art-gonzo-journalism and Modern Art Music Movement™ Rock n’ Roll memorabilia. The Maverick Artist Victor-Hugo Vaca II, MAMM and The Victor-Hugo Collection has been showcased internationally on every major broadcast television network including ABC, NBC, CBS, FOX, Univision, Telemundo and in cover stories, editorials, and featured articles from China to Iceland and the United States, in major magazines and newspapers including: NY Arts Magazine, China Arts Magazine, Art Fairs International, Vigore Chicago Arts Magazine, The Miami Herald, The New York Times, New York Newsday, The Baltimore Sun, The Washington Post, Sun Post, The Sun Sentinel, The Marco Island Sun Times, Naples News, Miami New Times, Gulf Breeze News, The Annapolis Capital, Tampa Bay Times, The Observer, El Nuevo Herald, Centro Tampa, The Happy Herald, Phoenix Arizona Republic Newspaper, St. Maarten Today Newspaper and de Volkskrant Holland Amsterdam Press to name a few.
Modern Art Music Movement
What is MAMM? The Modern Art Music Movement™ most commonly known as MAMM is an international coalition of artists, musicians, filmmakers, and professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally covered in mainstream media. The Victor-Hugo MAMM Jam Collection includes fine art manifested at Modern Art Music Movement™ MAMM Jam Happenings created alongside legends in the music industry and signed by Rock n’ Roll icons such as John Rzeznik of the Goo-Goo Dolls and John Waite of Bad English and The Babys.
The Modern Art Music Movement™ affords artists an opportunity to capture history on canvas as Rorschach interpretations of mixed-media happenings that fuse live music with performance art and movies at multi-media events called “MAMM Jams”.
Modern Art Music Movement
What are MAMM Jams? Modern Art Music Movement™ Happenings, known as “MAMM Jams”, are organized events, wherein the Maverick Artist Victor-Hugo performs live on stage as part of the band or alongside a DJ, interpreting musical wavelengths and frequencies in color, on canvas, to the rhythms and beats of music industry icons and legends who, collectively, have sold over half a billion albums and singles around the world. The first official documented Modern Art Music Movement™ “MAMM Jam Happening” occurred December 5, 2006 during Art Basel Miami Week at the grand opening of Area 51 nightclub in downtown Miami, Florida where the Maverick Artist Victor-Hugo Vaca II created a fifteen-foot-tall, twenty-five-foot long mural titled, “Don’t Believe the Truth”, in front of a live audience, alongside world famous Dj’s throughout a grueling twenty-four-hour painting marathon.
Modern Art Music Movement
How does MAMM work for communities? MAMM fuses art and music to inspire creativity, compassionate wealth, cooperation, clear communication and conflict resolution while spreading a message of peace, love and hope to the masses. MAMM envisions synthesizing art, music, film, fashion and literature as a way to foster compassionate wealth worldwide. Sponsored MAMM Jams amalgamate live mixed media performance art with all genres of music including but not limited to: Rock-n-Roll, Pop, Opera, Latin, Country, Folk, Rap, Hip-Hop, Heavy Metal, and Electronic Dance Music (EDM) in promoting cultural exchange, while dynamically cultivating constructive creativity and building global goodwill. MAMM utilizes art, fashion, film, literature and education to promulgate positive messages through a platform where art serves as a neutral focal point.
The MAMM Film Production Company produces movies/television series and internet content inspired by MAMM books while the Music Production Company produces original soundtracks for film and book series. The education sector of MAMM produces teaching materials, guides and curriculum exemplifying ways to implement MAMM programs in schools and educational systems around the world.
MODERN ART MUSIC MOVEMENT (MAMM)- THE FUSION OF ART & MUSIC.
The Modern Art Music Movement™ (MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events, to raise awareness about social issues not normally covered in mainstream media and to introduce new talent and promote compassionate wealth, through art and education, using cutting-edge technology.
MODERN ART MUSIC MOVEMENT (MAMM) – THE FUSION OF ART & MUSIC
The Modern Art Music Movement fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order. Spread the word. Live-Love-Flow-Shine.
MODERN ART MUSIC MOVEMENT – THE FUSION OF ART AND MUSIC
MODERN ART MUSIC MOVEMENT (MAMM) – THE FUSION OF ART AND MUSIC.
“Just because you listen to music, watch movies and have style does not make you ignorant of the fact that the Emperor, dancing naked in front of you, is not wearing any clothes; no matter how hard anyone tries to convince you otherwise, with stale bread and circus: Open your mind to the truth that lies within the art and soul of music.” – Victor-Hugo Vaca II
MODERN ART MUSIC MOVEMENT (MAMM)- THE FUSION OF ART AND MUSIC
On the set of “Crackhead Jesus – The Music Video” Performed by The Baker Act with Maverick Artist Victor-Hugo Vaca II as seen at The Modern Art Music Movement™ Halloween Midnight Cult Movie MAMM Jam as promoted in this rare, classic, vintage, cult-movie commercial featuring the song, “Crackhead Jesus” from the award-winning, audience-favorite, cult-film about the origins of modern-art-gonzo-journalism produced by the Modern Art Music Movement™.
“Voting for a rigged system, is voting for something other than a true democracy.” – Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
WEALTHY, EDUCATED, AFRICAN-AMERICANS & HISPANICS, SUPPORT DONALD TRUMP “In God & Trump We Trust To Audit The Federal Reserve & Stop Corruption In Banks”, SAY 95% Of INTELLIGENT BLACKS & HISPANICS IN RECENT NEWS-MEDIA POLLS.
This noir graffiti modern-art-gonzo-journalism series, emerges from the Senior Managing Director’s office at Bear Stearns Headquarters to remind the world why The Clinton Machine and Wall Street are spooked at the tsunami of potential, accountability of corporate and government leadership, facing global banking behemoths, taunting “too-big-to-fail” rhetoric, in the face of growing global populous, awakening to the harsh reality of extremism disguised as political-correctness and severe social-economic-disparity on Earth, under the rule of less than one percent of the human population, that is actually running the show of government, disguised as Democracy, in the New World Order, exposed by Bernie Sanders and Donald Trump.
GRAFFITI SPEAKS TRUTH TO POWER
Using ignorance as an excuse for usury and corruption of public trust by The Clinton Machine and its immediate members, fuels distrust amongst more than just the one in four Americans who have been arrested for less than Hillary Clinton, or, Wall Street Bank CEO’s, operating under a shadow government that emboldens and favors the privileged few, with a special Rule Of Law, that shelters them from accountability, for any of the criminal acts being perpetrated onto the generational burden of human beings, 99% of which, are not afforded the same, dangerously unique privilege, as bestowed upon The Clinton Machine 1%, by unseen, unelected forces, outside of human nature, decency and common sense.
“The Bear Stearns Kiss: Feed Them Sweets & Tell Them Lies” By Maverick Artist Victor Hugo Vaca II
Though the bank accounts of Clinton Machine members and Above-The-Rule-Of-Law-CEO’s may be full and bloated beyond human comprehension, their soul currency is rapidly depleting into dark matter, in the multi-universe of life, where souls flow freely like dreams and nightmares through the eternal consciousness of human being.
BEAR STEARNS KISS GETS MESSY WHEN WIKILEAKS REVEALS CLINTON MACHINE WALL STREET EMAILS
“THE HILLARY CLINTON MACHINE: DEAR SANTA, I DON’T TRUST BARACK HUSSEIN OBAMA OR HILLARY RODHAM CLINTON. SIGNED, THE UNITED SLAVES OF AMERICA.” BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Clinton Machine and its influence on Wall Street is examined through the kaleidoscopic imagination of a Hispanic, modern-art-gonzo-journalist, born and bred in and around New York City and trained at the world famous leadership laboratory in Annapolis, Maryland, the United States Naval Academy (USNA).
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
Modern-art-gonzo-journalism for Millennials and The Lied To Generation to digest over time, as seen through the trained eyes of a veteran USNA Midshipman Officer and NY graffiti artist, creating public works of fine art around the world, in an atmosphere of rapidly declining journalistic integrity and public trust in mainstream-media-news outlets, that have proven themselves to be, on more than one documented occasion, fake and biased in reporting fantasy and opinion, as news, without merit, or boorishly fabricating headlines for shareholder profit and political gain.
The Bear Stearns Kiss- Feed them Sweets & Tell Them Lies, Like Hillary Clinton; Or, Feed Them Mountain Do And Send Them To Bed, Like Bernie Sanders: Donald Trump Is A Racist Nazi & Everything is Okay, So Don’t Worry, Because, Black Lives Matter & We’ll Be Right Back, After These Words From Our Sponsors.
If one were to believe biased news outlets, with self-interests, working in collusion with The Clinton Machine, as documented in the “Wikileaks-DNC-Clinton-Machine-E-Mail Dump”, Donald Trump, allegedly, makes Adolph Hitler look like Michael J. Fox and Satan look like Ellen DeGeneres.
Hillary Clinton & Bernie Sanders Inside The Clinton Machine On Wall Street Away From People In Streets With Pitchforks & Torches Drinking Mountain Dew And Eating PEZ Candy Out Of The Mouths Of Talking Heads On CNN, MSNBC & FOX.
The Undecided Voter hears Bernie Sanders say, “Defeat the Devil by electing Satan.”
WWCHJD? WHAT WOULD CRACKHEAD JESUS DO?
Which is why, CNN, NBC, CBS, PBS and other news outlets, through self-serving pundits of all sexes, religions, colors and sizes, would have The Undecided Voter believe, that the obvious vote for U.S. President in 2016 is for the Devil, also known as, Hillary Clinton, versus Satan, or Donald Trump.
WWCHJD? WHAT WOULD CRACKHEADJESUS DO? ROCK THE VOTE FOR CHANGE IN STATUS QUO OR EMBRACE IT.
According to the DNC emails, revealed by Wikileaks, for populous consideration of thought, under the leadership of Debbie Wassermann Schultz, in Florida, the infamous penis-shaped-state in America, that introduced the world to, “The Crackheadjesus Trials” (CASE # 502006CC016579), the seemingly innocuous Florida Court decision that unwittingly exposed dangerous electoral process loopholes and a glaring lack of oversight, over The Florida Bar, with serious, long-lasting, Constitutional implications, emanating out of the broken Florida Justice System; some Atheist’s or Jews in Southern Baptist areas of the United States, are fans of Satan, because they just don’t realize how nice the Devil can be, when run through the mystifying Clinton Machine.
MIDNIGHT CULT FILMS: A CLOCKWORK ORANGE, CRACKHEAD JESUS: THE MOVIE, & PINK FLOYD’S: THE WALL
Crackheadjesus: a character that has become synonymous with hypocrisy, corruption and bad behavior, in the urban dictionary of the English vernacular. The fictional character inspired the award-winning Modern Art Music Movement™ production titled, “Crackhead Jesus: The Movie”.
CRACKHEADJESUS /CRACK-HEAD- JESUS/ noun 1. a contemptibly obnoxious person, jerk 2. a person who indulges in hypocrisy, hypocrite 3. a person or force seen as opposing Christ, Antichrist, a person or thing regarded as supremely evil or as a fundamental enemy or opponent, devil, satan.
“So, the moral of the story is: Don’t be a crackheadjesus. Do the right thing. Live by The Golden Rule and love one another. Redemption is not impossible. Live-Love-Flow-Shine.” -Victor-Hugo Vaca II
ALL LIVES MATTER IN THE MULTI-UNIVERSE: OUR SOULS ARE ETERNALLY CONNECTED MAVERICK ARTIST VICTOR-HUGO VACA II & TG ARIS (R.I.P.) {SICKLE CELL AWARENESS}
BEHIND THE SCENES BONUS IMAGES:
Oftentimes, the only people who ever get to read the secrets and subliminal messages left behind by artists, for future generations to digest from works of art, are: museum curators, gallery curators, fine art auctioneers, or collectors of artwork.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA II (FEATURED IMAGE)
Every once in a while, within The Labyrinth Of Creativity that encompasses The Victor-Hugo Collection, you will read such secrets revealed in the back of modern-art-gonzo-journalism creations.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA JR (FROM THE BEAR STEARNS KISS SERIES)
“Poll driven policy versus the reality of truth, in favor of political correctness and greed, does not appeal to the common sense of humans, Millennials or The Undecided Voter, it only fuels the death of democracy, in favor of oligarchy and plutocracy to rule over the United Slaves of America.” – Victor-Hugo Vaca II
New York Born Hispanic Maverick Artist Victor Hugo Vaca II Interviewed By Christa Creedon Campbell At Gerry Kelly Miami Beach Lux Party (9-25-10) Photo Credit James Echols (Soul Of Miami)
Society thrives when people feel good about each other. When people fail to trust government or journalism, it is a sociological bellwether of impending revolution.
Tampa Bay Times Biased Reporting In Favor Of Hillary Clinton Inspires-Modern-Art-Gonzo Journalism With Super-Long Title (BACKSIDE OF FEATURED ARTWORK)
When Bernie Sanders tells The Undecided Voter, to vote for Satan in order to defeat The Devil: Charles Koch agrees with Bernie Sanders and sees Hillary Clinton as a better evil than Donald Trump; One must wonder, what the new normal will be by the end of 2016. To find out, follow the cash money, around the world, through The Clinton Foundation, Wall Street Banks and the magical, mystical, Clinton Machine.
THE WALL STREET CLINTON MACHINE RIGGED DEMOCRACY.
“Once the FBI and Attorney General make the decision to prosecute, it’s often to the fullest extent of the law — unless, of course, you are Hillary Clinton, or CEO of a too-big-to-fail-corporation, like Kiwi Airlines, Bank of America, General Motors, Chase, or Wells Fargo Bank.”- Maverick Artist USNA Midshipman Officer Victor-Hugo Vaca Jr.
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Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
The Modern Art Music Movement (MAMM) 
