Exclusive Press and VIP preview December 1-7 in Miami, Florida during Art Basel Miami Art Week 2017. Call 954-655-7629 for information.
World headline grabbing saga, banned on Facebook, Instagram, and MSNBC “Redemption: The Story of the Crackhead Jesus Trials- Part II: The Second Coming of The Three Muses” modern art graphic novel premieres December 25, 2017, in select markets.
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.
On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.
MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR
The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:
“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.
To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.
It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.
The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.
Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.
Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”
MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.
Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.
Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.
MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II
CRACKHEAD JESUS HERALDS ANARCHY IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD FOR PRIVILEGED ELITE VS AVERAGE CITIZEN.
As a worldwide audience watches the violent results, of the U.S. justice system, collapsing under the weight of toxic government leadership, enabled by fake news media, that fails to hold anyone accountable for the blatant, Rule Of Law double standard, that has become, the new normal in America, James Comey, sets a dangerous precedent for everyone, by lying to Congress, undermining the Constitution and teaching all Americans, including Needy Latino’s and Super Predators, that the racist Democratic Party, in collusion with weak mainstream media news outlets, while under the toxic leadership of Barrack Hussein Obama, who preached hope as a false prophet, that denied his own Mother and his white heritage, in favor of undermining the Black community, for profit, alongside Loretta Lynch, Eric Holder and the Clinton Machine mafia, that 0.01% of people in America can get away with murder and everything else, while the other 99.99% of the United Slaves Of America, live under strict Rule Of Law.
MODERN-ART-GONZO-JOURNALISM PAINTING CREATED BY VICTOR-HUGO VACA II IN 2009 PROPHESIED A MODERN CIVIL WAR IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD.
No justice, no peace.
When the head of the FBI, James Comey, became investigator, prosecutor, Judge and jury; minorities, who have been through the broken U.S. Justice system, took notice: ‘Needy Latino’s’ and ‘Super Predators’ knew instinctively, without propaganda, from mainstream media news outlets, that something was definitely wrong with the picture of Attorney General Loretta Lynch, in a private plane, on an Arizona airport tarmac, with Bill Clinton, days before an FBI investigation, into Hillary Clinton, was closed, without proper procedure, inquiry or prosecution referral.
The FBI, under the toxic leadership of James Comey and the justice system, under the toxic leadership of Loretta Lynch, destroyed public trust in U.S. Rule of Law, by undermining the Hillary Clinton investigation. A multicultural mob of constituents is awakening to the fact, that the U.S. justice system is rigged, in favor an elite hand-full of people, who rule the world, like Crackhead Jesus, with a, ‘do as I say, not as I do’, philosophy.
On March 3, 2009, Modern Art Music Movement (MAMM) Founder, Victor-Hugo Vaca II, sent the following “Letter To The Editor” to major international news outlets, including USA Today, in defense of the controversial, Winter Music Conference (WMC) Modern Art Music Movement, “Crackhead Jesus Cab” campaign, wherein a fleet of over fifty taxi cab’s drove through Florida during the Christmas season carrying an ominous message for residents and sun drenched tourists from around the world:
“Survival is based on common values and beliefs, not color. I learned that first-hand, at the U.S. Naval Academy and Prep School, in the 80’s and 90’s, when the military purged all maverick Alpha males out of service and left toxic leadership in command.” – Victor-Hugo Vaca II
U.S. Midshipman Officer Victor Hugo Vaca II
Dear Editor,
What do the hens do when the fox is guarding the hen house? Wake up, media! Crackhead Jesus is coming.
For years, news outlets have ignored warnings of the cataclysmic butterfly effect created by the dangerously low standard of competency and ethics for lawyers – those who grow up to be senators like Roland Burris or judges like Donald W. Hafele.
The controversial iNovel, Redemption: Episode One – The Story of the Crackhead Jesus Trials, was created to avoid threats of censorship from lawyers who did not want me to disclose the fact that I, unwittingly, discovered that lack of competency and ethics for lawmakers would lead to an economic disaster of global proportions.
Ladies and gentleman, now we are here. Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers.
Follow the trail of Judge Donald W. Hafele – from his appointment by Jeb Bush to the little known, three-member Fairness of Elections Committee in 2000, the year Democracy died, to the Jerod Miller case in which Judge Hafele publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.
After several documented warnings to Governor Charlie Crist’s office about the Judge’s corrupt fiber of being, Crist elevated Judge Hafele to a Circuit Court, where he now threatens the environment by creating a calculated delay in the Everglades’ case.
Why should anyone care about this? Because of the butterfly effect.
Elected representatives are ignoring the fact that no oversight exists over some of the 50 states’ Bar associations and that has lead to the breakdown of democracy – and is now set to breakdown the global environment for generations to come.
Elected representatives are ignoring the fact that a legal mafia exists in the United States, and it will not make things better.
With my birth name of Victor-Hugo Vaca Jr., my Web sites have gone viral on the Internet. Those who Google Victor Hugo, Modern Art, Judge Hafele, Conde and Cohen will be lead to the truth about what is really going on in this country.
Students from all over the world have begun to cite me in their school projects because I share the name of the great French revolutionary, Victor Hugo. The youth of our nation have given me a powerful voice, thanks to their ability to think outside of the box.
Clear Channel has agreed to post billboards and banners exclaiming, “Crackhead Jesus is coming (‘http://www.crackheadjesus.com‘)” during the Winter Music Conference in Miami Beach. I am not spending my money to create chaos or blaspheme any religious figure but rather to let the world know that the new Victor-Hugo has done his part in history as a patriot to defend and uphold democracy by thinking outside of the box and not with mere rhetoric.
Flow,
Victor-Hugo Vaca Jr.
The Maverick Artist
ACCORDING TO COX COMMUNICATIONS, THE “CRACKHEAD JESUS CABS” WERE SO EYE CATCHING, EXECUTIVES CLAIM IT WAS ONE OF THE MOST SUCCESSFUL AND EFFECTIVE AD CAMPAIGNS, IN MARKETING HISTORY.
Mainstream media censored, “Crackhead Jesus”, which has since become part of the vernacular, representing a breakdown in the system, but with the advent of cell phone camera’s, tourists from around the world were able to disseminate images of the curious cabs globally, thus circumventing news media censorship and getting the message across that, civil unrest was coming to the United States, due to a breakdown in the U.S. justice system that favors elites over the 99% of law abiding citizens in America.
CRACKHEAD JESUS CAB AT HILTON HOTEL IN SOUTH BEACH, MIAMI, FLORIDA.
When President Barrack Hussein Obama laundered cash to pay ransom for hostages to the number one supporter of terrorism, Iran, it sent a signal to the world that the United States was prepared to negotiate with evil.
CRACKHEAD JESUS CAB BEING PHOTOGRAPHED BY TOURISTS IN MIAMI BEACH, FLORIDA.
When FBI Director James Comey condoned acts of treason by Hillary Clinton, it signaled to the world that the United States government and justice system, is corrupt from the top down.
CRACKHEAD JESUS CAB LETS TOURIST OUT IN FRONT OF MAC STORE IN MIAMI BEACH, FLORIDA.
When the United States Attorney General, Loretta Lynch failed to prosecute Secretary Of State, Hillary Clinton for acts of treason, it signaled to the American public that there is a clear Rule Of Law double standard for the elite 1% in America.
CRACKHEAD JESUS CAB, IN FRONT OF THE GAP, NEXT TO PORSCHE, ON COLLINS AVENUE, IN MIAMI BEACH, FLORIDA.
“Before you trust lies that spring up as news, trust your instinct and fact check, using the critical thinking skills God gave you.” – Maverick Artist Victor-Hugo Vaca II
STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.
THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.
STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.
STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.
The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.
SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.
“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN
NEW YORK TIMES GRAFFITI STICKER TAGS.
“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.
CHINATOWN STREET ART
The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.
STREET ART YBOR CITY
“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.
STICKER TAG
A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.
THOUGHT PROVOKING STICKER ART
“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman
MIAMI GRAFFITI STICKER ART
Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.
STREET ART MIAMI BEACH
“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.
“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN
“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN
SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.
“Allegedly Leon was a pimp. ” – DB BURKEMAN
CHICAGO STREET ART
“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN
Miami Beach Street Art
“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN
St. Petersburg Street Art
“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart
COCONUT GROVE STREET ART
In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.
MIAMI STREET ART
The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.
NEW YORK STREET ART
“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN
NEW YORK STREET ART
“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN
CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS
“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN
CHICAGOSTREET ART
“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN
CHICAGO STREET ART
“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN
MIAMI DESIGN DISTRICT STREET ART
“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN
SOUTH BEACH STREET ART
“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN
STICKER SLAPPING
“Topps are the American Sticker Gods” – DB BURKEMAN
STICKER TAGGING
“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN
STREET ART BETHLEHEM
“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN
STREET ART YBOR CITY
“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN
STICKER BOMB
“It’s anti-media, anti-established art world.” – Poster Boy
SLAP TAGGING
“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN
NEW YORK STREET ART
R. Stanton Avery created the first self-adhesive sticker in the 1930’s.
ADHESIVE STICKER ART
In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.
NEW JERSEY STREET ART
“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman
STREET ART CHICAGO
“Stickers rule.” – Shepard Fairey
STICKER TAGS
“When I pause to think about it, stickers have changed my life.” – Shepard Fairey
STICKER SLAP
“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey
STICKER BOMB
“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey
STICKER TAG
“I wanted stickers as badges of my culture.” – Shepard Fairey
STICKER BOMB
The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.
CHICAGO STREET ART
“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey
NEW YORK STREET ART
“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey
MIAMI BEACH STREET ART
“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey
CHICAGO STREET ART
“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey
STICKER BOMB
“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey
CHICAGO STREET ART
“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey
SLAP TAGGING
“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey
STICKER SLAPPING
“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey
CHICAGO STREET ART
“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey
MIAMI BEACH STREET ART
“It amazed me just how liberating and easy sticking was.” – Shepard Fairey
STICKER SLAPPING
“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey
CHICAGO STREET ART
From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.
GRAFFITI STICKER ART
To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.
STICKER TAG
The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.
THE DOORS, JIM MORRISON, GRAVE.
The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.
THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.
The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.
CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.
During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.
STICKER BUM
“Crackheadjesus is coming and he doesn’t pull out.”
-MAVERICK ARTIST VICTOR HUGO VACA II
THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.
The Undecided Voter Asks, “Is Bank of America stealing little bits of money from millions of voters living paycheck to paycheck who don’t have time or resources to fight back?”
Usury is, the lending of money at exorbitant interest rates; specifically: the crime of charging or contracting to charge an unlawfully high rate of interest.
BANKER BULLIES.
Essentially, usury is the practice of making unethical or immoral monetary loans that unfairly enrich the lender.
UNITED SLAVES OF AMERICA BANK WITH BANK OF AMERICA.
Some of the earliest known condemnations of usury come from the Vedic texts of India.
BANK OF AMERICA FOREGOES PUBLIC TRUST IN FAVOR OF PROFITS
The three Abrahamic faiths; Judaism, Christianity and Islam, all take a very firm stance in condemning usury, especially when lending to the poor and destitute.
USURY IS SO EVIL, THE THREE BIGGEST RELIGIONS ON EARTH FROWN UPON IT.
In collaboration with single mothers living paycheck to paycheck and elementary schoolchildren, New York born Hispanic artist, Victor-Hugo Vaca II is documenting, in the voice of The Undecided Voter, the story of how Bank Of America handled the case of a customer who did not realize the little known fact that, Bank of America is not only a bank, but also, a debt collector, without a functioning grievance system, for victims of third party error.
THE UNDECIDED VOTER
After perusing “The Panama Papers”, The Undecided Voter decided to call Bank of America, to inquire about an inexplicably missing ninety-eight cents, from a customer savings account and a $100.00 bank fee made in error and never rectified.
UPON CLOSE INSPECTION, THE MAVERICK ARTISTS SIGNATURE, VICTOR HUGO VACA JR., CAN BE SEEN INSIDE EVERY LETTER OF THE WORD USURY.
The Undecided Voter notices that nearly one year after being reported on May 13, 2015, Bank Of America management and representatives can not offer a clear, concise explanation, in writing, as to what happened to the missing money entrusted to Bank Of America by a customer, represented in the crossover work of modern-art-gonzo-journalism titled, “The Bank Of America Stole My Money Series”, as a single mother, trying to make ends meet in the Age Of Donald Trump And Hillary Clinton.
BANK OF AMERICA STATEMENT USED AS CANVAS TO EDUCATE CHILDREN ABOUT ECONOMICS.
In , “The Bank Of America Stole My Money Series”, Maverick Artist Victor-Hugo Vaca II has created a popular series of paintings using Bank of America statements, subliminally incorporating the names and phone numbers of Bank of America leadership and staff entrusted with customer service.
BANK OF AMERICA STATEMENT, USED TO LET CHILDREN KNOW, THAT GOVERNMENT AND NEWS MEDIA, ARE DOING NOTHING EFFECTIVE, TO PREVENT THEIR PARENTS FROM BEING FLEECED, BY UNREGULATED, BAILED OUT, WALL STREET BANKS.
Nick Nehemas, investigative reporter at the Miami Herald, and his editor are privy to information regarding this general public interest banking business story in a year of election which investigates the question being asked by some constituents; “Is Bank of America stealing little bits of money from millions of voters living paycheck to paycheck who don’t have time or resources to fight back?”
CRUMBLING MIAMI HERALD BUILDING SHOWS IMPOTENCE OF NEWSPAPER’S ABILITY TO INVESTIGATE AND REPORT VITAL INFORMATION FOR SUBSCRIBERS.
The ugly reality of this allegation is being examined in collaboration with single mothers and schoolchildren who have all contributed to the works of modern-art-gonzo-journalism being created in, “The Bank Of America Stole My Money Series”.
IS BANK OF AMERICA SYPHONING SMALL AMOUNTS OF MONEY FROM UNSUSPECTING, OVERBURDENED, CUSTOMERS AND THEIR CHILDREN?
“Bank Of America: Usury” (18×24) 10-31-09 (oil/acrylic)
“BANK OF AMERICA: USURY” BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Panama Papers revealed what everyone already knows: The current broken banking system favors the 0.01% at the expense of the 99.99%.
DETAIL FROM THE LETTER, “U”, IN THE WORD, “USURY”, FEATURING SUBLIMINAL SIGNATURES IMBEDDED IN EVERY LETTER OF THE WORD.
THE STATUS QUO.
“Media that answers to the people, is more powerful than media that answers to corporate interests.”, is what the Maverick Artist Victor-Hugo reminds young adults, who are learning to use common sense, outside of school and trust their instincts, over believing everything dictated as truth, by mainstream media news outlets, sponsored by Wall Street behemoths and corrupt political parties.
“Banks do whatever they want, in a system of plantation capitalism, where working people, children and women, do not matter. Why? Because common wealth in the status quo, is determined by the belief that some people, are expendable.”
– MAVERICK ARTIST VICTOR-HUGO VACA II
MAVERICK ARTIST VICTOR-HUGO VACA II Founder of the Modern Art Music Movement(MAMM).
“Voting for a rigged system, is voting for something other than a true democracy.” – Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
WEALTHY, EDUCATED, AFRICAN-AMERICANS & HISPANICS, SUPPORT DONALD TRUMP “In God & Trump We Trust To Audit The Federal Reserve & Stop Corruption In Banks”, SAY 95% Of INTELLIGENT BLACKS & HISPANICS IN RECENT NEWS-MEDIA POLLS.
This noir graffiti modern-art-gonzo-journalism series, emerges from the Senior Managing Director’s office at Bear Stearns Headquarters to remind the world why The Clinton Machine and Wall Street are spooked at the tsunami of potential, accountability of corporate and government leadership, facing global banking behemoths, taunting “too-big-to-fail” rhetoric, in the face of growing global populous, awakening to the harsh reality of extremism disguised as political-correctness and severe social-economic-disparity on Earth, under the rule of less than one percent of the human population, that is actually running the show of government, disguised as Democracy, in the New World Order, exposed by Bernie Sanders and Donald Trump.
GRAFFITI SPEAKS TRUTH TO POWER
Using ignorance as an excuse for usury and corruption of public trust by The Clinton Machine and its immediate members, fuels distrust amongst more than just the one in four Americans who have been arrested for less than Hillary Clinton, or, Wall Street Bank CEO’s, operating under a shadow government that emboldens and favors the privileged few, with a special Rule Of Law, that shelters them from accountability, for any of the criminal acts being perpetrated onto the generational burden of human beings, 99% of which, are not afforded the same, dangerously unique privilege, as bestowed upon The Clinton Machine 1%, by unseen, unelected forces, outside of human nature, decency and common sense.
“The Bear Stearns Kiss: Feed Them Sweets & Tell Them Lies” By Maverick Artist Victor Hugo Vaca II
Though the bank accounts of Clinton Machine members and Above-The-Rule-Of-Law-CEO’s may be full and bloated beyond human comprehension, their soul currency is rapidly depleting into dark matter, in the multi-universe of life, where souls flow freely like dreams and nightmares through the eternal consciousness of human being.
BEAR STEARNS KISS GETS MESSY WHEN WIKILEAKS REVEALS CLINTON MACHINE WALL STREET EMAILS
“THE HILLARY CLINTON MACHINE: DEAR SANTA, I DON’T TRUST BARACK HUSSEIN OBAMA OR HILLARY RODHAM CLINTON. SIGNED, THE UNITED SLAVES OF AMERICA.” BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Clinton Machine and its influence on Wall Street is examined through the kaleidoscopic imagination of a Hispanic, modern-art-gonzo-journalist, born and bred in and around New York City and trained at the world famous leadership laboratory in Annapolis, Maryland, the United States Naval Academy (USNA).
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
Modern-art-gonzo-journalism for Millennials and The Lied To Generation to digest over time, as seen through the trained eyes of a veteran USNA Midshipman Officer and NY graffiti artist, creating public works of fine art around the world, in an atmosphere of rapidly declining journalistic integrity and public trust in mainstream-media-news outlets, that have proven themselves to be, on more than one documented occasion, fake and biased in reporting fantasy and opinion, as news, without merit, or boorishly fabricating headlines for shareholder profit and political gain.
The Bear Stearns Kiss- Feed them Sweets & Tell Them Lies, Like Hillary Clinton; Or, Feed Them Mountain Do And Send Them To Bed, Like Bernie Sanders: Donald Trump Is A Racist Nazi & Everything is Okay, So Don’t Worry, Because, Black Lives Matter & We’ll Be Right Back, After These Words From Our Sponsors.
If one were to believe biased news outlets, with self-interests, working in collusion with The Clinton Machine, as documented in the “Wikileaks-DNC-Clinton-Machine-E-Mail Dump”, Donald Trump, allegedly, makes Adolph Hitler look like Michael J. Fox and Satan look like Ellen DeGeneres.
Hillary Clinton & Bernie Sanders Inside The Clinton Machine On Wall Street Away From People In Streets With Pitchforks & Torches Drinking Mountain Dew And Eating PEZ Candy Out Of The Mouths Of Talking Heads On CNN, MSNBC & FOX.
The Undecided Voter hears Bernie Sanders say, “Defeat the Devil by electing Satan.”
WWCHJD? WHAT WOULD CRACKHEAD JESUS DO?
Which is why, CNN, NBC, CBS, PBS and other news outlets, through self-serving pundits of all sexes, religions, colors and sizes, would have The Undecided Voter believe, that the obvious vote for U.S. President in 2016 is for the Devil, also known as, Hillary Clinton, versus Satan, or Donald Trump.
WWCHJD? WHAT WOULD CRACKHEADJESUS DO? ROCK THE VOTE FOR CHANGE IN STATUS QUO OR EMBRACE IT.
According to the DNC emails, revealed by Wikileaks, for populous consideration of thought, under the leadership of Debbie Wassermann Schultz, in Florida, the infamous penis-shaped-state in America, that introduced the world to, “The Crackheadjesus Trials” (CASE # 502006CC016579), the seemingly innocuous Florida Court decision that unwittingly exposed dangerous electoral process loopholes and a glaring lack of oversight, over The Florida Bar, with serious, long-lasting, Constitutional implications, emanating out of the broken Florida Justice System; some Atheist’s or Jews in Southern Baptist areas of the United States, are fans of Satan, because they just don’t realize how nice the Devil can be, when run through the mystifying Clinton Machine.
MIDNIGHT CULT FILMS: A CLOCKWORK ORANGE, CRACKHEAD JESUS: THE MOVIE, & PINK FLOYD’S: THE WALL
Crackheadjesus: a character that has become synonymous with hypocrisy, corruption and bad behavior, in the urban dictionary of the English vernacular. The fictional character inspired the award-winning Modern Art Music Movement™ production titled, “Crackhead Jesus: The Movie”.
CRACKHEADJESUS /CRACK-HEAD- JESUS/ noun 1. a contemptibly obnoxious person, jerk 2. a person who indulges in hypocrisy, hypocrite 3. a person or force seen as opposing Christ, Antichrist, a person or thing regarded as supremely evil or as a fundamental enemy or opponent, devil, satan.
“So, the moral of the story is: Don’t be a crackheadjesus. Do the right thing. Live by The Golden Rule and love one another. Redemption is not impossible. Live-Love-Flow-Shine.” -Victor-Hugo Vaca II
ALL LIVES MATTER IN THE MULTI-UNIVERSE: OUR SOULS ARE ETERNALLY CONNECTED MAVERICK ARTIST VICTOR-HUGO VACA II & TG ARIS (R.I.P.) {SICKLE CELL AWARENESS}
BEHIND THE SCENES BONUS IMAGES:
Oftentimes, the only people who ever get to read the secrets and subliminal messages left behind by artists, for future generations to digest from works of art, are: museum curators, gallery curators, fine art auctioneers, or collectors of artwork.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA II (FEATURED IMAGE)
Every once in a while, within The Labyrinth Of Creativity that encompasses The Victor-Hugo Collection, you will read such secrets revealed in the back of modern-art-gonzo-journalism creations.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA JR (FROM THE BEAR STEARNS KISS SERIES)
“Poll driven policy versus the reality of truth, in favor of political correctness and greed, does not appeal to the common sense of humans, Millennials or The Undecided Voter, it only fuels the death of democracy, in favor of oligarchy and plutocracy to rule over the United Slaves of America.” – Victor-Hugo Vaca II
New York Born Hispanic Maverick Artist Victor Hugo Vaca II Interviewed By Christa Creedon Campbell At Gerry Kelly Miami Beach Lux Party (9-25-10) Photo Credit James Echols (Soul Of Miami)
The 3 Soldiers: Great White Hope In Midst Of Turmoil In The Middle East
“The Three Soldiers” By Victor-Hugo Vaca II (28×52) Oil on canvas. 1-22-05. As seen in NY Arts Magazine article by Kate Hickey.
NY Arts / China Arts Featuring Victor-Hugo Vaca Jr. Exhibit With Jeff Koons At Broadway Gallery In Soho, Manhattan, New York Feb. 2006 Article by Kate Hickey
Excerpt from Kate Hickey article titled, “Continue To Descend.” featuring “The Three Muses” by Maverick Artist Victor-Hugo Vaca II on the top right corner of the page:
MAVERICK ARTIST VICTOR-HUGO VACA JR WITH JEFF KOONS IN NY ARTS MAGAZINE/CHINA ARTS
“This February, a group of 11 artists who hail from four different countries, explored the idea of “descent.” From moral to physical to mental, the idea of tumbling, floating and sliding downwards was probed through a wonderful array of paintings. Through planes going into descent, trees entering the autumnal season, the hand of god dropping toward a human eye and wonderful examples of abstract expressionism. The 11 contributors were Victor-Hugo Vaca II, Jeff Koons, Umberto Torricelli, Bata Musicki, Dylan Farrell, Kai Lintumaa, Duriye Yuksel, Trey Reed, Gencay Kasapci, Lucy DeLange and Andrea Serrano.
MAVERICK ARTIST VICTOR-HUGO VACA JR WITH JEFF KOONS IN NY ARTS MAGAZINE/CHINA ARTS
Among Victor Hugo’s works was the painting The Three Soldiers. This dark and sullen image filled with black and reds brings forth a feeling of impending doom. Of his own work, Hugo says: “It aims to induce feelings in the viewer which lead to self-examination. I paint what I see around me.”
Try Peace: Peace Is Cool.
The iconic image of “The Three Soldiers”, by Victor-Hugo Vaca II, was displayed alongside works by Jeff Koons, the Pop-art provocateur, who has broken a world record for a price paid for a single artwork by a living artist at auction, and “The Three Soldiers” painting was also featured in the celebrity driven, “Try Peace”, campaign, from the documentary titled, “The Marketing Of Peace”, produced, written and directed by Victor-Hugo Vaca II, which included members of The Goo Goo Dolls, Berlin, The English Beat (Dave Schulz), The Smiths, Electronic and Modest Mouse (Johnny Marr), UFC Champion (Tito Ortiz) and “Porn Stars For Peace” adult film stars (Ron Jeremy, Joanna Angel, Kaylani Lei, Trisha Uptown and Brea Bennet) to promote peace, love and an end to the U.S. invasion and war in Iraq.
https://www.youtube.com/watch?v=MuB6wwsjwlE
“How would you market peace? The modern-art-gonzo-journalism being manifested through the Modern Art Music Movement™ , is not about dwelling in darkness, it is about shedding light, peacefully, on the wisdom of ages, raining down on humanity, at this moment of social unrest and awakening. The actions we take as a whole, with the knowledge we are given as one, shapes our immediate future eternally. Try peace. Peace is cool.” – Maverick Artist Victor-Hugo Vaca II
The Artist As Matador In The Ring Of Life: Live, Love, Flow
In the Age of Donald Trump, Bernie Sanders and Hillary Clinton, failing to revisit anything that manifests toxicity in water or world leadership, is a recipe for disaster: Because, both elements are essential for life to exist in civilizations that prosper. It is no wonder, that global influence makers and sociologists have their eyes set on places like Flint, Michigan and the leadership laboratory in Annapolis, Maryland, the United States Naval Academy, as canaries in the social-contract-coal-mine, of human nature and evolution in human history.
United States Naval Academy Midshipman Officer Victor-Hugo Vaca II Leads Brigade Of Midshipman At Leadership Laboratory in Annapolis, MD.
MODERN ART MUSIC MOVEMENT™ “TRY PEACE” CAMPAIGN. Featuring: Johnny Marr (Modest Mouse, The Smiths, Electronic), Eric Judy (Modest Mouse), Tim & Danny (Oh No! Oh My!), Karina Zeviani (Thievery Corporation), Lou Lou Djine (Thievery Corporation), Empire Band and Damian “Jr. Gong” Marley, Malcolm XXX
Painting Examines The Western Welcome Culture, Juxtaposed With Chinese Character Graffiti, On Scenes Of Radical Islamic Jihad and Neo-Nazi Terrorist Attacks On Western Civility & Democracy In The New World Order.
Acute terror situation in Munich, Germany, at City Center, eerily recalls the 9/11/2001 Islamic-extremist terror attacks on the World Trade Center, Twin Towers, as illustrated in the frenetic work of modern-art-gonzo-journalism, by Maverick Artist Victor-Hugo Vaca II, prophetically titled, “World Trade Center, Manhattan, New York 9-11-2001: Dachau, Germany, Concentration Camp, March, 1933.”. Using visual metaphor and poetry, the striking work of art juxtaposes, “The Welcome Culture” in the United States and Germany, with deadly actions by a growing number of refugees, neo-nazi’s and religious extremists, perpetrating terrorist attacks on Western ideology, through pop-culture-society-fueled-Super-Power-Countries like, Germany and the United States.
“Political Correctness will kill Democracy.” – Maverick Artist Victor-Hugo Vaca II
Both world titans face an unprecedented refugee crisis in documented human history, mixing modern and ancient cultural ideologies and norms, in a toxic environment of unidentified religious warfare being waged in the shadows of metropolitan areas and inner cities, away from border-lined, well-defined battlegrounds. Forced social and religious integration and political correctness, disguised as care for well being of populous, in the New World Order of Donald Trump and Hillary Clinton, is changing the worldview description of the, new normal, in everyday life.
Acute Terror Situation In Munich, Recalls The 9/11 Attack, Work Of Modern-Art-Gonzo-Journalism Titled, “World Trade Center, Manhattan, New York 9-11-2001: Dachau, Germany, concentration camp, March, 1933.”
At the core of creation is the wisdom of love and light. Lack of leadership able to communicate the simple message of the Golden Rule, treat others the way you would like to be treated, is at the root of the problem stunting human evolution in the year of election 2016, which presents to the world, a contentious contest, for such necessary leadership, between Hillary Clinton and Donald Trump, in the United States Of America; where tensions, between far right and liberal left groups seeking justice and peace, is stoking the flames of a modern civil war, amongst the United Slaves of America, for the fate of Democracy, versus oligarchy and plutocracy, in the rapidly changing New World Order, where Neo Nazi’s fight Islamic Extremist’s on the streets of Munich, Germany and #BlackLivesMatter hunt down police officers in the heartland of America.
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