Tag: Miami New Times Jason Handelsman

PRINCE ANDREW TRUMP OPRAH WEINSTEIN CLINTON CONNECTION TO JEFFREY EPSTEIN LOLITA EXPRESS PEDOGATE CIVIL CASE PUTS SPOTLIGHT ON CRACKHEAD JESUS TRIALS JUDGE DONALD HAFELE

“I don’t want this to turn into whether Jeffrey Epstein is a serial child molester.” Judge Donald Hafele said to Attorney Jack Scarola who said he would refrain from describing Palm Beach billionaire Jeffrey Epstein as “a billionaire pedophile” or “a convicted child molester.”

Virginia Roberts Giuffre claimed Epstein turned her into a sex slave at age 15 when she was working at Mar-a-Lago in Palm Beach, years before Donald Trump became president. She claims Epstein flew her around the world in his private jet nicknamed, “The Lolita Express”, filled with various celebrities, including Britain’s Prince Andrew and former President Bill Clinton. She is expected to testify in front of Judge Donald W. Hafele in March 2018.

President Donald Trump, Prince Andrew and Hillary Clinton’s husband, Bill Clinton are all on Scarola’s witness list to testify in Judge Hafele’s courtroom, where, in Case #50-2006-CC-016579, the maverick artist Victor-Hugo Vaca II created modern art gonzo journalism to expose Judge shopping and a legal mafia in the Sunshine State corrupting the halls of justice through an unaudited Florida Bar, full of “Good Old Boys” and the women who enable them, to manifest a two-tiered justice system favoring corrupt global elites to the detriment of public trust in the U.S Justice system.

Case #50-2006-CC-016579, with allegations of Judge shopping and gross conflicts of interest amongst high level court officers and Florida Bar members was dubbed the Crackhead Jesus Trials by mainstream media and inspired an award-winning film titled, “Crackhead Jesus: The Movie”.

The infamous courtroom antics orchestrated by Aaron R. Cohen and Alexander Conde in Judge Donald W. Hafele’s chambers are captured in Victor-Hugo’s diary of the world on canvas which he calls modern-art-gonzo-journalism. His opus has been published as a modern art graphic novel series titled, “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of The Three Muses.”

The eight-year old civil lawsuit pitting attorney Bradley Edwards against the convicted sex offender, Jeffrey Epstein in front of controversial Palm Beach County Circuit Judge Donald Hafele began in 2009 when Epstein sued Edwards, who worked for Fort Lauderdale attorney Scott Rothstein. Rothstein, now disbarred, is serving a 50-year prison sentence in connection with a $1.2 billion Ponzi scheme in which he sold phony settlements to investors. Epstein claimed Edwards “ginned up” the lawsuits he filed on behalf of the three women to fuel Rothstein’s scam.

Eventually, Epstein dropped the lawsuit against Edwards, then Edwards filed a malicious prosecution lawsuit against Epstein, claiming Epstein sued him to punish him for representing the women.

Crackhead Jesus Trials Palm Beach County Circuit Judge Donald Hafele will have to decide many thorny questions about what evidence will be presented to the jury in a salacious case probing billionaire Jeffrey Epstein’s sexual relationship with underage girls.

Judge Donald Hafele, gained infamy during the Jerod Miller case wherein he publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.

Judge Donald Hafele later gained international notoriety through the modern art graphic novel series manifested on canvas and celluloid by the maverick artist Victor-Hugo Vaca II titled, “The Crackhead Jesus Series”.

The Crackhead Jesus Trials Judge Donald Hafele now presides over an X-rated case of child sex trafficking amongst billionaires and celebrities, with tentacles that reach out to Bill Clinton, Harvey Weinstein and alleged enablers Oprah Winfrey and Hillary Clinton.

In midst of the Me Too Movement, the Jeffrey Epstein Lolita Express Case, presided over by Judge Hafele, puts a stark spotlight on fake feminist enablers who allow sexual predators to prey on underage girls while making a mockery of a two-tiered U.S justice system that blatantly favors wealthy elites who can afford to shop for judges and lawyers in a corrupt justice system that is ignored by weak newspapers publishing fake news propaganda while obsessing over President Donald Trump tweets.

As noted in the Natalie O’Neill, Miami New Times Article titled, “Courtroom Antics from One of Miami’s Strangest”, artist, author, Victor-Hugo Vaca II describes in his books, paintings and film the litigation vortex and courtroom shenanigans of Judge Donald W. Hafele, nicknamed in the series, Judge Donald “The Duck” Hafele, to avoid a contempt of court order put out by Judge Hafele, to censor public records of the Crackhead Jesus Trials.

The Lolita Express Case is expected to put Oprah Winfrey and Hillary Clinton’s close relationship with sexual predators Harvey Weinstein and Bill Clinton under a microscope.

“One would assume the most valuable tool for an artist is his hands but in reality, it is the mind of the artist that serves to create.” – Victor-Hugo Vaca II

Victor-Hugo Vaca II

Gay Black Santa And Gaytivity Scene Silence Allegations of Crackhead Jesus Serial Killer Spinal Surgeon In MD.

A Christmas Nativity scene with two Joseph’s and a children’s book about a black Santa and his white husband grabbed holiday headlines over the story of Crackhead Jesus. “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of the Three Muses- Chapter 1”, the first in a series of ten modern-art-graphic-novels that tell the story of the alleged serial-killer-spinal-surgeon operating out of Mercy in Baltimore, Maryland, premiered at Art Basel Miami Art Week 2017. The work of modern-art-gonzo-journalism reveals serious allegations of FDA fraud, sexual misconduct and deadly toxic leadership being covered up in D.C. area hospitals as public trust in mainstream news media continues to plummet.

The New York born Latino author, Victor-Hugo Vaca II, reached over 220,000 listeners in over seventy countries, appearing on several radio talk shows and podcasts promoting his censored book. The question of why the Washington Post failed to investigate recent allegations of a serial-killer spinal-surgeon in its own back yard, in favor of using valuable resources to investigate forty-year old allegations against Judge Roy Moore, in Alabama, days before a special Senate election, arose in conversation, begging the question, “Is the Washington Post choosing politics over public trust in its own community?”

Whatever the answer, just as Harvey Weinstein allegations festered for decades, the more the story of Crackhead Jesus is censored and buried, the more the Streisand Effect takes over and the more people around the world find out about allegations surrounding Charles C. Edwards MD, as the maverick artist plans to tour the United States appearing on talk shows, in support of his groundbreaking modern art graphic novel series, throughout 2018.

In 2017, white men in power positions, like Judge Roy Moore and Matt Lauer were exposed as alleged sexual predators using toxic leadership and abuse of power to exploit women and children. News media has also protected and enabled powerful white men, like Harvey Weinstein and Charlie Rose, by suppressing decades old rumors and allegations of misdeeds. Evidence shows, The Washington Post, Miami Herald and Baltimore Sun have buried years old rumors and allegations, of a serial-killer-spinal-surgeon nicknamed, Crackhead Jesus, stalking the United States from Baltimore, Maryland.

Public trust could only wonder why news outlets instead favored covering stories about a woman who claims President Donald Trump should be impeached because he once asked for her phone number, instead of reporting on serious allegations that an orthopaedic surgeon of the spine is an alleged serial-killer performing experimental spinal surgery on human subjects without FDA approval.

The surgeon, who operates on the human fiber of being has been lauded as a pillar of the community in People, Newsweek and 20/20. He has also been described in newspapers as a wealthy slumlord and a criminal CEO, using lawyers to manipulate a two-tiered U.S. justice system to avoid jail time.

Victor-Hugo created modern-art-gonzo-journalism and travelled throughout the United States with the Modern Art Music Movement producing live art with world famous bands, including members of The Goo Goo Dolls, Cheap Trick, Boston and The Wailers, to name a few, in order to raise global awareness about growing allegations that Charles C. Edwards MD is an alleged serial-killer spinal-surgeon. The works of modern-art-gonzo-journalism inspired an award-winning film titled, “Crackhead Jesus: The Movie”, which recently made world headlines, after the U.S. Supreme Court “Slants” trademark ruling.

The controversial film which has been screened internationally and took “Best Screenplay” honors at the La Romana International Film Festival, was produced by the Modern Art Music Movement during a seventy-two-hour film competition in Delray Beach, Florida, to raise awareness about a clear and present danger in the Baltimore, Maryland area, where the maverick artist once lived, while serving as a Naval Academy Midshipman officer at the U.S. Naval Academy in Annapolis, before receiving an honorable discharge as a whistleblower in the early 1990’s.

Over the course of a decade in exploring the character of someone entrusted with tearing into the fiber of ones being, the following list of allegations surfaced, which allowed the artist to paint a gruesome picture of an alleged serial-killer-spinal-surgeon, using toxic leadership and abuse of power, to rack up an extensive body count supported by the same journalistic apathy that allowed Harvey Weinstein to perpetuate his evil acts for years.

The following allegations involving Charles C. Edwards MD should give people, pause, if not nightmares.

Charles C. Edwards MD – Orthopaedic surgeon of the spine at Mercy Medical Center allegedly performed radical unauthorized experimental surgery on patients without IRB approval for at least three years (1992-1995) every Thursday with doctors and nurses that he chose personally, to ensure that those assisting him in the unauthorized experimental surgery were unfamiliar with how to perform scientific experiments in a proper way.

Allegedly Charles C. Edwards MD performed radical unauthorized experimental surgery on patients without IRB approval at least forty times per year and performed experimental surgery on patients despite having IRB approval revoked or denied. If so, all deaths in these cases should be looked into as possible homicides.

Under FDA regulations, an IRB is an appropriately constituted group that has been formally designated to review and monitor biomedical research involving human subjects. This group review serves an important role in the protection of the rights and welfare of human research subjects.

The purpose of IRB review is to assure, both in advance and by periodic review, that appropriate steps are taken to protect the rights and welfare of humans participating as subjects in the research. To accomplish this purpose, IRBs use a group process to review research protocols and related materials (e.g., informed consent documents and investigator brochures) to ensure protection of the rights and welfare of human subjects of research.

Allegedly Charles C. Edwards MD has performed radical unauthorized experimental surgery on patients without IRB approval since 1992 and was reported to the FDA in 2002.

Charles C. Edwards MD is also alleged to have engaged in numerous acts of sexual misconduct in the workplace including exposing himself nude, to male and female staff in his office and in hallways in the hospital and of performing sex acts with his secretary/mistress, Linda Haynes, in front of numerous colleagues at work in 1995.

Allegedly Charles C. Edwards MD controlled Linda Haynes, didn’t trust her to be by herself and he forbade her from going to the Hospital cafeteria by herself.

Allegedly there is a well-known story amongst hospital staff of an extraordinary incident of workplace sexual misconduct by Charles C. Edwards MD that was witnessed by renowned hand surgeon Thomas E. Gillespie MD, University of Maryland, orthopaedic department, wherein the now deceased Gillespie demanded the hospital higher ups stop covering for Edwards improprieties.

Allegedly in 1993, Charles C. Edwards MD admitted to exposing himself in front of Thomas E. Gillespie MD at the University of Maryland.

Allegedly the President of the University spoke to the head of personnel regarding concerns of Charles C. Edwards MD

Allegedly FDA data is being falsified by Charles C. Edwards MD.

Allegedly Charles C. Edwards MD uses abuse of power to intimidate research assistants into falsifying FDA data.

Allegedly members of the University of Maryland spinal secession study group witnessed Charles C. Edwards MD engage in sexual misconduct covered up by hospital officials.

Allegedly the University of Maryland Baltimore University Hospital has covered up all allegations of wrongdoing filed against Charles C. Edwards MD.

Allegedly the Head of Surgery Department, Anthony Imbembo MD, expressed his concerns about Charles C. Edwards MD to hospital human resources personnel management.

As public trust in newspapers erodes, the Lied To Generation turns to modern-art-gonzo-journalism to examine ignored decades old allegations that make Harvey Weinstein look-like Matt Lauer in today’s world.

“Tracking a serial-killer is like trying to put together a moving jigsaw puzzle.” – Victor-Hugo Vaca II

https://www.youtube.com/watch?v=071OT0I-Ws8

https://www.youtube.com/watch?v=GgIP4cnm7dc

PRESIDENT DONALD TRUMP THE NEW YORK TIMES FOX NEWS USA TODAY NETWORK MEGYN KELLY AND THE MAVERICK ARTIST VICTOR HUGO VACA II HIGHLIGHT POWER OF WORDS IN HISTORY.

RUSSIANS AND CRACKHEAD JESUS SIGNAL DEATH OF DEMOCRACY IN AGE OF FAKE NEWS: How The Modern Art Music Movement Uses Modern-Art-Gonzo-Journalism To Promote The Golden Rule And Compassionate Wealth In The Face Of Toxic Leadership, Bad Press And Political Correctness Run Amok.

As President Donald Trump publicly called out The New York Times, after publishing false reports about weapons of mass destruction in Iraq, that manifested a negative butterfly effect around the world, for reporting fake news about surveillance of Trump associates by the Obama administration during the 2016 election; New York native, multi-media artist, Victor-Hugo Vaca II, sent a Letter To The Editors of USA Today Network, highlighting the power of words in describing periods of far-reaching social and political upheaval, like the French Revolution, as documented in literature, by the poet, author and artist, Victor Hugo, in his 1862 novel “Les Misérables”.

The Modern Civil War, also known as, the American Revolution Of The Silent Majority, is being documented in history by the modern era, Victor Hugo, in a diary of the world on canvas, known as modern-art-gonzo-journalism. Whereas the protagonist of Victor Hugo’s observation of French history was through the story of a man released from a 19-year sentence in a French prison for stealing bread, American history, as documented by Victor-Hugo Vaca II, is observed through the eyes of a White, middle-aged, drug-addict, who suffers a mental breakdown, after staring into the deep state that surrounds him, in a politically correct world.

The story of Crackhead Jesus was first published in 2007, as a modern-art-graphic-iNovel, on the website www.crackheadjesus.com, in conjunction with sold-out, interactive Modern Art Music Movement Art Basel Miami Week events in December, as reported in The Miami New Times, at the legendary Oliver Gedde’s South Beach hotspot, The Fifth, once owned by the 2 Live Crew frontman, Luke Campbell.

The law firm of Conde and Cohen, Alexander Conde and Aaron R. Cohen, immediately demanded that Florida Judge, Donald W. Hafele, appointed by Florida Governor, Jeb Bush, hold the author of “Redemption: The Story Of The Crackhead Jesus Trials”©, Victor-Hugo Vaca II, in contempt of court, for publicly publishing the metaphor of truth, as transcribed in Court Case File #50-2006-CC-016-579-XXXX-SB.

Most mainstream media news outlets ignored the contemporary story of Judge shopping, corrupt courts and the growing drug addiction epidemic, in predominantly White communities, simply because the word, “crackhead” was placed in front of the name, “Jesus”, in describing the curios messiah complex psychology, of the drug induced mental disorder, suffered by a man named Mr. Rogers, who predicted the death of democracy, through unethical lawyers and judges conspiring to corrupt the United States Justice System by openly subverting Rule of Law.

Pious news outlets peddled fake news in bold headlines to incite the United States invasion of Iraq over false claims of WMD’s while misinterpreting Crackhead Jesus, as blasphemy.

The story was censored by mainstream media news outlets, like The Palm Beach Post, which went so far as to publicly herald the title of the film inspired by, “Redemption: The Story Of The Crackhead Jesus Trials”©, in the Weekend movie listing section of the newspaper as nine question marks, instead of, “Crackhead Jesus: The Movie”©, when the cult classic was screened alongside, “Pink Floyd’s: The Wall” and Stanley Kubrick’s, “A Clockwork Orange”, as part of the Modern Art Music Movement’s midnight cult movie series, in Lake Worth, Florida.

After eight petitions, entered into the Court as public record, by Victor-Hugo Vaca II, demanding that presiding Judge Donald W. Hafele recuse himself from the “Crackhead Jesus Trials”, due to his corrupt fiber of being, the Honorable Judge James Martz took over the proceeding and stated the following testimony for historical documentation as preserved in this official transcript, regarding attempts to censor the hearing:

Rather than heeding the warning of Judge James Martz, once reputable news sources chose to fuel global chaos disguised as political correctness, with subtle censorship, fake news headlines and false narratives of scandal, that perpetuated chronic distrust in mainstream news media outlets while manifesting a negative state of being, for billions of people, instead of promoting The Golden Rule and compassionate wealth, as the norm for civil society.

At the height of popularity, www.crackheadjesus.com disappeared abruptly and the website was black-screened, without notice or explanation, for several years.

Original Crackhead Jesus Homepage. The story was told in chapter and verse.

The absence of Crackheadjesus on the internet, fueled the characters’ legend through word of mouth, as the story flowed surreptitiously through the zeitgeist in music, graffiti art, sticker art, street art, film, music videos, photography, and in a diary of the world on canvas created by Victor-Hugo Vaca II, to serve as a storyboard for a planned seven-movie-series, based on the modern-art-graphic-iNovel, “Redemption: The Story Of The Crackhead Jesus Trials”©, that premiered globally in 2007.

The term, Crackheadjesus, entered pop culture, through urban slang, meaning: hypocrite, scoundrel or devil.

Over time, the educated, patient and wise, realized that Crackhead Jesus was not blasphemy but rather artistic metaphor, shining light on a spiritless worldview of the human condition, that, unfortunately, is not far from the truth. All humans have the free will to live by the Golden Rule and treat one another as we would like to be treated or do the opposite and behave like crackheadjesus.

Between Heaven and Hell, there once was a road named Purgatory. In 2017, the road to perdition reopened for another journey into the depths of the human condition, as narrated in a diary of the world on canvas, by Victor-Hugo Vaca II, titled, “Redemption: The Story Of The Crackhead Jesus Trials”©.

Before being shut down, without notice, the final chapter and verse of,“Redemption: The Story Of The Crackhead Jesus Trials”©, on www.crackheadjesus.com , promised faithful readers a new beginning.

As vowed, the saga continues, with,“REDEMPTION: THE STORY OF THE CRACKHEAD JESUS TRIALS – Part II – The Second Coming Of The Three Muses.”© By Victor -Hugo Vaca II.

This evolving iNovel is dedicated to all those who dare to admit seeing UFO’s or dare to notice, at the very least, that something very funky is going on in the world today. Check back to this News blog post, periodically, for updated chapters and verse.

A story of false prophets and lawyers, about the origin of modern-art-gonzo-journalism in the era of fake news, inspired by court documented events, will begin again with the Victor-Hugo Collection News blog titled,

“REDEMPTION: THE STORY OF THE CRACKHEAD JESUS TRIALS – Part II – The Second Coming Of The Three Muses.”© By Victor -Hugo Vaca II.

“And so, it begins, again, because it’s all about the journey, not the destination.” – Maverick Artist Victor-Hugo Vaca II

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USA TODAY PUBLICATION USES SUBTLE CENSORSHIP TO SUPPRESS STORY WITH FAKE NEWS HEADLINE. How USA Today Editors Justify Feeding False Narrative To Global Online Audience.

On March 1, 2017 the USA Today Network published an article titled, “Artist Victor-Hugo Vaca Jr. creates ‘a diary of the world on canvas’”. Five days later, boosting the decline of public trust in news media, as noted in a recent Gallup Poll, editors at a USA Today publication used subtle-censorship to openly corrupt a factual header, in favor of a glaringly fake-news headline, to downplay a unique story about modern-art-gonzo-journalism and the Modern Art Music Movement (MAMM). The trending internet article, by journalist Lisa Conley, about the curious career of the Maverick Artist Victor-Hugo, was printed in the Sunday March 5, 2017, Naples Daily Newspaper, under the headline, “Artist creates, ‘a diary of the world on canvas'”, after premiering globally on the USA Today Network, on the same day that Democratic Congressman, Cedric Richmond, uttered a crude, gang-rape, sex-joke about the Counselor to President Donald Trump, Kellyanne Conway, at The Washington Press Club Foundation’s Annual Congressional Dinner.

Impactful USA Today Network News Headline

“Between the famous name, the Naval Academy, “Crackhead Jesus” and Pink Floyd, Victor-Hugo Vaca Jr.’s story has everything.“: The caption read, as the article quickly caught public interest and was picked up over the next five days by several mainstream media news outlets across America including: The Tennessean, The Naples Daily News and The Marco Eagle.

Artist Victor-Hugo Vaca Jr. USA Today Network

As Lisa Conley’s article gained readers and momentum in shares, on social media networks, like Facebook and LinkedIn, the real news headline was abruptly changed, to a fake-news internet headline, by USA Today editors, without explanation.

USA Today Network: Subtle-censorship.

The nonsensical caption negatively impacts search algorithms and serves to stunt the stories reach. Students of art movements and human history, are left confused, rather than informed, when using Google, Bing and other information gathering resources on the internet, to research the United States Naval Academy trained, New York born, Hispanic, multi-media artist, Victor-Hugo Vaca Jr., who is better known by his stage name, Maverick Artist Victor-Hugo, when performing as part of the Modern Art Music Movement (MAMM), to raise money for charity and education scholarships, as well as elevate awareness about under-reported social issues, such as waning public trust in news media, at public events, like, Wet Paint Live, in Marco Island, Florida, as reported, in the USA Today Network article by Lisa Conley.

Artist Victor-Hugo Vaca Jr. USA Today Network

Victor-Hugo Vaca Jr. is listed in The Library Of Congress amongst some of the most influential artists in modern history, including The Beastie Boys, Shepard Fairey and The Wu Tang Clan, in the University/College reference book, by D.B. Burkeman, titled, “Stickers: From Punk Rock To Contemporary Art”. The Maverick Artist Victor-Hugo is known to no one in the entertainment industry or in his private life as, Vaca.

The headline “Marco visitor Vaca paints to create ‘diary of the world on canvas'” begs the questions: “If a USA Today journalist goes to Syria on assignment, would USA Today editors say the reporters are visiting or working to gather useful news and information for public consumption and if the artist Willie Nelson performs in Naples, will the Naples News headline read, “Nelson Visits Naples”?

Artist Willie Nelson USA Today Network

The same week, USA Today Editors, corrupted truth with false narrative, a story headlined, “Willie Nelson at Artis-Naples” was published in The Naples Daily News. The Naples News editors, who inexplicably chose to burden Conley’s work with a fake news headline, were then asked: “Would the headline for a performance by Lady Gaga, Sting or Cher in Marco Island read; “Marco Visitor [Whatever Lady Gaga, Sting, or Cher’s Last Name is] Sings Songs About Life”?

According to USA Today Network editors, when asked to provide an explanation for this betrayal of public trust and answer why they chose to surreptitiously alter a fact based headline in favor of heralding a grossly misleading caption as truth for subscribers, the following statement was provided:

“We used the phrase Marco visitor because we try to emphasize local angles in headlines to distinguish our local stories from all of the state, nation and world stories available on our website and others. We used just his last name in the headline because that is standard practice in American journalism to keep headlines shorter and thus more readable. It’s not standard practice to put Jr. in a headline unless necessary to distinguish someone from his father. In this case, that wasn’t necessary because few of our readers would think of his father.”

Artist Victor-Hugo Vaca Jr. USA Today Network

It is curious, to say the least, that the USA Today Network would choose to bury a story about modern-art-gonzo-journalism, by purposefully changing the title to mislead algorithms and search engines, at the height of public interest. USA Today editors, using archaic, truth-defying-standards, appear to rationalize the perpetuation of false narratives, through fake news headlines, as a way of dumbing down the public. It is no wonder that smart readers have fled, in hordes, from subscribing to the poetic-misinformation peddled by newspapers.

The Palm Beach Post censors film title.

On October 29, 2010, The Palm Beach Post used subtle-censorship in the form of nine question marks, ?????????, to corrupt the title of the award-winning film, “Crackhead Jesus: The Movie”; a film written, produced and directed by Victor-Hugo Vaca Jr., as part of the 2010 Delray Beach Film Festival 72-Hour Movie-Making Competition.

“Crackhead Jesus: The Movie” Marquee.

When the 72-Hour Film Competition winner was screened alongside cult classic films, “Pink Floyd’s: The Wall” and Stanley Kubrick’s, “A Clockwork Orange”, in Lake Worth, Florida, as part of the Halloween Modern Art Music Movement Midnight Cult Movie MAMM Jam, the fake Palm Beach Post movie listing caused needless confusion for subscribers in the surrounding community and realized lost revenue for the theater owner and event producers.

Subtle-censorship by The Palm Beach Post.

To the credit of USA Today publications, though editors chose to stifle proliferation of the story of modern-art-gonzo-journalism on the internet, with a fake news headline, they did not censor, in print newspaper or on the internet, the contentious name of the title character, Crackhead Jesus, from the controversial, award-winning film, inspired by court documented events.

Artist Victor-Hugo Vaca Jr. USA Today Network

To credit USA Today publication editors at the Naples Daily News, which claims an audience of 70,995 Sunday and 60,232 daily, they did not use a fake news headline in the print newspaper version of Lisa Conley’s article, published on March 5th, 2010.

Artist Victor-Hugo Vaca Jr. USA Today Network

Modern-art-gonzo-journalism serves as a bridge between art and journalism, to help people understand the other side of the story, by seeing past the truth, through the Modern Art Music Movement (MAMM).

Modern Art Gonzo Journalism.

As newspapers struggle to stay relevant, it is only a matter of time before fake news headlines on websites perpetuated in big, bold letters and words, that ultimately mean nothing and only serve to confuse facts, will consume public trust and further alienate a growing skeptical internet audience.

The question for editors at USA Today remains the same: “Will the headline, ‘Willie Nelson at Artis-Naples’ eventually be changed to read, “Nelson Visits Naples” and will a performance by Lady Gaga, Sting or Cher in Marco Island receive the headlines, “Marco Visitor [Whatever Lady Gaga, Sting, or Cher’s Last Name Is] Sings Songs About Life”?

Artist Victor-Hugo Vaca Jr. USA Today Network

“Subtle censorship is a slippery slope, filled with false narratives that create fake news and collapse public trust in news media outlets.” -Maverick Artist Victor Hugo Vaca Jr.

Maverick Artist Victor-Hugo Vaca Jr.

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.

SEPTEMBER 11 ATTACK WHAT REALLY HAPPENED WHY ARE VALID CONSPIRACY THEORIES MOCKED

Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.

Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.

“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.

“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.

“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.

THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.

According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.

CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.

The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.

MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.

Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.

“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.

Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.

“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.

https://www.youtube.com/watch?v=u4xqSVNqtRk

ART BASEL MIAMI BEACH SHOCK NIGHTCLUB UNDECIDED VOTER DONALD TRUMP HILLARY CLINTON EXPOSE PLUMMETING TRUST IN NEWSPAPERS AND GOVERNMENT

THE UNDECIDED VOTER AND MILLENNIALS PIVOT TOWARDS VOTING AGAINST THE POLITICAL STATUS QUO, EMBODIED IN A WELL REHEARSED, CAREFULLY SCRIPTED, HILLARY CLINTON, AFTER WITNESSING MAINSTREAM NEWS MEDIA COVERAGE OF THE U.S. PRESIDENTIAL DEBATE THAT CLEARLY PAINTED DONALD TRUMP AS, THE UNDERDOG.

The Undecided Voter Weighs The Danger Of Having Two Bullies Named Bill And Hillary In The White House Versus Having One Bully As Commander In Chief, With An Immigrant First Lady, Who Is So Forthcoming, That Anatomically-Correct-Politically-Incorrect Nude-Photo’s Of Her Exist And Can Be Seen By Anyone, At Anytime, On The Worldwide Web, Alongside News Stories Of The French Bernie Madoff And Shock Nightclub.

“BEFORE VOTING, ASK YOURSELF, WWMLD? WHAT WOULD MONICA LEWINSKY DO?”, 9/11 SERIES, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

The Undecided Voter and Millennials realize the question for those Independents still trying to decide between Donald Trump and Hillary Clinton is, to put it bluntly: “Which Bully do you want in the White House, representing the best interest of you, your Children and seven generations forward and which Woman, as Commander In Chief, or First Lady, do you want to serve your bloodline, as a historical role model, for developing young girls and grown women; Meanwhile, setting a public example, for how developing young boys and structured men, should behave around girls, women, military veterans and police officers, for seven generations forward?”

THE UNDECIDED VOTER

The Undecided Voter, regardless of Sex, Race, Creed or Color, is looking to elect someone with common sense and a clear, forward, vision, to press the reset button, on a politically correct system, that is obviously broken and in dire need of realistic repair; Maybe not by a couple of seasoned bullies in the White House but by one passionate, outsider, claiming to be capable of working efficiently and in fair cooperation with other world leaders, using every available tool, rather than trusting stale, over-rehearsed, meaningless rhetoric, filled with false narratives, of half-truths, shining brightly in the hypocrisy of philanthropy.

“FEMALE VOTER EXPLAINS JUANITA BROADDRICK, KATHLEEN WILLEY, PAULA JONES, GENNIFER FLOWERS AND MONICA LEWINSKY, TO HER DAUGHTER, ELOISE, WHO IS LIVING WITH HER BABY DADDY #1, IN PARIS, FRANCE.”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE GEDDES FINE ART COLLECTION.

The Undecided Voter is looking to elect someone, with strength and conviction, to stand up to foreign enemies and make friends, using firm, fair and clear communication, so as to cooperatively manifest the concept of compassionate wealth, on earth, during the global shift towards Asia, as the New World Order is both restructured and rebalanced for maps and history books.

“FEARLESS FEMINISTS DISCUSS, NARCISSISTIC LOONY TOONS, THE POLITICS OF THE PENIS, BIMBO ERUPTIONS, FAT SHAMING BEAUTY PAGEANT WINNERS AND BILL CLINTON’S RODEO CLOWNS, WITH THEIR YOUNG DAUGHTERS, ON CHRISTMAS DAY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II; PREMIERED DURING ART BASEL MIAMI WEEK AT THE GRAND OPENING OF “SHOCK”, THE HAUNTED ADDRESS OF THE NOTORIOUS FORMER BILL AND HILLARY CLINTON MIAMI BEACH, A-LIST, HANG OUT, “LIQUID NIGHTCLUB”, 1437-39 WASHINGTON AVENUE.

The Undecided Voter is looking to elect someone to procure a sustainable existence for seven generations forward, that would organically lean “The Lied To Generation” towards a peaceful lifetime; while swiftly rebuilding infrastructure and fixing politically rigged Courts, that stifle prosperity for the United Slaves Of America, by choking the American Dream, on the broken scales of justice.

INTERIOR DESIGN AND ARTWORK, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE NOTORIOUSLY HAUNTED ADDRESS, OF LIQUID AND SHOCK NIGHTCLUB, IN MIAMI BEACH, FLORIDA.

The Undecided Voter could not understand why the debate moderator, Lestor Holt, and both 2016 Presidential candidates, could not transcend the extraneous muck and zeitgeist of pop culture, in favor of progress and pressing social issues regarding the economy, justice system, public infrastructure policy, and national security, that affect everyone, regardless of age, religion, race or political affiliation.

1437-39 WASHINGTON AVENUE

THE LEGENDARY MIAMI BEACH HOT SPOT ADDRESS OF BOTH, LIQUID AND SHOCK, LOCATED ACROSS FROM THE ICONIC ESPANOLA WAY, SEEN IN SEVERAL MOVIES (MIAMI VICE) AND ON TV SHOWS (MIAMI VICE), WAS FREQUENTED BY SUCH NOTABLES AS MADONNA, SEAN PENN, BILL AND HILLARY CLINTON.

IN 2011, CELEBRATED FANFARE AND INTERNATIONAL PRESS, WELCOMED THE HAUNTED VENUE’S REINCARNATION AS THE INFAMOUS, “SHOCK” NIGHTCLUB, DURING ART BASEL MIAMI WEEK, SHOWCASING THE 5,000+ SQUARE FOOT, “NEW YORK CITY RETRO-CHIC FINE ART GRAFFITI MURAL”, INTERIOR DESIGN AND ARTWORK CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, EXCLUSIVELY FOR “SHOCK”, AS CONTRACTED BY THE FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, LATER NICKNAMED, “THE FRENCH BERNIE MADOFF”, BY HIS MANY VICTIMS.

THE 10-FOOT TALL WORK OF MODERN-ART-GONZO-JOURNALISM TITLED, “TITTY HARVEST: THE POLITICS OF THE PENIS”, ADORNED THE GIANT BRICK WALL NEXT TO THE EXCLUSIVE, VIP SECTION, OF THE EUROPEAN JET-SET VENUE, NEXT TO THE DJ BOOTH, WHICH HOSTED SOLD OUT, WINTER MUSIC CONFERENCE (WMC), EVENTS AND WAS, ALLEGEDLY, FEATURED IN THE BACKGROUND OF MUSIC VIDEOS AND PHOTO SHOOTS FOR LADY GAGA AND RICKY MARTIN.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT PATRONS REPORTED SEEING SUBLIMINAL MESSAGES IN, “FLOW”, THE TWO-STORY, FINE-ART GRAFFITI MURAL, CREATED BY, THE MAVERICK ARTIST VICTOR-HUGO VACA II, THE LONGER THEY LINGERED AROUND THE NEVER DULL BAR.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT CURIOUS PATRONS PURCHASED MORE DOUBLE-SHOTS OF TOP SHELF ALCOHOL, IN ATTEMPTS TO DECIPHER ALL THE SUBLIMINAL MESSAGES HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL TITLED, “FLOW” BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

AWARD-WINNING INTERNATIONALLY RENOWNED MIXOLOGIST, ALEX TENGO,WORKS HIS MAGIC, AT THE “SHOCK” BAR, IN FRONT OF FANS AND INTERNATIONAL, A-LIST JET SETTERS, SEARCHING FOR SUBLIMINAL CLUES, HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL, “FLOW”, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

MODERN-ART-GONZO-JOURNALISM FLOWS THROUGH “SHOCK” NIGHTCLUB, SUBCONSCIOUSLY PERMEATING THE HEART, OF THE SOPHISTICATED ADULT PLAYGROUND IN MIAMI BEACH, FLORIDA, USING FINE-ART GRAFFITI TO SUBVERSIVELY COMMUNICATE A “CANARY IN THE COAL MINE” MESSAGE, TO MILLENNIALS, FROM AROUND THE WORLD, AWAKENING TO THE CLEAR AND PRESENT DANGER OF LIVING WITHIN A BROKEN JUSTICE SYSTEM, WITH RULE OF LAW DOUBLE STANDARDS, THAT FAVOR A SELECT FEW: SIMPLY PUT, “WITHOUT JUSTICE, PEACE CAN NOT FLOW” .

The Undecided Voter witnesses how, under the watch of an FBI, working in collusion with the U.S. Attorney General’s Office, political correctness and The Fifth Amendment, are being manipulated to blanket and hide the existence of a, “Double-Standard-Rule-Of-Law”, that favors an elite few, like Hillary Clinton and the Wells Fargo CEO, John G. Stumpf, but does not apply to 99% of tax-paying Constituents known as, “The United Slaves Of America”.

THE TWENTY-FOOT LONG AND TEN-FOOT HIGH, “KUNT”, MODERN-ART-GONZO-JOURNALISM PAINTING BY THE MAVERICK ARTIST VICTOR-HUGO VACA II PREMIERED AT “SHOCK” NIGHTCLUB DURING ART BASEL MIAMI WEEK, AT THE INSISTENCE OF “THE FRENCH BERNIE MADOFF”, WHOSE ILLEGAL ACTIONS EXPOSED THE WORLD TO AN INTERNATIONAL EPIDEMIC OF ECONOMIC FRAUD, THAT CRISS-CROSSED CONTINENTS FREELY, FROM THE SEXY SHORES OF MIAMI BEACH, FLORIDA, TO THE EXOTIC SHORES OF FRANCE AND IBIZA, SPAIN, IN COLLUSION WITH CORRUPT POLICE AND PUBLIC OFFICIALS, FAVORING WEALTHY INTERNATIONAL JET-SETTING CRIMINALS, AWARE OF THE BROKEN U.S. JUSTICE SYSTEM, WHOSE RULE OF LAW FAVORS WEALTHY PUBLIC FIGURES FROM ALL OVER THE WORLD, OVER LAW ABIDING U.S. CITIZENS AND HARD WORKING CONSTITUENTS, STRUGGLING TO SURVIVE, ON MINIMUM WAGE.

The Undecided Voter and Millennials see how the new-normal, “Double-Standard Rule-Of-Law”, for the elite 1% in the United States, like Hillary Clinton and Wells Fargo’s CEO, John G. Stumpf, can fuel chaos in the streets of Charlotte, North Carolina and through the heart of The Bible Belt, as God-fearing families witness anarchy racing towards The White House, to be the elected Commander In Chief, of the United Slaves of America.

MODERN-ART-GONZO-JOURNALISM EXPOSED CORRUPTION THAT LED TO SEVERAL ARRESTS OF PUBLIC OFFICIALS INCLUDING CORRUPT POLICE, AS DOCUMENTED ON FILM BY CBS NEWS MIAMI AND CANAL+ NEWS, IN FRANCE. THE INTERNATIONAL NEWS STORY WAS CHRONICLED IN A SERIES OF PRINT NEWSPAPER AND ONLINE ARTICLES BY MICHAEL MILLER IN “THE MIAMI NEW TIMES” FEATURING QUOTES AND ARTWORK FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II COLLECTION EXHIBITED AT “SHOCK” NIGHTCLUB DURING 2011 ART BASEL MIAMI WEEK.

“THE FRENCH BERNIE MADOFF”, EXPOSED AN EPIDEMIC OF ECONOMIC FRAUD, THAT CROSSED CONTINENTS, AS NOTED IN THIS HIGHLIGHTED QUOTE, FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE MIAMI NEW TIMES.

THE MAVERICK ARTIST VICTOR-HUGO VACA II WAS HIRED BY FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, TO CREATE THE INTERIOR DESIGN FOR THE EXCLUSIVE MIAMI BEACH CLUB, “SHOCK”.

The Undecided Voter witnessed Donald Trump choke, under pressure, when presented with several opportunities to expose ignored truths of national interest, against a well lubed, Hillary Clinton machine, sporting a plastered-on-smile, at the first, 2016 United States Presidential debate, held on September 26, near New Hyde Park, Long Island, in Hempstead, New York, at Hofstra University.

“PLASTIC SMILE IN THE FACE OF GLASS STEAGALL” : MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WHO GREW UP IN NEW HYDE PARK, IN A TWO STORY, CORNER HOUSE, BEHIND THE LONG ISLAND JEWISH HOSPITAL, WHILE ATTENDING BROOKLYN TECHNICAL HIGH SCHOOL, BEFORE ENTERING THE U.S. NAVAL ACADEMY IN ANNAPOLIS, MARYLAND, AS A MIDSHIPMAN OFFICER, IN THE 26TH PLATOON, OF THE CLASS OF 1993.

MIAMI NEWS TIMES ARTICLE FEATURES QUOTES FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, WHO CREATED A 5000+ SQUARE-FOOT, FINE-ART-GRAFFITI MURAL, AT “SHOCK” NIGHTCLUB, WRITTEN IN EIGHT DIFFERENT LANGUAGES, INCLUDING ARAMAIC, ITALIAN FRENCH AND SPANISH.

MAVERICK ARTIST VICTOR-HUGO VACA II

THE MASSIVE, FINE-ART-GRAFFITI MURAL, TITLED, “THE STORY OF THE CRACKHEAD JESUS TRIALS”, WAS PAINSTAKINGLY CREATED TO WARN VISITORS FROM AROUND THE WORLD, OF THE EPIDEMIC OF ECONOMIC FRAUD, EMANATING FROM THE UNITED STATES OF AMERICA AND THREATENING, A GLOBAL COLLAPSE IN PUBLIC TRUST OF THE BANKING INDUSTRY, DUE TO A SEVERE BREAKDOWN IN THE JUSTICE SYSTEM, CREATING A DOUBLE-STANDARD, IN RULE OF LAW, THAT FAVORS RICH, WHITE-COLLAR CRIMINALS, OVER SINGLE MOTHER’S AND BABY DADDY’S, STEALING BREAD FROM FOOD DESERTS, TO FEED THEIR MALNOURISHED CHILDREN.

MAVERICK ARTIST VICTOR-HUGO VACA II

The Undecided Voter was baffled by Donald Trump’s inability to clearly and succinctly communicate rebuttals, during his first, one-on-one debate with a seasoned politician, and a noticeably biased moderator, tossing irrelevant bread and circus distractions, disguised as relevant questions, carefully crafted to incite racial disharmony, by demanding self reflection, in presuming that all Americans, are inherently bias, racist and deplorable human beings, in order to provoke social discord, by fueling insecurity and public distrust of police, press and authority.

IT’S NOT A BLACK OR WHITE ISSUE, IT’S A CORRUPT LEADERSHIP ISSUE.

The Undecided Voter observes Hillary Clinton’s husband, Bill, and ponders the treatment of Veterans who risk their lives, in defense of freedom, for future generations of Americans, to live in a democracy, not an oligarchy, or plutocracy, reigned over by bullies and tyrants disguised as caretakers and do-gooders, who defy Rule of Law and don’t pay taxes, while pandering to Hispanics, Blacks and Women, by pretending to care about Mexicans, African-Americans and Venezuelan Beauty Pageant winners, all while attempting to dumb down masses into believing that, the “First Black President”, miraculously emerged from an Aryan vagina, belonging to a white woman named, Stanley Ann Dunham, with predominantly English but including German, Swiss, Scottish, Irish, and Welsh ancestry.

BLACK PEOPLE REALIZE THAT BARACK HUSSEIN OBAMA IS NOT 100% BLACK BECAUSE HIS MOTHER WAS 100% WHITE.

“I’m not your Commander In Chief, anymore but if I were I would tell you to be more polite, now sit down!” – Bill Clinton

https://www.youtube.com/watch?v=nfQTTF9p8pk

The Undecided Voter ponders the treatment of blacks by Caucasians, like Bill Clinton, demanding that Black Lives Matter supporters, ignore his oppressive legislation, supported by his wife, Hillary, and focus instead on getting their thirteen-year old kids, off of crack, so as to ward off any potential, Crackhead Jesus, exposing the truth of hypocrisy and foiling the so-called, Democratic process, for the United Slaves Of America.

https://www.youtube.com/watch?v=HKjdGYvHTmk

“He [Bill Clinton] said, ‘Sit down, Nigger!’” – The Doctor Of Common Sense

BEFORE RUNNING FOR PRESIDENT OF THE UNITED STATES IN 2008, THE MAVERICK ARTIST VICTOR-HUGO VACA II, LEARNED TO LIVE BY THE HONOR CONCEPT, AS PART OF THE ELITE, BRIGADE OF MIDSHIPMAN, AT THE WORLD FAMOUS, UNITED STATES NAVAL ACADEMY.

In April 17, 2007 BLOUIN ART INFO International Magazine published an article titled,

NY Artist Victor-Hugo to Run for President

The column documented the under-reported presidential candidacy of the Maverick Artist Victor-Hugo Vaca II, who entered the 2008 Presidential race to run against fellow former U.S. Naval Academy Midshipman Officer, John McCain and Freshman Senator Barack Hussein Obama, as reported in alternative news outlets around the world including newspapers in Iceland.

https://www.youtube.com/watch?v=iT12_bVKIrE

The influential BLOUIN ART INFO International Magazine highlighted the New York born, Hispanic multi-media artist’s run for United States President, as a dark horse candidate, to raise awareness about the dangers of a corrupt justice system that politicized Rule Of Law in favor of anarchy, oligarchy and plutocracy.

THE UNITED SLAVES OF AMERICA

The BLOUIN ART INFO International Magazine article read:

Controversial Latino modern artist Victor-Hugo Vaca II, a native of Queens, N.Y., announced today his plans to pursue a spot on the 2008 presidential electoral ballot, taking on frontrunners Hillary Clinton and Barack Obama.

The artist said in a public statement that he will try to run for president while he continues to research his “Law and Justice in the United States” series of works.

The point of running for office, he explained, would be to educate his fans on the difficulty or ease with which a native-born American citizen can run for “the most powerful position in the world.”

He added that he hopes the investigation and his bid for the presidency inspires the “lied-to generation” to get more involved with politics and heed the warnings in Al Gores film, An Inconvenient Truth.

“I’m spending so much time in court investigating unethical attorneys and judges that I might as well find out what it takes to run for president while I’m there. Obviously, I realize that the biggest requirement is not intelligence or common sense—George W. Bush Jr. has proven that. Loads and loads of campaign contributions from interested parties is what is needed to win.” – Maverick Artist Victor-Hugo Vaca II

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER CANDIDATE VICTOR-HUGO VACA II

The legendary modern-art-gonzo-journalism, “Crackhead Jesus Series”, by the Maverick Artist Victor-Hugo Vaca II prognosticated a modern civil war in America, manifested by blatant public corruption, emanating out of the White House, enabled by biased news media and weak investigative journalism, whose cumulative effect, undermined the halls of justice, creating dangerous double standards, for favored elitists and notable public figures, protected by the FBI, Attorney General and Police, as underprivileged constituents are slaughtered in the streets, by those hired to serve and protect them, while grave injustice permeates unchecked, through U.S. Courtrooms, enslaving all Americans, regardless of race, creed or color, with a dangerously, double-standard, Rule Of Law.

TRUTH BE TOLD, IF BLACK LIVES REALLY MATTERED WE’D START BY TAKING CARE OF BLACK WOMEN AND CHILDREN, ABANDONED BY AN IGNORED NATIONAL EPIDEMIC OF DEAD BEAT BABY DADDY’S, PROCREATING FOR SPORT, WITHOUT ACCOUNTABILITY, CONCERN OR CONSEQUENCE.

The Undecided Voter notices that news outlets, owned by Caucasians, appear to be acting in collusion, with Presidential candidates, to recklessly toss the word, “racist”, around, in a subversive attempt, to promote a modern civil war agenda, that favors orchestrating riots, violent protests and looting, to produce anarchy, across the nation, for photo ops and soundbites, that increase ratings and profits white people.

MICHELE OBAMA ASKS BLACK LIVES MATTER AND THE CLINTON NEWS NETWORK(CNN) DON LEMON, TO CONSIDER THE NEARLY 300, FORGOTTEN NIGERIAN SCHOOLGIRLS, KIDNAPPED BY BOKO HARAM IN 2014.

The Undecided Voter, notices that news outlets, owned by white men, use titillating sex scandals and beauty-queen-fat-shaming, to deflect global attention, away from documented, top-down U.S. government leadership corruption, being promulgated openly, without shame, remorse or just punishment, under the nose of frustrated taxpayers and legal immigrants, in search of the, rapidly disappearing, American Dream.

“FLOW WOMAN: POLITICAL CORRECTNESS WILL KILL DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE TEN-FOOT TALL, OIL PAINTING, PREMIERED DURING ART BASEL MIAMI WEEK, AT THE “SHOCK” NIGHTCLUB, GRAND OPENING IN 2011.

The Undecided Voter witnessed a sniffling, impassioned, visibly temperamental, patriotic fool, lose his ability to effectively construct and prosecute a case against Hillary Clinton, while using a bad microphone, in front of a chomping-at-the-bit, live audience, being broadcast via satellite, to a record breaking number of viewers, around the world.

DISCREDITED JOURNALIST, BRIAN WILLIAMS, PEDDLING OPINION AND RHETORIC, AS FACT BASED NEWS, ON MSNBC, TO DUMB DOWN AMERICANS.

The Undecided Voter, witnessed Hillary Clinton acting like an insincere, smiling, zombie, standing beside the face and hair of a passionate, Caucasian, presidential candidate, publicly exhibiting narcissistic, histrionic and antisocial tendencies, while blatantly throwing awkwardly, restrained fits of frustration, rather than perpetuating logic, in the face of waning public trust, in unapologetically biased news media, that favors wealthy, career politicians over eccentric, wealthy outliers, that threaten, to shake up the status quo of mediocrity, that has infected American mentality, in the early 21st Century .

“IN THE ABSENCE OF COMMON SENSE, YOU GET NONSENSE AND PRETENSE.” – MAVERICK ARTIST VICTOR-HUGO VACA II

MAVERICK ARTIST VICTOR HUGO MIXES SPERM WITH PAINT TO COMBAT DAFEN CHINA ARTIST MILL FORGERIES.

In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.

Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.

“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)

Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.

“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)

For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.

“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)

The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.

RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.

The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).

‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)

When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.

“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)

“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”

“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:

Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
Jane Wieidlin – Musician (The Go-Go’s), Actress (Bill & Ted’s Excellent Adventure)
Dave Wakeling – Musican (Lead Singer The English Beat, General Public)
W. Nelson Lewis – Media maven, TV Personality (FOX News Greta Live Wire), Journalist, Television Producer (FOX News Laura Ingraham Show, FOX News Greta Van Susteren, GOLF Channel)
Michael Posner – Movie Maven, Delray Beach Film Festival Founder
Roger A. Bauman – Wolfsonian Museum Advisory Board Member, Entrepreneur, Business Mogul (Baumann Cosmetic Dermatology)
Terri Nunn – Musician (Lead singer Berlin), Actress (TJ Hooker, Thank God It’s Friday)

“I became an artist to survive.” -Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR HUGO VACA II

https://www.youtube.com/watch?v=SFSvUZGUNuY

New York Born Hispanic Artist Living In Shadow Of Revolutionary French Le Miserable And Hunchback Of Notre Dame Author Victor Hugo Warns Public Of Threats To Free Speech And Democratic Elections

BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.

On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.

MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR

The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:

“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.

To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.

It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.

The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.

Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.

Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”

MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.

Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.

THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.

Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.

MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

How President Obama Paying Cash Ransom To Iran And US Attorney General Loretta Lynch Failing To Prosecute Secretary Of State Hillary Clinton For Treason Following FBI Director James Comey Recommendation Manifested A Modern Civil War In The United States.

CRACKHEAD JESUS HERALDS ANARCHY IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD FOR PRIVILEGED ELITE VS AVERAGE CITIZEN.

As a worldwide audience watches the violent results, of the U.S. justice system, collapsing under the weight of toxic government leadership, enabled by fake news media, that fails to hold anyone accountable for the blatant, Rule Of Law double standard, that has become, the new normal in America, James Comey, sets a dangerous precedent for everyone, by lying to Congress, undermining the Constitution and teaching all Americans, including Needy Latino’s and Super Predators, that the racist Democratic Party, in collusion with weak mainstream media news outlets, while under the toxic leadership of Barrack Hussein Obama, who preached hope as a false prophet, that denied his own Mother and his white heritage, in favor of undermining the Black community, for profit, alongside Loretta Lynch, Eric Holder and the Clinton Machine mafia, that 0.01% of people in America can get away with murder and everything else, while the other 99.99% of the United Slaves Of America, live under strict Rule Of Law.

MODERN-ART-GONZO-JOURNALISM PAINTING CREATED BY VICTOR-HUGO VACA II IN 2009 PROPHESIED A MODERN CIVIL WAR IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD.

No justice, no peace.

When the head of the FBI, James Comey, became investigator, prosecutor, Judge and jury; minorities, who have been through the broken U.S. Justice system, took notice: ‘Needy Latino’s’ and ‘Super Predators’ knew instinctively, without propaganda, from mainstream media news outlets, that something was definitely wrong with the picture of Attorney General Loretta Lynch, in a private plane, on an Arizona airport tarmac, with Bill Clinton, days before an FBI investigation, into Hillary Clinton, was closed, without proper procedure, inquiry or prosecution referral.

The FBI, under the toxic leadership of James Comey and the justice system, under the toxic leadership of Loretta Lynch, destroyed public trust in U.S. Rule of Law, by undermining the Hillary Clinton investigation. A multicultural mob of constituents is awakening to the fact, that the U.S. justice system is rigged, in favor an elite hand-full of people, who rule the world, like Crackhead Jesus, with a, ‘do as I say, not as I do’, philosophy.

On March 3, 2009, Modern Art Music Movement (MAMM) Founder, Victor-Hugo Vaca II, sent the following “Letter To The Editor” to major international news outlets, including USA Today, in defense of the controversial, Winter Music Conference (WMC) Modern Art Music Movement, “Crackhead Jesus Cab” campaign, wherein a fleet of over fifty taxi cab’s drove through Florida during the Christmas season carrying an ominous message for residents and sun drenched tourists from around the world:

“Survival is based on common values and beliefs, not color. I learned that first-hand, at the U.S. Naval Academy and Prep School, in the 80’s and 90’s, when the military purged all maverick Alpha males out of service and left toxic leadership in command.” – Victor-Hugo Vaca II

U.S. Midshipman Officer Victor Hugo Vaca II

Dear Editor,

What do the hens do when the fox is guarding the hen house? Wake up, media! Crackhead Jesus is coming.

For years, news outlets have ignored warnings of the cataclysmic butterfly effect created by the dangerously low standard of competency and ethics for lawyers – those who grow up to be senators like Roland Burris or judges like Donald W. Hafele.

The controversial iNovel, Redemption: Episode One – The Story of the Crackhead Jesus Trials, was created to avoid threats of censorship from lawyers who did not want me to disclose the fact that I, unwittingly, discovered that lack of competency and ethics for lawmakers would lead to an economic disaster of global proportions.

Ladies and gentleman, now we are here. Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers.

Follow the trail of Judge Donald W. Hafele – from his appointment by Jeb Bush to the little known, three-member Fairness of Elections Committee in 2000, the year Democracy died, to the Jerod Miller case in which Judge Hafele publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.

After several documented warnings to Governor Charlie Crist’s office about the Judge’s corrupt fiber of being, Crist elevated Judge Hafele to a Circuit Court, where he now threatens the environment by creating a calculated delay in the Everglades’ case.

Why should anyone care about this? Because of the butterfly effect.

Elected representatives are ignoring the fact that no oversight exists over some of the 50 states’ Bar associations and that has lead to the breakdown of democracy – and is now set to breakdown the global environment for generations to come.

Elected representatives are ignoring the fact that a legal mafia exists in the United States, and it will not make things better.

With my birth name of Victor-Hugo Vaca Jr., my Web sites have gone viral on the Internet. Those who Google Victor Hugo, Modern Art, Judge Hafele, Conde and Cohen will be lead to the truth about what is really going on in this country.

Students from all over the world have begun to cite me in their school projects because I share the name of the great French revolutionary, Victor Hugo. The youth of our nation have given me a powerful voice, thanks to their ability to think outside of the box.

Clear Channel has agreed to post billboards and banners exclaiming, “Crackhead Jesus is coming (‘http://www.crackheadjesus.com‘)” during the Winter Music Conference in Miami Beach. I am not spending my money to create chaos or blaspheme any religious figure but rather to let the world know that the new Victor-Hugo has done his part in history as a patriot to defend and uphold democracy by thinking outside of the box and not with mere rhetoric.

Flow,
Victor-Hugo Vaca Jr.
The Maverick Artist

ACCORDING TO COX COMMUNICATIONS, THE “CRACKHEAD JESUS CABS” WERE SO EYE CATCHING, EXECUTIVES CLAIM IT WAS ONE OF THE MOST SUCCESSFUL AND EFFECTIVE AD CAMPAIGNS, IN MARKETING HISTORY.

Mainstream media censored, “Crackhead Jesus”, which has since become part of the vernacular, representing a breakdown in the system, but with the advent of cell phone camera’s, tourists from around the world were able to disseminate images of the curious cabs globally, thus circumventing news media censorship and getting the message across that, civil unrest was coming to the United States, due to a breakdown in the U.S. justice system that favors elites over the 99% of law abiding citizens in America.

CRACKHEAD JESUS CAB AT HILTON HOTEL IN SOUTH BEACH, MIAMI, FLORIDA.

When President Barrack Hussein Obama laundered cash to pay ransom for hostages to the number one supporter of terrorism, Iran, it sent a signal to the world that the United States was prepared to negotiate with evil.

CRACKHEAD JESUS CAB BEING PHOTOGRAPHED BY TOURISTS IN MIAMI BEACH, FLORIDA.

When FBI Director James Comey condoned acts of treason by Hillary Clinton, it signaled to the world that the United States government and justice system, is corrupt from the top down.

CRACKHEAD JESUS CAB LETS TOURIST OUT IN FRONT OF MAC STORE IN MIAMI BEACH, FLORIDA.

When the United States Attorney General, Loretta Lynch failed to prosecute Secretary Of State, Hillary Clinton for acts of treason, it signaled to the American public that there is a clear Rule Of Law double standard for the elite 1% in America.

CRACKHEAD JESUS CAB, IN FRONT OF THE GAP, NEXT TO PORSCHE, ON COLLINS AVENUE, IN MIAMI BEACH, FLORIDA.

“Before you trust lies that spring up as news, trust your instinct and fact check, using the critical thinking skills God gave you.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

https://www.youtube.com/watch?v=KN8SIigY8TI