A Christmas Nativity scene with two Joseph’s and a children’s book about a black Santa and his white husband grabbed holiday headlines over the story of Crackhead Jesus. “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of the Three Muses- Chapter 1”, the first in a series of ten modern-art-graphic-novels that tell the story of the alleged serial-killer-spinal-surgeon operating out of Mercy in Baltimore, Maryland, premiered at Art Basel Miami Art Week 2017. The work of modern-art-gonzo-journalism reveals serious allegations of FDA fraud, sexual misconduct and deadly toxic leadership being covered up in D.C. area hospitals as public trust in mainstream news media continues to plummet.
The New York born Latino author, Victor-Hugo Vaca II, reached over 220,000 listeners in over seventy countries, appearing on several radio talk shows and podcasts promoting his censored book. The question of why the Washington Post failed to investigate recent allegations of a serial-killer spinal-surgeon in its own back yard, in favor of using valuable resources to investigate forty-year old allegations against Judge Roy Moore, in Alabama, days before a special Senate election, arose in conversation, begging the question, “Is the Washington Post choosing politics over public trust in its own community?”
Whatever the answer, just as Harvey Weinstein allegations festered for decades, the more the story of Crackhead Jesus is censored and buried, the more the Streisand Effect takes over and the more people around the world find out about allegations surrounding Charles C. Edwards MD, as the maverick artist plans to tour the United States appearing on talk shows, in support of his groundbreaking modern art graphic novel series, throughout 2018.
In 2017, white men in power positions, like Judge Roy Moore and Matt Lauer were exposed as alleged sexual predators using toxic leadership and abuse of power to exploit women and children. News media has also protected and enabled powerful white men, like Harvey Weinstein and Charlie Rose, by suppressing decades old rumors and allegations of misdeeds. Evidence shows, The Washington Post, Miami Herald and Baltimore Sun have buried years old rumors and allegations, of a serial-killer-spinal-surgeon nicknamed, Crackhead Jesus, stalking the United States from Baltimore, Maryland.
Public trust could only wonder why news outlets instead favored covering stories about a woman who claims President Donald Trump should be impeached because he once asked for her phone number, instead of reporting on serious allegations that an orthopaedic surgeon of the spine is an alleged serial-killer performing experimental spinal surgery on human subjects without FDA approval.
The surgeon, who operates on the human fiber of being has been lauded as a pillar of the community in People, Newsweek and 20/20. He has also been described in newspapers as a wealthy slumlord and a criminal CEO, using lawyers to manipulate a two-tiered U.S. justice system to avoid jail time.
Victor-Hugo created modern-art-gonzo-journalism and travelled throughout the United States with the Modern Art Music Movement producing live art with world famous bands, including members of The Goo Goo Dolls, Cheap Trick, Boston and The Wailers, to name a few, in order to raise global awareness about growing allegations that Charles C. Edwards MD is an alleged serial-killer spinal-surgeon. The works of modern-art-gonzo-journalism inspired an award-winning film titled, “Crackhead Jesus: The Movie”, which recently made world headlines, after the U.S. Supreme Court “Slants” trademark ruling.
The controversial film which has been screened internationally and took “Best Screenplay” honors at the La Romana International Film Festival, was produced by the Modern Art Music Movement during a seventy-two-hour film competition in Delray Beach, Florida, to raise awareness about a clear and present danger in the Baltimore, Maryland area, where the maverick artist once lived, while serving as a Naval Academy Midshipman officer at the U.S. Naval Academy in Annapolis, before receiving an honorable discharge as a whistleblower in the early 1990’s.
Over the course of a decade in exploring the character of someone entrusted with tearing into the fiber of ones being, the following list of allegations surfaced, which allowed the artist to paint a gruesome picture of an alleged serial-killer-spinal-surgeon, using toxic leadership and abuse of power, to rack up an extensive body count supported by the same journalistic apathy that allowed Harvey Weinstein to perpetuate his evil acts for years.
The following allegations involving Charles C. Edwards MD should give people, pause, if not nightmares.
Charles C. Edwards MD – Orthopaedic surgeon of the spine at Mercy Medical Center allegedly performed radical unauthorized experimental surgery on patients without IRB approval for at least three years (1992-1995) every Thursday with doctors and nurses that he chose personally, to ensure that those assisting him in the unauthorized experimental surgery were unfamiliar with how to perform scientific experiments in a proper way.
Allegedly Charles C. Edwards MD performed radical unauthorized experimental surgery on patients without IRB approval at least forty times per year and performed experimental surgery on patients despite having IRB approval revoked or denied. If so, all deaths in these cases should be looked into as possible homicides.
Under FDA regulations, an IRB is an appropriately constituted group that has been formally designated to review and monitor biomedical research involving human subjects. This group review serves an important role in the protection of the rights and welfare of human research subjects.
The purpose of IRB review is to assure, both in advance and by periodic review, that appropriate steps are taken to protect the rights and welfare of humans participating as subjects in the research. To accomplish this purpose, IRBs use a group process to review research protocols and related materials (e.g., informed consent documents and investigator brochures) to ensure protection of the rights and welfare of human subjects of research.
Allegedly Charles C. Edwards MD has performed radical unauthorized experimental surgery on patients without IRB approval since 1992 and was reported to the FDA in 2002.
Charles C. Edwards MD is also alleged to have engaged in numerous acts of sexual misconduct in the workplace including exposing himself nude, to male and female staff in his office and in hallways in the hospital and of performing sex acts with his secretary/mistress, Linda Haynes, in front of numerous colleagues at work in 1995.
Allegedly Charles C. Edwards MD controlled Linda Haynes, didn’t trust her to be by herself and he forbade her from going to the Hospital cafeteria by herself.
Allegedly there is a well-known story amongst hospital staff of an extraordinary incident of workplace sexual misconduct by Charles C. Edwards MD that was witnessed by renowned hand surgeon Thomas E. Gillespie MD, University of Maryland, orthopaedic department, wherein the now deceased Gillespie demanded the hospital higher ups stop covering for Edwards improprieties.
Allegedly in 1993, Charles C. Edwards MD admitted to exposing himself in front of Thomas E. Gillespie MD at the University of Maryland.
Allegedly the President of the University spoke to the head of personnel regarding concerns of Charles C. Edwards MD
Allegedly FDA data is being falsified by Charles C. Edwards MD.
Allegedly Charles C. Edwards MD uses abuse of power to intimidate research assistants into falsifying FDA data.
Allegedly members of the University of Maryland spinal secession study group witnessed Charles C. Edwards MD engage in sexual misconduct covered up by hospital officials.
Allegedly the University of Maryland Baltimore University Hospital has covered up all allegations of wrongdoing filed against Charles C. Edwards MD.
Allegedly the Head of Surgery Department, Anthony Imbembo MD, expressed his concerns about Charles C. Edwards MD to hospital human resources personnel management.
As public trust in newspapers erodes, the Lied To Generation turns to modern-art-gonzo-journalism to examine ignored decades old allegations that make Harvey Weinstein look-like Matt Lauer in today’s world.
“Tracking a serial-killer is like trying to put together a moving jigsaw puzzle.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
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Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
