Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.
STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.
On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.
Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.
The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”
January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”
The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.
Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.
Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
In 1964–65 the Free Speech Movement (FSM) was born out of student protests on the campus of the University Of California, Berkeley.
CENSORED- Palm Beach Post lists Crackhead Jesus: The Movie as nine question marks.
The Free Speech Movement died October 29, 2010, when The Palm Beach Post censored award-winning art, in print, for the world to see and fake mainstream media news outlets to ignore.
On February 1, 2017, the University Of California, Berkeley put the final nail in the 1st Amendment coffin.
Art Speaks Truth To Power
Super Bowl Movie Trailer Ads for “Crackhead Jesus: The Movie”, a modern Orwellian tale of false prophets and lawyers.
“Newspapers are less concerned with free speech and facts, than they are with profit and influence.” – Maverick Artist Victor-Hugo Vaca II.
On January 20, 2017, Donald Trump was sworn in as the 45th President of the United States as the former First Lady, Michelle Obama scowled and White protestors shouted, “Black lives matter!”, while black thugs shoved their middle fingers in the faces of peaceful white men wearing “Make America Great Again” hats and “Black Sabbath” t-shirts, as anarchists smashed windows in protest of democratic elections, the electoral college and the peaceful transfer of government leadership, while females and homosexuals marched against Sharia Law-like treatment, for the United Slaves Of America.
The Hispanic Undecided Voter watches from the steps of the Supreme Court as anarchist’s descend upon Washington, D.C.
The Hispanic Undecided Voter wonders why Caucasians are so openly expressing their “white guilt” and “white privilege” for public consumption and introspection.
The Hispanic Undecided Voter wonders why large groups of peaceful protestors do nothing to stop the bullying of Whites by racist Blacks in front of television cameras and police officers.
The Hispanic Undecided Voter wonders if it is officially okay to bully all White people on the streets of America?
The Hispanic Undecided Voter witnessed The 3 Muses (Mother, Wife, Grandmother) in Modern America and people, who are morally offended in, The Land Of Indignation, cheer as Madonna talked about “blowing up the White House” and at that moment realized that when Madonna publicly offered anyone who voted for Hillary Clinton in 2016, oral sex with, “lots of eye contact”, Grandmothers, Wives and Mothers, from around the world, were left to choose between a “Blow Job Nation” and a “Pussy Grabbing America”.
The Hispanic Undecided Voter wonders why Muslim women and homosexuals denouncing Donald Trump as a “misogynist homophobe” are not protesting Sharia Law or rap songs about “bitches and homos”, that perpetuate stereotypes of women as sex objects worth less than men and gays as queer fags.
As a crowd of women march on Washington, D.C., Boston, New York, Denver, Miami, Los Angeles, London, Sydney, Vancouver and Seattle, the Undecided Hispanic Voter scratches his head while recalling a famous Black rapper sing, “I got a pink hat on the tip of my dick, Bitch, open wide, while I shove it in yo’ mouth, Hoe!”, to a delighted crowd of liberated women, before watching Jay-Z serenade Hillary and Bill Clinton with, “99 Problems But A Bitch Ain’t One”, at a Democratic Fundraiser in Cleveland, Ohio, while Beyonce and First Lady Michelle Obama danced with President Barrack Hussein Obama’s daughters and other giddy girls, wearing Snoop Dogg and Kanye West t-shirts, over training bras, in front of their Mothers and Grandmothers, before watching Madonna talk about blowing up the White House, while addressing a large, angry mob of people fighting for peace in the New World Order.
The Hispanic Undecided Voter sees fake news outlets, like CNN, race baiting a modern civil war for ratings and money.
The Hispanic Undecided Voter notices that nobody is standing up for the rights of the silent majority, Hispanic people in America, who are taken for granted as voters and as viewers of mainstream media by marketers and content providers who fail to connect with Latinos in a divided, Black and White world.
Ebony & Irony.
The Hispanic Undecided Voter wonders how President Barack Hussein Obama was able to locate Osama Bin Laden and not rescue the 276 kidnapped girls of Chibok in Borno State, Nigeria, who were kidnapped from the Government Secondary School, during Obama’s term as Commander In Chief of the United States military and recalls, how, while Michelle Obama was First Lady, she held up a sign on Twitter, to show the world that Women’s lives and Black lives matter, while suddenly realizing, that on the day Michelle Obama left the White House, wearing designer shoes and a very public frown, for young girls and boys around the world to see, more than 200 of the red blooded girls kidnapped by the radical Islamic terrorist group, Boko Haram, remained captive as sex slaves and kidnap victims, for which the Obama administration did not see fit to pay ransom, unlike the $400 million worth of unmarked cash paid to Iran by President Obama, who endorsed terrorist funding ransom transaction to manifest, in exchange for male hostages, held in Iran, which all made the Hispanic Undecided Voter realize, that in the end, it is not about race, it is about state of mind.
“We all enter this world naked and without prejudice; hatred is learned.” – Maverick Artist Victor Hugo Vaca II
BALLOON BOY EXPOSES FAKE NEWS WHILE CBS NEW YORK SUPPRESSES WARNING OF ATTACKS ON FIRST AMENDMENT THAT LEAD TO LOVE GRAFFITI. How The Maverick Artist Victor Hugo And President Barack Hussein Obama Mutual Admiration Of Rat Dog Manifested A Modern Art Music Movement.
“Love Graffiti” By Victor-Hugo Vaca II.
On the day Balloon Boy exposed fake U.S. news , for what it is worth, Victor-Hugo Vaca II was interviewed by a CBS New York reporter, for a segment on the CBS Evening News, questioning why police issued the artist a citation for displaying a bumper sticker on his BMW that proclaimed, “Crackhead Jesus is coming”.
As Victor-Hugo Vaca II headed to the Rat Dog concert afterwards, police and Secret Servicemen swarmed the artist and corralled him along with everyone on the block into a corner, behind barricades, for over an hour.
News crews surrounded Victor-Hugo Vaca II as he stood next to a man holding a cardboard sign that introduced him as RocOpera. The WPIX Newscaster at the scene, informed Victor-Hugo that his “1st Amendment story on CBS evening news never aired”. According to Wanda, a CBS New York producer, the fake news of Balloon Boy had pre-empted the canary-in-the-coal-mine of free speech in America documented in a Suffolk Times article by Erin Schultz titled, “Pulled Over In The Name Of Crackhead Jesus?“. The newspaper article records the following:
Traveling artist says Southold police officer profiled him.
A bumper sticker bearing the phrase “Crackhead Jesus is coming” got an author pulled over in Southold last month, the man told The Suffolk Times.
Victor-Hugo Vaca Jr., a multimedia artist formerly of Brooklyn who now calls the road home, said that Southold Town Police Officer Frank Lyburt violated his First Amendment rights by pulling him over Oct. 11, simply because the officer was offended by the bumper sticker on Mr. Vaca’s rear windshield.
“I wasn’t speeding and I knew there was nothing wrong with my car,” said Mr. Vaca, 39, noting that the sticker is a promotional tool for his graphic novel, “Crackhead Jesus.”
The bumper sticker in question, which Mr. Vaca described as a ‘promotional tool’ for his upcoming graphic novel ‘Crackhead Jesus.’
“[The officer] said he was doing me a favor by handing me that ticket, the same way someone knocks on your door on a Sunday morning, saying you’re wicked for not going to church.”
The wandering author, who claims to have traveled across the country raising awareness of issues not typically covered in mainstream media, said he was ticketed while driving to the Hampton International Film Festival to promote “Crackhead Jesus,” the story of a man who went to work one day high on crack and told his co-workers that they were his disciples.
“[The sticker] has nothing to do with Jesus Christ,” Mr. Vaca said. “It has to do with the modern devils out there.”
Southold Town Capt. Martin Flatley said the ticket issued to Mr. Vaca is a valid summons, adding that there is a section in vehicle and traffic law that prohibits “the placing of posters or stickers on windshields or rear windows of motor vehicles.”
“I believe Officer Lyburt might have stopped the driver for another violation but ended up writing him this summons,” Capt. Flatley said. “This section of law may not be written often, but it is a valid section. This is part of the officer’s discretion when performing a traffic stop.”
Mr. Vaca said Officer Lyburt appeared very upset with the bumper sticker after he scanned his Florida license.
“He came back to my car and asked me, ‘What’s the deal with the Crackhead Jesus sticker?'” Mr. Vaca said. “Here I am, a white guy in a BMW with all this fancy artwork in the back, and for the first time, I felt what it was like to be profiled.”
Mr. Vaca made an appearance in September at Rock the Harvest, a concert held in Southold to benefit The Retreat of East Hampton.
“So I’m in town to help raise money for battered women, and I get mistaken for a guy spitting in the face of God,” he said. “I went to Southold to do good work, and I leave getting punished.”
Mr. Vaca said he plans to drive back to Southold from Florida — where he is attending a music festival in Miami — to fight the ticket.
“So many people are apathetic — they’ll just pay the ticket and get it over with, but that’s the problem,” he said. “I’m not just going to pay this ticket. I’m going to take a chance to look deeper into this.”
Reporters informed Victor-Hugo Vaca II that because President Barrack Hussein Obama is a fan of Rat Dog, everyone on the New York City Street next to the concert venue, were detained against their will, in zones, by Police and Secret Service agents, to protect President Obama, while he attended the first half of the Rat Dog concert.
Victor-Hugo Vaca II missed the first-half of the Rat Dog show because of President Obama. However, as a result of their mutual appreciation of Rat Dog and The Grateful Dead, this Modern Art Music Movement™ work of art was born.
As seen being manifested in the Modern Art Music Movement™ MAMM Music Video, “Crackhead Jesus: Shake The City”, Produced, Directed and featuring the Maverick Artist Victor-Hugo with music By RocOpera.
Behind The Scenes: On set with the Maverick Artist Victor-Hugo, RocOpera, Joanne Togati and Paparazzi.
Portions of the music video were filmed inside the Gulfstream Park Racing and Casino in Hallandale Beach, Florida.
Behind The Scenes: RocOpera on MI-VI set with the Maverick Artist Victor-Hugo.
Portions of the music video were filmed inside the legendary MI-VI Nightclub, as seen on tv news and in print newspapers.
Maverick Artist Victor-Hugo, RocOpera and filmmaker, Chris Alonso, inside, “The Labyrinth Of Creativity Miami”.
Portions of the music video were filmed inside Victor-Hugo Vaca Jr.’s production studio in Miami known as, The Labyrinth of Creativity Miami.
Behind the scenes, with filmmaker Victor-Hugo.Behind the scenes, with RocOpera and director Victor-Hugo Vaca II.Behind the scenes with filmmakers Victor-Hugo Vaca II, Chris Alonso, Mike McGill and Paparazzi.
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
In the years following the 2010 Haiti earthquake, The Clinton Foundation reportedly raised $30 million for relief projects, but locals say that the promises made by Bill and Hillary Clinton never fully materialized.
Haitian survivors who trusted, Secretary of State Hillary Clinton, to make good on her promises, to rebuild, have been left vulnerable and living in shanty structures, six-years after the catastrophic natural disaster. Victims point to luxury hotels that were allegedly constructed with The Clinton Foundation relief funds, to benefit the country’s ruling establishment, as the Category 4, Hurricane Matthew, rumbles towards Haiti, with expected wind gusts of 170MPH.
“HAITI MUSE” (36X48) UNIMPRESSED CAT, INSPECTS WORK IN PROGRESS, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
Secretary of State Hillary Clinton, despite the obvious conflict of interest, decided to contract with The Clinton Foundation to provide for the relief effort in Haiti, following the 7.0 magnitude earthquake that left over 316,000 people dead and over 1.5 million survivors, destitute, while struggling with a deadly outbreak of cholera. According to the former Senate President of Haiti, Bernard Sansaricq, The Clinton Foundation stole billions from the Haiti relief fund.
“HAITI WILL RISE” (33X52) CREATED IN 2010, AT THE ST. JOHN’S CHURCH, MODERN ART MUSIC MOVEMENT™ (MAMM) HAITI RELIEF CONCERT, FEATURING SAX LEGEND LEO CASINO AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.
Haitians, like Dhoud Andre of the Commission Against Dictatorship, have accused Bill and Hillary Clinton of duplicity, malfeasance, and theft. “We are telling the world of the crimes that Bill and Hillary Clinton are responsible for in Haiti.” Andre said.
As Secretary of State, Hillary Clinton, was in charge of allocating the $3.9 billion U.S. aid to Haiti. Bill Clinton was the designated UN representative for aid to Haiti. Together the Clintons controlled the flow of over $14.5 billion in aid donated to Haiti from around the world.
Astute Haitians noticed that a number of companies that received contracts in Haiti happened to make large donations to The Clinton Foundation. Haitian relief deals appeared to be a quid pro quo for filling the coffers of the Clintons.
For the first time in 50 years, Haiti awarded two new gold mining permits and one of them went to the company that had hired Hillary’s brother, Hugh Rodham, who mysteriously found himself on the advisory board of a U.S. mining company called VCS. In October of 2013, despite his never having any mining experience, VCS brought Hugh Rodham on board to help secure a valuable gold mining permit in Haiti. He was promised a “finder’s fee” if he could land the contract and sure enough, with the help of his sister, Secretary of State Hillary Clinton, he did.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER. THIS PHOTO CAUSED “THE CLINTON MACHINE” TO INSIST THAT INSTAGRAM CENSOR AND DELETE THE PERMANENT DIGITAL FOOTPRINT OF THE MAVERICK ARTIST VICTOR-HUGO VACA II ON THE POPULAR SOCIAL NETWORK.
The Hugh Rodham mining deal provoked outrage in the Haitian Senate. “Neither Bill Clinton nor the brother of Hillary Clinton are individuals who share the interest of the Haitian people,” said Haitian mining representative Samuel Nesner. “They are part of the elite class who are operating to exploit the Haitian people.”
“Bank of America stole my money and The Clinton Machine censored my Instagram account.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II
“MUSE FOR HAITI”(38X53) MANIFESTED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE HAITI MEMORIAL MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM, FEATURING TITO PUENTE JR., AS SEEN ON TV.
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Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Maverick Artist Victor-Hugo Vaca II
