Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
In the years following the 2010 Haiti earthquake, The Clinton Foundation reportedly raised $30 million for relief projects, but locals say that the promises made by Bill and Hillary Clinton never fully materialized.
Haitian survivors who trusted, Secretary of State Hillary Clinton, to make good on her promises, to rebuild, have been left vulnerable and living in shanty structures, six-years after the catastrophic natural disaster. Victims point to luxury hotels that were allegedly constructed with The Clinton Foundation relief funds, to benefit the country’s ruling establishment, as the Category 4, Hurricane Matthew, rumbles towards Haiti, with expected wind gusts of 170MPH.
“HAITI MUSE” (36X48) UNIMPRESSED CAT, INSPECTS WORK IN PROGRESS, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
Secretary of State Hillary Clinton, despite the obvious conflict of interest, decided to contract with The Clinton Foundation to provide for the relief effort in Haiti, following the 7.0 magnitude earthquake that left over 316,000 people dead and over 1.5 million survivors, destitute, while struggling with a deadly outbreak of cholera. According to the former Senate President of Haiti, Bernard Sansaricq, The Clinton Foundation stole billions from the Haiti relief fund.
“HAITI WILL RISE” (33X52) CREATED IN 2010, AT THE ST. JOHN’S CHURCH, MODERN ART MUSIC MOVEMENT™ (MAMM) HAITI RELIEF CONCERT, FEATURING SAX LEGEND LEO CASINO AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.
Haitians, like Dhoud Andre of the Commission Against Dictatorship, have accused Bill and Hillary Clinton of duplicity, malfeasance, and theft. “We are telling the world of the crimes that Bill and Hillary Clinton are responsible for in Haiti.” Andre said.
As Secretary of State, Hillary Clinton, was in charge of allocating the $3.9 billion U.S. aid to Haiti. Bill Clinton was the designated UN representative for aid to Haiti. Together the Clintons controlled the flow of over $14.5 billion in aid donated to Haiti from around the world.
Astute Haitians noticed that a number of companies that received contracts in Haiti happened to make large donations to The Clinton Foundation. Haitian relief deals appeared to be a quid pro quo for filling the coffers of the Clintons.
For the first time in 50 years, Haiti awarded two new gold mining permits and one of them went to the company that had hired Hillary’s brother, Hugh Rodham, who mysteriously found himself on the advisory board of a U.S. mining company called VCS. In October of 2013, despite his never having any mining experience, VCS brought Hugh Rodham on board to help secure a valuable gold mining permit in Haiti. He was promised a “finder’s fee” if he could land the contract and sure enough, with the help of his sister, Secretary of State Hillary Clinton, he did.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER. THIS PHOTO CAUSED “THE CLINTON MACHINE” TO INSIST THAT INSTAGRAM CENSOR AND DELETE THE PERMANENT DIGITAL FOOTPRINT OF THE MAVERICK ARTIST VICTOR-HUGO VACA II ON THE POPULAR SOCIAL NETWORK.
The Hugh Rodham mining deal provoked outrage in the Haitian Senate. “Neither Bill Clinton nor the brother of Hillary Clinton are individuals who share the interest of the Haitian people,” said Haitian mining representative Samuel Nesner. “They are part of the elite class who are operating to exploit the Haitian people.”
“Bank of America stole my money and The Clinton Machine censored my Instagram account.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II
“MUSE FOR HAITI”(38X53) MANIFESTED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE HAITI MEMORIAL MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM, FEATURING TITO PUENTE JR., AS SEEN ON TV.
ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?
You know what I mean, don’t you? You know how, sometimes, the talking heads on news networks say, ‘you know’, so many times, you really don’t know what they are trying to communicate, other than their ignorance; you know what I’m saying?
ON 1-5-2012, THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTED A MODERN ART MUSIC MOVEMENT (MAMM) HAPPENING, WITH THE GLEN GOVOT BAND, AT “THE STAGE”, IN WYNWOOD, MIAMI, FLORIDA.
Well, you know, there’s this lightbulb, you know, it was installed in the Livermore, California fire department, in 1901 and it keeps shining to this day, you know?
IN FRONT OF A CAPACITY CROWD, THE MAVERICK ARTIST VICTOR-HUGO VACA II, PRODUCED A WORK OF ART TITLED, “ABSOLUTE SIGNATURE”, ALONGSIDE, GLEN GOVOT, AS PART OF THE MODERN ART MUSIC MOVEMENT.
You know, the four-watt lightbulb has burned through the birth of powered human flight, two world wars, twenty U.S. Presidents, women and blacks being granted the right to vote, twenty seven olympic games and, you know, space exploration.
MAVERICK ARTIST VICTOR-HUGO VACA II BUILDS THE FOUNDATION FOR HIS ARTWORK WITH POSITIVE WORDS.
You know, the Livermore lightbulb is the world’s oldest-known working lightbulb and is, you know, a shining example, of what human beings are capable of, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II PUTS FINISHING TOUCHES ON “ABSOLUTE SIGNATURE”, ON STAGE, AT MAMM JAM HAPPENING.
You know, the Livermore lightbulb is still burning bright because of its low wattage and filament thickness, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AND JUAN ETCHEGORRY AT THE STAGE.
You know, the Livermore lightbulb shines brighter than pundits and so-called journalists, on news outlets, manipulating truth to an audience that, you know, according to a 2016 Gallup Poll, shows that only one in four viewers actually trust what they hear on news channels, you know?
MAVERICK ARTIST VICTOR-HUGO VACA II WITH JAMIE LIPMAN IN FRONT OF “ABSOLUTE SIGNATURE” PAINTING.
You know, the Livermore lightbulb, doesn’t say anything, it just sheds light on life, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AT “THE STAGE”.
You know, the Livermore lightbulb, makes more sense than people who say, ‘you know’, all the time, to hide the fact that, in reality, they don’t know much, you know?
Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.
Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.
“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.
“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.
“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.
According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.
CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.
The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.
MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.
Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.
“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.
Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.
“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.
THE UNDECIDED VOTER AND MILLENNIALS PIVOT TOWARDS VOTING AGAINST THE POLITICAL STATUS QUO, EMBODIED IN A WELL REHEARSED, CAREFULLY SCRIPTED, HILLARY CLINTON, AFTER WITNESSING MAINSTREAM NEWS MEDIA COVERAGE OF THE U.S. PRESIDENTIAL DEBATE THAT CLEARLY PAINTED DONALD TRUMP AS, THE UNDERDOG.
“BEFORE VOTING, ASK YOURSELF, WWMLD? WHAT WOULD MONICA LEWINSKY DO?”, 9/11 SERIES, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The Undecided Voter and Millennials realize the question for those Independents still trying to decide between Donald Trump and Hillary Clinton is, to put it bluntly: “Which Bully do you want in the White House, representing the best interest of you, your Children and seven generations forward and which Woman, as Commander In Chief, or First Lady, do you want to serve your bloodline, as a historical role model, for developing young girls and grown women; Meanwhile, setting a public example, for how developing young boys and structured men, should behave around girls, women, military veterans and police officers, for seven generations forward?”
THE UNDECIDED VOTER
The Undecided Voter, regardless of Sex, Race, Creed or Color, is looking to elect someone with common sense and a clear, forward, vision, to press the reset button, on a politically correct system, that is obviously broken and in dire need of realistic repair; Maybe not by a couple of seasoned bullies in the White House but by one passionate, outsider, claiming to be capable of working efficiently and in fair cooperation with other world leaders, using every available tool, rather than trusting stale, over-rehearsed, meaningless rhetoric, filled with false narratives, of half-truths, shining brightly in the hypocrisy of philanthropy.
“FEMALE VOTER EXPLAINS JUANITA BROADDRICK, KATHLEEN WILLEY, PAULA JONES, GENNIFER FLOWERS AND MONICA LEWINSKY, TO HER DAUGHTER, ELOISE, WHO IS LIVING WITH HER BABY DADDY #1, IN PARIS, FRANCE.”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE GEDDES FINE ART COLLECTION.
The Undecided Voter is looking to elect someone, with strength and conviction, to stand up to foreign enemies and make friends, using firm, fair and clear communication, so as to cooperatively manifest the concept of compassionate wealth, on earth, during the global shift towards Asia, as the New World Order is both restructured and rebalanced for maps and history books.
“FEARLESS FEMINISTS DISCUSS, NARCISSISTIC LOONY TOONS, THE POLITICS OF THE PENIS, BIMBO ERUPTIONS, FAT SHAMING BEAUTY PAGEANT WINNERS AND BILL CLINTON’S RODEO CLOWNS, WITH THEIR YOUNG DAUGHTERS, ON CHRISTMAS DAY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II; PREMIERED DURING ART BASEL MIAMI WEEK AT THE GRAND OPENING OF “SHOCK”, THE HAUNTED ADDRESS OF THE NOTORIOUS FORMER BILL AND HILLARY CLINTON MIAMI BEACH, A-LIST, HANG OUT, “LIQUID NIGHTCLUB”, 1437-39 WASHINGTON AVENUE.
The Undecided Voter is looking to elect someone to procure a sustainable existence for seven generations forward, that would organically lean “The Lied To Generation” towards a peaceful lifetime; while swiftly rebuilding infrastructure and fixing politically rigged Courts, that stifle prosperity for the United Slaves Of America, by choking the American Dream, on the broken scales of justice.
INTERIOR DESIGN AND ARTWORK, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE NOTORIOUSLY HAUNTED ADDRESS, OF LIQUID AND SHOCK NIGHTCLUB, IN MIAMI BEACH, FLORIDA.
The Undecided Voter could not understand why the debate moderator, Lestor Holt, and both 2016 Presidential candidates, could not transcend the extraneous muck and zeitgeist of pop culture, in favor of progress and pressing social issues regarding the economy, justice system, public infrastructure policy, and national security, that affect everyone, regardless of age, religion, race or political affiliation.
1437-39 WASHINGTON AVENUE
THE LEGENDARY MIAMI BEACH HOT SPOT ADDRESS OF BOTH, LIQUID AND SHOCK, LOCATED ACROSS FROM THE ICONIC ESPANOLA WAY, SEEN IN SEVERAL MOVIES (MIAMI VICE) AND ON TV SHOWS (MIAMI VICE), WAS FREQUENTED BY SUCH NOTABLES AS MADONNA, SEAN PENN, BILL AND HILLARY CLINTON.
IN 2011, CELEBRATED FANFARE AND INTERNATIONAL PRESS, WELCOMED THE HAUNTED VENUE’S REINCARNATION AS THE INFAMOUS, “SHOCK” NIGHTCLUB, DURING ART BASEL MIAMI WEEK, SHOWCASING THE 5,000+ SQUARE FOOT, “NEW YORK CITY RETRO-CHIC FINE ART GRAFFITI MURAL”, INTERIOR DESIGN AND ARTWORK CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, EXCLUSIVELY FOR “SHOCK”, AS CONTRACTED BY THE FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, LATER NICKNAMED, “THE FRENCH BERNIE MADOFF”, BY HIS MANY VICTIMS.
THE 10-FOOT TALL WORK OF MODERN-ART-GONZO-JOURNALISM TITLED, “TITTY HARVEST: THE POLITICS OF THE PENIS”, ADORNED THE GIANT BRICK WALL NEXT TO THE EXCLUSIVE, VIP SECTION, OF THE EUROPEAN JET-SET VENUE, NEXT TO THE DJ BOOTH, WHICH HOSTED SOLD OUT, WINTER MUSIC CONFERENCE (WMC), EVENTS AND WAS, ALLEGEDLY, FEATURED IN THE BACKGROUND OF MUSIC VIDEOS AND PHOTO SHOOTS FOR LADY GAGA AND RICKY MARTIN.
BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT PATRONS REPORTED SEEING SUBLIMINAL MESSAGES IN, “FLOW”, THE TWO-STORY, FINE-ART GRAFFITI MURAL, CREATED BY, THE MAVERICK ARTIST VICTOR-HUGO VACA II, THE LONGER THEY LINGERED AROUND THE NEVER DULL BAR.
BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT CURIOUS PATRONS PURCHASED MORE DOUBLE-SHOTS OF TOP SHELF ALCOHOL, IN ATTEMPTS TO DECIPHER ALL THE SUBLIMINAL MESSAGES HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL TITLED, “FLOW” BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
AWARD-WINNING INTERNATIONALLY RENOWNED MIXOLOGIST, ALEX TENGO,WORKS HIS MAGIC, AT THE “SHOCK” BAR, IN FRONT OF FANS AND INTERNATIONAL, A-LIST JET SETTERS, SEARCHING FOR SUBLIMINAL CLUES, HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL, “FLOW”, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
MODERN-ART-GONZO-JOURNALISM FLOWS THROUGH “SHOCK” NIGHTCLUB, SUBCONSCIOUSLY PERMEATING THE HEART, OF THE SOPHISTICATED ADULT PLAYGROUND IN MIAMI BEACH, FLORIDA, USING FINE-ART GRAFFITI TO SUBVERSIVELY COMMUNICATE A “CANARY IN THE COAL MINE” MESSAGE, TO MILLENNIALS, FROM AROUND THE WORLD, AWAKENING TO THE CLEAR AND PRESENT DANGER OF LIVING WITHIN A BROKEN JUSTICE SYSTEM, WITH RULE OF LAW DOUBLE STANDARDS, THAT FAVOR A SELECT FEW: SIMPLY PUT, “WITHOUT JUSTICE, PEACE CAN NOT FLOW” .
The Undecided Voter witnesses how, under the watch of an FBI, working in collusion with the U.S. Attorney General’s Office, political correctness and The Fifth Amendment, are being manipulated to blanket and hide the existence of a, “Double-Standard-Rule-Of-Law”, that favors an elite few, like Hillary Clinton and the Wells Fargo CEO, John G. Stumpf, but does not apply to 99% of tax-paying Constituents known as, “The United Slaves Of America”.
THE TWENTY-FOOT LONG AND TEN-FOOT HIGH, “KUNT”, MODERN-ART-GONZO-JOURNALISM PAINTING BY THE MAVERICK ARTIST VICTOR-HUGO VACA II PREMIERED AT “SHOCK” NIGHTCLUB DURING ART BASEL MIAMI WEEK, AT THE INSISTENCE OF “THE FRENCH BERNIE MADOFF”, WHOSE ILLEGAL ACTIONS EXPOSED THE WORLD TO AN INTERNATIONAL EPIDEMIC OF ECONOMIC FRAUD, THAT CRISS-CROSSED CONTINENTS FREELY, FROM THE SEXY SHORES OF MIAMI BEACH, FLORIDA, TO THE EXOTIC SHORES OF FRANCE AND IBIZA, SPAIN, IN COLLUSION WITH CORRUPT POLICE AND PUBLIC OFFICIALS, FAVORING WEALTHY INTERNATIONAL JET-SETTING CRIMINALS, AWARE OF THE BROKEN U.S. JUSTICE SYSTEM, WHOSE RULE OF LAW FAVORS WEALTHY PUBLIC FIGURES FROM ALL OVER THE WORLD, OVER LAW ABIDING U.S. CITIZENS AND HARD WORKING CONSTITUENTS, STRUGGLING TO SURVIVE, ON MINIMUM WAGE.
The Undecided Voter and Millennials see how the new-normal, “Double-Standard Rule-Of-Law”, for the elite 1% in the United States, like Hillary Clinton and Wells Fargo’s CEO, John G. Stumpf, can fuel chaos in the streets of Charlotte, North Carolina and through the heart of The Bible Belt, as God-fearing families witness anarchy racing towards The White House, to be the elected Commander In Chief, of the United Slaves of America.
MODERN-ART-GONZO-JOURNALISM EXPOSED CORRUPTION THAT LED TO SEVERAL ARRESTS OF PUBLIC OFFICIALS INCLUDING CORRUPT POLICE, AS DOCUMENTED ON FILM BY CBS NEWS MIAMI AND CANAL+ NEWS, IN FRANCE. THE INTERNATIONAL NEWS STORY WAS CHRONICLED IN A SERIES OF PRINT NEWSPAPER AND ONLINE ARTICLES BY MICHAEL MILLER IN “THE MIAMI NEW TIMES” FEATURING QUOTES AND ARTWORK FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II COLLECTION EXHIBITED AT “SHOCK” NIGHTCLUB DURING 2011 ART BASEL MIAMI WEEK.
THE MAVERICK ARTIST VICTOR-HUGO VACA II WAS HIRED BY FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, TO CREATE THE INTERIOR DESIGN FOR THE EXCLUSIVE MIAMI BEACH CLUB, “SHOCK”.
The Undecided Voter witnessed Donald Trump choke, under pressure, when presented with several opportunities to expose ignored truths of national interest, against a well lubed, Hillary Clinton machine, sporting a plastered-on-smile, at the first, 2016 United States Presidential debate, held on September 26, near New Hyde Park, Long Island, in Hempstead, New York, at Hofstra University.
“PLASTIC SMILE IN THE FACE OF GLASS STEAGALL” : MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WHO GREW UP IN NEW HYDE PARK, IN A TWO STORY, CORNER HOUSE, BEHIND THE LONG ISLAND JEWISH HOSPITAL, WHILE ATTENDING BROOKLYN TECHNICAL HIGH SCHOOL, BEFORE ENTERING THE U.S. NAVAL ACADEMY IN ANNAPOLIS, MARYLAND, AS A MIDSHIPMAN OFFICER, IN THE 26TH PLATOON, OF THE CLASS OF 1993.
MIAMI NEWS TIMES ARTICLE FEATURES QUOTES FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, WHO CREATED A 5000+ SQUARE-FOOT, FINE-ART-GRAFFITI MURAL, AT “SHOCK” NIGHTCLUB, WRITTEN IN EIGHT DIFFERENT LANGUAGES, INCLUDING ARAMAIC, ITALIAN FRENCH AND SPANISH.
MAVERICK ARTIST VICTOR-HUGO VACA II
THE MASSIVE, FINE-ART-GRAFFITI MURAL, TITLED, “THE STORY OF THE CRACKHEAD JESUS TRIALS”, WAS PAINSTAKINGLY CREATED TO WARN VISITORS FROM AROUND THE WORLD, OF THE EPIDEMIC OF ECONOMIC FRAUD, EMANATING FROM THE UNITED STATES OF AMERICA AND THREATENING, A GLOBAL COLLAPSE IN PUBLIC TRUST OF THE BANKING INDUSTRY, DUE TO A SEVERE BREAKDOWN IN THE JUSTICE SYSTEM, CREATING A DOUBLE-STANDARD, IN RULE OF LAW, THAT FAVORS RICH, WHITE-COLLAR CRIMINALS, OVER SINGLE MOTHER’S AND BABY DADDY’S, STEALING BREAD FROM FOOD DESERTS, TO FEED THEIR MALNOURISHED CHILDREN.
MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided Voter was baffled by Donald Trump’s inability to clearly and succinctly communicate rebuttals, during his first, one-on-one debate with a seasoned politician, and a noticeably biased moderator, tossing irrelevant bread and circus distractions, disguised as relevant questions, carefully crafted to incite racial disharmony, by demanding self reflection, in presuming that all Americans, are inherently bias, racist and deplorable human beings, in order to provoke social discord, by fueling insecurity and public distrust of police, press and authority.
IT’S NOT A BLACK OR WHITE ISSUE, IT’S A CORRUPT LEADERSHIP ISSUE.
The Undecided Voter observes Hillary Clinton’s husband, Bill, and ponders the treatment of Veterans who risk their lives, in defense of freedom, for future generations of Americans, to live in a democracy, not an oligarchy, or plutocracy, reigned over by bullies and tyrants disguised as caretakers and do-gooders, who defy Rule of Law and don’t pay taxes, while pandering to Hispanics, Blacks and Women, by pretending to care about Mexicans, African-Americans and Venezuelan Beauty Pageant winners, all while attempting to dumb down masses into believing that, the “First Black President”, miraculously emerged from an Aryan vagina, belonging to a white woman named, Stanley Ann Dunham, with predominantly English but including German, Swiss, Scottish, Irish, and Welsh ancestry.
BLACK PEOPLE REALIZE THAT BARACK HUSSEIN OBAMA IS NOT 100% BLACK BECAUSE HIS MOTHER WAS 100% WHITE.
“I’m not your Commander In Chief, anymore but if I were I would tell you to be more polite, now sit down!” – Bill Clinton
https://www.youtube.com/watch?v=nfQTTF9p8pk
The Undecided Voter ponders the treatment of blacks by Caucasians, like Bill Clinton, demanding that Black Lives Matter supporters, ignore his oppressive legislation, supported by his wife, Hillary, and focus instead on getting their thirteen-year old kids, off of crack, so as to ward off any potential, Crackhead Jesus, exposing the truth of hypocrisy and foiling the so-called, Democratic process, for the United Slaves Of America.
https://www.youtube.com/watch?v=HKjdGYvHTmk
“He [Bill Clinton] said, ‘Sit down, Nigger!’” – The Doctor Of Common Sense
BEFORE RUNNING FOR PRESIDENT OF THE UNITED STATES IN 2008, THE MAVERICK ARTIST VICTOR-HUGO VACA II, LEARNED TO LIVE BY THE HONOR CONCEPT, AS PART OF THE ELITE, BRIGADE OF MIDSHIPMAN, AT THE WORLD FAMOUS, UNITED STATES NAVAL ACADEMY.
In April 17, 2007 BLOUINART INFOInternational Magazine published an article titled,
NY Artist Victor-Hugo to Run for President
The column documented the under-reported presidential candidacy of the Maverick Artist Victor-Hugo Vaca II, who entered the 2008 Presidential race to run against fellow former U.S. Naval Academy Midshipman Officer, John McCain and Freshman Senator Barack Hussein Obama, as reported in alternative news outlets around the world including newspapers in Iceland.
https://www.youtube.com/watch?v=iT12_bVKIrE
The influential BLOUINART INFOInternational Magazine highlighted the New York born, Hispanic multi-media artist’s run for United States President, as a dark horse candidate, to raise awareness about the dangers of a corrupt justice system that politicized Rule Of Law in favor of anarchy, oligarchy and plutocracy.
THE UNITED SLAVES OF AMERICA
The BLOUINART INFOInternational Magazine article read:
Controversial Latino modern artist Victor-Hugo Vaca II, a native of Queens, N.Y., announced today his plans to pursue a spot on the 2008 presidential electoral ballot, taking on frontrunners Hillary Clinton and Barack Obama.
The artist said in a public statement that he will try to run for president while he continues to research his “Law and Justice in the United States” series of works.
The point of running for office, he explained, would be to educate his fans on the difficulty or ease with which a native-born American citizen can run for “the most powerful position in the world.”
He added that he hopes the investigation and his bid for the presidency inspires the “lied-to generation” to get more involved with politics and heed the warnings in Al Gores film, An Inconvenient Truth.
“I’m spending so much time in court investigating unethical attorneys and judges that I might as well find out what it takes to run for president while I’m there. Obviously, I realize that the biggest requirement is not intelligence or common sense—George W. Bush Jr. has proven that. Loads and loads of campaign contributions from interested parties is what is needed to win.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER CANDIDATE VICTOR-HUGO VACA II
The legendary modern-art-gonzo-journalism, “Crackhead Jesus Series”, by the Maverick Artist Victor-Hugo Vaca II prognosticated a modern civil war in America, manifested by blatant public corruption, emanating out of the White House, enabled by biased news media and weak investigative journalism, whose cumulative effect, undermined the halls of justice, creating dangerous double standards, for favored elitists and notable public figures, protected by the FBI, Attorney General and Police, as underprivileged constituents are slaughtered in the streets, by those hired to serve and protect them, while grave injustice permeates unchecked, through U.S. Courtrooms, enslaving all Americans, regardless of race, creed or color, with a dangerously, double-standard, Rule Of Law.
TRUTH BE TOLD, IF BLACK LIVES REALLY MATTERED WE’D START BY TAKING CARE OF BLACK WOMEN AND CHILDREN, ABANDONED BY AN IGNORED NATIONAL EPIDEMIC OF DEAD BEAT BABY DADDY’S, PROCREATING FOR SPORT, WITHOUT ACCOUNTABILITY, CONCERN OR CONSEQUENCE.
The Undecided Voter notices that news outlets, owned by Caucasians, appear to be acting in collusion, with Presidential candidates, to recklessly toss the word, “racist”, around, in a subversive attempt, to promote a modern civil war agenda, that favors orchestrating riots, violent protests and looting, to produce anarchy, across the nation, for photo ops and soundbites, that increase ratings and profits white people.
MICHELE OBAMA ASKS BLACK LIVES MATTER AND THE CLINTON NEWS NETWORK(CNN) DON LEMON, TO CONSIDER THE NEARLY 300, FORGOTTEN NIGERIAN SCHOOLGIRLS, KIDNAPPED BY BOKO HARAM IN 2014.
The Undecided Voter, notices that news outlets, owned by white men, use titillating sex scandals and beauty-queen-fat-shaming, to deflect global attention, away from documented, top-down U.S. government leadership corruption, being promulgated openly, without shame, remorse or just punishment, under the nose of frustrated taxpayers and legal immigrants, in search of the, rapidly disappearing, American Dream.
“FLOW WOMAN: POLITICAL CORRECTNESS WILL KILL DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE TEN-FOOT TALL, OIL PAINTING, PREMIERED DURING ART BASEL MIAMI WEEK, AT THE “SHOCK” NIGHTCLUB, GRAND OPENING IN 2011.
The Undecided Voter witnessed a sniffling, impassioned, visibly temperamental, patriotic fool, lose his ability to effectively construct and prosecute a case against Hillary Clinton, while using a bad microphone, in front of a chomping-at-the-bit, live audience, being broadcast via satellite, to a record breaking number of viewers, around the world.
DISCREDITED JOURNALIST, BRIAN WILLIAMS, PEDDLING OPINION AND RHETORIC, AS FACT BASED NEWS, ON MSNBC, TO DUMB DOWN AMERICANS.
The Undecided Voter, witnessed Hillary Clinton acting like an insincere, smiling, zombie, standing beside the face and hair of a passionate, Caucasian, presidential candidate, publicly exhibiting narcissistic, histrionic and antisocial tendencies, while blatantly throwing awkwardly, restrained fits of frustration, rather than perpetuating logic, in the face of waning public trust, in unapologetically biased news media, that favors wealthy, career politicians over eccentric, wealthy outliers, that threaten, to shake up the status quo of mediocrity, that has infected American mentality, in the early 21st Century .
“IN THE ABSENCE OF COMMON SENSE, YOU GET NONSENSE AND PRETENSE.” – MAVERICK ARTIST VICTOR-HUGO VACA II
In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.
Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.
“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)
Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.
“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)
For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.
“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)
The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.
RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.
The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).
‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)
When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.
“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)
“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”
“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:
Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
Jane Wieidlin – Musician (The Go-Go’s), Actress (Bill & Ted’s Excellent Adventure)
Dave Wakeling – Musican (Lead Singer The English Beat, General Public)
W. Nelson Lewis – Media maven, TV Personality (FOX News Greta Live Wire), Journalist, Television Producer (FOX News Laura Ingraham Show, FOX News Greta Van Susteren, GOLF Channel)
Michael Posner – Movie Maven, Delray Beach Film Festival Founder
Roger A. Bauman – Wolfsonian Museum Advisory Board Member, Entrepreneur, Business Mogul (Baumann Cosmetic Dermatology)
CRACKHEAD JESUS HERALDS ANARCHY IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD FOR PRIVILEGED ELITE VS AVERAGE CITIZEN.
As a worldwide audience watches the violent results, of the U.S. justice system, collapsing under the weight of toxic government leadership, enabled by fake news media, that fails to hold anyone accountable for the blatant, Rule Of Law double standard, that has become, the new normal in America, James Comey, sets a dangerous precedent for everyone, by lying to Congress, undermining the Constitution and teaching all Americans, including Needy Latino’s and Super Predators, that the racist Democratic Party, in collusion with weak mainstream media news outlets, while under the toxic leadership of Barrack Hussein Obama, who preached hope as a false prophet, that denied his own Mother and his white heritage, in favor of undermining the Black community, for profit, alongside Loretta Lynch, Eric Holder and the Clinton Machine mafia, that 0.01% of people in America can get away with murder and everything else, while the other 99.99% of the United Slaves Of America, live under strict Rule Of Law.
MODERN-ART-GONZO-JOURNALISM PAINTING CREATED BY VICTOR-HUGO VACA II IN 2009 PROPHESIED A MODERN CIVIL WAR IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD.
No justice, no peace.
When the head of the FBI, James Comey, became investigator, prosecutor, Judge and jury; minorities, who have been through the broken U.S. Justice system, took notice: ‘Needy Latino’s’ and ‘Super Predators’ knew instinctively, without propaganda, from mainstream media news outlets, that something was definitely wrong with the picture of Attorney General Loretta Lynch, in a private plane, on an Arizona airport tarmac, with Bill Clinton, days before an FBI investigation, into Hillary Clinton, was closed, without proper procedure, inquiry or prosecution referral.
The FBI, under the toxic leadership of James Comey and the justice system, under the toxic leadership of Loretta Lynch, destroyed public trust in U.S. Rule of Law, by undermining the Hillary Clinton investigation. A multicultural mob of constituents is awakening to the fact, that the U.S. justice system is rigged, in favor an elite hand-full of people, who rule the world, like Crackhead Jesus, with a, ‘do as I say, not as I do’, philosophy.
On March 3, 2009, Modern Art Music Movement (MAMM) Founder, Victor-Hugo Vaca II, sent the following “Letter To The Editor” to major international news outlets, including USA Today, in defense of the controversial, Winter Music Conference (WMC) Modern Art Music Movement, “Crackhead Jesus Cab” campaign, wherein a fleet of over fifty taxi cab’s drove through Florida during the Christmas season carrying an ominous message for residents and sun drenched tourists from around the world:
“Survival is based on common values and beliefs, not color. I learned that first-hand, at the U.S. Naval Academy and Prep School, in the 80’s and 90’s, when the military purged all maverick Alpha males out of service and left toxic leadership in command.” – Victor-Hugo Vaca II
U.S. Midshipman Officer Victor Hugo Vaca II
Dear Editor,
What do the hens do when the fox is guarding the hen house? Wake up, media! Crackhead Jesus is coming.
For years, news outlets have ignored warnings of the cataclysmic butterfly effect created by the dangerously low standard of competency and ethics for lawyers – those who grow up to be senators like Roland Burris or judges like Donald W. Hafele.
The controversial iNovel, Redemption: Episode One – The Story of the Crackhead Jesus Trials, was created to avoid threats of censorship from lawyers who did not want me to disclose the fact that I, unwittingly, discovered that lack of competency and ethics for lawmakers would lead to an economic disaster of global proportions.
Ladies and gentleman, now we are here. Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers.
Follow the trail of Judge Donald W. Hafele – from his appointment by Jeb Bush to the little known, three-member Fairness of Elections Committee in 2000, the year Democracy died, to the Jerod Miller case in which Judge Hafele publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.
After several documented warnings to Governor Charlie Crist’s office about the Judge’s corrupt fiber of being, Crist elevated Judge Hafele to a Circuit Court, where he now threatens the environment by creating a calculated delay in the Everglades’ case.
Why should anyone care about this? Because of the butterfly effect.
Elected representatives are ignoring the fact that no oversight exists over some of the 50 states’ Bar associations and that has lead to the breakdown of democracy – and is now set to breakdown the global environment for generations to come.
Elected representatives are ignoring the fact that a legal mafia exists in the United States, and it will not make things better.
With my birth name of Victor-Hugo Vaca Jr., my Web sites have gone viral on the Internet. Those who Google Victor Hugo, Modern Art, Judge Hafele, Conde and Cohen will be lead to the truth about what is really going on in this country.
Students from all over the world have begun to cite me in their school projects because I share the name of the great French revolutionary, Victor Hugo. The youth of our nation have given me a powerful voice, thanks to their ability to think outside of the box.
Clear Channel has agreed to post billboards and banners exclaiming, “Crackhead Jesus is coming (‘http://www.crackheadjesus.com‘)” during the Winter Music Conference in Miami Beach. I am not spending my money to create chaos or blaspheme any religious figure but rather to let the world know that the new Victor-Hugo has done his part in history as a patriot to defend and uphold democracy by thinking outside of the box and not with mere rhetoric.
Flow,
Victor-Hugo Vaca Jr.
The Maverick Artist
ACCORDING TO COX COMMUNICATIONS, THE “CRACKHEAD JESUS CABS” WERE SO EYE CATCHING, EXECUTIVES CLAIM IT WAS ONE OF THE MOST SUCCESSFUL AND EFFECTIVE AD CAMPAIGNS, IN MARKETING HISTORY.
Mainstream media censored, “Crackhead Jesus”, which has since become part of the vernacular, representing a breakdown in the system, but with the advent of cell phone camera’s, tourists from around the world were able to disseminate images of the curious cabs globally, thus circumventing news media censorship and getting the message across that, civil unrest was coming to the United States, due to a breakdown in the U.S. justice system that favors elites over the 99% of law abiding citizens in America.
CRACKHEAD JESUS CAB AT HILTON HOTEL IN SOUTH BEACH, MIAMI, FLORIDA.
When President Barrack Hussein Obama laundered cash to pay ransom for hostages to the number one supporter of terrorism, Iran, it sent a signal to the world that the United States was prepared to negotiate with evil.
CRACKHEAD JESUS CAB BEING PHOTOGRAPHED BY TOURISTS IN MIAMI BEACH, FLORIDA.
When FBI Director James Comey condoned acts of treason by Hillary Clinton, it signaled to the world that the United States government and justice system, is corrupt from the top down.
CRACKHEAD JESUS CAB LETS TOURIST OUT IN FRONT OF MAC STORE IN MIAMI BEACH, FLORIDA.
When the United States Attorney General, Loretta Lynch failed to prosecute Secretary Of State, Hillary Clinton for acts of treason, it signaled to the American public that there is a clear Rule Of Law double standard for the elite 1% in America.
CRACKHEAD JESUS CAB, IN FRONT OF THE GAP, NEXT TO PORSCHE, ON COLLINS AVENUE, IN MIAMI BEACH, FLORIDA.
“Before you trust lies that spring up as news, trust your instinct and fact check, using the critical thinking skills God gave you.” – Maverick Artist Victor-Hugo Vaca II
Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.
In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”
MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.
The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.
DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.
The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.
THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.
Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.
THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.
The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.
THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.
Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.
THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.
“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”
Tracking a serial-killer is like trying to put together a moving jigsaw puzzle. Serial killers leave crumbs of evidence in plain sight because they can’t fight the urge to want to get caught. For most people, the hard part is seeing the crumbs for the clues they are but intuitive artists, detectives and investigative journalists often see past the truth. After all, what good are all those brilliant crimes if no one takes the credit?
In a world where the Washington Post, NPR, NBC and other news outlets have focused on long term character traits and behavior patterns for morning show hosts, and Hollywood producers, should people worry about an elite spinal-surgeon, described in news publications as a slum-lord who according to government officials, almost ran an airline into the ground and female subordinates claim is a sexual predator serial-killer?
https://www.youtube.com/watch?v=dujFVJqTjZc
“Capicua 3:1:3 – The Long Arm Of The Law (The Story Of Alleged Serial-Killer-Spinal-Surgeon, Charles C. Edwards MD)” By Victor-Hugo Vaca II.
FOR IMMEDIATE RELEASE: Is Baltimore/D.C. Area Surgeon Charles Edwards MD, Ted Cruz’s favorite alleged serial killer?
https://www.youtube.com/watch?v=GgIP4cnm7dc
MODERN-ART-GONZO-JOURNALISM : TO CATCH A SERIAL KILLER – Ted Cruz Ponders Favorite Serial Killer On Jimmy Kimmel Live After 55 Year-Old Italian Nurse Arrested As Tuscan Hospital Serial Killer: Awkward moment captured on film makes voters wonder if Charles C. Edwards MD, is the Canadian born Republican U.S. presidential candidate’s favorite alleged serial killer.
https://www.youtube.com/watch?v=T63oEG5-wSM
In this telling interview, United States Presidential candidate, Rafael Edward “Ted” Cruz, who was born in Calgary, Alberta, Canada on December 22, 1970 and remained a Canadian citizen until he officially renounced it on May 14, 2014, eighteen months after taking the oath of office as a U.S. Senator, stumbles into an awkward moment on Jimmy Kimmel Live, that raises several questions about the alleged serial-killer-spinal surgeon, Dr. Charles Edwards, operating out of the Baltimore/Washington, D.C. area and Senator Ted Cruz, whom some allege to be the Zodiac Killer.
Infamous Ted Cruz Favorite Serial Killer Moment On Jimmy Kimmel Live Highlights Apathy Manifesting Global Hunting Grounds For Alleged Serial Killers And Terrorists Who Live In General Public Disguised As Figures Of Public Trust : The Grim Sleeper, Serial-Killer-Spinal-Surgeon, ISIS And Ted Cruz Open Serial Killer vs.Terrorist Debate in 2016 United States Presidential Election.
For 30 years, from 1985 to 2007, Lonnie Franklin Jr., a 63-year-old former police mechanic from Los Angeles, California, allegedly killed over 180 victims; though, some crime analysts estimate the final body count attributed to him, may be over one thousand murdered. After a victim survived his attack in 1988, Franklin Jr. took a break from creating ghosts, until 2002, when the urge to murder became too strong. Because of this break in his killing spree, Lonnie Franklin Jr. is nicknamed, “The Grim Sleeper”. Franklin, according to prosecutors, was invisible, and able to blend in perfectly amid the chaos of a city which was blighted by crack cocaine.
In the award-winning film, “Crackhead Jesus: The Movie”, art imitates life. Inspired by curious allegations of Washington D.C. area stalked by a serial-killer-spinal-surgeon that surfaced from individuals close to Baltimore area investor, airline owner and doctor, Charles Edwards MD. According to an F.A.A. insider, Charles Edwards MD, allegedly purchased Kiwi Airlines to run down maintenance on airplanes as acting CEO, in order to get away with murder, since Airline CEO’s don’t get arrested for murder after fatal plane crash disasters. A Federal Aviation Administration report found Kiwi Airlines planes to be unsafe to fly and the company was shut down by the FAA because Kiwi Airlines planes were found to be in “unairworthy condition”.
The Story of Alleged Serial Killer Spinal Surgeon Dr. Charles Edwards
Growing allegations that Charles C. Edwards MD, described by People magazine as, “a uniquely inventive orthopedic surgeon who has added radical new techniques to skeletal reconstruction”, could feel empowered to act, in the Age of Harvey Weinstein, to kill unsuspecting tenants, patients and customers, on a grand scale, by using lawyers to manipulate a broken two-tier justice system, that affords corporations like GM, CEO’s like, Don Blankenship and allegedly well connected serial-killer-spinal-surgeons working for Sisters of Mercy to hide behind publicly perceived protection and receive immunity from punishment under corporate shields, inspired the New York born Hispanic artist, Victor-Hugo Vaca II to create a Modern-Art-Graphic-Novel titled, “Redemption: The Story Of The Crackhead Jesus Trials”.
Redemption
The work of modern-art-gonzo-journalism explores circumstances behind the allegations that a world renowned spinal surgeon could be an alleged serial-killer flying under the radar for decades emboldened by weak investigative journalism, corporate greed, corrupt government and a broken justice system in the United States of America during a year of election.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The work of art titled “Capicua 3:1:3 – The Long Arm Of The Law The Story Of Alleged Serial Killer Spinal Surgeon, Charles Edwards MD” inspired the award-winning independent short-film produced by the Modern Art Music Movement titled, “Crackhead Jesus: The Movie”, directed by Victor-Hugo Vaca Jr, at the 2009 Delray Beach, Florida Film Festival during a seventy-two hour film competition.
Crackhead Jesus: The Movie Review
Alleged serial-killers like Lonnie Franklin Jr. and Charles C. Edwards MD are alleged to have tallied a high victim count. Republican, Ted Cruz, let it be known to Jimmy Kimmel in front of a startled live audience, that in fact, the Canadian-Born-Christian-Conservative, not only has a unique favorite breakfast cereal, he has a favorite serial-killer too.
Is Charles Edwards MD Ted Cruz’s favorite alleged serial killer?
The following quotes from newspaper articles fueled rumors that Charles C. Edwards MD had allegedly set his sights on being the most prolific serial killer in history by using money, influence, profession and a shield of corporate lawyers to protect his murderous ways:
MIAMI HERALD ARTICLE Grand View Palace North Bay Village, Florida
The Baltimore surgeon who owns the Cherry Hill Apartments filed a lawsuit yesterday against the township, seeking to stop Mayor Susan Bass Levin from completing the condemnation of his property.
“The suit, filed by owner Charles Edwards in Camden County Superior Court, seeks to block township officials from declaring the 41-year-old apartment complex on Route 38 a redevelopment zone”
“The apartments were deemed “unfit for human habitation” in early August. Its 61 residents were evacuated and placed in other apartments in town.”
THE GRAND VIEW PALACE & CHERRY HILL APARTMENTS – SAME, SAME BUT DIFFERENT.
“The Cherry Hill Apartments are in desperate need of rehabilitation,” Levin said, adding that the Township Council is set to vote Monday on repossessing the property. “I suggest he stop hiring lawyers and do something to make the buildings safe again.”
“township officials had told Edwards several times about their concerns over the buildings’ condition – which led township, county and state agencies to cite Edwards for violations ranging from faulty lighting to dead animals on the premises.”
Charles C. Edwards, the surgeon, acquired the buildings in 1995 but could not come up with the capital to rehabilitate them, and the township threatened condemnation. A 1998 township report called conditions “deplorable,” and the last 40 tenants were evacuated. Viking acquired the buildings in 2002.
Each building has 217 apartments. Together they constitute the third-largest high-rise housing complex in the township.
Susan Bass Levine, the mayor of Cherry Hill, said the structures fell into disrepair before their current owner, Charles C. Edwards MD, of Maryland, bought them about four years ago; Edwards has not been able to turn the property around.
“It’s currently a building in crisis that could be a shining star,” she said.
The township will give the current owner, a surgeon who Morgan said did the residential development of Pier Three in Philadelphia, a few more weeks. After that, if he does not sell it or take action to do the improvements, the township will take steps to have the high-rises condemned and taken over.
HIGH RISE HELL – THE GRANDVIEW PALACE
A day after Kiwi International Airlines thought it had won a reprieve from a Government-imposed death sentence, the Federal Aviation Administration yesterday grounded the struggling carrier, saying that it was unsafe to fly.
KIWI Airlines – Unsafe To Fly
It was the first time the Government had shut down a scheduled carrier since Valujet was grounded in 1996 after one of its DC-9’s crashed in the Everglades, killing 110 people.
The F.A.A.’s order cited a series of maintenance and safety violations that it said resulted in Kiwi flying airplanes that were ”in an unairworthy condition.” In one case, Kiwi flew one of its four jets for two days in late February without fixing an oil leak in one of its two engines, the agency said.
When reliable sources contacted modern-art-gonzo-journalist Victor-Hugo Vaca Jr. with verifiable facts and information regarding an alleged serial-killer spinal-surgeon living and working in the Baltimore, Maryland/Washington D.C. area, the multimedia artist rewrote the script for, “Crackhead Jesus: The Movie”, to include the serial-killer-spinal-surgeon theme as a subplot in the controversial film that would go on to become a cult classic in the age of OJ Simpson.
Crackhead Jesus: The Movie Film Slate
Public trust in police and newspapers has reached such a low point in human history, that victims and witnesses have turned to modern-art-gonzo-journalists to “paint the news” being ignored by financially strapped mainstream media news outlets and police forces, in the hopes that someone, will do something positive with the clues and information presented in works of art inspired by actual events.
Recently, Victor-Hugo Vaca Jr. was contacted by Sean Welsh, an editor at the Baltimore Sun, regarding modern-art-gonzo-journalism. Supposedly, Welsh passed information along to staff writer Christine Jedra, an investigative journalist, who contacted Victor-Hugo by phone for an at length interview from Las Vegas, Nevada. When all was said and done, Christine Jedra, who claimed to work for “The Capital Newspaper” in Annapolis, Maryland, admitted that she was new at the job of reporting news and that she had no idea what to do with the information she had been provided.
So, if you come across a spinal-surgeon from Baltimore, named Charles C. Edwards MD, be forewarned, he is an alleged serial-killer and if you have faith in what you hear on the news, realize that public trust does not top the list of priorities for cash strapped news outlets, trying to survive in the age of OJ Simpson.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The following archived articles from The New York Times, The Philadelphia Inquirer, The North Jersey Media Group, The Record, and The Asbury Park Press referencing Charles C. Edwards MD, Director of The Maryland Spine Center at Mercy Medical Center in Baltimore, Maryland, make sharp investigate journalists, FBI investigators and serial-killer-spotters go, “Hmmmm.”
New York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDPhiladelphia Inquirer Charles C. Edwards MD, Maryland Spine Center Mercy Medical Center Baltimore, MarylandThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MD
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM DUE TO STAFF AND BUDGET CUTS.
The newspaper, in its 300-year-long history, was the primary source for news and events. American society depended on newspapers to let them know what was happening and how to prepare for things to come. Since the advent of the Internet, a number of major metropolitan dailies have been shuttered or drastically pruned. This massive decline in Newspaper circulation has led to a Rebirth of Journalism. The way news is transmitted, shared and read have all been transformed.
OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
Maverick Artist Victor-Hugo Vaca II In Front Of Skeletal Remains Of The Miami Herald Building Before It Is Imploded, Bulldozed & Scrapped, Due To Declining Public Trust In Reporting, Declining Sales & Circulation.
What Victor-Hugo Vaca II has manifested, for public consumption, is modern-art-gonzo- journalism. By fusing the style of Salvador Dali’s cryptic artwork, containing hidden messages and clues, with Hunter S. Thompson’s gonzo journalism, he has created a diary of the world on canvas, to tell the untold story of an, alleged, serial-killer spinal-surgeon using money, lawyers and influence to perpetuate his, alleged scheme, of becoming the most prolific serial-killer in history and to warn masses of a small group of home-grown terrorists, disguised as lawyers, judges and lobbyists, who have infiltrated the U.S. Justice system, Congress, Senate and The White House, to undermine the Constitution, in order to actualize the death of democracy and herald a New World Order.
THE INFAMOUS MIAMI HERALD VICTOR- HUGO VACA II U.S. NAVAL ACADEMY ARTICLE THAT EXPOSED WEAK INVESTIGATIVE JOURNALISM OVERLOOKING THE DANGERS OF ENABLING TOXIC LEADERSHIP AND ITS FUTURE IMPACT ON SOCIETY.
On May 24, 1990, The Miami Herald published a story by staff writer, Mike Wilson, titled, “DIARY OF A YEAR IN HELL: The Navy called it ‘plebe year’. Midshipman Fourth-Class Victor Vaca called it harassment.” Besides getting his name wrong in the headline, his birth certificate reads, “Victor-Hugo Vaca Jr.”, The Miami Herald whitewashed the front-page world news story by understating the dangerous impact of breeding toxic leadership at the world famous United States Naval Academy, by training young officers to torture suspects and sexually assault female officers in an elite, powerful, clandestine community. It is no wonder that, recent news headlines indicate, U.S. military leadership problems persist, at the U.S. Naval Academy and other tactical training institutions.
THE SUNDAY CAPITAL ANNAPOLIS, MARYLAND FRONT PAGE ARTICLE SUNDAY MAY 27, 1990 FEATURING QUOTES FROM USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II.
SEE SOMETHING; SAY SOMETHING: Victor-Hugo Vaca II felt it was his patriotic duty, to expose the horrors he witnessed, as a United States Naval Academy Midshipman. He saw leadership training, that eventually led to Abu Ghraib torture and prisoner abuse, as acceptable practice by U.S. military command and he knew that what he had witnessed, was not proper instruction for future commanders of the free world.
VICTOR -HUGO VACA II QUOTED IN THE SUN FRONT PAGE USNA ARTICLE “I TRIED TO STICK UP FOR MY RIGHTS, AND THATS’S WHAT GOT ME INTO TROUBLE.”
Maverick Artist Victor-Hugo Vaca II was a whistleblower, trying to warn mankind, of the dangerous butterfly-effect, abuse of power would have on the future that now exists, in the age of Donald Trump versus Hillary Clinton, where lies are acceptable as truth and honor has all but disappeared, but The Miami Herald chose to present the story as a personal account of hazing instead of focusing on the big picture.
SUNDAY MAY 27, 1990 VOL. 90 NO. 21 THE BALTIMORE SUN FRONT PAGE ARTICLE FEATURING USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II. (REPRINTED FROM MIKE WILSON AP NEWS WIRE MIAMI HERALD KNIGHT RIDDER ARTICLE.)
When Victor-Hugo Vaca II gave The Miami Herald his diary, he trusted editors would see the big picture and focus on the potential global impact of his unique experience; instead, they chose to spotlight minor incidents, like upperclassmen teasing his name. Teasing is a lot different than torture and shortsighted journalists failing to differentiate between the two in foreseeing the long term impacts on society is one example of why public trust has plummeted in news outlets.
USNA Midshipman Officer Victor-Hugo Vaca Jr.
Fast-forward to November 30, 2005, when The Miami Herald published a story by staff writer, Elinor J. Brecher, titled, “ARTIST SAYS CONDO WORKERS DESTROYED HIS ART PROJECT: An artist complained to police that his Hurricane Wilma-related art installation was damaged by somebody making repairs after Hurricane Wilma.” Besides getting Victor-Hugo Vaca II’s name wrong, again, the article failed to mention the fact that the 2005 Miami Art Basel week exhibit, was created to bring worldwide attention to allegations, that Baltimore spinal-surgeon, Dr. Charles Edwards, was more than just a slumlord, he was also, an alleged serial-killer.
THE MIAMI HERALD FULL PAGE ARTICLE FEATURING VICTOR- HUGO VACA JR. -JOURNALISTS AGAIN LOSE PUBLIC TRUST BY COMPLETELY IGNORING ALLEGED SERIAL-KILLER BUILDING OWNER ASPECT OF THE NEWS STORY IN FAVOR OF FLUFF, BECAUSE THE SUSPECT WAS A MAJOR ADVERTISER WITH THE NEWSPAPER.
When Victor-Hugo Vaca II confronted Elinor J. Brecher about this, she said Dr. Edwards legal team had sent a letter to The Miami Herald editors reminding them that he was a long time advertiser with the newspaper and that her series of investigative reports about the notorious Doctor and his trouble plagued North Bay Village monolith, The Grand View Palace, were creating potential harm to there longstanding business relationship.
“I thought newspapers were about reporting news?” Victor-Hugo Vaca II said.
“Wake up!” Elinor J Brecher answered. “Newspapers are a business.”
Crackhead Jesus Is Coming On Miami Herald
She went on to tell Victor-Hugo Vaca II how Miami Herald staff had been worried about losing their jobs based on rumors of a Knight-Ridder buyout by McClatchy and that the newspaper industry, would be decimated by the Internet. In March of 2006, McClatchy assumed about $2 billion in Knight Ridder’s debt when they purchased The Miami Herald and Brecher’s prediction about mobile technology and the Internet transforming newspapers came to fruition.
MAVERICK ARTIST VICTOR-HUGO VACA II, NY BORN FINE ARTIST, CREATES 7,000 SQUARE FOOT GRAFFITI MURAL INSIDE THE HAUNTED HALLS OF THE INFAMOUS MIAMI BEACH ADDRESS OF LEGENDARY HOT SPOTS, LIQUID AND SHOCK NIGHTCLUB, TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD AND ECONOMIC TERRORISM DESTROYING AMERICAN ECONOMY ENABLED BY WEAK INVESTIGATIVE JOURNALISM.
Fast forward, to February 17, 2011, when a Miami New Times article by Michael E. Miller, titled “SHOCK NIGHTCLUB OWNER SKIPS TOWN WITHOUT PAYING HIS BILLS” revealed that Julien Manival nicknamed, “The French Bernie Madoff”, had bragged to El Nuevo Herald, The Miami Herald’s Spanish language sister- publication, that he wanted his patrons’ heads to spin for days from all the special effects in his new nightclub, located at the former address of the legendary Liquid Nightclub.
MAVERICK ARTIST VICTOR-HUGO VACA II INSIDE THE 7,000 SQUARE FOOT MODERN- ART-GONZO-JOURNALISM GRAFFITI MURAL, WRITTEN IN SEVEN LANGUAGES INCLUDING: ARAMAIC, FRENCH, GERMAN, CHINESE AND SPANISH, HE MANIFESTED THROUGHOUT THE HAUNTED HALLS OF THE INFAMOUS LIQUID, SHOCK NIGHTCLUB, WASHINGTON AVENUE, MIAMI BEACH, FLORIDA, ADDRESS.
Having been hired as the official artist of Shock Nightclub by Manival himself, to create, “a world-record sized fine-art-graffiti mural” at the infamous 1437-39 Washington Avenue address on South Beach, Victor-Hugo Vaca II witnessed, first hand, the corruption and dangers to public safety that existed before two separate FBI corruption investigations led to eight individuals charged and arrested in a corruption probe including Miami Beach Code Compliance Officers, Miami Beach Firefighters and a Miami Dade Police Officer.
MIAMI BEACH MAYOR, MATTI BOWER, AND MIAMI HERALD EDITORS KNEW THAT THOUSANDS OF INTERNATIONAL PARTYGOERS WERE IN CLEAR AND PRESENT DANGER OF CEILING COLLAPSE AT 1437-39 WASHINGTON AVENUE, SHOCK NIGHTCLUB, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, BUT NEITHER DID ANYTHING TO GAIN PUBLIC TRUST BY WARNING TRAVELERS AND CONSTITUENTS.
Mayor Matti Bower and Miami Herald Editors had photographic evidence of clear and present danger, including shocking images of a rotting second story dance floor being concealed, without permits, to withstand the weight of hundreds of trusting revelers. Every editor at the Miami Herald was alerted to the dangerous situation being perpetrated by the epidemic of economic fraud and corruption endangering the lives of unsuspecting visitors to Miami Beach and its constituents.
MIAMI HERALD AND MAYOR MATTI BOWER FORFEIT PUBLIC TRUST BY IGNORING CLEAR AND PRESENT DANGER AT POPULAR MIAMI BEACH NIGHTCLUB ADORNED WITH FINE ART AND GIGANTIC GRAFFITI MURAL BY NEW YORK BORN HISPANIC ENTREPRENEUR MAVERICK ARTIST VICTOR-HUGO VACA II.
CBS NEWS MIAMI FILMED THE 7,000 SQUARE FOOT MODERN-ART-GONZO- JOURNALISM GRAFFITI MURAL TITLED, “FLOW”, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE MURAL CONTAINED SUBLIMINAL GRAFFITI IN SEVEN LANGUAGES AND POINTERS, FOR THE INQUISITIVE, PAINTED WITH FINE ART OIL BRUSHES, WITHIN THE LARGE WORDS, THAT TOLD A STORY OF CORRUPTION, FOR SAVVY SOCIALITES, INVESTIGATIVE JOURNALISTS AND THOSE ENTRUSTED WITH PUBLIC SAFETY TO DO THEIR JOB AND CATCH THE CLUES LEADING TO THE REALIZATION OF A CLEAR AND PRESENT DANGER POSSIBLY EXISTING ABOVE THE HEADS OF UNSUSPECTING INTERNATIONAL LUMINARIES AND CELEBRITIES, LIKE LADY GAGA AND RICKY MARTIN, DANCING THE NIGHT AWAY, IN THE VIP SECTION, OF ONE OF THE MOST INFAMOUS CLUBS ON SOUTH BEACH.
For reasons unknown, CBS News producers never aired the footage they obtained from inside of Shock Nightclub but Jenny Scordamaglia (Miami TV, VidBloggerNation), dared to air the following segment on the first season of her show, “Off Limits”, featuring the infamous censored and stolen paintings and 7,000 square foot fine-art-graffiti mural by Maverick Artist Victor-Hugo Vaca II, intended to raise awareness about economic terrorism and the epidemic of economic fraud impacting the global economy.
After a couple of weeks, Shock Nightclub abruptly shut down. When “The French Bernie Madoff”, Julien Manival’s, checks started bouncing, the Frenchman jetted back across the Atlantic, leaving behind over $100,000 in outstanding debts and an unsafe dance floor that could collapse under pressure on hundreds of unsuspecting people.
MONEY TRUMPS PUBLIC SAFETY: THE MIAMI HERALD FAILED TO REPORT UNSAFE STRUCTURE AT THE WORLD FAMOUS, SHOCK NIGHTCLUB, FEATURING DECOR BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Once money became an issue, mainstream media news outlets like, The Miami New Times, began reporting the economic fraud and money laundering taking place between Miami Beach and France. Yet, editors at The Miami Herald failed to publish the photos they had in their possession, of rotting, unsafe, elevated dance floors, in the heart of Miami Beach, where the privileged pay good money to play and party like rock stars, royalty and celebrities in venues like Shock Nightclub, with artistic decor by Florida International University Alumni, Victor-Hugo Vaca II.
THOUSANDS OF WINTER MUSIC CONFERENCE REVELERS FROM ALL OVER THE GLOBE WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT “SHOCK NIGHTCLUB” BECAUSE THE MIAMI HERALD FAILED TO REPORT ON THESE PHOTOS, IN POSSESSION OF MAYOR MATTIE BOWER, SHOWING CONSTRUCTION WORK DONE WITH NO LICENSE OR PERMIT TO SECURE A ROTTING CEILING AND DANCE FLOOR.
The Miami Herald showed their commitment to public trust by dismissing the report. The only article published by the Miami Herald regarding Shock Nightclub was an article, that appeared in the Spanish language newspaper, El Nuevo Herald, noting the exceptional artwork and graffiti created by the New York born Hispanic artist Victor-Hugo Vaca II and heralding Julien Manival, as a nightclub impresario, creating a safe haven for elite patrons and public figures from around the world, in the heart of Miami Beach, Florida.
JET-SETTERS AND WEALTHY GLOBE TROTTERS WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT THE WORLD FAMOUS SHOCK NIGHTCLUB, DECORATED IN GRAFFITI AND FINE ART BY MAVERICK ARTIST VICTOR-HUGO VACA II, BECAUSE THE MIAMI HERALD DISMISSED PUBLIC TRUST IN REPORTING CLEAR AND PRESENT DANGERS TO THE COMMUNITY.
MAVERICK ARTIST VICTOR-HUGO VACA II MASSIVE “FLOW” GRAFFITI MURAL TOWERS OVER PARTY PEOPLE FROM ALL OVER THE WORLD, COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT SHOCK NIGHTCLUB, BECAUSE THE MIAMI HERALD FAILED PUBLIC TRUST, IN FAVOR OF PUBLISHING AN ARTICLE PRAISING THE ARTWORK OF THE MODERN-ART-GONZO- JOURNALIST.
MAVERICK ARTIST VICTOR-HUGO VACA II 7,000 SQUARE FOOT GRAFFITI MURAL TITLED, “FLOW” AND FINE ART BY THE MODERN ART MUSIC MOVEMENT FOUNDER DECORATED THE WALLS OF THE WORLD FAMOUS MIAMI BEACH SHOCK NIGHTCLUB FREQUENTED BY AFFLUENT TRENDSETTERS AND GLOBETROTTING CLUBGOERS.
Fast forward again, this time to September 19, 2013 when the Pultizer Prize winning, Sun Sentinel published two stories about a high-speed chase on a winding, ocean-front, mansion-lined, two-lane road, through an exclusive residential neighborhood, without sidewalks, the day after an innocent victim was killed during another high-speed chase in the Miami Herald readership area and just days before Miriam Carey, was shot to death in D.C., with a 1-year-old girl in her car, after a high-speed car chase. The front-page articles contained quotes from the eyewitness account, of Victor-Hugo Vaca II, which were also given to Miami Herald reporters, who asked for bystander testimony.
‘THE BOOK OF LIFE PASSED ME BY AS I WALKED MY DOG’ BY VICTOR-HUGO VACA II
Neither newspaper mentioned the cavalry of black, grey and blue, unmarked SUV’s, that trembled earth, through the community, known as, “Millionaires Row”, like an endless rumbling freight train, at unsafe speeds, for over forty-five minutes, after the media reported, “two-minute” car chase, was over.
THE MIAMI HERALD REPORTS AN EARTH SHAKING, FORTY-FIVE MINUTE ONSLAUGHT OF HIGH-SPEED UNMARKED CARS RACING THROUGH “MILLIONAIRES ROW” ON A TIGHT, WINDING ROAD, AS A “TWO-MINUTE” CAR CHASE.
The Sun Sentinel Article read:
Victor-Hugo Vaca Jr. was walking his dog Romeo in front of his Hillsboro Beach home when the suspect’s vehicle and patrol cars whooshed past him like a barreling train, he said. Vaca feared for his life and first thought of Medina, he said.
“That’s the first thing that flashed in my mind. The second thing was my dog and my own safety,” he said. “I had enough time to grab his neck back with the leash before he walked into that chaos. It gave me just enough time to react.
“I felt the force of the chase coming towards me. They were coming at such a velocity and there was such a caravan of metal,” he said. “We were stuck in our tracks; we didn’t move.”
A bicyclist on the opposite side of the road jumped off his bike because he was so shaken and told Vaca how terrified he was, he said.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HIS DOG ROMEO.
Roaring past pedestrians on a narrow, winding road at high speeds, for over forty-five minutes, a motorcade of unmarked law enforcement vehicles in one of the wealthiest neighborhoods on earth, recklessly endangered the lives of pets and pedestrians in the name of the law, but that’s not how The Miami Herald reported the incident, witnessed by Hillsboro Beach, Florida resident, Victor-Hugo Vaca II.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM- OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
The Miami Herald made it seem like all the life threatening chaos along “Millionaires Row” ensued over a burglary suspect and never delved deeper into this curious story that begged the questions, “Why would over 60 unmarked cars race through a winding road at breakneck speeds for over forty-five minutes endangering civilians to catch a burglar? What exactly did the suspect steal in the mega-mansion neighborhood, to warrant such an extreme response, from undercover law enforcement and where did all the unmarked vehicles come from?”
WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT ALL-STAR DJ MAMM JAM EVENT FEATURING MAVERICK ARTIST VICTOR-HUGO VACA II.
The painting titled, “Public Trust: The Story of How Miami Herald Circulation Declined”, was created for the promotion of public welfare, live, on-stage, at the 2013 Winter Music Conference (WMC) Sunbreeze Dance Music Festival with All-Star Dj’s including Ron D *8*Lim (Power of Love), DJ Romain, DJ Yass, Nermin, Viktor Simonelli, Patrick Bo, N ‘Dinga Gaba and Neal Fox (Polydor, RCA and Columbia Records recording artist).
MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTING, “PUBLIC TRUST: THE STORY OF HOW MIAMI HERALD CIRCULATION DECLINED”, ON STAGE AT THE WINTER MUSIC CONFERENCE ALL-STAR DJ’S MAMM JAM IN MIAMI BEACH.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH THE POWER OF LOVE, RON D 8 LIM, PERFORM MODERN ART MUSIC MOVEMENT, AT THE WINTER MUSIC CONFERENCE ALL STAR DJ’S MAMM JAM.
The Power Of Love with Ron D 8 Lim has performed at The Winter Music Conference (WMC), FUSE, Detroit Electronic Music Festival, Art Basel Miami and fashion shows for BCBG and Elle.
MAVERICK ARTIST VICTOR-HUGO VACA II PERFORMS WITH RON D 8 LIM AT THE WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT MIAMI MUSIC WEEK MAMM JAM IN MIAMI BEACH FLORIDA.
The Maverick Artist Victor-Hugo Vaca II and Neal Fox (The Conspiracy Project, Deliberate Dumbing Down of America, Fuck The Fed, Thank You, Dan Rather) collaborated on the following video, which premiered at the Miami Music Week Winter Music Conference (WMC) All Star Dj’s MAMM Jam event.
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