Tag: Catalogo Victor Hugo

JEFF BEZOS KILLS PUBLIC TRUST IN WASHINGTON POST AS CNN CRUMBLES ON DAY OF TRUMP FAKE NEWS AWARDS

Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.

Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”

As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.

And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.

“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II

Taharrush CNN EXPOSE RACE BAITING BUSINESS MODEL AT CORE OF FAKE NEWS NETWORK IN DON LEMON ANDERSON COOPER RANTS

January 11, 2018- Educated minorities, immigrants and feminists realized CNN was race baiting when talking heads Don Lemon, Anderson Cooper and other fake news reporters at the propaganda network used the term “Shithole” more than 195 times, against FCC regulations, over gossip of unsubstantiated allegations against President Donald Trump, as the “shithole” of Sweden was crowned “The Rape Capitol of Europe” the racist fake news network failed to mention the word for Muslim Gang Rape Culture, Taharrush, that is exploding across Europe and creeping into the United States.

Educated audiences witness the insincerity of fake feminists like Anderson Cooper and Don Lemon fighting back tears over allegations of the word “shitthole” being used to describe countries like Sweden and Haiti, while completely ignoring the word “Taharrush” which can be witnessed in multiple videos on YouTube, showing women being gang raped by Muslim immigrants in the streets of Europe, as police officers passively stand by, listening to the screams of women being sexually assaulted by packs of men, playing the rape game in public.

By ignoring the actions of men caught on tape sexually assaulting women, over the alleged words of a man describing the condition of countries like Sweden as shitholes, CNN fake news pundits show feminists and minorities how toxic leadership is more concerned with gossip than action.

TWITTER SHADOW BANNING FORESHADOWED IN CENSORED VICTOR HUGO ART

TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY

MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.

STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.

On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.

Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.

The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”

January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”

The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.

https://victorhugocollection.com/art-gallery/times-buys-tribune-digital-reporter-gets-facebookinstagramclinton-2016-social-media-censorship-story-as-fox-news-ponders-public-trust-of-biased-reporting-by-news-sources-and-chooses-to-publish-narr/

Washington Post Ignores MD Serial Killer Spinal Surgeon Allegations Victor Hugo Book Interview

Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.

https://www.youtube.com/watch?v=GgIP4cnm7dc

SOBE UNDERBELLY PROJECT ART BASEL MIAMI ART WEEK Maverick Artist Victor Hugo Jenny Scordamaglia

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Miami Art Scene Article The Making Of Crackhead Jesus The Movie

http://themiamiartscene.blogspot.com/2016/02/maverick-artist-victor-hugo-jrs-award.html

BERKELEY KILLS FREE SPEECH BEFORE SUPER BOWL WHILE CRACKHEAD JESUS EATS A PROCESSED MEAT BURGER AND READS THE PALM BEACH POST.

How Fake News Missed The Canary-In-The-Coal-Mine Cult-Film, By Victor Hugo Vaca II, While Feeding Audiences Bread And Circus Disguised As Journalism.

In 1964–65 the Free Speech Movement (FSM) was born out of student protests on the campus of the University Of California, Berkeley.

CENSORED- Palm Beach Post lists Crackhead Jesus: The Movie as nine question marks.

The Free Speech Movement died October 29, 2010, when The Palm Beach Post censored award-winning art, in print, for the world to see and fake mainstream media news outlets to ignore.

On February 1, 2017, the University Of California, Berkeley put the final nail in the 1st Amendment coffin.

Art Speaks Truth To Power

Super Bowl Movie Trailer Ads for “Crackhead Jesus: The Movie”, a modern Orwellian tale of false prophets and lawyers.

“Newspapers are less concerned with free speech and facts, than they are with profit and influence.” – Maverick Artist Victor-Hugo Vaca II.

Maverick Artist Victor-Hugo Vaca II (Photo Credit: Award Winning Director, Screenwriter, Producer-Alyn Darnay)

TRUMP INAUGURATION PROTESTS AND WOMENS MARCH ON WASHINGTON GO GLOBAL INCLUDING SYDNEY VANCOUVER MIAMI ORLANDO LOS ANGELES NEW YORK AND ATLANTA HIGHLIGHTING PROPHETIC MODERN ART GONZO JOURNALISM BY VICTOR HUGO TITLED FISH WITH ATTITUDE A TRIBUTE TO NIGGAZ WIT ATTITUDE.

On January 20, 2017, Donald Trump was sworn in as the 45th President of the United States as the former First Lady, Michelle Obama scowled and White protestors shouted, “Black lives matter!”, while black thugs shoved their middle fingers in the faces of peaceful white men wearing “Make America Great Again” hats and “Black Sabbath” t-shirts, as anarchists smashed windows in protest of democratic elections, the electoral college and the peaceful transfer of government leadership, while females and homosexuals marched against Sharia Law-like treatment, for the United Slaves Of America.

The Hispanic Undecided Voter watches from the steps of the Supreme Court as anarchist’s descend upon Washington, D.C.

The Hispanic Undecided Voter wonders why Caucasians are so openly expressing their “white guilt” and “white privilege” for public consumption and introspection.

The Hispanic Undecided Voter wonders why large groups of peaceful protestors do nothing to stop the bullying of Whites by racist Blacks in front of television cameras and police officers.

The Hispanic Undecided Voter wonders if it is officially okay to bully all White people on the streets of America?

The Hispanic Undecided Voter witnessed The 3 Muses (Mother, Wife, Grandmother) in Modern America and people, who are morally offended in, The Land Of Indignation, cheer as Madonna talked about “blowing up the White House” and at that moment realized that when Madonna publicly offered anyone who voted for Hillary Clinton in 2016, oral sex with, “lots of eye contact”, Grandmothers, Wives and Mothers, from around the world, were left to choose between a “Blow Job Nation” and a “Pussy Grabbing America”.

The Hispanic Undecided Voter wonders why Muslim women and homosexuals denouncing Donald Trump as a “misogynist homophobe” are not protesting Sharia Law or rap songs about “bitches and homos”, that perpetuate stereotypes of women as sex objects worth less than men and gays as queer fags.

As a crowd of women march on Washington, D.C., Boston, New York, Denver, Miami, Los Angeles, London, Sydney, Vancouver and Seattle, the Undecided Hispanic Voter scratches his head while recalling a famous Black rapper sing, “I got a pink hat on the tip of my dick, Bitch, open wide, while I shove it in yo’ mouth, Hoe!”, to a delighted crowd of liberated women, before watching Jay-Z serenade Hillary and Bill Clinton with, “99 Problems But A Bitch Ain’t One”, at a Democratic Fundraiser in Cleveland, Ohio, while Beyonce and First Lady Michelle Obama danced with President Barrack Hussein Obama’s daughters and other giddy girls, wearing Snoop Dogg and Kanye West t-shirts, over training bras, in front of their Mothers and Grandmothers, before watching Madonna talk about blowing up the White House, while addressing a large, angry mob of people fighting for peace in the New World Order.

The Hispanic Undecided Voter sees fake news outlets, like CNN, race baiting a modern civil war for ratings and money.

The Hispanic Undecided Voter notices that nobody is standing up for the rights of the silent majority, Hispanic people in America, who are taken for granted as voters and as viewers of mainstream media by marketers and content providers who fail to connect with Latinos in a divided, Black and White world.

Ebony & Irony.

The Hispanic Undecided Voter wonders how President Barack Hussein Obama was able to locate Osama Bin Laden and not rescue the 276 kidnapped girls of Chibok in Borno State, Nigeria, who were kidnapped from the Government Secondary School, during Obama’s term as Commander In Chief of the United States military and recalls, how, while Michelle Obama was First Lady, she held up a sign on Twitter, to show the world that Women’s lives and Black lives matter, while suddenly realizing, that on the day Michelle Obama left the White House, wearing designer shoes and a very public frown, for young girls and boys around the world to see, more than 200 of the red blooded girls kidnapped by the radical Islamic terrorist group, Boko Haram, remained captive as sex slaves and kidnap victims, for which the Obama administration did not see fit to pay ransom, unlike the $400 million worth of unmarked cash paid to Iran by President Obama, who endorsed terrorist funding ransom transaction to manifest, in exchange for male hostages, held in Iran, which all made the Hispanic Undecided Voter realize, that in the end, it is not about race, it is about state of mind.

“We all enter this world naked and without prejudice; hatred is learned.” – Maverick Artist Victor Hugo Vaca II

Maverick Artist Victor-Hugo Vaca II

SUFFOLK TIMES COVERS CRACKHEAD JESUS AS CBS REPORTS FAKE NEWS BALLOON BOY

BALLOON BOY EXPOSES FAKE NEWS WHILE CBS NEW YORK SUPPRESSES WARNING OF ATTACKS ON FIRST AMENDMENT THAT LEAD TO LOVE GRAFFITI. How The Maverick Artist Victor Hugo And President Barack Hussein Obama Mutual Admiration Of Rat Dog Manifested A Modern Art Music Movement.

“Love Graffiti” By Victor-Hugo Vaca II.

On the day Balloon Boy exposed fake U.S. news , for what it is worth, Victor-Hugo Vaca II was interviewed by a CBS New York reporter, for a segment on the CBS Evening News, questioning why police issued the artist a citation for displaying a bumper sticker on his BMW that proclaimed, “Crackhead Jesus is coming”.

As Victor-Hugo Vaca II headed to the Rat Dog concert afterwards, police and Secret Servicemen swarmed the artist and corralled him along with everyone on the block into a corner, behind barricades, for over an hour.

News crews surrounded Victor-Hugo Vaca II as he stood next to a man holding a cardboard sign that introduced him as RocOpera. The WPIX Newscaster at the scene, informed Victor-Hugo that his “1st Amendment story on CBS evening news never aired”. According to Wanda, a CBS New York producer, the fake news of Balloon Boy had pre-empted the canary-in-the-coal-mine of free speech in America documented in a Suffolk Times article by Erin Schultz titled, “Pulled Over In The Name Of Crackhead Jesus?“. The newspaper article records the following:

Traveling artist says Southold police officer profiled him.

A bumper sticker bearing the phrase “Crackhead Jesus is coming” got an author pulled over in Southold last month, the man told The Suffolk Times.

Victor-Hugo Vaca Jr., a multimedia artist formerly of Brooklyn who now calls the road home, said that Southold Town Police Officer Frank Lyburt violated his First Amendment rights by pulling him over Oct. 11, simply because the officer was offended by the bumper sticker on Mr. Vaca’s rear windshield.

“I wasn’t speeding and I knew there was nothing wrong with my car,” said Mr. Vaca, 39, noting that the sticker is a promotional tool for his graphic novel, “Crackhead Jesus.”

The bumper sticker in question, which Mr. Vaca described as a ‘promotional tool’ for his upcoming graphic novel ‘Crackhead Jesus.’

“[The officer] said he was doing me a favor by handing me that ticket, the same way someone knocks on your door on a Sunday morning, saying you’re wicked for not going to church.”

The wandering author, who claims to have traveled across the country raising awareness of issues not typically covered in mainstream media, said he was ticketed while driving to the Hampton International Film Festival to promote “Crackhead Jesus,” the story of a man who went to work one day high on crack and told his co-workers that they were his disciples.

“[The sticker] has nothing to do with Jesus Christ,” Mr. Vaca said. “It has to do with the modern devils out there.”

Southold Town Capt. Martin Flatley said the ticket issued to Mr. Vaca is a valid summons, adding that there is a section in vehicle and traffic law that prohibits “the placing of posters or stickers on windshields or rear windows of motor vehicles.”

“I believe Officer Lyburt might have stopped the driver for another violation but ended up writing him this summons,” Capt. Flatley said. “This section of law may not be written often, but it is a valid section. This is part of the officer’s discretion when performing a traffic stop.”

Mr. Vaca said Officer Lyburt appeared very upset with the bumper sticker after he scanned his Florida license.

“He came back to my car and asked me, ‘What’s the deal with the Crackhead Jesus sticker?'” Mr. Vaca said. “Here I am, a white guy in a BMW with all this fancy artwork in the back, and for the first time, I felt what it was like to be profiled.”

Mr. Vaca made an appearance in September at Rock the Harvest, a concert held in Southold to benefit The Retreat of East Hampton.

“So I’m in town to help raise money for battered women, and I get mistaken for a guy spitting in the face of God,” he said. “I went to Southold to do good work, and I leave getting punished.”

Mr. Vaca said he plans to drive back to Southold from Florida — where he is attending a music festival in Miami — to fight the ticket.

“So many people are apathetic — they’ll just pay the ticket and get it over with, but that’s the problem,” he said. “I’m not just going to pay this ticket. I’m going to take a chance to look deeper into this.”

Reporters informed Victor-Hugo Vaca II that because President Barrack Hussein Obama is a fan of Rat Dog, everyone on the New York City Street next to the concert venue, were detained against their will, in zones, by Police and Secret Service agents, to protect President Obama, while he attended the first half of the Rat Dog concert.

Victor-Hugo Vaca II missed the first-half of the Rat Dog show because of President Obama. However, as a result of their mutual appreciation of Rat Dog and The Grateful Dead, this Modern Art Music Movement™ work of art was born.

As seen being manifested in the Modern Art Music Movement™ MAMM Music Video, “Crackhead Jesus: Shake The City”, Produced, Directed and featuring the Maverick Artist Victor-Hugo with music By RocOpera.

Behind The Scenes: On set with the Maverick Artist Victor-Hugo, RocOpera, Joanne Togati and Paparazzi.

Portions of the music video were filmed inside the Gulfstream Park Racing and Casino in Hallandale Beach, Florida.

Behind The Scenes: RocOpera on MI-VI set with the Maverick Artist Victor-Hugo.

Portions of the music video were filmed inside the legendary MI-VI Nightclub, as seen on tv news and in print newspapers.

Maverick Artist Victor-Hugo, RocOpera and filmmaker, Chris Alonso, inside, “The Labyrinth Of Creativity Miami”.

Portions of the music video were filmed inside Victor-Hugo Vaca Jr.’s production studio in Miami known as, The Labyrinth of Creativity Miami.

Behind the scenes, with filmmaker Victor-Hugo.

Behind the scenes, with RocOpera and director Victor-Hugo Vaca II.

Behind the scenes with filmmakers Victor-Hugo Vaca II, Chris Alonso, Mike McGill and Paparazzi.

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.