Adjara TV introduces Maverick Artist Victor-Hugo as, “The Nostradamus of The Art World”, whose modern-art-gonzo-journalism predicts future world events. “I’m known as the ‘Nostradamus of the art world’ because my paintings foreshadow events but it’s not that I can see the future, it’s that, as an artist, I’ve met the people who forge our future.”- Victor-Hugo Vaca II
“I’m known as the ‘Nostradamus of the Art World’ because my paintings foreshadow events but It’s not that I can see the future, it’s that as an artist, I’ve met the people who forge our future behind the scenes.” – Victor-Hugo Vaca II Public Trust Plummets As Fake News Media Spreads Misinformation and Lies While Ignoring Prescient Eyewitness Observations from New York Born Hispanic-American Artist Who Lived Through The Chinese Coronavirus Pandemic Outbreak In China. Now stuck in the former Soviet Union as an American Refugee due to the Chinese Coronavirus shutting down all international flights the Nostradamus of the Art World, Maverick Artist Victor-Hugo, shares modern art gonzo journalism with global citizens.
USA TODAY NETWORK Artist Victor Hugo Vaca II Creates A Diary Of The World On Canvas Between the famous name the Naval Academy Crackhead Jesus and Pink Floyd this story has everything.
Those are just a few of the words that can be used to describe Victor-Hugo Vaca Jr. Also, lucky in a way.
Vaca was born with the same name as the author of “The Hunchback of Notre Dame” and “Les Miserables.” That means that every day, hundreds of people across the globe accidentally stumble across his website.
He doesn’t take that for granted. Vaca uses his art to capture current events in a movement he has dubbed “modern-art-gonzo-journalism.”
“I’m creating a diary of the world on canvas,” he said, “and I’m telling stories that the mainstream media can’t or doesn’t want to tell.”
Although his work takes him all over the world, Vaca has a special place in his heart for Southwest Florida. He owns an apartment in Bonita Springs and participates in Marco Island’s annual Wet Paint Live fundraising event.
For this year’s Wet Paint Live last month, Vaca painted positive Chinese symbols as part of yet another one of his missions.
“Our country is pivoting toward Asia, and my website gets a lot of traffic from China,” he said. “So I want to paint welcoming messages and let them know that we’re a friendly country.”
Vaca’s passion for art began in an unlikely place: the Naval Academy in Annapolis, Maryland. The academy has a way of figuring out a person’s latent talents, Vaca said, and for him, that talent was art.
“I don’t know how they were able to tell that I had this artistic talent, but they did, and soon I was painting banners for football games, posters and all sorts of propaganda,” he said.
He quickly became disillusioned with the Naval Academy after witnessing the hazing of a young female midshipman. A group of male midshipmen handcuffed the woman to a urinal in the men’s bathroom, took photos of her, taunted her and pretended to urinate on her, according to a Los Angeles Times article.
“It’s one of those things that I wish I had never seen,” Vaca said.
He left the Naval Academy shortly after that incident but used the leadership skills the academy had taught him to successfully oversee a large condo in Miami. It was then that Vaca became embroiled in a series of lawsuits that would change his life forever.
One of Vaca’s tenants, high on crack cocaine, jumped on his desk at work and proclaimed to be the reincarnation of Jesus Christ. The man promptly was fired from his job, and Vaca wanted to evict him. But the situation turned into a complicated series of lawsuits, and Vaca soon found himself fighting conflict of interest, corruption and censorship in the justice system.
At one point during the trials, which became colloquially known as “the Crackhead Jesus trials,” the presiding judge forbade Vaca from documenting his experience with the courts.
But he found a loophole in the judge’s orders. The judge specifically prohibited him from using “electronic media” but never said anything about art, and so modern-art-gonzo-journalism was born.
Vaca documented the entire proceedings through the titles of his paintings.
Later, after the lawsuits were settled, he turned his story into a graphic novel and a movie, “Crackhead Jesus: The Movie.” The film has attracted a cult following, often being shown alongside films such as “A Clockwork Orange” and Pink Floyd’s “The Wall.”
Inspired by his success with modern-art-gonzo-journalism, Vaca founded the Modern Art Music Movement, “an international coalition of artists, musicians, filmmakers and professionals using art, music, movies and live mixed-media event to raise awareness about social issues.”
Vaca was born with a form of synesthesia that enables him to see sounds as color — another stroke of luck. He paints canvases on stage while musicians perform, and he uses their music and current events to create original pieces. Vaca has performed with Rod Stewart and bands that have included Cheap Trick, Boston, Aerosmith and Goo Goo Dolls.
January 11, 2018- Educated minorities, immigrants and feminists realized CNN was race baiting when talking heads Don Lemon, Anderson Cooper and other fake news reporters at the propaganda network used the term “Shithole” more than 195 times, against FCC regulations, over gossip of unsubstantiated allegations against President Donald Trump, as the “shithole” of Sweden was crowned “The Rape Capitol of Europe” the racist fake news network failed to mention the word for Muslim Gang Rape Culture, Taharrush, that is exploding across Europe and creeping into the United States.
Educated audiences witness the insincerity of fake feminists like Anderson Cooper and Don Lemon fighting back tears over allegations of the word “shitthole” being used to describe countries like Sweden and Haiti, while completely ignoring the word “Taharrush” which can be witnessed in multiple videos on YouTube, showing women being gang raped by Muslim immigrants in the streets of Europe, as police officers passively stand by, listening to the screams of women being sexually assaulted by packs of men, playing the rape game in public.
By ignoring the actions of men caught on tape sexually assaulting women, over the alleged words of a man describing the condition of countries like Sweden as shitholes, CNN fake news pundits show feminists and minorities how toxic leadership is more concerned with gossip than action.
Those are just a few of the words that can be used to describe Victor-Hugo Vaca Jr. Also, lucky in a way.
Vaca was born with the same name as the author of “The Hunchback of Notre Dame” and “Les Miserables.” That means that every day, hundreds of people across the globe accidentally stumble across his website.
He doesn’t take that for granted. Vaca uses his art to capture current events in a movement he has dubbed “modern-art-gonzo-journalism.”
“I’m creating a diary of the world on canvas,” he said, “and I’m telling stories that the mainstream media can’t or doesn’t want to tell.”
Although his work takes him all over the world, Vaca has a special place in his heart for Southwest Florida. He owns an apartment in Bonita Springs and participates in Marco Island’s annual Wet Paint Live fundraising event.
For this year’s Wet Paint Live last month, Vaca painted positive Chinese symbols as part of yet another one of his missions.
“Our country is pivoting toward Asia, and my website gets a lot of traffic from China,” he said. “So I want to paint welcoming messages and let them know that we’re a friendly country.”
Vaca’s passion for art began in an unlikely place: the Naval Academy in Annapolis, Maryland. The academy has a way of figuring out a person’s latent talents, Vaca said, and for him, that talent was art.
“I don’t know how they were able to tell that I had this artistic talent, but they did, and soon I was painting banners for football games, posters and all sorts of propaganda,” he said.
He quickly became disillusioned with the Naval Academy after witnessing the hazing of a young female midshipman. A group of male midshipmen handcuffed the woman to a urinal in the men’s bathroom, took photos of her, taunted her and pretended to urinate on her, according to a Los Angeles Times article.
“It’s one of those things that I wish I had never seen,” Vaca said.
He left the Naval Academy shortly after that incident but used the leadership skills the academy had taught him to successfully oversee a large condo in Miami. It was then that Vaca became embroiled in a series of lawsuits that would change his life forever.
One of Vaca’s tenants, high on crack cocaine, jumped on his desk at work and proclaimed to be the reincarnation of Jesus Christ. The man promptly was fired from his job, and Vaca wanted to evict him. But the situation turned into a complicated series of lawsuits, and Vaca soon found himself fighting conflict of interest, corruption and censorship in the justice system.
At one point during the trials, which became colloquially known as “the Crackhead Jesus trials,” the presiding judge forbade Vaca from documenting his experience with the courts.
But he found a loophole in the judge’s orders. The judge specifically prohibited him from using “electronic media” but never said anything about art, and so modern-art-gonzo-journalism was born.
Vaca documented the entire proceedings through the titles of his paintings.
Later, after the lawsuits were settled, he turned his story into a graphic novel and a movie, “Crackhead Jesus: The Movie.” The film has attracted a cult following, often being shown alongside films such as “A Clockwork Orange” and Pink Floyd’s “The Wall.”
Inspired by his success with modern-art-gonzo-journalism, Vaca founded the Modern Art Music Movement, “an international coalition of artists, musicians, filmmakers and professionals using art, music, movies and live mixed-media event to raise awareness about social issues.”
Vaca was born with a form of synesthesia that enables him to see sounds as color — another stroke of luck. He paints canvases on stage while musicians perform, and he uses their music and current events to create original pieces. Vaca has performed with Rod Stewart and bands that have included Cheap Trick, Boston, Aerosmith and Goo Goo Dolls.
To read more visit the following USA Today Network link:
NFL MAKES WEST POINT GRAD, ALEJANDRO VILLANUEVA, ALT-RIGHT HERO, AS FACEBOOK CEO, MARK ZUCKERBERG, CENSORS FREE SPEECH OF US NAVAL ACADEMY TRAINED, LATINO, MAVERICK ARTIST VICTOR-HUGO: Whites, In Black Lives Matter T-Shirts, Label Patriotic Blacks, Jews And Hispanics, As, ‘Deplorable Alt-Right, Racist Nazi’s’, While Veterans, Of All Colors, Wake Up To The Fact That Football Is A Dying Sport, For Several Reasons, Including, Concussions And The High Violent Crime Rate Of NFL Players, Compared To Other Professions.
Alejandro Villanueva is a hero. Pittsburgh Steelers coach, Mike Tomlin is racist. When Coach Tomlin chastised Army veteran Villanueva, for naturally doing the right thing, in standing during the National Anthem, to honor the heroes, who sacrificed their lives, to protect the freedoms of all Americans, toxic Pittsburgh Steelers leadership showed the world its true colors.
It appears that Mike Tomlin is a bigot, who objectified 78 football jersey wearing, Alejandro Villanueva, as White, rather than as an individual, with free will, who loves his country and served bravely as a soldier in the United States Army. Most Hispanics, who aren’t pimps, have nothing to do with the slave trade, so Blacks, like Pittsburgh Steelers coach, Mike Tomlin and Whites, like Hillary Clinton, who drag ‘Needy Latino’s’, like Alejandro Villanueva, and Maverick Artist Victor-Hugo Vaca II, into the fray of bigotry, are ignorant, therefore, racist.
On June 14, 2016, Mike Tomlin hosted a fundraiser for Hillary Clinton in his home. The minimum contribution to attend this political event in Pittsburgh, Pennsylvania was $10,000.00 per person.
The disenfranchised, Silent-Minority-Majority, of all colors, realized quickly, that something was extremely suspicious in Pittsburgh when they witnessed Mike Tomlin’s Crackhead Jesus-like behavior, at a tense press conference, where Alejandro Villanueva was white-lashed and vilified, for showing proper etiquette and norms.
Historical evidence of Mike Tomlin’s bias in favor of Hillary Clinton and his hatred of President Donald Trump, afford the rational conclusion that Tomlin’s actions were political and not altruistic.
As noted in the NFL rule book, the Pittsburgh Steeler coach was out of line in reprimanding one of his players, for simply following the NFL rules. Tomlin’s harsh public criticism of veteran, Alejandro Villanueva, for properly displaying manners and respect to his nation’s flag, as a symbol of unity, exposed to the world, how the waning sport of American football, has been infiltrated by a corrupt political system, hellbent on destroying the experiment of a democratic republic, by using overpaid sports figures, as pawns.
The Silent-Minority-Majority of multicolored Deplorables are represented in the contemporary art world, by former U.S. Naval Academy Midshipman Officer Victor-Hugo Vaca II and on the football gridiron by West Point graduate and ex-Army Ranger, Alejandro Villanueva.
The Silent-Minority-Majority understands that toxic leadership, is playing identity politics, and race baiting, to divide a nation of immigrants. Coach Tomlin and some openly racist Democrats, like Hillary Clinton, as noted in emails, published by Wikileaks, stereo-type Black patriotic Latinos, as ‘Super Predators’ and openly identify White, patriotic Hispanics, as ‘Needy Latino’s’.
This fact is ignored by biased mainstream media, against the educated Silent-Minority-Majority, as it can be historically noted, that nobody in the NFL has ever taken a knee to raise awareness about animal cruelty, human trafficking, rape, black on black violence, black on white violence, or radical Muslim terrorist violence.
Both U.S. born, Latin public-figures, Victor-Hugo Vaca II and Alejandro Villanueva served in the military, to protect the rights of all Americans, living in the evolving beautiful chaos of Democracy, under the United States Constitution. Within their respective art forms, both men have peacefully awakened the masses to simply, doing the right thing.
Both incidents, have raised public awareness, that Hispanics are being bullied into taking sides, in a hyped-up, nonsensical race war, for the benefit of toxic leadership in collusion with evil private interest.
Victor-Hugo and Alejandro Villanueva, have organically raised global awareness to the fact that Latinos are undeservedly caught in the crossfires, of a misguided race war, that is openly brewing in the United States. Needy Latinos, of all shades, realize that division and ignorance are shamelessly being promoted as acceptable, through the propaganda of fake news, broadcast on failing mainstream media outlets, that ignore Hispanics while desperately clawing for ratings and increased advertising revenue.
The experiences of Alejandro Villanueva and Victor-Hugo Vaca II, highlight the under-reported fact that Latinos are caught in the middle of a Black and White race war, fueled by fake news outlets, like CNN and MSNBC. For example, weak mainstream media propaganda promotes the false narrative, that all Whites, like Alejandro Villanueva and Victor-Hugo Vaca II, are, ‘racist-White-Supremacists’ and that all wealthy-black-football-players, like O.J. Simpson and Ray Rice, suffer more oppression than most Americans.
On September 24, 2017, needy Latino, Alejandro Villanueva, was publicly chastised by his coach, Mike Tomlin and ostracized by his teammates on the Pittsburgh Steelers, for respecting the American Flag and standing during the National Anthem. A month earlier, needy Latino, Maverick Artist Victor-Hugo Vaca II, was permanently banned from Facebook, by Mark Zuckerberg, for being an outspoken, college educated Hispanic, who voted for Donald Trump and served faithfully, to protect the Free Speech of misguided NFL players, as a Midshipman Officer.
Prior to that, the Clinton-Machine influenced Mark Zuckerberg to issue a digital death sentence, without appeal, to Hispanic artist Victor-Hugo, on Instagram, for posting a photo of the modern-art-gonzo-journalist, sitting beside Hugh Rodham, holding an autographed, ‘Crackhead Jesus is coming’, sticker, for his sister, Hillary Clinton, weeks before her contentious race against Donald Trump, in the 2016 Presidential election.
In spite of the fact, that according to historical records, Muslims and Blacks, to this day, are primarily responsible for the global slave trade, patriotic Hispanics, like Alejandro Villanueva, and educated blacks, having nothing to do with slavery or the Holocaust, are being labeled as racist Nazi’s, by uneducated masses consuming fake news.
The Silent-Minority-Majority notices how white-guilt is causing information monopolies, like Google, to subversively social engineer a politically correct Utopia, for hypocritical sociopaths, who live by the edict, “Do as I say, not as I do.” The contemporary art meme titled, “Google: White Woman With Baby”, by Victor-Hugo Vaca II, shows the subliminal way that Google promotes a New World Order under globalist control.
From Saint Louis to Berkeley, Caucasians consumed with self-hatred and White-guilt, are showing signs of mental illness, by labeling minorities, like Alejandro Villanueva and Maverick Artist Victor-Hugo Vaca II, who prefers Infowars over CNN and trusts Alex Jones over Brian Williams, as racist nazi’s, because they are patriotic Americans, who don’t subscribe to identity politics.
While the NFL officially, jumps the shark, by spitting in the face of veterans and patriots, of all colors and creed, White people in Black lives matter t-shirts and Daca hats, expose their mass hysteria by labeling Blacks, Jews and Hispanics as racist Nazi’s. This historical moment is captured in the contemporary art meme by Victor-Hugo Vaca II titled, “The NFL And Crazy White People, In Black Lives Matter T-Shirts And Daca Hats, Hurling Insults At The Disenfranchised Martyr: The Silent-Minority-Majority.”
NFL ratings are down double-digits this season and the third week of Sunday Night Football for the 2017-2018 season declined 10% from the comparable game of previous year. Newspapers reported that tickets for the 49ers-Rams NFL game were reselling for the price of two stadium pretzels and needy Latino’s know exactly what that means.
Facebook CEO, Mark Zuckerberg, censored and permanently banned the digital footprint of Maverick Artist Victor-Hugo for posting the contemporary art meme titled, “The NFL Hates Women, Children and Dogs”, inspired by NFL players, Michael Vick, Ray Rice and the documented dangers of head and spinal injuries, threatening the lives of children playing grade school, high school and college football. The word ‘nigger’ is used artistically, and by definition, as an adjective, to describe the most disenfranchised of the human species and not to describe color, race or ethnicity; as noted in the documented fact that women and children of all colors suffer the most human rights abuse on earth, especially in the Middle East, Asia and Africa. The censored meme, predicts the end of the NFL, for failing to respect women, children, and for mental health issues that endanger players and society, that will inevitably lead to a wave of litigation, from aging football players and victims of violent football player behavior, seeking damages from the National Football League, for exposing them to the life threatening effects of the neurodegenerative brain disease, chronic traumatic encephalopathy (CTE), which medical studies show, is caused by repeated head trauma, from the violent sport.
Maverick Artist Victor Hugo Vaca II
“It’s not about color, it’s about state of mind. “- Victor-Hugo Vaca II
In the Age Of Fake News & Propaganda, experience Hurricane Irma Ground Zero Through Eyes Of Maverick Artist Victor Hugo, “One of the most influential artists of our time.” – DB Burkeman (Stickers:From Punk Rock To Contemporary Art), “The Modern Andy Warhol. – Nelson Lewis (FOX News) “Howard Stern of the Art World.” – Dave Iacovetti (ABC) Modern-Art-Gonzo-Journalism raw, unedited series of reports from the censored artist out of seclusion and in the evacuation zone of Florida; before, during and after, Hurricane Irma.
Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.
Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?
Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?
This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.
The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.
In the New World Order, being created by social media, an educated minority asks:
Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?
If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?
If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?
Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.
Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.
“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
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Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
