Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.
STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.
On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.
Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.
The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”
January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”
The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.
Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.
Maverick Artist Victor-Hugo Vaca II’s Modern-Art-Gonzo-Journalism Titled, “The Deplorables Series”, Examines Black And White Race Relations Through The Eyes of The Silent-Minority-Majority in America.
“Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.” Said, Victor Hugo, the artist who experienced the 1832, June Rebellion and lived through the French Revolution. Flash forward, to 2017, during the New American Revolution, as ‘white guilt’ threatens to kill democracy, by poisoning the First Amendment, with information wars and censorship. History prepares to judge, whether Donald Trump is a messenger of the people, who exposed the world to fake news and shadow forces, within the highest levels of United States government, or a false prophet and whether Alex Jones and Victor-Hugo Vaca II are modern-art-gonzo-journalists using controversial, multi-media-performance-art in live broadcasts, shows and banned characters, like Crackhead Jesus, to raise awareness of the untold truth, about: Nathan Rothschild, The Red Shield Banks, the Federal Reserve and the September 11, 2001 attacks on America, to name a few; or whether they are a couple of hacks, who think they are artists, in the ‘Age of Fake News and Misinformation’.
This era’s Victor Hugo, is New York born, Hispanic-American artist, Victor-Hugo Vaca II, who goes by the moniker, Maverick Artist Victor-Hugo. His cryptic artwork echoes the words of his world famous French predecessor, who unwittingly provided over a century of strong marketing and global name recognition, that has steadily propelled the organic growth of the modern Victor Hugo’s controversial diary of the world on canvas, known as, modern-art-gonzo-journalism, which poetically narrates the harsh realities of life, often ignored by squeamish, for profit news outlets, with corporate agendas, through the legendary tale, of a politically incorrect character, named Crackhead Jesus, inspired by actual, documented events, in history.
The censored, modern-art-graphic-iNovel, by Maverick Artist Victor-Hugo, narrates in memes, paintings and words, a vivid account of life in modern America, through the eyes of what Democratic leadership refers to as, “needy Latinos”, as noted in the now, public record, Hillary Clinton campaign emails, that CNN actually deemed, “illegal to read”, on Wikileaks.
Les Misérables, the classic novel by Victor Hugo, about the trials and tribulations of an intertwined group of people, living during the June Rebellion, in France, was censored and banned by distribution networks. So too, Infowars, innovator, Alex Jones, is being restrained and silenced, over a century later, by a media monopoly network that includes Youtube, Facebook and Twitter.
In a free society, where individuals, like Donald Trump, find it safe to be unpopular, Victor-Hugo, the Hispanic, USNA trained artist, who created the fictional character of Crackhead Jesus, as a metaphor, for the antichrist and hypocrisy, has been censored by Instagram, Facebook, USA Today, The Palm Beach Post and MSN, to name a few. Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Seven minutes after a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section of a South Beach Nightclub, was posted for public consumption, days before the 2016 Presidential election the artist’s digital footprint ceased to exist.
Most recently, the Maverick Artist Victor-Hugo, was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other Worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names, like, Crackhead Jesus. The 1st Amendment case, was turned into a racial issue, by NPR and other race-baiting-obsessed-mainstream-media-news-outlets, that claim to be liberal, yet completely ignored what Europe noticed, which is, that Crackhead Jesus is a work of art that highlights the necessity for free speech in any civil society claiming to be a democracy.
Crackhead Jesus, is “rude, disgusting, vulgar and offensive”, states a letter from the United States Trademark Office, denying the Trademark of Crackhead Jesus, a fictional protagonist, in the award-winning film, ‘Crackhead Jesus: The Movie’, a cult classic, inspired by court documented events, dubbed, ‘The Crackhead Jesus Trials’, by mainstream media.
The contentious, bellwether character,was created by Victor-Hugo, the Latin-American, multi-media artist, living in the shadows of the legend who penned, ‘Les Miserable’ and ‘The Hunchback Of Notre Dame’, during revolutionary times, of radical change, in human history, much like the Age of Donald Trump as narrated through the words of Alex Jones and ‘The Crackhead Jesus Series’ of paintings.
Both Victor Hugo and Victor-Hugo II created enduring works of art and iconic characters, representing revolutionary periods in history, graphically documenting what they witnessed of the human condition, in print and on canvas, without fear of censorship or retribution, through controversial works, manifested into groundbreaking, historical fiction, chronicling cultural genocide, by a small group of nihilists, fighting for power, against patriots, in modern times. Alex Jones has built an impressive library of passionate, raw and thought provoking content on Youtube, which is being censored, banned and threatened, with permanent deletion, by the unregulated Youtube monopoly.
Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Thomas Jefferson and Donald Trump warned American patriots of corrupt rulers using banks and corporations to enslave future generations with perpetual debt to create the United Slaves of America but fake news channels, like CNN, divert public attention from the need to drain the clogged, corrupt Washington D.C. swamp, by subversively feeding people bread, circus and lies, to hide and suppress impactful truths.
President Trump, Alex Jones and Maverick Artist Victor-Hugo have publicly noted that a broken U.S. justice system, is killing the American dream. For their efforts, the industry of news and information has labeled them conspiracy theorists and created grossly misleading stereotypes of their loyal fans, as being, beyond redemption, racist, nazi, deplorables, in a not so subtle effort to silence and shame common sense Americans, of all colors and creed, by mainstream media news outlets like FOX, CNN, MSNBC, USA Today, The Washington Post and The New York Times.
The Hitlerization of social commentary by mainstream media, in promoting propaganda that evil is good, lies are truth, light is dark and death is life, is so contrary to common sense, that reliable research shows, most people, including minorities, are not drinking the Jonestown Kool-Aid, handed out by the trend of white guilt, perpetrated as dogma, on mainstream media outlets, in America and Europe. In spite of any ignorance, one can witness the truth, by visiting what some conspiracy theorists call fiction, at the Dachau concentration camp, nestled in a small German town. Hidden in plain sight, the death factory, is arguably, one of the creepiest places on Earth.
One does not have to witness the manufacture of death, to realize that force feeding deception to children and the feeble minded, is a tool of evil. It is the irony of Santa Clause and global political correctness, that adults in mainstream media, manipulate innocent children with propaganda, to hide and invert the sad, objective truth, behind the lies and sins of their parents, to the detriment of individual freedom and universal human rights.
When censorship is the only resort to silencing thought, one can not forget the timeless words of Victor Hugo, who artfully noted, “There is nothing more powerful than an idea whose time has come.”
If, as Victor Hugo writes in Les Misérables, “… knowledge is authority based on truth. Man should be ruled by knowledge.”then, by manipulating facts, a handful of wealthy elite are dictating history by deciding what is just and true, for everyone. Fake news is perverting public trust in leadership and fueling distrust in cultural society.
Victor Hugo also wrote in Les Misérables, “Conscience is the amount of inner knowledge that we possess.” Perhaps for that reason, the hyper-awareness of President Trump, Alex Jones and Maverick Artist Victor-Hugo, as prognosticators, has grown organically, in the face of censorship and upheaval, spreading through word of mouth, social media and cutting edge technology, to expose unprecedented bias, censorship and fake news in mainstream media.
Informed Hispanics and educated minorities realize corrupt leaders are trying to rewrite history by taking down statues of racist Democrats. Hypocrisy is fueling a modern civil war that ignores the current state of race relations in America in favor of throwing punches at the ghosts of our past and minorities can see right through the ignorance. Contrary to mainstream media reports, most minorities trust President Donald Trump, Alex Jones and the Maverick Artist Victor-Hugo over the fake news reported on CNN, ABC, CBS, MSNBC, NPR, The New York Times, Washington Post and other news outlets, determined to destroy democracy, for ratings and profit.
Misogynist-racist mainstream media ignores a “Needy Latino’s” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latino’s”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.
Maverick Artist Victor-Hugo Vaca II as seen in Miami Herald article titled, “Diary of Year In Hell”.
To believe fake news outlets, like FOX, one would have to subscribe to the incontrovertible fallacy, that anyone who voted for Trump, believes in legal immigration, Rule of Law and practices self-defense, is a racist.
The silent majority of minorities including Black and White Africans, Asians, Latinos and Muslims wonder why they are all being labeled racist, by mainstream media outlets, owned by Caucasian men, pushing the words Nazi and fascist into everyday vernacular, to describe anyone who disagrees with their greed-driven corporate-agenda; that would brainwash the feeble minded and everyday people, with common sense, to believe, as fact, that a one-hundred percent black man, named Barrack Hussein Obama, was born out of a rarely mentioned, one-hundred percent Caucasian woman’s vagina and to think otherwise, or question such logic, is racist.
The irony of Caucasian men and women, consumed with white-guilt, wearing ‘Black Lives Matter’ t-shirts, while destroying statues of racist Democrats and shouting, “Death to America”, is not lost on the silent majority of minorities, digesting uncensored footage, of suppressed reality on the Alex Jones Show, that is otherwise banned, from mainstream media news outlets, openly promoting the genocide of all white people .
“If, as Mika Brzezinski said on MSNBC, ‘Our job is to control exactly what people think.’, why am I and the silent majority of minorities, thinking, mainstream media news is race baiting, lying and withholding the whole truth from us?” – Victor-Hugo Vaca II
Alex Jones and Maverick Artist Victor-Hugo use modern-art-gonzo-journalism, to raise awareness about underreported issues like human trafficking, GPS spoofing and to sentinel the dangers of an impending censorship tsunami in the USA, fueled by toxic political correctness and a powerfully corrupt media monopoly, that threatens everyone; including the alt-right, alt-left and characters, like Crackhead Jesus and other outliers, that everyone loves to hate and cast stones at.
“Common sense is not a crime.” – Victor-Hugo Vaca II
Maverick Artist Victor-Hugo Vaca II in The Miami Herald.
In 1990, the Miami Herald published an article titled, ‘Diary Of A Year In Hell’. The Miami Herald article white-washed issues of rape and abuse of minorities, at the elite U.S. Naval Academy that churns out future world leaders and suppressed warnings of toxic leadership, at the highest levels of U.S. government, in favor of dumbing down readers, at the peak of the once lauded newspaper’s circulation, with a watered down story, of name calling and hazing, that strayed far from the dangerous truth, that was silenced and suppressed but whose untold sins and memory, would have impact on the lives and future of all global citizens, in the New World Order.
On January 20, 2017, Donald Trump was sworn in as the 45th President of the United States as the former First Lady, Michelle Obama scowled and White protestors shouted, “Black lives matter!”, while black thugs shoved their middle fingers in the faces of peaceful white men wearing “Make America Great Again” hats and “Black Sabbath” t-shirts, as anarchists smashed windows in protest of democratic elections, the electoral college and the peaceful transfer of government leadership, while females and homosexuals marched against Sharia Law-like treatment, for the United Slaves Of America.
The Hispanic Undecided Voter watches from the steps of the Supreme Court as anarchist’s descend upon Washington, D.C.
The Hispanic Undecided Voter wonders why Caucasians are so openly expressing their “white guilt” and “white privilege” for public consumption and introspection.
The Hispanic Undecided Voter wonders why large groups of peaceful protestors do nothing to stop the bullying of Whites by racist Blacks in front of television cameras and police officers.
The Hispanic Undecided Voter wonders if it is officially okay to bully all White people on the streets of America?
The Hispanic Undecided Voter witnessed The 3 Muses (Mother, Wife, Grandmother) in Modern America and people, who are morally offended in, The Land Of Indignation, cheer as Madonna talked about “blowing up the White House” and at that moment realized that when Madonna publicly offered anyone who voted for Hillary Clinton in 2016, oral sex with, “lots of eye contact”, Grandmothers, Wives and Mothers, from around the world, were left to choose between a “Blow Job Nation” and a “Pussy Grabbing America”.
The Hispanic Undecided Voter wonders why Muslim women and homosexuals denouncing Donald Trump as a “misogynist homophobe” are not protesting Sharia Law or rap songs about “bitches and homos”, that perpetuate stereotypes of women as sex objects worth less than men and gays as queer fags.
As a crowd of women march on Washington, D.C., Boston, New York, Denver, Miami, Los Angeles, London, Sydney, Vancouver and Seattle, the Undecided Hispanic Voter scratches his head while recalling a famous Black rapper sing, “I got a pink hat on the tip of my dick, Bitch, open wide, while I shove it in yo’ mouth, Hoe!”, to a delighted crowd of liberated women, before watching Jay-Z serenade Hillary and Bill Clinton with, “99 Problems But A Bitch Ain’t One”, at a Democratic Fundraiser in Cleveland, Ohio, while Beyonce and First Lady Michelle Obama danced with President Barrack Hussein Obama’s daughters and other giddy girls, wearing Snoop Dogg and Kanye West t-shirts, over training bras, in front of their Mothers and Grandmothers, before watching Madonna talk about blowing up the White House, while addressing a large, angry mob of people fighting for peace in the New World Order.
The Hispanic Undecided Voter sees fake news outlets, like CNN, race baiting a modern civil war for ratings and money.
The Hispanic Undecided Voter notices that nobody is standing up for the rights of the silent majority, Hispanic people in America, who are taken for granted as voters and as viewers of mainstream media by marketers and content providers who fail to connect with Latinos in a divided, Black and White world.
Ebony & Irony.
The Hispanic Undecided Voter wonders how President Barack Hussein Obama was able to locate Osama Bin Laden and not rescue the 276 kidnapped girls of Chibok in Borno State, Nigeria, who were kidnapped from the Government Secondary School, during Obama’s term as Commander In Chief of the United States military and recalls, how, while Michelle Obama was First Lady, she held up a sign on Twitter, to show the world that Women’s lives and Black lives matter, while suddenly realizing, that on the day Michelle Obama left the White House, wearing designer shoes and a very public frown, for young girls and boys around the world to see, more than 200 of the red blooded girls kidnapped by the radical Islamic terrorist group, Boko Haram, remained captive as sex slaves and kidnap victims, for which the Obama administration did not see fit to pay ransom, unlike the $400 million worth of unmarked cash paid to Iran by President Obama, who endorsed terrorist funding ransom transaction to manifest, in exchange for male hostages, held in Iran, which all made the Hispanic Undecided Voter realize, that in the end, it is not about race, it is about state of mind.
“We all enter this world naked and without prejudice; hatred is learned.” – Maverick Artist Victor Hugo Vaca II
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?
You know what I mean, don’t you? You know how, sometimes, the talking heads on news networks say, ‘you know’, so many times, you really don’t know what they are trying to communicate, other than their ignorance; you know what I’m saying?
ON 1-5-2012, THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTED A MODERN ART MUSIC MOVEMENT (MAMM) HAPPENING, WITH THE GLEN GOVOT BAND, AT “THE STAGE”, IN WYNWOOD, MIAMI, FLORIDA.
Well, you know, there’s this lightbulb, you know, it was installed in the Livermore, California fire department, in 1901 and it keeps shining to this day, you know?
IN FRONT OF A CAPACITY CROWD, THE MAVERICK ARTIST VICTOR-HUGO VACA II, PRODUCED A WORK OF ART TITLED, “ABSOLUTE SIGNATURE”, ALONGSIDE, GLEN GOVOT, AS PART OF THE MODERN ART MUSIC MOVEMENT.
You know, the four-watt lightbulb has burned through the birth of powered human flight, two world wars, twenty U.S. Presidents, women and blacks being granted the right to vote, twenty seven olympic games and, you know, space exploration.
MAVERICK ARTIST VICTOR-HUGO VACA II BUILDS THE FOUNDATION FOR HIS ARTWORK WITH POSITIVE WORDS.
You know, the Livermore lightbulb is the world’s oldest-known working lightbulb and is, you know, a shining example, of what human beings are capable of, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II PUTS FINISHING TOUCHES ON “ABSOLUTE SIGNATURE”, ON STAGE, AT MAMM JAM HAPPENING.
You know, the Livermore lightbulb is still burning bright because of its low wattage and filament thickness, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AND JUAN ETCHEGORRY AT THE STAGE.
You know, the Livermore lightbulb shines brighter than pundits and so-called journalists, on news outlets, manipulating truth to an audience that, you know, according to a 2016 Gallup Poll, shows that only one in four viewers actually trust what they hear on news channels, you know?
MAVERICK ARTIST VICTOR-HUGO VACA II WITH JAMIE LIPMAN IN FRONT OF “ABSOLUTE SIGNATURE” PAINTING.
You know, the Livermore lightbulb, doesn’t say anything, it just sheds light on life, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AT “THE STAGE”.
You know, the Livermore lightbulb, makes more sense than people who say, ‘you know’, all the time, to hide the fact that, in reality, they don’t know much, you know?
“Voting for a rigged system, is voting for something other than a true democracy.” – Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
WEALTHY, EDUCATED, AFRICAN-AMERICANS & HISPANICS, SUPPORT DONALD TRUMP “In God & Trump We Trust To Audit The Federal Reserve & Stop Corruption In Banks”, SAY 95% Of INTELLIGENT BLACKS & HISPANICS IN RECENT NEWS-MEDIA POLLS.
This noir graffiti modern-art-gonzo-journalism series, emerges from the Senior Managing Director’s office at Bear Stearns Headquarters to remind the world why The Clinton Machine and Wall Street are spooked at the tsunami of potential, accountability of corporate and government leadership, facing global banking behemoths, taunting “too-big-to-fail” rhetoric, in the face of growing global populous, awakening to the harsh reality of extremism disguised as political-correctness and severe social-economic-disparity on Earth, under the rule of less than one percent of the human population, that is actually running the show of government, disguised as Democracy, in the New World Order, exposed by Bernie Sanders and Donald Trump.
GRAFFITI SPEAKS TRUTH TO POWER
Using ignorance as an excuse for usury and corruption of public trust by The Clinton Machine and its immediate members, fuels distrust amongst more than just the one in four Americans who have been arrested for less than Hillary Clinton, or, Wall Street Bank CEO’s, operating under a shadow government that emboldens and favors the privileged few, with a special Rule Of Law, that shelters them from accountability, for any of the criminal acts being perpetrated onto the generational burden of human beings, 99% of which, are not afforded the same, dangerously unique privilege, as bestowed upon The Clinton Machine 1%, by unseen, unelected forces, outside of human nature, decency and common sense.
“The Bear Stearns Kiss: Feed Them Sweets & Tell Them Lies” By Maverick Artist Victor Hugo Vaca II
Though the bank accounts of Clinton Machine members and Above-The-Rule-Of-Law-CEO’s may be full and bloated beyond human comprehension, their soul currency is rapidly depleting into dark matter, in the multi-universe of life, where souls flow freely like dreams and nightmares through the eternal consciousness of human being.
BEAR STEARNS KISS GETS MESSY WHEN WIKILEAKS REVEALS CLINTON MACHINE WALL STREET EMAILS
“THE HILLARY CLINTON MACHINE: DEAR SANTA, I DON’T TRUST BARACK HUSSEIN OBAMA OR HILLARY RODHAM CLINTON. SIGNED, THE UNITED SLAVES OF AMERICA.” BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Clinton Machine and its influence on Wall Street is examined through the kaleidoscopic imagination of a Hispanic, modern-art-gonzo-journalist, born and bred in and around New York City and trained at the world famous leadership laboratory in Annapolis, Maryland, the United States Naval Academy (USNA).
UNITED STATES NAVAL ACADEMY (USNA) MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
Modern-art-gonzo-journalism for Millennials and The Lied To Generation to digest over time, as seen through the trained eyes of a veteran USNA Midshipman Officer and NY graffiti artist, creating public works of fine art around the world, in an atmosphere of rapidly declining journalistic integrity and public trust in mainstream-media-news outlets, that have proven themselves to be, on more than one documented occasion, fake and biased in reporting fantasy and opinion, as news, without merit, or boorishly fabricating headlines for shareholder profit and political gain.
The Bear Stearns Kiss- Feed them Sweets & Tell Them Lies, Like Hillary Clinton; Or, Feed Them Mountain Do And Send Them To Bed, Like Bernie Sanders: Donald Trump Is A Racist Nazi & Everything is Okay, So Don’t Worry, Because, Black Lives Matter & We’ll Be Right Back, After These Words From Our Sponsors.
If one were to believe biased news outlets, with self-interests, working in collusion with The Clinton Machine, as documented in the “Wikileaks-DNC-Clinton-Machine-E-Mail Dump”, Donald Trump, allegedly, makes Adolph Hitler look like Michael J. Fox and Satan look like Ellen DeGeneres.
Hillary Clinton & Bernie Sanders Inside The Clinton Machine On Wall Street Away From People In Streets With Pitchforks & Torches Drinking Mountain Dew And Eating PEZ Candy Out Of The Mouths Of Talking Heads On CNN, MSNBC & FOX.
The Undecided Voter hears Bernie Sanders say, “Defeat the Devil by electing Satan.”
WWCHJD? WHAT WOULD CRACKHEAD JESUS DO?
Which is why, CNN, NBC, CBS, PBS and other news outlets, through self-serving pundits of all sexes, religions, colors and sizes, would have The Undecided Voter believe, that the obvious vote for U.S. President in 2016 is for the Devil, also known as, Hillary Clinton, versus Satan, or Donald Trump.
WWCHJD? WHAT WOULD CRACKHEADJESUS DO? ROCK THE VOTE FOR CHANGE IN STATUS QUO OR EMBRACE IT.
According to the DNC emails, revealed by Wikileaks, for populous consideration of thought, under the leadership of Debbie Wassermann Schultz, in Florida, the infamous penis-shaped-state in America, that introduced the world to, “The Crackheadjesus Trials” (CASE # 502006CC016579), the seemingly innocuous Florida Court decision that unwittingly exposed dangerous electoral process loopholes and a glaring lack of oversight, over The Florida Bar, with serious, long-lasting, Constitutional implications, emanating out of the broken Florida Justice System; some Atheist’s or Jews in Southern Baptist areas of the United States, are fans of Satan, because they just don’t realize how nice the Devil can be, when run through the mystifying Clinton Machine.
MIDNIGHT CULT FILMS: A CLOCKWORK ORANGE, CRACKHEAD JESUS: THE MOVIE, & PINK FLOYD’S: THE WALL
Crackheadjesus: a character that has become synonymous with hypocrisy, corruption and bad behavior, in the urban dictionary of the English vernacular. The fictional character inspired the award-winning Modern Art Music Movement™ production titled, “Crackhead Jesus: The Movie”.
CRACKHEADJESUS /CRACK-HEAD- JESUS/ noun 1. a contemptibly obnoxious person, jerk 2. a person who indulges in hypocrisy, hypocrite 3. a person or force seen as opposing Christ, Antichrist, a person or thing regarded as supremely evil or as a fundamental enemy or opponent, devil, satan.
“So, the moral of the story is: Don’t be a crackheadjesus. Do the right thing. Live by The Golden Rule and love one another. Redemption is not impossible. Live-Love-Flow-Shine.” -Victor-Hugo Vaca II
ALL LIVES MATTER IN THE MULTI-UNIVERSE: OUR SOULS ARE ETERNALLY CONNECTED MAVERICK ARTIST VICTOR-HUGO VACA II & TG ARIS (R.I.P.) {SICKLE CELL AWARENESS}
BEHIND THE SCENES BONUS IMAGES:
Oftentimes, the only people who ever get to read the secrets and subliminal messages left behind by artists, for future generations to digest from works of art, are: museum curators, gallery curators, fine art auctioneers, or collectors of artwork.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA II (FEATURED IMAGE)
Every once in a while, within The Labyrinth Of Creativity that encompasses The Victor-Hugo Collection, you will read such secrets revealed in the back of modern-art-gonzo-journalism creations.
RARELY SEEN BACK OF DRAWING BY VICTOR HUGO VACA JR (FROM THE BEAR STEARNS KISS SERIES)
“Poll driven policy versus the reality of truth, in favor of political correctness and greed, does not appeal to the common sense of humans, Millennials or The Undecided Voter, it only fuels the death of democracy, in favor of oligarchy and plutocracy to rule over the United Slaves of America.” – Victor-Hugo Vaca II
New York Born Hispanic Maverick Artist Victor Hugo Vaca II Interviewed By Christa Creedon Campbell At Gerry Kelly Miami Beach Lux Party (9-25-10) Photo Credit James Echols (Soul Of Miami)
“The point of art is, really, to make people think outside the box.”- Maverick Artist Victor-Hugo Vaca Jr.
The Maverick Artist Victor Hugo Vaca II On Set Of FOX News In Washington, DC
“Victor, you were a good guest. Thanks for coming on and offering us, the other point of view. You know, I want to point out that we asked the National Endowment Of The Arts, repeatedly, to send somebody, they wouldn’t do it; you came on, you made a good argument, and we appreciate you being here.”- Megyn Kelly (FOX News)
“Truth is often stranger than fiction, therefore, to communicate as a modern-art-gonzo-journalist, one must get into the Quantum Flow, by breaking the laws of physics, as we know them today, in our minds and hearts, so that we may live our dreams and express alternate realities peacefully, through art, without worrying about the word, impossible.” – Maverick Artist Victor-Hugo Vaca II
New York Artist Uses Graffiti Art Diary To Expose Dangerous Hazing & Torture At The World Famous Leadership Laboratory In Annapolis, Maryland While Comparing And Contrasting Megyn Kelly Interviews With The Difficulty Of Fake News Media To Report Truth When Privileged Predators Like Joe Biden Rape Ordinary People.
United States Naval Academy Midshipman Officer Victor-Hugo Vaca II
In a 2020 interview with Megyn Kelly, Tara Reade spoke of how difficult it is to get the fake news media to write a story about or investigate her sexual assault allegations against Democrat Presidential candidate, Joe Biden, when he was a Senator In Washington D.C. around the same time Victor-Hugo Vaca II was serving as a Midshipman Officer at the United States Naval Academy near where Tara Reade claims Joe Biden violated her insides and penetrated her without consent.
Midshipman Officer Victor Hugo Vaca Jr
When it was discovered by The Washington Post, New York Times and global news outlets that the world famous leadership laboratory was breeding sadistic, bullies, instead of honorable and competent Commanders and Officers of the world’s most powerful armed forces Navy; the published diary of United States Naval Academy Midshipman Officer and modern-art-gonzo-journalist, Victor-Hugo Vaca II, helped realign the Honor Concept at the iconic military institution, that produced alumni such as: President Jimmy Carter, Major General Charles Bolden, Astronaut Wendy Lawrence, Senator John McCain, Fleet Admiral Chester W. Nimitz, Presidential candidate H. Ross Perot, Basketball legend David Robinson and Astronaut Alan Shepard.
United States Naval Academy Brigade Of Midshipman Honor Concept (USNA 93, Platoon 26)
In her interview with Megyn Kelly, Tara Reade claims she has been bullied, harassed and threatened for daring to come forward with the truth about her horrific experience as a woman living and working in the D.C area in the early 1990’s when, much like in present day Washington, rape was being enabled by a corrupt cabal of toxic leadership that included the highest levels of U.S. Government officials working in collusion with fake news media outlets like the Miami Herald and Washington Post to bury stories of sexual assault against women by evil men abusing power and their positions of authority in the Nation’s Capital. As a Whistleblower who had his life threatened with a knife to his throat and a gun to his head for daring to testify on behalf of a female Midshipman Officer he witnessed being sexually assaulted by those entrusted to safeguard and train her to live by the Honor Concept at the elite United States Naval Academy, Victor-Hugo Vaca II can attest to the words stated by Tara Reade about the dangers of speaking truth to power and the difficulty of getting fake news media to report facts about anything.
United States Naval Academy Midshipman Officer Victor-Hugo Vaca II
“Racist mainstream media ignores a “Needy Latinos” warnings of toxic leadership, at the world-famous leadership laboratory, by white-washing reports of rape and abuse, but now, favors using “White guilt propaganda”, to label all people with common sense and civility, who value truth, including the “Silent Majority of Minorities”, “Needy Latinos”and”Super-Predators”, as bigots, Nazis and fascists. The truth is, fortunately, people are not that stupid. Everyone knows civil wars and race wars, in this day and age, are total nonsense built on lies and propaganda.” – Victor-Hugo Vaca II
When Victor-Hugo served as a Midshipman Officer at the world famous leadership laboratory in Annapolis, Maryland, a cancer in authority was spotted, which has since been nicknamed, “Crackhead Jesus”, a term that has become part of the English vernacular meaning, a person or force seen as opposing Christ, anti-Christ, a person or thing regarded as supremely evil or as a fundamental enemy or opponent, devil, satan. It also means a contemptible, obnoxious person, jerk, a person who indulges in hypocrisy, hypocrite.
Definition of Crackhead Jesus
Crackhead Jesus is an artistic metaphor which seems to be omnipresent in 2020 as anarchy reigns supreme from sea to shining sea in America, fueled by toxic leadership and fake news media promoting hatred, misogyny and false prophets.
Mainstream media news outlets, like The Washington Post, Miami Herald and The New York Times, downplayed the issue of women, like Tara Reade, and Hispanic minorities, being abused by toxic leadership and the military, normalizing the torture and sexual abuse of Brothers and Sisters In Arms, which was revealed through a Naval sexual assault investigation of a Midshipman Plebe by Midshipman Officers, as witnessed and captured in an artistic diary manifested by Midshipman Officer Victor-Hugo Vaca II, which reached the highest levels of U.S. government, on a fateful night, in Bancroft Hall, within the bowels of the largest single dormitory in the world, near the nation’s capital, Washington D.C., that set the standard in press, for what future leaders, under a knowing Commander In Chief, were supposed to emulate and respect, as both strategists and elite killing machines, owned by the government and trained, by the world’s best, in everything, to defend and protect the freedoms of a Democracy as outlined under the U.S. Constitution and Bill of Rights.
In 2017, as racial tensions brew in the United States and U.S. Naval war ships collide at sea, like bumper cars at an amusement park, curious constituents wonder if racist-misogynist mainstream media news outlets are white-washing problems with Naval Command, in the shadows of sailors deaths, following a wave of Navy warship collisions.
At a young age, just like Tara Reade, Victor-Hugo realized, how lives could be ruined and truth manipulated by corporate sponsored news media, in collusion with shadow government forces looking to protect self-interest and corporate agendas, as later proven, in 2016 DNC emails, available for public consumption on Wikileaks, as uncontested fact, confirming the collusion between news agencies, including CNN and the corrupt Democratic Party minions, surrounding Hillary Clinton, during her bid for Commander in Chief, of the World’s Most Powerful Military Force, capable of global annihilation and extinction of species.
The truth was white-washed, by weak mainstream-media news-outlets, into a story about hazing and name calling, allowing the cancer of toxic leadership to metastasize through the Clinton, Bush and Obama administrations into the Trump era we now live. As long as fake news journalists keep trying to dumb down their audience, Crackhead Jesus will prosper.
DIARY OF A YEAR IN HELL MIAMI HERALD ARTICLE
WWJD? What would Jesus Do? Question authority. WWCHJD? What would Crackhead Jesus Do? Take everything reported as, news, on mainstream media outlets, like CNN, MSNBC, FOX, Facebook and Twitter as Gospel and truth.
Interview with Maverick Artist Victor -Hugo Vaca Jr on “Inside Report”, discussing his harrowing experience at the world famous leadership laboratory, United States Naval Academy in Annapolis, Maryland.
Midshipman Officer Victor Hugo Vaca Jr Platoon 26 Front and Center
United States Naval Academy Midshipman Officer Victor-Hugo Vaca II
Having viewed the Megyn Kelly Tara Reade interview in its entirety more than once to analyze the body language of Tara Reade, Victor-Hugo Vaca II concludes that Tara Reade is telling the truth about having been sexually assaulted by Joe Biden in the 1990’s near where he witnessed the sexual assault of a female Midshipman Officer around the same moment in time.
MIdshipman Officer Victor Hugo Vaca Jr
Known as the “Nostradamus of the Art World” because his modern-art gonzo journalism paintings forecast future events, the Maverick Artist Victor-Hugo was able to predict that sexual assaults against children, women and men in the Washington D.C. area would not only persist but become more rampant as long as government officials glossed over the existence of toxic leadership and fake news media outlets ignored the fact that Crackhead Jesus was thriving in the Nation’s Capital due to public apathy and willful blindness.
United States Naval Academy Midshipman Officers Class of 1993 Vaca & Egan
Having been interviewed by Megyn Kelly, like Tara Reade, Victor-Hugo Vaca II can attest to the fact that Megyn Kelly is an aggressive journalist who does not throw softball questions, like the ones being lobbed by fake news reporters at the mentally disabled sexual predator, Joe Biden, during his run for President against incumbent President Donald J. Trump in 2020.
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Conspiracy theories are as real as Santa Clause, because no one can keep a secret. There is only truth, fiction and ignorance of facts. Alex Jones, President Trump and both Victor Hugo’s have been labeled conspiracy theorists and each of these public figures have been censored or misquoted by the mainstream press, intensifying the decline of public trust in news outlets.
Maverick Artist Victor-Hugo Vaca II
