Tag: Poster Boy quote

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.

ART BASEL MIAMI BEACH SHOCK NIGHTCLUB UNDECIDED VOTER DONALD TRUMP HILLARY CLINTON EXPOSE PLUMMETING TRUST IN NEWSPAPERS AND GOVERNMENT

THE UNDECIDED VOTER AND MILLENNIALS PIVOT TOWARDS VOTING AGAINST THE POLITICAL STATUS QUO, EMBODIED IN A WELL REHEARSED, CAREFULLY SCRIPTED, HILLARY CLINTON, AFTER WITNESSING MAINSTREAM NEWS MEDIA COVERAGE OF THE U.S. PRESIDENTIAL DEBATE THAT CLEARLY PAINTED DONALD TRUMP AS, THE UNDERDOG.

The Undecided Voter Weighs The Danger Of Having Two Bullies Named Bill And Hillary In The White House Versus Having One Bully As Commander In Chief, With An Immigrant First Lady, Who Is So Forthcoming, That Anatomically-Correct-Politically-Incorrect Nude-Photo’s Of Her Exist And Can Be Seen By Anyone, At Anytime, On The Worldwide Web, Alongside News Stories Of The French Bernie Madoff And Shock Nightclub.

“BEFORE VOTING, ASK YOURSELF, WWMLD? WHAT WOULD MONICA LEWINSKY DO?”, 9/11 SERIES, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

The Undecided Voter and Millennials realize the question for those Independents still trying to decide between Donald Trump and Hillary Clinton is, to put it bluntly: “Which Bully do you want in the White House, representing the best interest of you, your Children and seven generations forward and which Woman, as Commander In Chief, or First Lady, do you want to serve your bloodline, as a historical role model, for developing young girls and grown women; Meanwhile, setting a public example, for how developing young boys and structured men, should behave around girls, women, military veterans and police officers, for seven generations forward?”

THE UNDECIDED VOTER

The Undecided Voter, regardless of Sex, Race, Creed or Color, is looking to elect someone with common sense and a clear, forward, vision, to press the reset button, on a politically correct system, that is obviously broken and in dire need of realistic repair; Maybe not by a couple of seasoned bullies in the White House but by one passionate, outsider, claiming to be capable of working efficiently and in fair cooperation with other world leaders, using every available tool, rather than trusting stale, over-rehearsed, meaningless rhetoric, filled with false narratives, of half-truths, shining brightly in the hypocrisy of philanthropy.

“FEMALE VOTER EXPLAINS JUANITA BROADDRICK, KATHLEEN WILLEY, PAULA JONES, GENNIFER FLOWERS AND MONICA LEWINSKY, TO HER DAUGHTER, ELOISE, WHO IS LIVING WITH HER BABY DADDY #1, IN PARIS, FRANCE.”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE GEDDES FINE ART COLLECTION.

The Undecided Voter is looking to elect someone, with strength and conviction, to stand up to foreign enemies and make friends, using firm, fair and clear communication, so as to cooperatively manifest the concept of compassionate wealth, on earth, during the global shift towards Asia, as the New World Order is both restructured and rebalanced for maps and history books.

“FEARLESS FEMINISTS DISCUSS, NARCISSISTIC LOONY TOONS, THE POLITICS OF THE PENIS, BIMBO ERUPTIONS, FAT SHAMING BEAUTY PAGEANT WINNERS AND BILL CLINTON’S RODEO CLOWNS, WITH THEIR YOUNG DAUGHTERS, ON CHRISTMAS DAY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II; PREMIERED DURING ART BASEL MIAMI WEEK AT THE GRAND OPENING OF “SHOCK”, THE HAUNTED ADDRESS OF THE NOTORIOUS FORMER BILL AND HILLARY CLINTON MIAMI BEACH, A-LIST, HANG OUT, “LIQUID NIGHTCLUB”, 1437-39 WASHINGTON AVENUE.

The Undecided Voter is looking to elect someone to procure a sustainable existence for seven generations forward, that would organically lean “The Lied To Generation” towards a peaceful lifetime; while swiftly rebuilding infrastructure and fixing politically rigged Courts, that stifle prosperity for the United Slaves Of America, by choking the American Dream, on the broken scales of justice.

INTERIOR DESIGN AND ARTWORK, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE NOTORIOUSLY HAUNTED ADDRESS, OF LIQUID AND SHOCK NIGHTCLUB, IN MIAMI BEACH, FLORIDA.

The Undecided Voter could not understand why the debate moderator, Lestor Holt, and both 2016 Presidential candidates, could not transcend the extraneous muck and zeitgeist of pop culture, in favor of progress and pressing social issues regarding the economy, justice system, public infrastructure policy, and national security, that affect everyone, regardless of age, religion, race or political affiliation.

1437-39 WASHINGTON AVENUE

THE LEGENDARY MIAMI BEACH HOT SPOT ADDRESS OF BOTH, LIQUID AND SHOCK, LOCATED ACROSS FROM THE ICONIC ESPANOLA WAY, SEEN IN SEVERAL MOVIES (MIAMI VICE) AND ON TV SHOWS (MIAMI VICE), WAS FREQUENTED BY SUCH NOTABLES AS MADONNA, SEAN PENN, BILL AND HILLARY CLINTON.

IN 2011, CELEBRATED FANFARE AND INTERNATIONAL PRESS, WELCOMED THE HAUNTED VENUE’S REINCARNATION AS THE INFAMOUS, “SHOCK” NIGHTCLUB, DURING ART BASEL MIAMI WEEK, SHOWCASING THE 5,000+ SQUARE FOOT, “NEW YORK CITY RETRO-CHIC FINE ART GRAFFITI MURAL”, INTERIOR DESIGN AND ARTWORK CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, EXCLUSIVELY FOR “SHOCK”, AS CONTRACTED BY THE FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, LATER NICKNAMED, “THE FRENCH BERNIE MADOFF”, BY HIS MANY VICTIMS.

THE 10-FOOT TALL WORK OF MODERN-ART-GONZO-JOURNALISM TITLED, “TITTY HARVEST: THE POLITICS OF THE PENIS”, ADORNED THE GIANT BRICK WALL NEXT TO THE EXCLUSIVE, VIP SECTION, OF THE EUROPEAN JET-SET VENUE, NEXT TO THE DJ BOOTH, WHICH HOSTED SOLD OUT, WINTER MUSIC CONFERENCE (WMC), EVENTS AND WAS, ALLEGEDLY, FEATURED IN THE BACKGROUND OF MUSIC VIDEOS AND PHOTO SHOOTS FOR LADY GAGA AND RICKY MARTIN.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT PATRONS REPORTED SEEING SUBLIMINAL MESSAGES IN, “FLOW”, THE TWO-STORY, FINE-ART GRAFFITI MURAL, CREATED BY, THE MAVERICK ARTIST VICTOR-HUGO VACA II, THE LONGER THEY LINGERED AROUND THE NEVER DULL BAR.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT CURIOUS PATRONS PURCHASED MORE DOUBLE-SHOTS OF TOP SHELF ALCOHOL, IN ATTEMPTS TO DECIPHER ALL THE SUBLIMINAL MESSAGES HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL TITLED, “FLOW” BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

AWARD-WINNING INTERNATIONALLY RENOWNED MIXOLOGIST, ALEX TENGO,WORKS HIS MAGIC, AT THE “SHOCK” BAR, IN FRONT OF FANS AND INTERNATIONAL, A-LIST JET SETTERS, SEARCHING FOR SUBLIMINAL CLUES, HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL, “FLOW”, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

MODERN-ART-GONZO-JOURNALISM FLOWS THROUGH “SHOCK” NIGHTCLUB, SUBCONSCIOUSLY PERMEATING THE HEART, OF THE SOPHISTICATED ADULT PLAYGROUND IN MIAMI BEACH, FLORIDA, USING FINE-ART GRAFFITI TO SUBVERSIVELY COMMUNICATE A “CANARY IN THE COAL MINE” MESSAGE, TO MILLENNIALS, FROM AROUND THE WORLD, AWAKENING TO THE CLEAR AND PRESENT DANGER OF LIVING WITHIN A BROKEN JUSTICE SYSTEM, WITH RULE OF LAW DOUBLE STANDARDS, THAT FAVOR A SELECT FEW: SIMPLY PUT, “WITHOUT JUSTICE, PEACE CAN NOT FLOW” .

The Undecided Voter witnesses how, under the watch of an FBI, working in collusion with the U.S. Attorney General’s Office, political correctness and The Fifth Amendment, are being manipulated to blanket and hide the existence of a, “Double-Standard-Rule-Of-Law”, that favors an elite few, like Hillary Clinton and the Wells Fargo CEO, John G. Stumpf, but does not apply to 99% of tax-paying Constituents known as, “The United Slaves Of America”.

THE TWENTY-FOOT LONG AND TEN-FOOT HIGH, “KUNT”, MODERN-ART-GONZO-JOURNALISM PAINTING BY THE MAVERICK ARTIST VICTOR-HUGO VACA II PREMIERED AT “SHOCK” NIGHTCLUB DURING ART BASEL MIAMI WEEK, AT THE INSISTENCE OF “THE FRENCH BERNIE MADOFF”, WHOSE ILLEGAL ACTIONS EXPOSED THE WORLD TO AN INTERNATIONAL EPIDEMIC OF ECONOMIC FRAUD, THAT CRISS-CROSSED CONTINENTS FREELY, FROM THE SEXY SHORES OF MIAMI BEACH, FLORIDA, TO THE EXOTIC SHORES OF FRANCE AND IBIZA, SPAIN, IN COLLUSION WITH CORRUPT POLICE AND PUBLIC OFFICIALS, FAVORING WEALTHY INTERNATIONAL JET-SETTING CRIMINALS, AWARE OF THE BROKEN U.S. JUSTICE SYSTEM, WHOSE RULE OF LAW FAVORS WEALTHY PUBLIC FIGURES FROM ALL OVER THE WORLD, OVER LAW ABIDING U.S. CITIZENS AND HARD WORKING CONSTITUENTS, STRUGGLING TO SURVIVE, ON MINIMUM WAGE.

The Undecided Voter and Millennials see how the new-normal, “Double-Standard Rule-Of-Law”, for the elite 1% in the United States, like Hillary Clinton and Wells Fargo’s CEO, John G. Stumpf, can fuel chaos in the streets of Charlotte, North Carolina and through the heart of The Bible Belt, as God-fearing families witness anarchy racing towards The White House, to be the elected Commander In Chief, of the United Slaves of America.

MODERN-ART-GONZO-JOURNALISM EXPOSED CORRUPTION THAT LED TO SEVERAL ARRESTS OF PUBLIC OFFICIALS INCLUDING CORRUPT POLICE, AS DOCUMENTED ON FILM BY CBS NEWS MIAMI AND CANAL+ NEWS, IN FRANCE. THE INTERNATIONAL NEWS STORY WAS CHRONICLED IN A SERIES OF PRINT NEWSPAPER AND ONLINE ARTICLES BY MICHAEL MILLER IN “THE MIAMI NEW TIMES” FEATURING QUOTES AND ARTWORK FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II COLLECTION EXHIBITED AT “SHOCK” NIGHTCLUB DURING 2011 ART BASEL MIAMI WEEK.

“THE FRENCH BERNIE MADOFF”, EXPOSED AN EPIDEMIC OF ECONOMIC FRAUD, THAT CROSSED CONTINENTS, AS NOTED IN THIS HIGHLIGHTED QUOTE, FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE MIAMI NEW TIMES.

THE MAVERICK ARTIST VICTOR-HUGO VACA II WAS HIRED BY FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, TO CREATE THE INTERIOR DESIGN FOR THE EXCLUSIVE MIAMI BEACH CLUB, “SHOCK”.

The Undecided Voter witnessed Donald Trump choke, under pressure, when presented with several opportunities to expose ignored truths of national interest, against a well lubed, Hillary Clinton machine, sporting a plastered-on-smile, at the first, 2016 United States Presidential debate, held on September 26, near New Hyde Park, Long Island, in Hempstead, New York, at Hofstra University.

“PLASTIC SMILE IN THE FACE OF GLASS STEAGALL” : MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WHO GREW UP IN NEW HYDE PARK, IN A TWO STORY, CORNER HOUSE, BEHIND THE LONG ISLAND JEWISH HOSPITAL, WHILE ATTENDING BROOKLYN TECHNICAL HIGH SCHOOL, BEFORE ENTERING THE U.S. NAVAL ACADEMY IN ANNAPOLIS, MARYLAND, AS A MIDSHIPMAN OFFICER, IN THE 26TH PLATOON, OF THE CLASS OF 1993.

MIAMI NEWS TIMES ARTICLE FEATURES QUOTES FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, WHO CREATED A 5000+ SQUARE-FOOT, FINE-ART-GRAFFITI MURAL, AT “SHOCK” NIGHTCLUB, WRITTEN IN EIGHT DIFFERENT LANGUAGES, INCLUDING ARAMAIC, ITALIAN FRENCH AND SPANISH.

MAVERICK ARTIST VICTOR-HUGO VACA II

THE MASSIVE, FINE-ART-GRAFFITI MURAL, TITLED, “THE STORY OF THE CRACKHEAD JESUS TRIALS”, WAS PAINSTAKINGLY CREATED TO WARN VISITORS FROM AROUND THE WORLD, OF THE EPIDEMIC OF ECONOMIC FRAUD, EMANATING FROM THE UNITED STATES OF AMERICA AND THREATENING, A GLOBAL COLLAPSE IN PUBLIC TRUST OF THE BANKING INDUSTRY, DUE TO A SEVERE BREAKDOWN IN THE JUSTICE SYSTEM, CREATING A DOUBLE-STANDARD, IN RULE OF LAW, THAT FAVORS RICH, WHITE-COLLAR CRIMINALS, OVER SINGLE MOTHER’S AND BABY DADDY’S, STEALING BREAD FROM FOOD DESERTS, TO FEED THEIR MALNOURISHED CHILDREN.

MAVERICK ARTIST VICTOR-HUGO VACA II

The Undecided Voter was baffled by Donald Trump’s inability to clearly and succinctly communicate rebuttals, during his first, one-on-one debate with a seasoned politician, and a noticeably biased moderator, tossing irrelevant bread and circus distractions, disguised as relevant questions, carefully crafted to incite racial disharmony, by demanding self reflection, in presuming that all Americans, are inherently bias, racist and deplorable human beings, in order to provoke social discord, by fueling insecurity and public distrust of police, press and authority.

IT’S NOT A BLACK OR WHITE ISSUE, IT’S A CORRUPT LEADERSHIP ISSUE.

The Undecided Voter observes Hillary Clinton’s husband, Bill, and ponders the treatment of Veterans who risk their lives, in defense of freedom, for future generations of Americans, to live in a democracy, not an oligarchy, or plutocracy, reigned over by bullies and tyrants disguised as caretakers and do-gooders, who defy Rule of Law and don’t pay taxes, while pandering to Hispanics, Blacks and Women, by pretending to care about Mexicans, African-Americans and Venezuelan Beauty Pageant winners, all while attempting to dumb down masses into believing that, the “First Black President”, miraculously emerged from an Aryan vagina, belonging to a white woman named, Stanley Ann Dunham, with predominantly English but including German, Swiss, Scottish, Irish, and Welsh ancestry.

BLACK PEOPLE REALIZE THAT BARACK HUSSEIN OBAMA IS NOT 100% BLACK BECAUSE HIS MOTHER WAS 100% WHITE.

“I’m not your Commander In Chief, anymore but if I were I would tell you to be more polite, now sit down!” – Bill Clinton

https://www.youtube.com/watch?v=nfQTTF9p8pk

The Undecided Voter ponders the treatment of blacks by Caucasians, like Bill Clinton, demanding that Black Lives Matter supporters, ignore his oppressive legislation, supported by his wife, Hillary, and focus instead on getting their thirteen-year old kids, off of crack, so as to ward off any potential, Crackhead Jesus, exposing the truth of hypocrisy and foiling the so-called, Democratic process, for the United Slaves Of America.

https://www.youtube.com/watch?v=HKjdGYvHTmk

“He [Bill Clinton] said, ‘Sit down, Nigger!’” – The Doctor Of Common Sense

BEFORE RUNNING FOR PRESIDENT OF THE UNITED STATES IN 2008, THE MAVERICK ARTIST VICTOR-HUGO VACA II, LEARNED TO LIVE BY THE HONOR CONCEPT, AS PART OF THE ELITE, BRIGADE OF MIDSHIPMAN, AT THE WORLD FAMOUS, UNITED STATES NAVAL ACADEMY.

In April 17, 2007 BLOUIN ART INFO International Magazine published an article titled,

NY Artist Victor-Hugo to Run for President

The column documented the under-reported presidential candidacy of the Maverick Artist Victor-Hugo Vaca II, who entered the 2008 Presidential race to run against fellow former U.S. Naval Academy Midshipman Officer, John McCain and Freshman Senator Barack Hussein Obama, as reported in alternative news outlets around the world including newspapers in Iceland.

https://www.youtube.com/watch?v=iT12_bVKIrE

The influential BLOUIN ART INFO International Magazine highlighted the New York born, Hispanic multi-media artist’s run for United States President, as a dark horse candidate, to raise awareness about the dangers of a corrupt justice system that politicized Rule Of Law in favor of anarchy, oligarchy and plutocracy.

THE UNITED SLAVES OF AMERICA

The BLOUIN ART INFO International Magazine article read:

Controversial Latino modern artist Victor-Hugo Vaca II, a native of Queens, N.Y., announced today his plans to pursue a spot on the 2008 presidential electoral ballot, taking on frontrunners Hillary Clinton and Barack Obama.

The artist said in a public statement that he will try to run for president while he continues to research his “Law and Justice in the United States” series of works.

The point of running for office, he explained, would be to educate his fans on the difficulty or ease with which a native-born American citizen can run for “the most powerful position in the world.”

He added that he hopes the investigation and his bid for the presidency inspires the “lied-to generation” to get more involved with politics and heed the warnings in Al Gores film, An Inconvenient Truth.

“I’m spending so much time in court investigating unethical attorneys and judges that I might as well find out what it takes to run for president while I’m there. Obviously, I realize that the biggest requirement is not intelligence or common sense—George W. Bush Jr. has proven that. Loads and loads of campaign contributions from interested parties is what is needed to win.” – Maverick Artist Victor-Hugo Vaca II

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER CANDIDATE VICTOR-HUGO VACA II

The legendary modern-art-gonzo-journalism, “Crackhead Jesus Series”, by the Maverick Artist Victor-Hugo Vaca II prognosticated a modern civil war in America, manifested by blatant public corruption, emanating out of the White House, enabled by biased news media and weak investigative journalism, whose cumulative effect, undermined the halls of justice, creating dangerous double standards, for favored elitists and notable public figures, protected by the FBI, Attorney General and Police, as underprivileged constituents are slaughtered in the streets, by those hired to serve and protect them, while grave injustice permeates unchecked, through U.S. Courtrooms, enslaving all Americans, regardless of race, creed or color, with a dangerously, double-standard, Rule Of Law.

TRUTH BE TOLD, IF BLACK LIVES REALLY MATTERED WE’D START BY TAKING CARE OF BLACK WOMEN AND CHILDREN, ABANDONED BY AN IGNORED NATIONAL EPIDEMIC OF DEAD BEAT BABY DADDY’S, PROCREATING FOR SPORT, WITHOUT ACCOUNTABILITY, CONCERN OR CONSEQUENCE.

The Undecided Voter notices that news outlets, owned by Caucasians, appear to be acting in collusion, with Presidential candidates, to recklessly toss the word, “racist”, around, in a subversive attempt, to promote a modern civil war agenda, that favors orchestrating riots, violent protests and looting, to produce anarchy, across the nation, for photo ops and soundbites, that increase ratings and profits white people.

MICHELE OBAMA ASKS BLACK LIVES MATTER AND THE CLINTON NEWS NETWORK(CNN) DON LEMON, TO CONSIDER THE NEARLY 300, FORGOTTEN NIGERIAN SCHOOLGIRLS, KIDNAPPED BY BOKO HARAM IN 2014.

The Undecided Voter, notices that news outlets, owned by white men, use titillating sex scandals and beauty-queen-fat-shaming, to deflect global attention, away from documented, top-down U.S. government leadership corruption, being promulgated openly, without shame, remorse or just punishment, under the nose of frustrated taxpayers and legal immigrants, in search of the, rapidly disappearing, American Dream.

“FLOW WOMAN: POLITICAL CORRECTNESS WILL KILL DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE TEN-FOOT TALL, OIL PAINTING, PREMIERED DURING ART BASEL MIAMI WEEK, AT THE “SHOCK” NIGHTCLUB, GRAND OPENING IN 2011.

The Undecided Voter witnessed a sniffling, impassioned, visibly temperamental, patriotic fool, lose his ability to effectively construct and prosecute a case against Hillary Clinton, while using a bad microphone, in front of a chomping-at-the-bit, live audience, being broadcast via satellite, to a record breaking number of viewers, around the world.

DISCREDITED JOURNALIST, BRIAN WILLIAMS, PEDDLING OPINION AND RHETORIC, AS FACT BASED NEWS, ON MSNBC, TO DUMB DOWN AMERICANS.

The Undecided Voter, witnessed Hillary Clinton acting like an insincere, smiling, zombie, standing beside the face and hair of a passionate, Caucasian, presidential candidate, publicly exhibiting narcissistic, histrionic and antisocial tendencies, while blatantly throwing awkwardly, restrained fits of frustration, rather than perpetuating logic, in the face of waning public trust, in unapologetically biased news media, that favors wealthy, career politicians over eccentric, wealthy outliers, that threaten, to shake up the status quo of mediocrity, that has infected American mentality, in the early 21st Century .

“IN THE ABSENCE OF COMMON SENSE, YOU GET NONSENSE AND PRETENSE.” – MAVERICK ARTIST VICTOR-HUGO VACA II

VICTOR HUGO COLLECTION SEEN ON BIG SCREEN IN THE LAST HIT AWARD WINNING ACTION DRAMA

https://www.youtube.com/watch?v=NeI4zNuSULM

“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.

“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.

TITO PUENTE JR BELO DONITA WILSON KING WAWA JAHNESTA MECCA AKA GRIMO VIOLETA LESKYTE KATALOG MISTY JEAN SUNLOVE TONTON BICHA ALAYE AKA ZOEROCK HAROLD ST LOUIS SHIRLEY DESGROTTES ROBERT MARTINO THE LANDERS SISTERS AND MAVERICK ARTIST VICTOR HUGO VACA II MANIFEST MODERN ART MUSIC MOVEMENT HISTORY AT NBC THEATER

Marathon All-Star MAMM Jam Creates “Muse 4 Haiti” To Benefit Earthquake Victims Through The Figaro Angel Network.

On January 12, 2010 Haiti was struck by an earthquake that measured 7.0 magnitude.”Muse 4 Haiti” (38×53) was created on January 8, 2011 at the NBC Omni Auditorium at the Haiti Memorial Concert.

THE MAVERICK ARTIST VICTOR-HUGO VACA II JOINED AN ALL-STAR LINE UP OF INTERNATIONAL TALENT TO RAISE MONEY FOR EARTHQUAKE SURVIVORS.

Over 220,000 people were killed and over 300,000 people were injured on January 12, 2010 in Haiti .

MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, PERFORMING A SIX-HOUR MARATHON, MODERN ART MUSIC MOVEMENT, AT THE ALL-STAR MAMM JAM HAPPENING, WITH AN INTERNATIONAL LINE UP, OF TALENTED MUSICIANS, AT THE NBC OMNI AUDITORIUM, TO BENEFIT HAITI EARTHQUAKE VICTIMS.

The Haiti earthquake left more than 1.5 million homeless survivors.

MAVERICK ARTIST VICTOR- HUGO VACA II PERFORMED WITH 14 ARTISTS TO CREATE THE PAINTING TITLED, “MUSE 4 HAITI”.

Five years later, tens of thousands of people in Port-au-Prince still live in tents and other temporary housing.

MAVERICK ARTIST VICTOR-HUGO VACA II CHANNELS THE MUSE INTO LIFE ON STAGE.

$13.5 billion in humanitarian aid from donations and pledges was raised from nations and private charity after the catastrophic 2010 Haiti Earthquake.

IN BETWEEN SETS, THE “MUSE 4 HAITI” BEGINS TO TAKE FORM ON STAGE.

The hypocrisy of philanthropy, political correctness and weak journalism fueled by greed, is such that, according to the Washington-based Center for Economic Policy and Research, less than a penny of every dollar goes directly to Haitian organizations. Thus, meaning that billions in relief and recovery aid, haven’t been enough to rescue Haiti from chronic corruption, which has enabled a tangible failure to manifest improvements that, in a better world, would have been brought to fruition, with all the available resources and goodwill.

MAVERICK ARTIST VICTOR-HUGO VACA II PLEADS WITH AUDIENCE FOR DONATIONS TO AID IN RECOVERY.

As a consequence of the earthquake, over the past four years, cholera has struck more than 720,000 Haitians and killed almost 9,000 people in Haiti.

“MUSE 4 HAITI” BY MAVERICK ARTIST VICTOR-HUGO VACA II

The Modern Art Music Movement™ (MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally investigated on mainstream-media news outlets and to promote new talent and compassionate wealth, through art and education across the multi-universe.

MAVERICK ARTIST VICTOR-HUGO VACA II WITH TITO PUENTE JR. BACKSTAGE.

The Modern Art Music Movement™ (MAMM) fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order.

KING WAWA, SEAN HILL, TITO PUENTE JR. AND MAVERICK ARTIST VICTOR-HUGO VACA II BACKSTAGE AT THE HAITI MEMORIAL CONCERT.

The Modern Art Music Movement™ (MAMM) affords artists the opportunity to capture history, on canvas; manifested in Rorschach interpretations, created as mixed-media-performance-art, that fuses live music with art and movies in performances at multi-media events called MAMM Jams.

MAVERICK ARTIST VICTOR-HUGO VACA II WITH MUSES BACKSTAGE AT HAITI MEMORIAL CONCERT.

The following SFL news report, appeared on the CW Network; it features the Maverick Artist Victor-Hugo Vaca II performing a Modern Art Music Movement™ MAMM Jam Happening with Tito Puente Jr., Belo, Donta Wilson, King Wawa, Jahnesta, Mecca aka Grimo, Violeta Leskyte, Katalog, Misty Jean, Sunlove, Tonton Bicha, Alaye aka Zoerock, Harold St. Louis, Shirley Desgrottes, Robert Martino & The Lander Sisters at the Haiti Memorial Concert in South Florida.

“Live-Love-Flow-Shine.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II IN THE LABYRINTH OF CREATIVITY.

And now, for something completely different; sort of.

The Impact Of Street Art Sticker Slapping Culture On Millennials And Baby Boomers Living In The Age Of Donald Trump And Hillary Clinton

STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.

THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.

STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.

STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.

The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.

SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.

“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN

NEW YORK TIMES GRAFFITI STICKER TAGS.

“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.

CHINATOWN STREET ART

The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.

STREET ART YBOR CITY

“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.

STICKER TAG

A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.

THOUGHT PROVOKING STICKER ART

“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman

MIAMI GRAFFITI STICKER ART

Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.

STREET ART MIAMI BEACH

“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.

“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN

“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN

SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.

“Allegedly Leon was a pimp. ” – DB BURKEMAN

CHICAGO STREET ART

“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN

Miami Beach Street Art

“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN

St. Petersburg Street Art

“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart

COCONUT GROVE STREET ART

In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.

MIAMI STREET ART

The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.

NEW YORK STREET ART

“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN

NEW YORK STREET ART

“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN

CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS

“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN

CHICAGO STREET ART

“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN

CHICAGO STREET ART

“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN

MIAMI DESIGN DISTRICT STREET ART

“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN

SOUTH BEACH STREET ART

“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN

STICKER SLAPPING

“Topps are the American Sticker Gods” – DB BURKEMAN

STICKER TAGGING

“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN

STREET ART BETHLEHEM

“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN

STREET ART YBOR CITY

“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN

STICKER BOMB

“It’s anti-media, anti-established art world.” – Poster Boy

SLAP TAGGING

“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN

NEW YORK STREET ART

R. Stanton Avery created the first self-adhesive sticker in the 1930’s.

ADHESIVE STICKER ART

In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.

NEW JERSEY STREET ART

“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman

STREET ART CHICAGO

“Stickers rule.” – Shepard Fairey

STICKER TAGS

“When I pause to think about it, stickers have changed my life.” – Shepard Fairey

STICKER SLAP

“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey

STICKER BOMB

“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey

STICKER TAG

“I wanted stickers as badges of my culture.” – Shepard Fairey

STICKER BOMB

The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.

CHICAGO STREET ART

“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey

NEW YORK STREET ART

“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey

CHICAGO STREET ART

“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey

STICKER BOMB

“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey

CHICAGO STREET ART

“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey

SLAP TAGGING

“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey

STICKER SLAPPING

“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey

CHICAGO STREET ART

“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“It amazed me just how liberating and easy sticking was.” – Shepard Fairey

STICKER SLAPPING

“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey

CHICAGO STREET ART

From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.

GRAFFITI STICKER ART

To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.

STICKER TAG

The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.

THE DOORS, JIM MORRISON, GRAVE.

The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.

THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.

The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.

CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.

During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.

STICKER BUM

“Crackheadjesus is coming and he doesn’t pull out.”

-MAVERICK ARTIST VICTOR HUGO VACA II

THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.

https://www.youtube.com/watch?v=WZFjfMaJh1I