Tag: modern art graphic novel redemption

Art Basel Miami Art Week 2017 VIP Premiere of Redemption The Story of the Crackhead Jesus Trials Part II The Second Coming of The Three Muses

FOR IMMEDIATE RELEASE:

Exclusive Press and VIP preview December 1-7 in Miami, Florida during Art Basel Miami Art Week 2017. Call 954-655-7629 for information.

World headline grabbing saga, banned on Facebook, Instagram, and MSNBC “Redemption: The Story of the Crackhead Jesus Trials- Part II: The Second Coming of The Three Muses” modern art graphic novel premieres December 25, 2017, in select markets.

New York Born Hispanic Artist Living In Shadow Of Revolutionary French Le Miserable And Hunchback Of Notre Dame Author Victor Hugo Warns Public Of Threats To Free Speech And Democratic Elections

BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.

On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.

MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR

The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:

“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.

To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.

It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.

The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.

Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.

Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”

MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.

Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.

THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.

Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.

MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

The Impact Of Street Art Sticker Slapping Culture On Millennials And Baby Boomers Living In The Age Of Donald Trump And Hillary Clinton

STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.

THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.

STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.

STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.

The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.

SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.

“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN

NEW YORK TIMES GRAFFITI STICKER TAGS.

“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.

CHINATOWN STREET ART

The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.

STREET ART YBOR CITY

“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.

STICKER TAG

A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.

THOUGHT PROVOKING STICKER ART

“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman

MIAMI GRAFFITI STICKER ART

Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.

STREET ART MIAMI BEACH

“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.

“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN

“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN

SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.

“Allegedly Leon was a pimp. ” – DB BURKEMAN

CHICAGO STREET ART

“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN

Miami Beach Street Art

“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN

St. Petersburg Street Art

“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart

COCONUT GROVE STREET ART

In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.

MIAMI STREET ART

The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.

NEW YORK STREET ART

“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN

NEW YORK STREET ART

“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN

CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS

“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN

CHICAGO STREET ART

“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN

CHICAGO STREET ART

“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN

MIAMI DESIGN DISTRICT STREET ART

“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN

SOUTH BEACH STREET ART

“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN

STICKER SLAPPING

“Topps are the American Sticker Gods” – DB BURKEMAN

STICKER TAGGING

“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN

STREET ART BETHLEHEM

“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN

STREET ART YBOR CITY

“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN

STICKER BOMB

“It’s anti-media, anti-established art world.” – Poster Boy

SLAP TAGGING

“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN

NEW YORK STREET ART

R. Stanton Avery created the first self-adhesive sticker in the 1930’s.

ADHESIVE STICKER ART

In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.

NEW JERSEY STREET ART

“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman

STREET ART CHICAGO

“Stickers rule.” – Shepard Fairey

STICKER TAGS

“When I pause to think about it, stickers have changed my life.” – Shepard Fairey

STICKER SLAP

“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey

STICKER BOMB

“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey

STICKER TAG

“I wanted stickers as badges of my culture.” – Shepard Fairey

STICKER BOMB

The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.

CHICAGO STREET ART

“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey

NEW YORK STREET ART

“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey

CHICAGO STREET ART

“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey

STICKER BOMB

“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey

CHICAGO STREET ART

“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey

SLAP TAGGING

“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey

STICKER SLAPPING

“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey

CHICAGO STREET ART

“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“It amazed me just how liberating and easy sticking was.” – Shepard Fairey

STICKER SLAPPING

“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey

CHICAGO STREET ART

From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.

GRAFFITI STICKER ART

To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.

STICKER TAG

The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.

THE DOORS, JIM MORRISON, GRAVE.

The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.

THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.

The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.

CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.

During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.

STICKER BUM

“Crackheadjesus is coming and he doesn’t pull out.”

-MAVERICK ARTIST VICTOR HUGO VACA II

THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.

https://www.youtube.com/watch?v=WZFjfMaJh1I

PANAMA PAPERS EXPOSE CONFLICT OF INTEREST IN WALL STREET BANKING SYSTEM LEAVING UNREGULATED TOO BIG TO FAIL BANKS VULNERABLE TO DECLINING PUBLIC TRUST IN GLOBAL MARKETS AS HIGHLIGHTED IN MODERN ART GONZO JOURNALISM PAINTING TITLED BANK OF AMERICA USURY AND THE BANK OF AMERICA STOLE MY MONEY SERIES.

The Undecided Voter Asks, “Is Bank of America stealing little bits of money from millions of voters living paycheck to paycheck who don’t have time or resources to fight back?”

Usury is, the lending of money at exorbitant interest rates; specifically: the crime of charging or contracting to charge an unlawfully high rate of interest.

BANKER BULLIES.

Essentially, usury is the practice of making unethical or immoral monetary loans that unfairly enrich the lender.

UNITED SLAVES OF AMERICA BANK WITH BANK OF AMERICA.

Some of the earliest known condemnations of usury come from the Vedic texts of India.

BANK OF AMERICA FOREGOES PUBLIC TRUST IN FAVOR OF PROFITS

The three Abrahamic faiths; Judaism, Christianity and Islam, all take a very firm stance in condemning usury, especially when lending to the poor and destitute.

USURY IS SO EVIL, THE THREE BIGGEST RELIGIONS ON EARTH FROWN UPON IT.

In collaboration with single mothers living paycheck to paycheck and elementary schoolchildren, New York born Hispanic artist, Victor-Hugo Vaca II is documenting, in the voice of The Undecided Voter, the story of how Bank Of America handled the case of a customer who did not realize the little known fact that, Bank of America is not only a bank, but also, a debt collector, without a functioning grievance system, for victims of third party error.

THE UNDECIDED VOTER

After perusing “The Panama Papers”, The Undecided Voter decided to call Bank of America, to inquire about an inexplicably missing ninety-eight cents, from a customer savings account and a $100.00 bank fee made in error and never rectified.

UPON CLOSE INSPECTION, THE MAVERICK ARTISTS SIGNATURE, VICTOR HUGO VACA JR., CAN BE SEEN INSIDE EVERY LETTER OF THE WORD USURY.

The Undecided Voter notices that nearly one year after being reported on May 13, 2015, Bank Of America management and representatives can not offer a clear, concise explanation, in writing, as to what happened to the missing money entrusted to Bank Of America by a customer, represented in the crossover work of modern-art-gonzo-journalism titled, “The Bank Of America Stole My Money Series”, as a single mother, trying to make ends meet in the Age Of Donald Trump And Hillary Clinton.

BANK OF AMERICA STATEMENT USED AS CANVAS TO EDUCATE CHILDREN ABOUT ECONOMICS.

In , “The Bank Of America Stole My Money Series”, Maverick Artist Victor-Hugo Vaca II has created a popular series of paintings using Bank of America statements, subliminally incorporating the names and phone numbers of Bank of America leadership and staff entrusted with customer service.

BANK OF AMERICA STATEMENT, USED TO LET CHILDREN KNOW, THAT GOVERNMENT AND NEWS MEDIA, ARE DOING NOTHING EFFECTIVE, TO PREVENT THEIR PARENTS FROM BEING FLEECED, BY UNREGULATED, BAILED OUT, WALL STREET BANKS.

Nick Nehemas, investigative reporter at the Miami Herald, and his editor are privy to information regarding this general public interest banking business story in a year of election which investigates the question being asked by some constituents; “Is Bank of America stealing little bits of money from millions of voters living paycheck to paycheck who don’t have time or resources to fight back?”

CRUMBLING MIAMI HERALD BUILDING SHOWS IMPOTENCE OF NEWSPAPER’S ABILITY TO INVESTIGATE AND REPORT VITAL INFORMATION FOR SUBSCRIBERS.

The ugly reality of this allegation is being examined in collaboration with single mothers and schoolchildren who have all contributed to the works of modern-art-gonzo-journalism being created in, “The Bank Of America Stole My Money Series”.

IS BANK OF AMERICA SYPHONING SMALL AMOUNTS OF MONEY FROM UNSUSPECTING, OVERBURDENED, CUSTOMERS AND THEIR CHILDREN?

“Bank Of America: Usury” (18×24) 10-31-09 (oil/acrylic)

“BANK OF AMERICA: USURY” BY MAVERICK ARTIST VICTOR-HUGO VACA II.

The Panama Papers revealed what everyone already knows: The current broken banking system favors the 0.01% at the expense of the 99.99%.

DETAIL FROM THE LETTER, “U”, IN THE WORD, “USURY”, FEATURING SUBLIMINAL SIGNATURES IMBEDDED IN EVERY LETTER OF THE WORD.

THE STATUS QUO.

“Media that answers to the people, is more powerful than media that answers to corporate interests.”, is what the Maverick Artist Victor-Hugo reminds young adults, who are learning to use common sense, outside of school and trust their instincts, over believing everything dictated as truth, by mainstream media news outlets, sponsored by Wall Street behemoths and corrupt political parties.

“Banks do whatever they want, in a system of plantation capitalism, where working people, children and women, do not matter. Why? Because common wealth in the status quo, is determined by the belief that some people, are expendable.”

– MAVERICK ARTIST VICTOR-HUGO VACA II

MAVERICK ARTIST VICTOR-HUGO VACA II Founder of the Modern Art Music Movement(MAMM).

THE MARKETING OF PEACE Jeff Koons And Maverick Artist Victor Hugo Vaca II Continue To Descend At Broadway Gallery In Soho New York City

The 3 Soldiers: Great White Hope In Midst Of Turmoil In The Middle East

“The Three Soldiers” By Victor-Hugo Vaca II (28×52) Oil on canvas. 1-22-05. As seen in NY Arts Magazine article by Kate Hickey.

NY Arts / China Arts Featuring Victor-Hugo Vaca Jr. Exhibit With Jeff Koons At Broadway Gallery In Soho, Manhattan, New York Feb. 2006 Article by Kate Hickey

Excerpt from Kate Hickey article titled, “Continue To Descend.” featuring “The Three Muses” by Maverick Artist Victor-Hugo Vaca II on the top right corner of the page:

MAVERICK ARTIST VICTOR-HUGO VACA JR WITH JEFF KOONS IN NY ARTS MAGAZINE/CHINA ARTS

“This February, a group of 11 artists who hail from four different countries, explored the idea of “descent.” From moral to physical to mental, the idea of tumbling, floating and sliding downwards was probed through a wonderful array of paintings. Through planes going into descent, trees entering the autumnal season, the hand of god dropping toward a human eye and wonderful examples of abstract expressionism. The 11 contributors were Victor-Hugo Vaca II, Jeff Koons, Umberto Torricelli, Bata Musicki, Dylan Farrell, Kai Lintumaa, Duriye Yuksel, Trey Reed, Gencay Kasapci, Lucy DeLange and Andrea Serrano.

MAVERICK ARTIST VICTOR-HUGO VACA JR WITH JEFF KOONS IN NY ARTS MAGAZINE/CHINA ARTS

Among Victor Hugo’s works was the painting The Three Soldiers. This dark and sullen image filled with black and reds brings forth a feeling of impending doom. Of his own work, Hugo says: “It aims to induce feelings in the viewer which lead to self-examination. I paint what I see around me.”

Try Peace: Peace Is Cool.

The iconic image of “The Three Soldiers”, by Victor-Hugo Vaca II, was displayed alongside works by Jeff Koons, the Pop-art provocateur, who has broken a world record for a price paid for a single artwork by a living artist at auction, and “The Three Soldiers” painting was also featured in the celebrity driven, “Try Peace”, campaign, from the documentary titled, “The Marketing Of Peace”, produced, written and directed by Victor-Hugo Vaca II, which included members of The Goo Goo Dolls, Berlin, The English Beat (Dave Schulz), The Smiths, Electronic and Modest Mouse (Johnny Marr), UFC Champion (Tito Ortiz) and “Porn Stars For Peace” adult film stars (Ron Jeremy, Joanna Angel, Kaylani Lei, Trisha Uptown and Brea Bennet) to promote peace, love and an end to the U.S. invasion and war in Iraq.

https://www.youtube.com/watch?v=MuB6wwsjwlE

“How would you market peace? The modern-art-gonzo-journalism being manifested through the Modern Art Music Movement™ , is not about dwelling in darkness, it is about shedding light, peacefully, on the wisdom of ages, raining down on humanity, at this moment of social unrest and awakening. The actions we take as a whole, with the knowledge we are given as one, shapes our immediate future eternally. Try peace. Peace is cool.” – Maverick Artist Victor-Hugo Vaca II

The Artist As Matador In The Ring Of Life: Live, Love, Flow

In the Age of Donald Trump, Bernie Sanders and Hillary Clinton, failing to revisit anything that manifests toxicity in water or world leadership, is a recipe for disaster: Because, both elements are essential for life to exist in civilizations that prosper. It is no wonder, that global influence makers and sociologists have their eyes set on places like Flint, Michigan and the leadership laboratory in Annapolis, Maryland, the United States Naval Academy, as canaries in the social-contract-coal-mine, of human nature and evolution in human history.

United States Naval Academy Midshipman Officer Victor-Hugo Vaca II Leads Brigade Of Midshipman At Leadership Laboratory in Annapolis, MD.

MODERN ART MUSIC MOVEMENT™ “TRY PEACE” CAMPAIGN. Featuring: Johnny Marr (Modest Mouse, The Smiths, Electronic), Eric Judy (Modest Mouse), Tim & Danny (Oh No! Oh My!), Karina Zeviani (Thievery Corporation), Lou Lou Djine (Thievery Corporation), Empire Band and Damian “Jr. Gong” Marley, Malcolm XXX

ACUTE TERROR SITUATION IN MUNICH GERMANY RECALLS MODERN ART GONZO JOURNALISM PAINTING TITLED World Trade Center Manhattan New York 9 11 2001 Dachau Germany Concentration Camp March 1933 By Victor Hugo

Painting Examines The Western Welcome Culture, Juxtaposed With Chinese Character Graffiti, On Scenes Of Radical Islamic Jihad and Neo-Nazi Terrorist Attacks On Western Civility & Democracy In The New World Order.

Acute terror situation in Munich, Germany, at City Center, eerily recalls the 9/11/2001 Islamic-extremist terror attacks on the World Trade Center, Twin Towers, as illustrated in the frenetic work of modern-art-gonzo-journalism, by Maverick Artist Victor-Hugo Vaca II, prophetically titled, “World Trade Center, Manhattan, New York 9-11-2001: Dachau, Germany, Concentration Camp, March, 1933.”. Using visual metaphor and poetry, the striking work of art juxtaposes, “The Welcome Culture” in the United States and Germany, with deadly actions by a growing number of refugees, neo-nazi’s and religious extremists, perpetrating terrorist attacks on Western ideology, through pop-culture-society-fueled-Super-Power-Countries like, Germany and the United States.

“Political Correctness will kill Democracy.” – Maverick Artist Victor-Hugo Vaca II

Both world titans face an unprecedented refugee crisis in documented human history, mixing modern and ancient cultural ideologies and norms, in a toxic environment of unidentified religious warfare being waged in the shadows of metropolitan areas and inner cities, away from border-lined, well-defined battlegrounds. Forced social and religious integration and political correctness, disguised as care for well being of populous, in the New World Order of Donald Trump and Hillary Clinton, is changing the worldview description of the, new normal, in everyday life.

Acute Terror Situation In Munich, Recalls The 9/11 Attack, Work Of Modern-Art-Gonzo-Journalism Titled, “World Trade Center, Manhattan, New York 9-11-2001: Dachau, Germany, concentration camp, March, 1933.”

At the core of creation is the wisdom of love and light. Lack of leadership able to communicate the simple message of the Golden Rule, treat others the way you would like to be treated, is at the root of the problem stunting human evolution in the year of election 2016, which presents to the world, a contentious contest, for such necessary leadership, between Hillary Clinton and Donald Trump, in the United States Of America; where tensions, between far right and liberal left groups seeking justice and peace, is stoking the flames of a modern civil war, amongst the United Slaves of America, for the fate of Democracy, versus oligarchy and plutocracy, in the rapidly changing New World Order, where Neo Nazi’s fight Islamic Extremist’s on the streets of Munich, Germany and #BlackLivesMatter hunt down police officers in the heartland of America.

Dachau Munich Germany

Trump vs Clinton

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MODERN CIVIL WAR Race Relations In USA Trump Clinton Anthony Scalia Beyonce Maverick Artist Victor Hugo

MODERN ART MUSIC MOVEMENT HISTORY- “MODERN CIVIL WAR” ECHOES DONALD TRUMP VS. HILLARY CLINTON AMERICA THROUGH MODERN-ART-GONZO-JOURNALISM.

THE UNDECIDED VOTER – DONALD TRUMP VS. HILLARY CLINTON

This 2008 expose forecasts issues at the forefront of the 2016 Donald Trump vs. Hillary Clinton United States Presidential election. “Your Entertainment Ticket” Al McGhee interviews the 2008 dark-horse United States Presidential candidate, Maverick Artist Victor-Hugo Vaca II.

2008 Dark Horse US Presidential Candidate, Maverick Artist Victor-Hugo, Interviewed By Al McGhee On “Your Entertainment Ticket”

Following the mysterious death of Supreme Court Justice Anthony Scalia, which exposed severe conflicts of interest that pervert Rule Of Law in the United States Justice System and as Police boycott Beyonce’s 2016 World Tour, after her aggressive portrayal of a bullet-clad, militant, black-panther, dancing around with an army of strong, black, women, during the 2016 Super Bowl halftime show in San Francisco, California, this two-part, “Your Entertainment Ticket” interview hosted by Al McGhee, prognosticates bad race relations fueled by a blatantly corrupt justice system that birthed a “Trump vs. Clinton America”.

The power of the Modern Art Music Movement and modern-art-gonzo-journalism is in the ability of artist’s like Beyonce and Victor-Hugo Vaca Jr. to speak truth to power using artistic metaphor. The message is clear, the power is in the hands of the people.

“It’s not about race, it’s about state of mind, Meiniggas. Live, Love, Flow” – Maverick Artist Victor-Hugo Vaca II

What the United Slaves of America choose to do, with the collective wisdom bestowed upon their collective conscious by influential collective souls, can not be controlled by any one person. The collective behavior which influences pop-culture, will forever be documented by artists, whether they be passive, like Jimmy Fallon, or aggressive, like Kendrick Lamar, because artists reflect life and periods of time in history, raw and real; the good, the bad and the ugly.

Think Pink

“Modern-art-gonzo-journalism, picks up, where good investigative journalism, left off, with a Rorschach interpretation of events on canvas, for future generations of soul currency to mentally digest, visually ponder and verbally question, through the Modern Art Music Movement™; the beautiful chaos that surrounds us all, in forming our human evolution, within the multi-universe, where nothing is by chance and all souls are eternally connected.” – Victor-Hugo Vaca II

Maverick Artist Victor-Hugo Vaca II Speaks Truth With “Lied To Generation”

“Think Big. The Golden Rule. Live, Love, Flow.” – Maverick Artist Victor-Hugo Vaca II

Victor Hugo Think Big NYC

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THE CURIOUS CAREER OF MAVERICK ARTIST VICTOR HUGO VACA II Featuring Jeff Koons FOX News Megyn Kelly NY Arts China Arts The Clinton Machine And The Modern Art Music Movement

In 2006, “NY Arts Magazine” and “China Arts Magazine” listed www.victorhugogallery.com in their annual catalog of “The Top Art Websites”. The “International Edition” of the collectors item catalog premiered to a global audience of art critics in 2006 at “Art Basel” in Miami Beach, Florida, featuring artwork from a diary of the world on canvas created by New York born Hispanic artist, Victor-Hugo Vaca Jr.

CONTINUE TO DESCEND Maverick Artist Victor-Hugo Vaca II Jeff Koons Broadway Gallery Soho Manhattan New York City

That same year, “Art Fairs International Magazine” featured an article about Victor-Hugo Vaca Jr.’s top art website after his February 17-28, 2006, art exhibit with Jeff Koons, who holds the “Guiness Book Of World Records” distinction of highest priced work of art ($58.4 million dollars) sold at auction by a living artist, in a group show, titled, “Continue To Descend” at the Broadway Gallery in Soho, New York.

NY Arts / China Arts Featuring Victor-Hugo Vaca Jr. Exhibit With Jeff Koons At Broadway Gallery In Soho New York Feb. 2006 Article

NY Arts Top Art Websites Includes Victor-Hugo Vaca II Diary Of The World On Canvas

Art Fairs International Featuring Article About Victor-Hugo Vaca Jr.’s Award Winning Art Website

Victor-Hugo Vaca II & Jeff Koons Art Exhibit At Broadway Gallery In Soho, New York

On February 18, 2012, after an intense debate on FOX NEWS between “The Kelly Files”, Megyn Kelly and the Maverick Artist Victor-Hugo that reached a worldwide audience of over 9.5 million viewers; a strange thing happened on the way to one of the biggest Modern Art Music Movement™ events in the fast-rising, multi-media artist’s career, in Fort Myers, Florida.

https://www.youtube.com/watch?v=WZFjfMaJh1I

Minutes before taking the stage in front of thousands of people to perform live, Modern Art Music Movement™ MAMM Jam Happenings, at “The Surf & Song Festival”, in Fort Myers, Florida, with members of the bands: Camper Van Beethoven, Cracker, John Waite, The Baby’s, Bad English and Johnny Rzeznick of the Goo-Goo Dolls; to increase awareness about Autism and raise money for charity, to help families with autistic children, the award-winning website, www.victorhugogallery.com, was destroyed, hacked and rerouted to a non-affiliated website with extremely graphic sexual content and equally vulgar domain name by a faceless entity.

Johnny Rzeznik of Goo Goo Dolls on stage with Maverick Artist Victor-Hugo Vaca II performing the hit song, “Slide”, at Modern Art Music Movement™ MAMM Jam on 3/30/12 in Fort Myers, Florida at the “Surf & Song Festival”. This video shows interplay between artists in the evolution of the work of modern-art-gonzo -journalism titled, “Goo Goo Doll” autographed by members of The Goo-Goo Dolls and The Maverick Artist Victor-Hugo.

Goo Goo Doll

The bizarre tale of how www.victorhugogallery.com was mysteriously taken off line, hacked and redirected to a hard core porn website for nearly five years, by faceless enemies of free speech, at the peak of the art websites popularity, is illustrated in a work of modern-art-gonzo-journalism titled, “GoDaddy, Children & Porn : The Story Of Children With Autism, Go Daddy & Cumsuckers.com”©. Look for the story behind this, seemingly innocuous work of art, to premiere, exclusively on www.victorhugocollection.com.

GoDaddy Children & Porn

Over a decade of art pieces created in front of thousands of Modern Art Music Movement™ fans will be displayed in the new website titled www.victorhugocollection.com .

“Strong Men In A Weak World” Created live on stage by The Maverick Artist Victor-Hugo with JohnWaite at the 2012 Surf & Song Festival In FortMyers, Florida.

This unique digital-fine-art-museum, will exhibit never-before-seen works of thought provoking fine-art, fine-art graffiti, contemporary art memes as well as artwork so profound and impactful, they can only be seen in the www.victorhugocollection.com because the original uncensored images have been censored permanently from appearing on Facebook, Instagram and MySpace by politically correct police appointed by enemies of free speech and artistic expression in the New World Order. For example, the image below, featuring Hillary Rodham Clinton’s brother, Hugh Rodham, holding the iconic, “Crackhead Jesus is coming” sticker, autographed and gifted to him by Victor-Hugo Vaca II at a famous celebrity strewn South Beach, Miami, Florida nightclub, incited Bill and Hillary Clinton’s, “Clinton Machine”, to permanently extinguish the digital footprint of Maverick Artist Victor-Hugo on Instagram without warning or second chance, within seven minutes of the paparazzi photo being posted on Instagram with the hashtags: #Trump2016 #Hillary2016 #Sanders2016 #TrumpHillary2016 #DonaldTrump #HillaryClinton #BernieSanders2016 #Crackheadjesus2016.

The Clinton Machine Censors Art.

www.victorhugocollection.com will replace www.victorhugogallery.com and will evolve gradually to include over 1000 works of art from the extensive fine art collection of Victor-Hugo Vaca Jr. including Modern Art Music Movement™, Modern-Art-Gonzo-Journalism, sticker art, and graffiti-fine-art as seen in the world famous and infamous celebrity nightclub venues “Club NY” and “Shock Nightclub”, the latter located at the notoriously, haunted address of 1437-39 Washington Avenue, in the international, jet-setter, playground of South Beach, in Miami Beach, Florida, as seen on television, newspapers and in other mainstream media news outlets .

THE MODERN ART MUSIC MOVEMENT

Experience the uncensored vision and voice of the artist described as “The Howard Stern of the art world”(ABC-TV), “The Modern Picasso”(FOX NEWS), and as “one of the most influential artists of our time”, as featured in the Library of Congress reference book titled, “Stickers: From Punk Rock To Contemporary Art”, exclusively at www.victorhugocollection.com.

Sticker Book Stickers: FromPunk Rock To Contemporary Art

The Sticker Book: Stickers- From Punk Rock To Contemporary Art By DB Burkeman & Monica LoCascio Featuring The Sociopolitical Artwork Of New York Native, Maverick Artist Victor-Hugo Vaca II