The original version of the Crackhead Jesus saga, premiered to sold out crowds, at an interactive event, during Miami Art Basel Week in 2007.
The once censored story, about the birth of modern-art-gonzo-journalism in America, was inspired by Florida Court Case #50-2006-CC-016579, dubbed, “The Crackhead Jesus Trials”, by media outlets.
2007- Miami New Times First Mentions Crackhead Jesus In Print.
The contentious title character, Crackhead Jesus, whose name has slowly creeped into the vernacular as urban slang, meaning; hypocrite, scoundrel or devil, has been mentioned, uncensored, in several mainstream media news outlets, including: The Miami New Times, Suffolk Times, The Happy Herald, South Florida Gay News and on FOX News, with Megyn Kelly, as well as with subtle censorship, by the USA Today Network and The Palm Beach Post.
The Palm Beach Post – Subtle Censorship.
On March 13, 2017, the following letter to the editor was sent to the USA Today Network editors:
To Whom It May Concern,
Subtle censorship is a slippery slope, filled with false narratives that create fake news and collapse public trust in news media outlets. On March 1, 2017, the USA Today Network published an article by Lisa Conley on the worldwide web titled, “Artist Victor-Hugo Vaca Jr. paints ‘diary of the world on canvas‘”.
The popular article was quickly picked up by several news outlets including The Tennessean, The Naples News and The Marco Eagle. Kudo’s to Conley for succinctly communicating the concept of the Modern Art Music Movement (MAMM) and modern-art-gonzo-journalism for readers.
As Conley’s article gained audience, the real news headline was abruptly changed to a fake news headline: “Marco Visitor Vaca Paints To Create ‘Diary Of World On Canvas’”.
The truth is, my stage name, when performing in public with the Modern Art Music Movement (MAMM), is the “Maverick Artist Victor-Hugo”, whether raising money for charities and scholarships in Marco Island or awareness about rarely covered social issues in venues across the United States.
The editorial decision to change the true title to a fake news headline is concerning and of interest to the public trust because, if anything I was in Marco working to raise awareness about dubious newspaper headlines while raising money for educating future competent investigative journalists, like Conley, not visiting or vacationing, as the title implies.
It is curious, to say the least, that the USA Today Network would choose to bury a story about modern-art-gonzo-journalism, by purposefully changing the title to mislead algorithms and search engines, at the height of public interest. USA Today editors, using archaic, truth-defying-standards, appear to rationalize the perpetuation of false narratives, through misleading headlines, as a way of dumbing down the public. It is no wonder that smart readers have fled, in hordes, from subscribing to the poetic-misinformation peddled by newspapers as fact.
Rather than informing, the substituted headline, serves to confuse readers and fans, none of which know me as Vaca, with a nonsensical caption that buries the popular story on the internet; thus, depriving students researching emerging art forms and art movements of cultural significance in human history, during revolutionary times of change.
The headline presumes rather than informs and assumes that public trust in reporting is infallible. Furthermore, the substituted headline serves to fuel recent Gallup Polls that indicate waning public trust in mainstream news media because subscribers and readers are not as dumb as editors seem to think. If an educated consumer is your best customer, how can you expect to gain new subscribers if you continue to dumb down your audience with bogus headlines?
The question for USA Today editors who chose to burden Conley’s work with a fake news headline, five days after the real news headline premiered on the internet is: “Will the headline, ‘Willie Nelson at Artis-Naples’ eventually be changed to read, “Nelson Visits Naples” and will a performance by Lady Gaga, Sting or Cher in Marco Island receive the headlines, “Marco Visitor [Whatever Lady Gaga, Sting, or Cher’s Last Name Is] Sings Songs About Life”?
Respectfully,
Victor-Hugo Vaca Jr.
On March 14, 2017, editors at The USA Today Network changed the caption on Lisa Conley’s article once again. The third headline reads: “Marco visitor Victor-Hugo Vaca Jr. puts ‘diary of the world on canvas'”.
Artist Victor Hugo Vaca Jr. USA Today Network News
The new fake news headline, which corrects the artists name, still falsely suggests to readers that Victor-Hugo Vaca Jr., while on vacation in Marco, decided to put a diary of the world on canvas. The new, misleading internet headline, suggests to readers, that if Lady Gaga, Sting, or Cher were to perform in Marco Island, the Naples News headline would read, “Marco Visitor [Lady Gaga, Sting, Cher] Sings Songs About Life”.
It begs the question, “What was wrong with the original, honest headline, ‘Artist Victor-Hugo Vaca Jr. creates a diary of the world on canvas’, that editors felt compelled to change the caption for readers, not once but twice?”
Artist Victor Hugo Vaca Jr. USA Today Network News
If USA Today Network editors wanted to include Marco Island in the caption, all they had to do to keep readers truthfully informed, rather than woefully misinformed, was add the words, “in Marco Island”, to the headline, so that it reads: “Artist Victor-Hugo Vaca Jr. creates a diary of the world on canvas in Marco Island”. Instead, editor’s at the USA Today Network chose to confuse and dumb down audiences with misleading news headlines, again.
USA Breaking News picks up story with true headline for readers.
In 2009, the New York, Suffolk Times used ‘Crackhead Jesus’ in print headlines.
The first time, “Crackhead Jesus”, was heard on television around the world, was on FOX News, with Megyn Kelly, during a now infamous live interview, about censorship and the arts.
Megyn Kelly FOX News Victor-Hugo Vaca Jr.
“Women’s Day figurehead and Democratic Party Leader, Nancy Pelosi, set Women’s Rights, around the male dominated world, back generations, by failing to publicly denounce the racist sexual-assault gang rape joke about Kellyanne Conway, at a Congressional Dinner, made by misogynist democrats, that makes Donald Trump’s grabbing pussies joke, sound like a Hollywood handshake, in comparison.” – Maverick Artist Victor-Hugo Vaca II
On June 26, 2010, I found myself kneeling in front of a giant, golden cross, as the souls of Haiti earthquake victims passed through my frantic, swirling hands onto a blank canvas, in a multi-colored expression of strength and humility at Saint John’s Church. While transmitting the whisper of ghosts in a choir of Light Workers singing, “Haiti Will Rise”, I channeled the heartfelt conviction of a small nation, that fought slavery and won, into an artistic statement of hope.
Maverick Artist Victor-Hugo Vaca II MAMM Jamming At Saint Johns Church.
I heard wavelengths and frequencies in bright colors, as the spotlight shone on the Modern Art Music Movement™ fusing art and music to tell stories on a blank canvas that document the wisdom of ages, in the form of modern-art-gonzo-journalism, in front of a large multi-cultural audience, gathered peacefully, inside a Holy place of worship.
Leo Casino and Victor-Hugo Vaca II perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
As I channeled the wisdom of ages and felt the word think emerge under a cross emerging from a perfect circle, I saw eternity and realized why art transcends politics, religion, gender and race. In nature, art is, because art is life.
The word, “Think”, emerges beneath the golden cross as the Maverick Artist Victor-Hugo creates modern-art-gonzo-journalism on the alter of Saint Johns Church with Leo Casino in front of a live audience as film crews document the Modern Art Music Movement™(MAMM) event.
The Maverick Artist Victor-Hugo paints under cross on alter of St. John’s Church.
As I worked to raise hope and money under the sign of the cross, I thought of the road to redemption and how easy it is to lose faith, in the day to day struggle, of our human condition. Song elevated my spirit to capture, in art form, the beautiful chaos that surrounds us all, in an attempt to awaken the realization that our souls are eternally connected in the multi-universe.
The Maverick Artist Victor-Hugo shares stage with Leo Casino, Fabian Dominique & Friends at St. John’s Church Modern Art Music Movement™ MAMM Jam for Haiti.
When introduced, on stage during performances I am often invited to participate as part of the band during the encore. For me, it is a dreaded highlight because I am introverted off-stage and do not consider myself worthy of performing, as a musician who plays piano, drums, guitar and sings with such music industry legends but on stage I am the Maverick Artist Victor-Hugo and I realize the show must go on, so I throw fear and insecurity aside to immerse myself in the moment, thus becoming the confident artist musician.
The Maverick Artist Victor-Hugo overcomes stage-fright to become part of the band, with Fabian Dominique, Leo Casino and El Electrico, on percussion, at Saint John’s Church.
When I find myself singing a hit song on stage with musicians that have sold millions of records around the world, I am too stunned to be nervous and overwhelmingly relieved when I recognize the song enough to know the lyrics and beat.
The Maverick Artist Victor-Hugo interacts with audience from the alter of St. John’s Church.
When given the opportunity to speak in front of crowds, I try to keep things real but I also try to keep things positive, by reminding everyone that, everything is everything and nothing is nothing. Nothing is by chance. We are all connected. Live, love, flow. Shine.
Chris Phashion, Maverick Artist Victor-Hugo Vaca II and Leo Casino at St. John’s MAMM Jam to benefit Haiti.
Some think it is ironic that the creator of “Crackhead Jesus: The Movie” has spoken before audiences at places of worship. I don’t, because the inspiration for the award-winning film was, “Redemption: The Story of The Crackhead Jesus Trials”, a modern day parable for the Lied To Generation based on actual events, which I created to promote The Golden Rule and promulgate compassionate wealth.
The Maverick Artist Victor-Hugo sandwiched between a sage man and Muse.
Poster For Leo Casino Haiti Will Rise Concert featuring The Maverick Artist Victor-Hugo & The Modern Art Music Movement.
Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
Leo Casino and Maverick Artist Victor-Hugo perform a Modern Art Music Movement™(MAMM) to help build a hospital in Haiti after the 2010 Earthquake.
“An artists’ life consists of sex, parties and lucid intervals of recognition, within the zeitgeist, communicated through conscious effort and action.” – Victor-Hugo Vaca II
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?
You know what I mean, don’t you? You know how, sometimes, the talking heads on news networks say, ‘you know’, so many times, you really don’t know what they are trying to communicate, other than their ignorance; you know what I’m saying?
ON 1-5-2012, THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTED A MODERN ART MUSIC MOVEMENT (MAMM) HAPPENING, WITH THE GLEN GOVOT BAND, AT “THE STAGE”, IN WYNWOOD, MIAMI, FLORIDA.
Well, you know, there’s this lightbulb, you know, it was installed in the Livermore, California fire department, in 1901 and it keeps shining to this day, you know?
IN FRONT OF A CAPACITY CROWD, THE MAVERICK ARTIST VICTOR-HUGO VACA II, PRODUCED A WORK OF ART TITLED, “ABSOLUTE SIGNATURE”, ALONGSIDE, GLEN GOVOT, AS PART OF THE MODERN ART MUSIC MOVEMENT.
You know, the four-watt lightbulb has burned through the birth of powered human flight, two world wars, twenty U.S. Presidents, women and blacks being granted the right to vote, twenty seven olympic games and, you know, space exploration.
MAVERICK ARTIST VICTOR-HUGO VACA II BUILDS THE FOUNDATION FOR HIS ARTWORK WITH POSITIVE WORDS.
You know, the Livermore lightbulb is the world’s oldest-known working lightbulb and is, you know, a shining example, of what human beings are capable of, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II PUTS FINISHING TOUCHES ON “ABSOLUTE SIGNATURE”, ON STAGE, AT MAMM JAM HAPPENING.
You know, the Livermore lightbulb is still burning bright because of its low wattage and filament thickness, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AND JUAN ETCHEGORRY AT THE STAGE.
You know, the Livermore lightbulb shines brighter than pundits and so-called journalists, on news outlets, manipulating truth to an audience that, you know, according to a 2016 Gallup Poll, shows that only one in four viewers actually trust what they hear on news channels, you know?
MAVERICK ARTIST VICTOR-HUGO VACA II WITH JAMIE LIPMAN IN FRONT OF “ABSOLUTE SIGNATURE” PAINTING.
You know, the Livermore lightbulb, doesn’t say anything, it just sheds light on life, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AT “THE STAGE”.
You know, the Livermore lightbulb, makes more sense than people who say, ‘you know’, all the time, to hide the fact that, in reality, they don’t know much, you know?
Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.
Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.
“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.
“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.
“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.
According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.
CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.
The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.
MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.
Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.
“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.
Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.
“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.
In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.
Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.
“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)
Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.
“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)
For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.
“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)
The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.
RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.
The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).
‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)
When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.
“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)
“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”
“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:
Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
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BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.
On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.
MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR
The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:
“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.
To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.
It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.
The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.
Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.
Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”
MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.
Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.
Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.
MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II
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