Tag: FL Governor Charlie Crist

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.

HAITI MUSE EXAMINES THE CLINTON FOUNDATION CORRUPTION AND ITS IMPACT ON HURRICANE MATTHEW. How Secretary Of State Hillary Clinton Ignored Conflict Of Interest To Benefit From Tragedy.

In the years following the 2010 Haiti earthquake, The Clinton Foundation reportedly raised $30 million for relief projects, but locals say that the promises made by Bill and Hillary Clinton never fully materialized.

Haitian survivors who trusted, Secretary of State Hillary Clinton, to make good on her promises, to rebuild, have been left vulnerable and living in shanty structures, six-years after the catastrophic natural disaster. Victims point to luxury hotels that were allegedly constructed with The Clinton Foundation relief funds, to benefit the country’s ruling establishment, as the Category 4, Hurricane Matthew, rumbles towards Haiti, with expected wind gusts of 170MPH.

“HAITI MUSE” (36X48) UNIMPRESSED CAT, INSPECTS WORK IN PROGRESS, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

Secretary of State Hillary Clinton, despite the obvious conflict of interest, decided to contract with The Clinton Foundation to provide for the relief effort in Haiti, following the 7.0 magnitude earthquake that left over 316,000 people dead and over 1.5 million survivors, destitute, while struggling with a deadly outbreak of cholera. According to the former Senate President of Haiti, Bernard Sansaricq, The Clinton Foundation stole billions from the Haiti relief fund.

“HAITI WILL RISE” (33X52) CREATED IN 2010, AT THE ST. JOHN’S CHURCH, MODERN ART MUSIC MOVEMENT™ (MAMM) HAITI RELIEF CONCERT, FEATURING SAX LEGEND LEO CASINO AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.

Haitians, like Dhoud Andre of the Commission Against Dictatorship, have accused Bill and Hillary Clinton of duplicity, malfeasance, and theft. “We are telling the world of the crimes that Bill and Hillary Clinton are responsible for in Haiti.” Andre said.

As Secretary of State, Hillary Clinton, was in charge of allocating the $3.9 billion U.S. aid to Haiti. Bill Clinton was the designated UN representative for aid to Haiti. Together the Clintons controlled the flow of over $14.5 billion in aid donated to Haiti from around the world.

Astute Haitians noticed that a number of companies that received contracts in Haiti happened to make large donations to The Clinton Foundation. Haitian relief deals appeared to be a quid pro quo for filling the coffers of the Clintons.

For the first time in 50 years, Haiti awarded two new gold mining permits and one of them went to the company that had hired Hillary’s brother, Hugh Rodham, who mysteriously found himself on the advisory board of a U.S. mining company called VCS. In October of 2013, despite his never having any mining experience, VCS brought Hugh Rodham on board to help secure a valuable gold mining permit in Haiti. He was promised a “finder’s fee” if he could land the contract and sure enough, with the help of his sister, Secretary of State Hillary Clinton, he did.

MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER. THIS PHOTO CAUSED “THE CLINTON MACHINE” TO INSIST THAT INSTAGRAM CENSOR AND DELETE THE PERMANENT DIGITAL FOOTPRINT OF THE MAVERICK ARTIST VICTOR-HUGO VACA II ON THE POPULAR SOCIAL NETWORK.

The Hugh Rodham mining deal provoked outrage in the Haitian Senate. “Neither Bill Clinton nor the brother of Hillary Clinton are individuals who share the interest of the Haitian people,” said Haitian mining representative Samuel Nesner. “They are part of the elite class who are operating to exploit the Haitian people.”

“Bank of America stole my money and The Clinton Machine censored my Instagram account.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

“MUSE FOR HAITI”(38X53) MANIFESTED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE HAITI MEMORIAL MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM, FEATURING TITO PUENTE JR., AS SEEN ON TV.

ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?

ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?

You know what I mean, don’t you? You know how, sometimes, the talking heads on news networks say, ‘you know’, so many times, you really don’t know what they are trying to communicate, other than their ignorance; you know what I’m saying?

ON 1-5-2012, THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTED A MODERN ART MUSIC MOVEMENT (MAMM) HAPPENING, WITH THE GLEN GOVOT BAND, AT “THE STAGE”, IN WYNWOOD, MIAMI, FLORIDA.

Well, you know, there’s this lightbulb, you know, it was installed in the Livermore, California fire department, in 1901 and it keeps shining to this day, you know?

IN FRONT OF A CAPACITY CROWD, THE MAVERICK ARTIST VICTOR-HUGO VACA II, PRODUCED A WORK OF ART TITLED, “ABSOLUTE SIGNATURE”, ALONGSIDE, GLEN GOVOT, AS PART OF THE MODERN ART MUSIC MOVEMENT.

You know, the four-watt lightbulb has burned through the birth of powered human flight, two world wars, twenty U.S. Presidents, women and blacks being granted the right to vote, twenty seven olympic games and, you know, space exploration.

MAVERICK ARTIST VICTOR-HUGO VACA II BUILDS THE FOUNDATION FOR HIS ARTWORK WITH POSITIVE WORDS.

You know, the Livermore lightbulb is the world’s oldest-known working lightbulb and is, you know, a shining example, of what human beings are capable of, you know?

THE MAVERICK ARTIST VICTOR-HUGO VACA II PUTS FINISHING TOUCHES ON “ABSOLUTE SIGNATURE”, ON STAGE, AT MAMM JAM HAPPENING.

You know, the Livermore lightbulb is still burning bright because of its low wattage and filament thickness, you know?

THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AND JUAN ETCHEGORRY AT THE STAGE.

You know, the Livermore lightbulb shines brighter than pundits and so-called journalists, on news outlets, manipulating truth to an audience that, you know, according to a 2016 Gallup Poll, shows that only one in four viewers actually trust what they hear on news channels, you know?

MAVERICK ARTIST VICTOR-HUGO VACA II WITH JAMIE LIPMAN IN FRONT OF “ABSOLUTE SIGNATURE” PAINTING.

You know, the Livermore lightbulb, doesn’t say anything, it just sheds light on life, you know?

THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AT “THE STAGE”.

You know, the Livermore lightbulb, makes more sense than people who say, ‘you know’, all the time, to hide the fact that, in reality, they don’t know much, you know?

“ABSOLUTE SIGNATURE” (36X54) BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“The more they say, ‘you know’, the more you know they are ignorant.” – Maverick Artist Victor-Hugo Vaca II

THE ART OF STAND UP COMEDY

Maverick Artist Victor-Hugo Reflects Upon His Unique Experience As A Finalist, In “The Best Comic Standing Competition”, At The New York Comedy Club.

As an artist, I see no limitations, only challenges. Therefore, when I heard from friends in the entertainment industry that doing stand up comedy, in front of a live audience, is one of the most challenging things to do, if not the most difficult, in the business of entertainment, I realized I had to find out for myself, if this was, in fact, true. So, I convinced the owner of the New York Comedy Club, to let me enter “The Best Comic Standing Competition” in spite of warnings from the owners and seasoned stand-up comic professionals, that the audience would literally, eat me alive and throw me off stage, if my inexperience showed, in the least bit, during my performance as a comedian.

DETAIL FROM, “THE VIRGIN MARY AND LAMBCHOP VISIT AMSTERDAM”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

Part of being an artist is learning how to fail, because failure comes with risk and without risk, there is no progress and progress comes from learning to cope with the experience of disappointment and without disappointment, an artist can never experience success.

An artist, should always be smart enough to fear failure but strong enough to realize, that hard work and study of craft can minimize the risk. Therefore, as an artist, I listened to the sound advice of modern masters I have met, in my curious passage through this blessed, spectacular lifetime.

When I lived in Beverly Hills, California, I met “The Diceman”, Andrew Dice Clay, and at first I thought he was being insulting when, in front of his manager at a pizza shop on Rodeo Drive, he told me, “If you want to be Hollywood, Victor-Hugo, you have to act Hollywood.”

As a wayward artist, living in the 90210 zip code, The Diceman’s words threw me into a brief but deep depression, that caused me to soul search, while walking the streets of Hollywood alone. Eventually, I ended up at The Backstage Cafe, in Beverly Hills; Ian Copeland’s legendary, hole-in-the-wall club, frequented by the likes of Herbie Hancock, Slash, Sting, Elizabeth Hurley, Sharon Stone, Dr. Dre and Tom Hanks, where L.A.’s top musicians often show up, to jam on their off nights. While trying to make sense of what I perceived to be, Andrew Dice Clay’s insult to my face, Bill Maher, the celebrated comic, spilled a drink on me, while walking upstairs, to the VIP section, at The Backstage Cafe. Mr. Maher immediately apologized and graciously offered to by me a drink. I accepted his offer and joined Bill Maher at his table for an unforgettable learning experience, surrounded by Hollywood aristocracy, that would forever change my worldview and life, as a maverick artist.

At the end of the day, upon reflection, I realized The Diceman had done me a huge favor, because the meaning of what he said sunk in to the fiber of my being and opened my eyes to the reality that there are no rules in art. I learned that Hollywood is an illusion that exists within reality and to be a true artist, I must convey the tangible reality of illusions to audiences clearly and succinctly.

I never thought I would make it to the finals of a stand-up comedy competition but then again, I never thought I would earn my living as an artist, either. I was supposed to be a Doctor, dutifully serving my country and Brothers In Arms, in the United States Navy, after graduating from the prestigious, world famous, leadership laboratory in Annapolis, Maryland known as, the U.S. Naval Academy.

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II (USNA CLASS OF 93)

Alas, life has a funny way of happening when you least expect it and so I found myself, alone, on a beautiful beach in Florida, practicing my stand-up comedy routine, in front of an audience of sharks and fish, in the ocean.

JANUARY 2012 HAPPY HERALD FEATURING COVER STORY ON BEACHFRONT PROPERTY OF THE MAVERICK ARTIST VICTOR- HUGO VACA II

For six years, God blessed me with the opportunity to live on a pristine beachfront property on Millionaires Row in Florida.

HAPPY HERALD ARTICLE DESCRIBING THE LABYRINTH OF CREATIVITY ON THE BEACH, WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II LIVED AND BREATHED ART, IN NATURE.

The surrounding, undeveloped area, afforded me the unique opportunity to soak in the inspiration of my natural environment, without the clutter of distractions, chaos and noise from the outside world.

OASIS THAT PROVIDED SERENITY AND INSPIRATION FOR THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MATURE AS AN ARTIST.

I created masterpieces and developed my stature as a modern-art-gonzo-journalist reflecting on the human condition through the Modern Art Music Movement (MAMM).™

ARTICLE DESCRIBING THE LIFESTYLE OF MAVERICK ARTIST VICTOR-HUGO VACA II.

For hours and days before my performances, I studied comics at home, on tv and practiced the timing and nuances of my carefully crafted routine, in front of the flying fish and circling nurse sharks, that served as my captive audience, in the ocean. I figured, if the sharks didn’t bite and the fish were jumping, it meant my comedy routine wasn’t half bad.

BEACH WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II PRACTICED HIS STAND UP COMEDY ROUTINES CAN BE SEEN IN THIS REAL ESTATE AD.

To my amazement, I made it past the first couple of rounds and into the finals of “The Best Comic Standing” competition. It’s not that I doubted myself, because I had practiced and was sure of my ability, at least in front of the fish and sharks, but the New York Comedy Club competition was full of lifelong talent, that graciously embraced me as a newcomer on the comedy circuit and I didn’t think I could compete against such seasoned professionals, all I was looking for was the experience, to be quite honest.

Winning posed a new set of problems, because it meant having to come up with seven minutes of new material every week, to move on to the next round and I wasn’t sure the fish and sharks could take any more of my nonsensical babbling every day in practice. The secret of stand up comedy is making the scripted material seem off-the-cuff. That, and winning the audience over immediately, for if you don’t have the audience in the palm of your hand, within the first fifteen seconds of your performance, the remaining time on stage will seem like an eternity in hell, for anyone attempting to do stand up comedy.

An angry audience can make a great white shark seem like Santa Clause and scar an artist for life, if one is not prepared to fall hard, on the sharp knife of failure, without a safety net. Stand up comedy is not for the insecure, timid or faint of heart but I can honestly say it was one of the most thrilling and rewarding experiences of my remarkable life. In closing, I will say this, when people laugh at you, it hurts to the very core of ones soul, which is why bullying is so dangerous and unacceptable in any civil society; on the flip side, one of the most satisfying things in life is to witness people laughing with you, it warms my heart to see people smile.

The following is footage from one of my performances at The New York Comedy Club during “The Best Comic Standing Competition”. I understand there is footage of my other stand up performances, floating around somewhere, in the ether of the internet, and if I ever find those clips, I will gladly share them with you as well, if you wish.

New York Born Hispanic Artist Living In Shadow Of Revolutionary French Le Miserable And Hunchback Of Notre Dame Author Victor Hugo Warns Public Of Threats To Free Speech And Democratic Elections

BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.

On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.

MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR

The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:

“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.

To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.

It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.

The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.

Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.

Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”

MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.

Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.

THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.

Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.

MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

MODERN CIVIL WAR PROPHESY ERUPTS IN USA AS SEEN IN NEW TIMES 2007 ART BASEL ARTICLE

Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.

In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”

MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.

The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.

DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.

The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.

THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.

Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.

THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.

The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.

THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.

Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.

THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.

“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”

– Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

TWITTER BANS ZOMBIE HILLARY CLINTON AND OSAMA BIN LADEN RESURFACES TO SUPPORT CLINTON FOR PRESIDENT WWCHJD? What Would Crackhead Jesus Do?

“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden

MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.