Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?
You know what I mean, don’t you? You know how, sometimes, the talking heads on news networks say, ‘you know’, so many times, you really don’t know what they are trying to communicate, other than their ignorance; you know what I’m saying?
ON 1-5-2012, THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTED A MODERN ART MUSIC MOVEMENT (MAMM) HAPPENING, WITH THE GLEN GOVOT BAND, AT “THE STAGE”, IN WYNWOOD, MIAMI, FLORIDA.
Well, you know, there’s this lightbulb, you know, it was installed in the Livermore, California fire department, in 1901 and it keeps shining to this day, you know?
IN FRONT OF A CAPACITY CROWD, THE MAVERICK ARTIST VICTOR-HUGO VACA II, PRODUCED A WORK OF ART TITLED, “ABSOLUTE SIGNATURE”, ALONGSIDE, GLEN GOVOT, AS PART OF THE MODERN ART MUSIC MOVEMENT.
You know, the four-watt lightbulb has burned through the birth of powered human flight, two world wars, twenty U.S. Presidents, women and blacks being granted the right to vote, twenty seven olympic games and, you know, space exploration.
MAVERICK ARTIST VICTOR-HUGO VACA II BUILDS THE FOUNDATION FOR HIS ARTWORK WITH POSITIVE WORDS.
You know, the Livermore lightbulb is the world’s oldest-known working lightbulb and is, you know, a shining example, of what human beings are capable of, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II PUTS FINISHING TOUCHES ON “ABSOLUTE SIGNATURE”, ON STAGE, AT MAMM JAM HAPPENING.
You know, the Livermore lightbulb is still burning bright because of its low wattage and filament thickness, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AND JUAN ETCHEGORRY AT THE STAGE.
You know, the Livermore lightbulb shines brighter than pundits and so-called journalists, on news outlets, manipulating truth to an audience that, you know, according to a 2016 Gallup Poll, shows that only one in four viewers actually trust what they hear on news channels, you know?
MAVERICK ARTIST VICTOR-HUGO VACA II WITH JAMIE LIPMAN IN FRONT OF “ABSOLUTE SIGNATURE” PAINTING.
You know, the Livermore lightbulb, doesn’t say anything, it just sheds light on life, you know?
THE MAVERICK ARTIST VICTOR-HUGO VACA II WITH GLEN GOVOT AT “THE STAGE”.
You know, the Livermore lightbulb, makes more sense than people who say, ‘you know’, all the time, to hide the fact that, in reality, they don’t know much, you know?
Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.
Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.
“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.
“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.
“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.
According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.
CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.
The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.
MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.
Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.
“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.
Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.
“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.
Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.
In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”
MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.
The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.
DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.
The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.
THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.
Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.
THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.
The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.
THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.
Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.
THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.
“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”
“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.
“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.
Tracking a serial-killer is like trying to put together a moving jigsaw puzzle. Serial killers leave crumbs of evidence in plain sight because they can’t fight the urge to want to get caught. For most people, the hard part is seeing the crumbs for the clues they are but intuitive artists, detectives and investigative journalists often see past the truth. After all, what good are all those brilliant crimes if no one takes the credit?
In a world where the Washington Post, NPR, NBC and other news outlets have focused on long term character traits and behavior patterns for morning show hosts, and Hollywood producers, should people worry about an elite spinal-surgeon, described in news publications as a slum-lord who according to government officials, almost ran an airline into the ground and female subordinates claim is a sexual predator serial-killer?
https://www.youtube.com/watch?v=dujFVJqTjZc
“Capicua 3:1:3 – The Long Arm Of The Law (The Story Of Alleged Serial-Killer-Spinal-Surgeon, Charles C. Edwards MD)” By Victor-Hugo Vaca II.
FOR IMMEDIATE RELEASE: Is Baltimore/D.C. Area Surgeon Charles Edwards MD, Ted Cruz’s favorite alleged serial killer?
https://www.youtube.com/watch?v=GgIP4cnm7dc
MODERN-ART-GONZO-JOURNALISM : TO CATCH A SERIAL KILLER – Ted Cruz Ponders Favorite Serial Killer On Jimmy Kimmel Live After 55 Year-Old Italian Nurse Arrested As Tuscan Hospital Serial Killer: Awkward moment captured on film makes voters wonder if Charles C. Edwards MD, is the Canadian born Republican U.S. presidential candidate’s favorite alleged serial killer.
https://www.youtube.com/watch?v=T63oEG5-wSM
In this telling interview, United States Presidential candidate, Rafael Edward “Ted” Cruz, who was born in Calgary, Alberta, Canada on December 22, 1970 and remained a Canadian citizen until he officially renounced it on May 14, 2014, eighteen months after taking the oath of office as a U.S. Senator, stumbles into an awkward moment on Jimmy Kimmel Live, that raises several questions about the alleged serial-killer-spinal surgeon, Dr. Charles Edwards, operating out of the Baltimore/Washington, D.C. area and Senator Ted Cruz, whom some allege to be the Zodiac Killer.
Infamous Ted Cruz Favorite Serial Killer Moment On Jimmy Kimmel Live Highlights Apathy Manifesting Global Hunting Grounds For Alleged Serial Killers And Terrorists Who Live In General Public Disguised As Figures Of Public Trust : The Grim Sleeper, Serial-Killer-Spinal-Surgeon, ISIS And Ted Cruz Open Serial Killer vs.Terrorist Debate in 2016 United States Presidential Election.
For 30 years, from 1985 to 2007, Lonnie Franklin Jr., a 63-year-old former police mechanic from Los Angeles, California, allegedly killed over 180 victims; though, some crime analysts estimate the final body count attributed to him, may be over one thousand murdered. After a victim survived his attack in 1988, Franklin Jr. took a break from creating ghosts, until 2002, when the urge to murder became too strong. Because of this break in his killing spree, Lonnie Franklin Jr. is nicknamed, “The Grim Sleeper”. Franklin, according to prosecutors, was invisible, and able to blend in perfectly amid the chaos of a city which was blighted by crack cocaine.
In the award-winning film, “Crackhead Jesus: The Movie”, art imitates life. Inspired by curious allegations of Washington D.C. area stalked by a serial-killer-spinal-surgeon that surfaced from individuals close to Baltimore area investor, airline owner and doctor, Charles Edwards MD. According to an F.A.A. insider, Charles Edwards MD, allegedly purchased Kiwi Airlines to run down maintenance on airplanes as acting CEO, in order to get away with murder, since Airline CEO’s don’t get arrested for murder after fatal plane crash disasters. A Federal Aviation Administration report found Kiwi Airlines planes to be unsafe to fly and the company was shut down by the FAA because Kiwi Airlines planes were found to be in “unairworthy condition”.
The Story of Alleged Serial Killer Spinal Surgeon Dr. Charles Edwards
Growing allegations that Charles C. Edwards MD, described by People magazine as, “a uniquely inventive orthopedic surgeon who has added radical new techniques to skeletal reconstruction”, could feel empowered to act, in the Age of Harvey Weinstein, to kill unsuspecting tenants, patients and customers, on a grand scale, by using lawyers to manipulate a broken two-tier justice system, that affords corporations like GM, CEO’s like, Don Blankenship and allegedly well connected serial-killer-spinal-surgeons working for Sisters of Mercy to hide behind publicly perceived protection and receive immunity from punishment under corporate shields, inspired the New York born Hispanic artist, Victor-Hugo Vaca II to create a Modern-Art-Graphic-Novel titled, “Redemption: The Story Of The Crackhead Jesus Trials”.
Redemption
The work of modern-art-gonzo-journalism explores circumstances behind the allegations that a world renowned spinal surgeon could be an alleged serial-killer flying under the radar for decades emboldened by weak investigative journalism, corporate greed, corrupt government and a broken justice system in the United States of America during a year of election.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The work of art titled “Capicua 3:1:3 – The Long Arm Of The Law The Story Of Alleged Serial Killer Spinal Surgeon, Charles Edwards MD” inspired the award-winning independent short-film produced by the Modern Art Music Movement titled, “Crackhead Jesus: The Movie”, directed by Victor-Hugo Vaca Jr, at the 2009 Delray Beach, Florida Film Festival during a seventy-two hour film competition.
Crackhead Jesus: The Movie Review
Alleged serial-killers like Lonnie Franklin Jr. and Charles C. Edwards MD are alleged to have tallied a high victim count. Republican, Ted Cruz, let it be known to Jimmy Kimmel in front of a startled live audience, that in fact, the Canadian-Born-Christian-Conservative, not only has a unique favorite breakfast cereal, he has a favorite serial-killer too.
Is Charles Edwards MD Ted Cruz’s favorite alleged serial killer?
The following quotes from newspaper articles fueled rumors that Charles C. Edwards MD had allegedly set his sights on being the most prolific serial killer in history by using money, influence, profession and a shield of corporate lawyers to protect his murderous ways:
MIAMI HERALD ARTICLE Grand View Palace North Bay Village, Florida
The Baltimore surgeon who owns the Cherry Hill Apartments filed a lawsuit yesterday against the township, seeking to stop Mayor Susan Bass Levin from completing the condemnation of his property.
“The suit, filed by owner Charles Edwards in Camden County Superior Court, seeks to block township officials from declaring the 41-year-old apartment complex on Route 38 a redevelopment zone”
“The apartments were deemed “unfit for human habitation” in early August. Its 61 residents were evacuated and placed in other apartments in town.”
THE GRAND VIEW PALACE & CHERRY HILL APARTMENTS – SAME, SAME BUT DIFFERENT.
“The Cherry Hill Apartments are in desperate need of rehabilitation,” Levin said, adding that the Township Council is set to vote Monday on repossessing the property. “I suggest he stop hiring lawyers and do something to make the buildings safe again.”
“township officials had told Edwards several times about their concerns over the buildings’ condition – which led township, county and state agencies to cite Edwards for violations ranging from faulty lighting to dead animals on the premises.”
Charles C. Edwards, the surgeon, acquired the buildings in 1995 but could not come up with the capital to rehabilitate them, and the township threatened condemnation. A 1998 township report called conditions “deplorable,” and the last 40 tenants were evacuated. Viking acquired the buildings in 2002.
Each building has 217 apartments. Together they constitute the third-largest high-rise housing complex in the township.
Susan Bass Levine, the mayor of Cherry Hill, said the structures fell into disrepair before their current owner, Charles C. Edwards MD, of Maryland, bought them about four years ago; Edwards has not been able to turn the property around.
“It’s currently a building in crisis that could be a shining star,” she said.
The township will give the current owner, a surgeon who Morgan said did the residential development of Pier Three in Philadelphia, a few more weeks. After that, if he does not sell it or take action to do the improvements, the township will take steps to have the high-rises condemned and taken over.
HIGH RISE HELL – THE GRANDVIEW PALACE
A day after Kiwi International Airlines thought it had won a reprieve from a Government-imposed death sentence, the Federal Aviation Administration yesterday grounded the struggling carrier, saying that it was unsafe to fly.
KIWI Airlines – Unsafe To Fly
It was the first time the Government had shut down a scheduled carrier since Valujet was grounded in 1996 after one of its DC-9’s crashed in the Everglades, killing 110 people.
The F.A.A.’s order cited a series of maintenance and safety violations that it said resulted in Kiwi flying airplanes that were ”in an unairworthy condition.” In one case, Kiwi flew one of its four jets for two days in late February without fixing an oil leak in one of its two engines, the agency said.
When reliable sources contacted modern-art-gonzo-journalist Victor-Hugo Vaca Jr. with verifiable facts and information regarding an alleged serial-killer spinal-surgeon living and working in the Baltimore, Maryland/Washington D.C. area, the multimedia artist rewrote the script for, “Crackhead Jesus: The Movie”, to include the serial-killer-spinal-surgeon theme as a subplot in the controversial film that would go on to become a cult classic in the age of OJ Simpson.
Crackhead Jesus: The Movie Film Slate
Public trust in police and newspapers has reached such a low point in human history, that victims and witnesses have turned to modern-art-gonzo-journalists to “paint the news” being ignored by financially strapped mainstream media news outlets and police forces, in the hopes that someone, will do something positive with the clues and information presented in works of art inspired by actual events.
Recently, Victor-Hugo Vaca Jr. was contacted by Sean Welsh, an editor at the Baltimore Sun, regarding modern-art-gonzo-journalism. Supposedly, Welsh passed information along to staff writer Christine Jedra, an investigative journalist, who contacted Victor-Hugo by phone for an at length interview from Las Vegas, Nevada. When all was said and done, Christine Jedra, who claimed to work for “The Capital Newspaper” in Annapolis, Maryland, admitted that she was new at the job of reporting news and that she had no idea what to do with the information she had been provided.
So, if you come across a spinal-surgeon from Baltimore, named Charles C. Edwards MD, be forewarned, he is an alleged serial-killer and if you have faith in what you hear on the news, realize that public trust does not top the list of priorities for cash strapped news outlets, trying to survive in the age of OJ Simpson.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The following archived articles from The New York Times, The Philadelphia Inquirer, The North Jersey Media Group, The Record, and The Asbury Park Press referencing Charles C. Edwards MD, Director of The Maryland Spine Center at Mercy Medical Center in Baltimore, Maryland, make sharp investigate journalists, FBI investigators and serial-killer-spotters go, “Hmmmm.”
New York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDPhiladelphia Inquirer Charles C. Edwards MD, Maryland Spine Center Mercy Medical Center Baltimore, MarylandThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MD
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