FOR IMMEDIATE RELEASE- August 23, 2018. AMERICAN PRINTING MONOPOLY USES POLITICAL CORRECTNESS TO CENSOR NEW YORK BORN HISPANIC ARTIST, VICTOR-HUGO VACA II, BEFORE MIDTERM ELECTIONS IN USA. What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
Maverick artist Victor-Hugo Vaca Jr. claims the much anticipated modern-art-graphic-novel series inspired by Florida Case Number 50-2006-CC-016579, dubbed, “The Crackhead Jesus Trials”, by mainstream media news outlets, has been censored by a powerful United States corporation, whose owner deemed the Latin author’s content to be inappropriate for the “men, women and children employed by the company”, according to PRC Book Printing CEO, Jacob Hope.
It appears a corporate monopoly of communication is subversively using political correctness to veil racism that effectively muzzles the voice of a Hispanic-American citizen, described by the USA Today Network as an, “Artist. Author. Filmmaker. Journalist. Maverick. Revolutionist.” , from publishing his highly anticipated “diary of the world on canvas”.
The fact that a print media monopoly is arbitrarily censoring books, before they ever get printed in hardcover, for copyright and registration into the United States Library of Congress, should alarm both capitalists and Constitutionalists alike. This frightening reality begs the question: “Why are the most powerful companies in the world, suddenly, so threatened by an independent Hispanic-American author from Queens, New York, that they are willing to lose business in order to silence him?”.
The sharp decline of newspaper readers and bookstores in America has decimated the printing industry, leaving only two companies, to produce high-quality, hardcover books, in the United States. This reality has manifested a racist business model, disguised in political correctness, that enables top notch printing monopolies, to mute strong Latin voices, by sweeping minority authors into a ghetto of publishing mediocrity.
In his explanation for why the Hispanic-American authored book is being suppressed, in violation of the First Amendment and anti-discrimination laws, the PRC Book Printing CEO claims that “children” are employed by the printer, to examine material that is about to be released and quell any parts that are considered, obscene or politically unacceptable.This business model enables the printer to arbitrarily censor free speech and eliminate any historical records deemed offensive, such as The Spanish Inquisition, slavery in America or the Crackhead Jesus Trials, by refusing to accept payment, from any independent minority business owners, seeking to self-publish historical-fiction and modern-art-gonzo-journalism, through interstate commerce, in the United States.
The contentious saga titled, “Redemption: The Story of The Crackhead Jesus Trials-Part II: The Second Coming of The Three Muses.”, by New York born Hispanic multi-media artist, Victor-Hugo Vaca II, was scheduled for release as a Limited Edition First Print Collector’s Item in time for the start of the 2018 Christmas shopping season, as a unique stocking stuffer, sold in select markets, after a prototype was successfully test marketed, during Art Basel Miami, in 2017 and later featured in a 2018, Vigore Chicago Magazine, cover story.
The planned mid-September 2018 roll-out of the first in a series of ten modern art graphic novels, about the origin of modern-art-gonzo-journalism and the Modern Art Music Movement, is now on hold, indefinitely, due to the crippling stranglehold printing press monopolies have in the United States to dictate culture and control speech. Whether the controversial series, over ten years in the making, will ever be published, is now in question, as the epidemic of censorship in the United States muzzles the voice of outspoken minorities that dare to speak truth to power.
The Supreme Court case of Jack Phillips, a Colorado baker who refused to make a custom cake for a same-sex-couple echoes the hardcover book printers, denial of service to one of the most influential artist’s of the 21st Century, Hispanic-American author, Victor-Hugo Vaca II. The difference in incidents being, the number of bakeries available to same-sex couples, versus the number of hardcover book printers made available to minority customers in the United States is a huge gap that makes it impossible, for independent minority-owned small businesses to publish thought provoking literature, in hardcover fine print. This unlawful action deprives minorities the right to reach a wide audience of intellectuals, craving unique political perspectives, before critical midterm elections in the United States.
In 2017, the Slants won a Supreme Court, First Amendment battle, that made world headlines, including Amsterdam’s, deVolkskrant Newspaper. The verdict enabled Victor-Hugo Vaca Jr. to apply for trademark of “Crackhead Jesus”, after initially being rejected, several times, by the United States Patent and Trademark Office, which labeled the fictional title character, “rude, disgusting, vulgar and offensive”.
Having overcome a series of free-speech obstacles, including an infamous incident wherein The Palm Beach Post, on October 29, 2010, inexplicably used “nine question marks” to redact the title of Vaca’s award-winning film, “Crackhead Jesus: The Movie”, when it screened alongside Stanley Kubrick’s “A Clockwork Orange” and “Pink Floyd’s The Wall” at the Modern Art Music Movement Midnight Cult Movie Series in Lake Worth, Florida, the dogged artist claims that he is determined to get his book published, even if it means taking a discrimination case to the Supreme Court.
Palm Beach Post Movie Listing 10/29/2010
The envelope pushing Hispanic-American author planned several book signings at select retailers across America including New York City, Brooklyn, Queens, New York, Miami, Marco Island, Naples, Fort Myers, Venice, Florida, Myrtle Beach, South Carolina, and Austin, Texas, before receiving news that the printer refused to honor his signed contract or accept payment in full, from the Latino artist, without any written explanation as to what content was deemed by someone in production to be “inappropriate” and why.
In a letter dated August 23, 2018 from Jacob Hope to Victor-Hugo, the following is stated, “My sincerest apologies. PRC Book Printing itself does not have issues with the files we received and would be happy to print your book if we had the ability. Unfortunately, our third-party printer, which we use for jobs with short turnaround times such as yours, is unwilling to produce your book due to some of the content.”
The alternative, according to Hope, is to buy hardcover books from China and postpone release of the revolutionary modern-art-graphic-novel series, produced by the Modern Art Music Movement, as a means of documenting history, through works of fine contemporary art, some of which, were manifested live, on stage, at “MAMM Jam Happenings” across America, orchestrated and choreographed by the multimedia artist, Victor-Hugo Vaca II, creator of modern-art-gonzo-journalism and founder of the Modern Art Music Movement, alongside legends in the music industry, seeking to raise awareness and spread compassionate wealth, through artistic charity benefit concerts.
So, what’s the takeaway for every American Citizen, regardless of race, creed or color?
That a U.S. company, responsible for documenting history and culture in print, would willfully turn business over to China, begs the question: What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
“The subtle racism of colonial capitalism enables print communication companies to censor the voice of outspoken Hispanic-American artists documenting history in the United States during revolutionary times.” – Victor-Hugo Vaca II
Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
January 11, 2018- Educated minorities, immigrants and feminists realized CNN was race baiting when talking heads Don Lemon, Anderson Cooper and other fake news reporters at the propaganda network used the term “Shithole” more than 195 times, against FCC regulations, over gossip of unsubstantiated allegations against President Donald Trump, as the “shithole” of Sweden was crowned “The Rape Capitol of Europe” the racist fake news network failed to mention the word for Muslim Gang Rape Culture, Taharrush, that is exploding across Europe and creeping into the United States.
Educated audiences witness the insincerity of fake feminists like Anderson Cooper and Don Lemon fighting back tears over allegations of the word “shitthole” being used to describe countries like Sweden and Haiti, while completely ignoring the word “Taharrush” which can be witnessed in multiple videos on YouTube, showing women being gang raped by Muslim immigrants in the streets of Europe, as police officers passively stand by, listening to the screams of women being sexually assaulted by packs of men, playing the rape game in public.
By ignoring the actions of men caught on tape sexually assaulting women, over the alleged words of a man describing the condition of countries like Sweden as shitholes, CNN fake news pundits show feminists and minorities how toxic leadership is more concerned with gossip than action.
“I don’t want this to turn into whether Jeffrey Epstein is a serial child molester.” Judge Donald Hafele said to Attorney Jack Scarola who said he would refrain from describing Palm Beach billionaire Jeffrey Epstein as “a billionaire pedophile” or “a convicted child molester.”
Virginia Roberts Giuffre claimed Epstein turned her into a sex slave at age 15 when she was working at Mar-a-Lago in Palm Beach, years before Donald Trump became president. She claims Epstein flew her around the world in his private jet nicknamed, “The Lolita Express”, filled with various celebrities, including Britain’s Prince Andrew and former President Bill Clinton. She is expected to testify in front of Judge Donald W. Hafele in March 2018.
President Donald Trump, Prince Andrew and Hillary Clinton’s husband, Bill Clinton are all on Scarola’s witness list to testify in Judge Hafele’s courtroom, where, in Case #50-2006-CC-016579, the maverick artist Victor-Hugo Vaca II created modern art gonzo journalism to expose Judge shopping and a legal mafia in the Sunshine State corrupting the halls of justice through an unaudited Florida Bar, full of “Good Old Boys” and the women who enable them, to manifest a two-tiered justice system favoring corrupt global elites to the detriment of public trust in the U.S Justice system.
Case #50-2006-CC-016579, with allegations of Judge shopping and gross conflicts of interest amongst high level court officers and Florida Bar members was dubbed the Crackhead Jesus Trials by mainstream media and inspired an award-winning film titled, “Crackhead Jesus: The Movie”.
The infamous courtroom antics orchestrated by Aaron R. Cohen and Alexander Conde in Judge Donald W. Hafele’s chambers are captured in Victor-Hugo’s diary of the world on canvas which he calls modern-art-gonzo-journalism. His opus has been published as a modern art graphic novel series titled, “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of The Three Muses.”
The eight-year old civil lawsuit pitting attorney Bradley Edwards against the convicted sex offender, Jeffrey Epstein in front of controversial Palm Beach County Circuit Judge Donald Hafele began in 2009 when Epstein sued Edwards, who worked for Fort Lauderdale attorney Scott Rothstein. Rothstein, now disbarred, is serving a 50-year prison sentence in connection with a $1.2 billion Ponzi scheme in which he sold phony settlements to investors. Epstein claimed Edwards “ginned up” the lawsuits he filed on behalf of the three women to fuel Rothstein’s scam.
Eventually, Epstein dropped the lawsuit against Edwards, then Edwards filed a malicious prosecution lawsuit against Epstein, claiming Epstein sued him to punish him for representing the women.
Crackhead Jesus Trials Palm Beach County Circuit Judge Donald Hafele will have to decide many thorny questions about what evidence will be presented to the jury in a salacious case probing billionaire Jeffrey Epstein’s sexual relationship with underage girls.
Judge Donald Hafele, gained infamy during the Jerod Miller case wherein he publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.
Judge Donald Hafele later gained international notoriety through the modern art graphic novel series manifested on canvas and celluloid by the maverick artist Victor-Hugo Vaca II titled, “The Crackhead Jesus Series”.
The Crackhead Jesus Trials Judge Donald Hafele now presides over an X-rated case of child sex trafficking amongst billionaires and celebrities, with tentacles that reach out to Bill Clinton, Harvey Weinstein and alleged enablers Oprah Winfrey and Hillary Clinton.
In midst of the Me Too Movement, the Jeffrey Epstein Lolita Express Case, presided over by Judge Hafele, puts a stark spotlight on fake feminist enablers who allow sexual predators to prey on underage girls while making a mockery of a two-tiered U.S justice system that blatantly favors wealthy elites who can afford to shop for judges and lawyers in a corrupt justice system that is ignored by weak newspapers publishing fake news propaganda while obsessing over President Donald Trump tweets.
As noted in the Natalie O’Neill, Miami New Times Article titled, “Courtroom Antics from One of Miami’s Strangest”, artist, author, Victor-Hugo Vaca II describes in his books, paintings and film the litigation vortex and courtroom shenanigans of Judge Donald W. Hafele, nicknamed in the series, Judge Donald “The Duck” Hafele, to avoid a contempt of court order put out by Judge Hafele, to censor public records of the Crackhead Jesus Trials.
The Lolita Express Case is expected to put Oprah Winfrey and Hillary Clinton’s close relationship with sexual predators Harvey Weinstein and Bill Clinton under a microscope.
“One would assume the most valuable tool for an artist is his hands but in reality, it is the mind of the artist that serves to create.” – Victor-Hugo Vaca II
TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.
STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.
On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.
Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.
The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”
January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”
The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.
Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.
A Christmas Nativity scene with two Joseph’s and a children’s book about a black Santa and his white husband grabbed holiday headlines over the story of Crackhead Jesus. “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of the Three Muses- Chapter 1”, the first in a series of ten modern-art-graphic-novels that tell the story of the alleged serial-killer-spinal-surgeon operating out of Mercy in Baltimore, Maryland, premiered at Art Basel Miami Art Week 2017. The work of modern-art-gonzo-journalism reveals serious allegations of FDA fraud, sexual misconduct and deadly toxic leadership being covered up in D.C. area hospitals as public trust in mainstream news media continues to plummet.
The New York born Latino author, Victor-Hugo Vaca II, reached over 220,000 listeners in over seventy countries, appearing on several radio talk shows and podcasts promoting his censored book. The question of why the Washington Post failed to investigate recent allegations of a serial-killer spinal-surgeon in its own back yard, in favor of using valuable resources to investigate forty-year old allegations against Judge Roy Moore, in Alabama, days before a special Senate election, arose in conversation, begging the question, “Is the Washington Post choosing politics over public trust in its own community?”
Whatever the answer, just as Harvey Weinstein allegations festered for decades, the more the story of Crackhead Jesus is censored and buried, the more the Streisand Effect takes over and the more people around the world find out about allegations surrounding Charles C. Edwards MD, as the maverick artist plans to tour the United States appearing on talk shows, in support of his groundbreaking modern art graphic novel series, throughout 2018.
In 2017, white men in power positions, like Judge Roy Moore and Matt Lauer were exposed as alleged sexual predators using toxic leadership and abuse of power to exploit women and children. News media has also protected and enabled powerful white men, like Harvey Weinstein and Charlie Rose, by suppressing decades old rumors and allegations of misdeeds. Evidence shows, The Washington Post, Miami Herald and Baltimore Sun have buried years old rumors and allegations, of a serial-killer-spinal-surgeon nicknamed, Crackhead Jesus, stalking the United States from Baltimore, Maryland.
Public trust could only wonder why news outlets instead favored covering stories about a woman who claims President Donald Trump should be impeached because he once asked for her phone number, instead of reporting on serious allegations that an orthopaedic surgeon of the spine is an alleged serial-killer performing experimental spinal surgery on human subjects without FDA approval.
The surgeon, who operates on the human fiber of being has been lauded as a pillar of the community in People, Newsweek and 20/20. He has also been described in newspapers as a wealthy slumlord and a criminal CEO, using lawyers to manipulate a two-tiered U.S. justice system to avoid jail time.
Victor-Hugo created modern-art-gonzo-journalism and travelled throughout the United States with the Modern Art Music Movement producing live art with world famous bands, including members of The Goo Goo Dolls, Cheap Trick, Boston and The Wailers, to name a few, in order to raise global awareness about growing allegations that Charles C. Edwards MD is an alleged serial-killer spinal-surgeon. The works of modern-art-gonzo-journalism inspired an award-winning film titled, “Crackhead Jesus: The Movie”, which recently made world headlines, after the U.S. Supreme Court “Slants” trademark ruling.
The controversial film which has been screened internationally and took “Best Screenplay” honors at the La Romana International Film Festival, was produced by the Modern Art Music Movement during a seventy-two-hour film competition in Delray Beach, Florida, to raise awareness about a clear and present danger in the Baltimore, Maryland area, where the maverick artist once lived, while serving as a Naval Academy Midshipman officer at the U.S. Naval Academy in Annapolis, before receiving an honorable discharge as a whistleblower in the early 1990’s.
Over the course of a decade in exploring the character of someone entrusted with tearing into the fiber of ones being, the following list of allegations surfaced, which allowed the artist to paint a gruesome picture of an alleged serial-killer-spinal-surgeon, using toxic leadership and abuse of power, to rack up an extensive body count supported by the same journalistic apathy that allowed Harvey Weinstein to perpetuate his evil acts for years.
The following allegations involving Charles C. Edwards MD should give people, pause, if not nightmares.
Charles C. Edwards MD – Orthopaedic surgeon of the spine at Mercy Medical Center allegedly performed radical unauthorized experimental surgery on patients without IRB approval for at least three years (1992-1995) every Thursday with doctors and nurses that he chose personally, to ensure that those assisting him in the unauthorized experimental surgery were unfamiliar with how to perform scientific experiments in a proper way.
Allegedly Charles C. Edwards MD performed radical unauthorized experimental surgery on patients without IRB approval at least forty times per year and performed experimental surgery on patients despite having IRB approval revoked or denied. If so, all deaths in these cases should be looked into as possible homicides.
Under FDA regulations, an IRB is an appropriately constituted group that has been formally designated to review and monitor biomedical research involving human subjects. This group review serves an important role in the protection of the rights and welfare of human research subjects.
The purpose of IRB review is to assure, both in advance and by periodic review, that appropriate steps are taken to protect the rights and welfare of humans participating as subjects in the research. To accomplish this purpose, IRBs use a group process to review research protocols and related materials (e.g., informed consent documents and investigator brochures) to ensure protection of the rights and welfare of human subjects of research.
Allegedly Charles C. Edwards MD has performed radical unauthorized experimental surgery on patients without IRB approval since 1992 and was reported to the FDA in 2002.
Charles C. Edwards MD is also alleged to have engaged in numerous acts of sexual misconduct in the workplace including exposing himself nude, to male and female staff in his office and in hallways in the hospital and of performing sex acts with his secretary/mistress, Linda Haynes, in front of numerous colleagues at work in 1995.
Allegedly Charles C. Edwards MD controlled Linda Haynes, didn’t trust her to be by herself and he forbade her from going to the Hospital cafeteria by herself.
Allegedly there is a well-known story amongst hospital staff of an extraordinary incident of workplace sexual misconduct by Charles C. Edwards MD that was witnessed by renowned hand surgeon Thomas E. Gillespie MD, University of Maryland, orthopaedic department, wherein the now deceased Gillespie demanded the hospital higher ups stop covering for Edwards improprieties.
Allegedly in 1993, Charles C. Edwards MD admitted to exposing himself in front of Thomas E. Gillespie MD at the University of Maryland.
Allegedly the President of the University spoke to the head of personnel regarding concerns of Charles C. Edwards MD
Allegedly FDA data is being falsified by Charles C. Edwards MD.
Allegedly Charles C. Edwards MD uses abuse of power to intimidate research assistants into falsifying FDA data.
Allegedly members of the University of Maryland spinal secession study group witnessed Charles C. Edwards MD engage in sexual misconduct covered up by hospital officials.
Allegedly the University of Maryland Baltimore University Hospital has covered up all allegations of wrongdoing filed against Charles C. Edwards MD.
Allegedly the Head of Surgery Department, Anthony Imbembo MD, expressed his concerns about Charles C. Edwards MD to hospital human resources personnel management.
As public trust in newspapers erodes, the Lied To Generation turns to modern-art-gonzo-journalism to examine ignored decades old allegations that make Harvey Weinstein look-like Matt Lauer in today’s world.
“Tracking a serial-killer is like trying to put together a moving jigsaw puzzle.” – Victor-Hugo Vaca II
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