Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
After Meryl Streep publicly calls Harvey Weinstein, “God”, at the Academy Awards, Hollywood comes clean about fake feminism and the glaring, rule of law double standard, for pedophiles and serial rapists, empowered by toxic leadership in collusion with a corrupt justice system, manufacturing a Sharia Law world, for the united slaves of America.
Ask New York Times Audience Strategy Editor, Nick Dudich, to comment on why Meryl Streep would proclaim that Harvey Weinstein is “God” and the godson of disgraced and allegedly treasonous, former FBI Director, James Comey, would probably respond, by ignoring the question and instead, change the subject by calling Donald Trump a pervert, who talks about grabbing women, by the pussy on NBC.
Ironically, the New York Times has exposed the hypocrisy of fake feminists, like Lisa Bloom, Michelle Obama and Hillary Clinton, who herald Harvey Weinstein, Bill Clinton and Barrack Hussein Obama, as role models for children and men.
Fake feminists, like Linda Sarsour, who organized the Women’s March On Washington, claim Sharia Law empowers women. Crackhead Jesus loves Sharia Law and thinks Harvey Weinstein is God too.
Modern-art-gonzo-journalists are exposing the truth behind the lies spewed by fake feminists, like Donna Karan, who blame women for getting raped by guys like Harvey Weinstein and Bill Cosby.
Lisa Bloom, Donna Karan, Linda Sarsour, Michelle Obama and Hillary Clinton, confuse men, urged, by fake news media, like the New York Times, NBC and CNN to emulate the behavior and actions of flawed individuals, like Harvey Weinstein, Bill Clinton and Kobe Bryant, held up in public as heroes and gods rather than rapists or crackheadjesus.
“If men can marry men and women can marry women, why isn’t Polygamy legal in the United States?” – Victor-Hugo Vaca II
Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.
Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?
Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?
This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.
The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.
In the New World Order, being created by social media, an educated minority asks:
Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?
If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?
If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?
Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.
Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.
“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II
WHO’S WATCHING OUR JUDGES? How The Crackhead Jesus Trials, White Guilt, Judge Donald W. Hafele, Judge James Robart, Judge Richard R. Clifton, Judge William Canby And Judge Michelle T. Friedland Exposed Judge Shopping And Judicial Tyranny To The United Slaves Of America While Knowingly Exposing Every American To Threats Of Terrorist Attacks From Improperly Vetted Immigrants Of Countries Where Sharia Law And Anarchy Rule.
On November 5, 2008 a painting was created by the Maverick Artist Victor-Hugo Vaca II that begged the question, “Who’s watching our Judges?”
The work of modern-art-gonzo-journalism was inspired by Florida Case #50-2006-CC-016-579 dubbed, “The Crackhead Jesus Trials”, by weak mainstream media news outlets, that ignored the warnings of Judge shopping and judicial tyranny exposed inside a Court, presided over by Judge Donald W. Hafele, who was appointed by Governor Jeb Bush and who served in a little-known, three member board, known as, “The Fairness Of Elections Committee”, in the year that George Bush Jr. was appointed President of The United States, by Florida Bar Judges of the Supreme Court, without receiving the majority of the United States popular vote, in the year 2000.
Art imitates life, in that, the question posed in a work of modern-art-gonzo-journalism, manifested in 2008, rings truer than ever before in 2017; the year three judges from Washington State effectively put the lives of over 350 million Americans of every race, creed and color, in clear and present danger, because the truth is, Rule Of Law is for sale to the highest bidder, in the U.S. and does not apply in the same way to all citizens, because it clearly favors illegal immigrants and an elite 0.01%, like Hillary Clinton and John Stumpf.
Jenny Scordamaglia of Miami TV dared to venture where so-called investigative journalists wouldn’t, in her infamous, bi-lingual interview, with the Maverick Artist Victor-Hugo Vaca II.
https://www.youtube.com/watch?v=kBPWzGWRcHc
“It appears to Hispanics, Blacks, Asians and Muslims who are paying attention, in the Age Of Donald Trump, that white-guilt has some liberal-progressive Caucasians losing their minds, collectively, in full public view, to the detriment of all United States citizens and legal immigrants.” – Maverick Artist Victor-Hugo Vaca II
In 1964–65 the Free Speech Movement (FSM) was born out of student protests on the campus of the University Of California, Berkeley.
CENSORED- Palm Beach Post lists Crackhead Jesus: The Movie as nine question marks.
The Free Speech Movement died October 29, 2010, when The Palm Beach Post censored award-winning art, in print, for the world to see and fake mainstream media news outlets to ignore.
On February 1, 2017, the University Of California, Berkeley put the final nail in the 1st Amendment coffin.
Art Speaks Truth To Power
Super Bowl Movie Trailer Ads for “Crackhead Jesus: The Movie”, a modern Orwellian tale of false prophets and lawyers.
“Newspapers are less concerned with free speech and facts, than they are with profit and influence.” – Maverick Artist Victor-Hugo Vaca II.
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