Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.
A Christmas Nativity scene with two Joseph’s and a children’s book about a black Santa and his white husband grabbed holiday headlines over the story of Crackhead Jesus. “Redemption: The Story of The Crackhead Jesus Trials Part II- The Second Coming of the Three Muses- Chapter 1”, the first in a series of ten modern-art-graphic-novels that tell the story of the alleged serial-killer-spinal-surgeon operating out of Mercy in Baltimore, Maryland, premiered at Art Basel Miami Art Week 2017. The work of modern-art-gonzo-journalism reveals serious allegations of FDA fraud, sexual misconduct and deadly toxic leadership being covered up in D.C. area hospitals as public trust in mainstream news media continues to plummet.
The New York born Latino author, Victor-Hugo Vaca II, reached over 220,000 listeners in over seventy countries, appearing on several radio talk shows and podcasts promoting his censored book. The question of why the Washington Post failed to investigate recent allegations of a serial-killer spinal-surgeon in its own back yard, in favor of using valuable resources to investigate forty-year old allegations against Judge Roy Moore, in Alabama, days before a special Senate election, arose in conversation, begging the question, “Is the Washington Post choosing politics over public trust in its own community?”
Whatever the answer, just as Harvey Weinstein allegations festered for decades, the more the story of Crackhead Jesus is censored and buried, the more the Streisand Effect takes over and the more people around the world find out about allegations surrounding Charles C. Edwards MD, as the maverick artist plans to tour the United States appearing on talk shows, in support of his groundbreaking modern art graphic novel series, throughout 2018.
In 2017, white men in power positions, like Judge Roy Moore and Matt Lauer were exposed as alleged sexual predators using toxic leadership and abuse of power to exploit women and children. News media has also protected and enabled powerful white men, like Harvey Weinstein and Charlie Rose, by suppressing decades old rumors and allegations of misdeeds. Evidence shows, The Washington Post, Miami Herald and Baltimore Sun have buried years old rumors and allegations, of a serial-killer-spinal-surgeon nicknamed, Crackhead Jesus, stalking the United States from Baltimore, Maryland.
Public trust could only wonder why news outlets instead favored covering stories about a woman who claims President Donald Trump should be impeached because he once asked for her phone number, instead of reporting on serious allegations that an orthopaedic surgeon of the spine is an alleged serial-killer performing experimental spinal surgery on human subjects without FDA approval.
The surgeon, who operates on the human fiber of being has been lauded as a pillar of the community in People, Newsweek and 20/20. He has also been described in newspapers as a wealthy slumlord and a criminal CEO, using lawyers to manipulate a two-tiered U.S. justice system to avoid jail time.
Victor-Hugo created modern-art-gonzo-journalism and travelled throughout the United States with the Modern Art Music Movement producing live art with world famous bands, including members of The Goo Goo Dolls, Cheap Trick, Boston and The Wailers, to name a few, in order to raise global awareness about growing allegations that Charles C. Edwards MD is an alleged serial-killer spinal-surgeon. The works of modern-art-gonzo-journalism inspired an award-winning film titled, “Crackhead Jesus: The Movie”, which recently made world headlines, after the U.S. Supreme Court “Slants” trademark ruling.
The controversial film which has been screened internationally and took “Best Screenplay” honors at the La Romana International Film Festival, was produced by the Modern Art Music Movement during a seventy-two-hour film competition in Delray Beach, Florida, to raise awareness about a clear and present danger in the Baltimore, Maryland area, where the maverick artist once lived, while serving as a Naval Academy Midshipman officer at the U.S. Naval Academy in Annapolis, before receiving an honorable discharge as a whistleblower in the early 1990’s.
Over the course of a decade in exploring the character of someone entrusted with tearing into the fiber of ones being, the following list of allegations surfaced, which allowed the artist to paint a gruesome picture of an alleged serial-killer-spinal-surgeon, using toxic leadership and abuse of power, to rack up an extensive body count supported by the same journalistic apathy that allowed Harvey Weinstein to perpetuate his evil acts for years.
The following allegations involving Charles C. Edwards MD should give people, pause, if not nightmares.
Charles C. Edwards MD – Orthopaedic surgeon of the spine at Mercy Medical Center allegedly performed radical unauthorized experimental surgery on patients without IRB approval for at least three years (1992-1995) every Thursday with doctors and nurses that he chose personally, to ensure that those assisting him in the unauthorized experimental surgery were unfamiliar with how to perform scientific experiments in a proper way.
Allegedly Charles C. Edwards MD performed radical unauthorized experimental surgery on patients without IRB approval at least forty times per year and performed experimental surgery on patients despite having IRB approval revoked or denied. If so, all deaths in these cases should be looked into as possible homicides.
Under FDA regulations, an IRB is an appropriately constituted group that has been formally designated to review and monitor biomedical research involving human subjects. This group review serves an important role in the protection of the rights and welfare of human research subjects.
The purpose of IRB review is to assure, both in advance and by periodic review, that appropriate steps are taken to protect the rights and welfare of humans participating as subjects in the research. To accomplish this purpose, IRBs use a group process to review research protocols and related materials (e.g., informed consent documents and investigator brochures) to ensure protection of the rights and welfare of human subjects of research.
Allegedly Charles C. Edwards MD has performed radical unauthorized experimental surgery on patients without IRB approval since 1992 and was reported to the FDA in 2002.
Charles C. Edwards MD is also alleged to have engaged in numerous acts of sexual misconduct in the workplace including exposing himself nude, to male and female staff in his office and in hallways in the hospital and of performing sex acts with his secretary/mistress, Linda Haynes, in front of numerous colleagues at work in 1995.
Allegedly Charles C. Edwards MD controlled Linda Haynes, didn’t trust her to be by herself and he forbade her from going to the Hospital cafeteria by herself.
Allegedly there is a well-known story amongst hospital staff of an extraordinary incident of workplace sexual misconduct by Charles C. Edwards MD that was witnessed by renowned hand surgeon Thomas E. Gillespie MD, University of Maryland, orthopaedic department, wherein the now deceased Gillespie demanded the hospital higher ups stop covering for Edwards improprieties.
Allegedly in 1993, Charles C. Edwards MD admitted to exposing himself in front of Thomas E. Gillespie MD at the University of Maryland.
Allegedly the President of the University spoke to the head of personnel regarding concerns of Charles C. Edwards MD
Allegedly FDA data is being falsified by Charles C. Edwards MD.
Allegedly Charles C. Edwards MD uses abuse of power to intimidate research assistants into falsifying FDA data.
Allegedly members of the University of Maryland spinal secession study group witnessed Charles C. Edwards MD engage in sexual misconduct covered up by hospital officials.
Allegedly the University of Maryland Baltimore University Hospital has covered up all allegations of wrongdoing filed against Charles C. Edwards MD.
Allegedly the Head of Surgery Department, Anthony Imbembo MD, expressed his concerns about Charles C. Edwards MD to hospital human resources personnel management.
As public trust in newspapers erodes, the Lied To Generation turns to modern-art-gonzo-journalism to examine ignored decades old allegations that make Harvey Weinstein look-like Matt Lauer in today’s world.
“Tracking a serial-killer is like trying to put together a moving jigsaw puzzle.” – Victor-Hugo Vaca II
In 1964–65 the Free Speech Movement (FSM) was born out of student protests on the campus of the University Of California, Berkeley.
CENSORED- Palm Beach Post lists Crackhead Jesus: The Movie as nine question marks.
The Free Speech Movement died October 29, 2010, when The Palm Beach Post censored award-winning art, in print, for the world to see and fake mainstream media news outlets to ignore.
On February 1, 2017, the University Of California, Berkeley put the final nail in the 1st Amendment coffin.
Art Speaks Truth To Power
Super Bowl Movie Trailer Ads for “Crackhead Jesus: The Movie”, a modern Orwellian tale of false prophets and lawyers.
“Newspapers are less concerned with free speech and facts, than they are with profit and influence.” – Maverick Artist Victor-Hugo Vaca II.
BALLOON BOY EXPOSES FAKE NEWS WHILE CBS NEW YORK SUPPRESSES WARNING OF ATTACKS ON FIRST AMENDMENT THAT LEAD TO LOVE GRAFFITI. How The Maverick Artist Victor Hugo And President Barack Hussein Obama Mutual Admiration Of Rat Dog Manifested A Modern Art Music Movement.
“Love Graffiti” By Victor-Hugo Vaca II.
On the day Balloon Boy exposed fake U.S. news , for what it is worth, Victor-Hugo Vaca II was interviewed by a CBS New York reporter, for a segment on the CBS Evening News, questioning why police issued the artist a citation for displaying a bumper sticker on his BMW that proclaimed, “Crackhead Jesus is coming”.
As Victor-Hugo Vaca II headed to the Rat Dog concert afterwards, police and Secret Servicemen swarmed the artist and corralled him along with everyone on the block into a corner, behind barricades, for over an hour.
News crews surrounded Victor-Hugo Vaca II as he stood next to a man holding a cardboard sign that introduced him as RocOpera. The WPIX Newscaster at the scene, informed Victor-Hugo that his “1st Amendment story on CBS evening news never aired”. According to Wanda, a CBS New York producer, the fake news of Balloon Boy had pre-empted the canary-in-the-coal-mine of free speech in America documented in a Suffolk Times article by Erin Schultz titled, “Pulled Over In The Name Of Crackhead Jesus?“. The newspaper article records the following:
Traveling artist says Southold police officer profiled him.
A bumper sticker bearing the phrase “Crackhead Jesus is coming” got an author pulled over in Southold last month, the man told The Suffolk Times.
Victor-Hugo Vaca Jr., a multimedia artist formerly of Brooklyn who now calls the road home, said that Southold Town Police Officer Frank Lyburt violated his First Amendment rights by pulling him over Oct. 11, simply because the officer was offended by the bumper sticker on Mr. Vaca’s rear windshield.
“I wasn’t speeding and I knew there was nothing wrong with my car,” said Mr. Vaca, 39, noting that the sticker is a promotional tool for his graphic novel, “Crackhead Jesus.”
The bumper sticker in question, which Mr. Vaca described as a ‘promotional tool’ for his upcoming graphic novel ‘Crackhead Jesus.’
“[The officer] said he was doing me a favor by handing me that ticket, the same way someone knocks on your door on a Sunday morning, saying you’re wicked for not going to church.”
The wandering author, who claims to have traveled across the country raising awareness of issues not typically covered in mainstream media, said he was ticketed while driving to the Hampton International Film Festival to promote “Crackhead Jesus,” the story of a man who went to work one day high on crack and told his co-workers that they were his disciples.
“[The sticker] has nothing to do with Jesus Christ,” Mr. Vaca said. “It has to do with the modern devils out there.”
Southold Town Capt. Martin Flatley said the ticket issued to Mr. Vaca is a valid summons, adding that there is a section in vehicle and traffic law that prohibits “the placing of posters or stickers on windshields or rear windows of motor vehicles.”
“I believe Officer Lyburt might have stopped the driver for another violation but ended up writing him this summons,” Capt. Flatley said. “This section of law may not be written often, but it is a valid section. This is part of the officer’s discretion when performing a traffic stop.”
Mr. Vaca said Officer Lyburt appeared very upset with the bumper sticker after he scanned his Florida license.
“He came back to my car and asked me, ‘What’s the deal with the Crackhead Jesus sticker?'” Mr. Vaca said. “Here I am, a white guy in a BMW with all this fancy artwork in the back, and for the first time, I felt what it was like to be profiled.”
Mr. Vaca made an appearance in September at Rock the Harvest, a concert held in Southold to benefit The Retreat of East Hampton.
“So I’m in town to help raise money for battered women, and I get mistaken for a guy spitting in the face of God,” he said. “I went to Southold to do good work, and I leave getting punished.”
Mr. Vaca said he plans to drive back to Southold from Florida — where he is attending a music festival in Miami — to fight the ticket.
“So many people are apathetic — they’ll just pay the ticket and get it over with, but that’s the problem,” he said. “I’m not just going to pay this ticket. I’m going to take a chance to look deeper into this.”
Reporters informed Victor-Hugo Vaca II that because President Barrack Hussein Obama is a fan of Rat Dog, everyone on the New York City Street next to the concert venue, were detained against their will, in zones, by Police and Secret Service agents, to protect President Obama, while he attended the first half of the Rat Dog concert.
Victor-Hugo Vaca II missed the first-half of the Rat Dog show because of President Obama. However, as a result of their mutual appreciation of Rat Dog and The Grateful Dead, this Modern Art Music Movement™ work of art was born.
As seen being manifested in the Modern Art Music Movement™ MAMM Music Video, “Crackhead Jesus: Shake The City”, Produced, Directed and featuring the Maverick Artist Victor-Hugo with music By RocOpera.
Behind The Scenes: On set with the Maverick Artist Victor-Hugo, RocOpera, Joanne Togati and Paparazzi.
Portions of the music video were filmed inside the Gulfstream Park Racing and Casino in Hallandale Beach, Florida.
Behind The Scenes: RocOpera on MI-VI set with the Maverick Artist Victor-Hugo.
Portions of the music video were filmed inside the legendary MI-VI Nightclub, as seen on tv news and in print newspapers.
Maverick Artist Victor-Hugo, RocOpera and filmmaker, Chris Alonso, inside, “The Labyrinth Of Creativity Miami”.
Portions of the music video were filmed inside Victor-Hugo Vaca Jr.’s production studio in Miami known as, The Labyrinth of Creativity Miami.
Behind the scenes, with filmmaker Victor-Hugo.Behind the scenes, with RocOpera and director Victor-Hugo Vaca II.Behind the scenes with filmmakers Victor-Hugo Vaca II, Chris Alonso, Mike McGill and Paparazzi.
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
Maverick Artist Victor-Hugo Reflects Upon His Unique Experience As A Finalist, In “The Best Comic Standing Competition”, At The New York Comedy Club.
As an artist, I see no limitations, only challenges. Therefore, when I heard from friends in the entertainment industry that doing stand up comedy, in front of a live audience, is one of the most challenging things to do, if not the most difficult, in the business of entertainment, I realized I had to find out for myself, if this was, in fact, true. So, I convinced the owner of the New York Comedy Club, to let me enter “The Best Comic Standing Competition” in spite of warnings from the owners and seasoned stand-up comic professionals, that the audience would literally, eat me alive and throw me off stage, if my inexperience showed, in the least bit, during my performance as a comedian.
DETAIL FROM, “THE VIRGIN MARY AND LAMBCHOP VISIT AMSTERDAM”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Part of being an artist is learning how to fail, because failure comes with risk and without risk, there is no progress and progress comes from learning to cope with the experience of disappointment and without disappointment, an artist can never experience success.
An artist, should always be smart enough to fear failure but strong enough to realize, that hard work and study of craft can minimize the risk. Therefore, as an artist, I listened to the sound advice of modern masters I have met, in my curious passage through this blessed, spectacular lifetime.
When I lived in Beverly Hills, California, I met “The Diceman”, Andrew Dice Clay, and at first I thought he was being insulting when, in front of his manager at a pizza shop on Rodeo Drive, he told me, “If you want to be Hollywood, Victor-Hugo, you have to act Hollywood.”
As a wayward artist, living in the 90210 zip code, The Diceman’s words threw me into a brief but deep depression, that caused me to soul search, while walking the streets of Hollywood alone. Eventually, I ended up at The Backstage Cafe, in Beverly Hills; Ian Copeland’s legendary, hole-in-the-wall club, frequented by the likes of Herbie Hancock, Slash, Sting, Elizabeth Hurley, Sharon Stone, Dr. Dre and Tom Hanks, where L.A.’s top musicians often show up, to jam on their off nights. While trying to make sense of what I perceived to be, Andrew Dice Clay’s insult to my face, Bill Maher, the celebrated comic, spilled a drink on me, while walking upstairs, to the VIP section, at The Backstage Cafe. Mr. Maher immediately apologized and graciously offered to by me a drink. I accepted his offer and joined Bill Maher at his table for an unforgettable learning experience, surrounded by Hollywood aristocracy, that would forever change my worldview and life, as a maverick artist.
At the end of the day, upon reflection, I realized The Diceman had done me a huge favor, because the meaning of what he said sunk in to the fiber of my being and opened my eyes to the reality that there are no rules in art. I learned that Hollywood is an illusion that exists within reality and to be a true artist, I must convey the tangible reality of illusions to audiences clearly and succinctly.
I never thought I would make it to the finals of a stand-up comedy competition but then again, I never thought I would earn my living as an artist, either. I was supposed to be a Doctor, dutifully serving my country and Brothers In Arms, in the United States Navy, after graduating from the prestigious, world famous, leadership laboratory in Annapolis, Maryland known as, the U.S. Naval Academy.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II (USNA CLASS OF 93)
Alas, life has a funny way of happening when you least expect it and so I found myself, alone, on a beautiful beach in Florida, practicing my stand-up comedy routine, in front of an audience of sharks and fish, in the ocean.
JANUARY 2012 HAPPY HERALD FEATURING COVER STORY ON BEACHFRONT PROPERTY OF THE MAVERICK ARTIST VICTOR- HUGO VACA II
For six years, God blessed me with the opportunity to live on a pristine beachfront property on Millionaires Row in Florida.
HAPPY HERALD ARTICLE DESCRIBING THE LABYRINTH OF CREATIVITY ON THE BEACH, WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II LIVED AND BREATHED ART, IN NATURE.
The surrounding, undeveloped area, afforded me the unique opportunity to soak in the inspiration of my natural environment, without the clutter of distractions, chaos and noise from the outside world.
OASIS THAT PROVIDED SERENITY AND INSPIRATION FOR THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MATURE AS AN ARTIST.
I created masterpieces and developed my stature as a modern-art-gonzo-journalist reflecting on the human condition through the Modern Art Music Movement (MAMM).™
ARTICLE DESCRIBING THE LIFESTYLE OF MAVERICK ARTIST VICTOR-HUGO VACA II.
For hours and days before my performances, I studied comics at home, on tv and practiced the timing and nuances of my carefully crafted routine, in front of the flying fish and circling nurse sharks, that served as my captive audience, in the ocean. I figured, if the sharks didn’t bite and the fish were jumping, it meant my comedy routine wasn’t half bad.
BEACH WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II PRACTICED HIS STAND UP COMEDY ROUTINES CAN BE SEEN IN THIS REAL ESTATE AD.
To my amazement, I made it past the first couple of rounds and into the finals of “The Best Comic Standing” competition. It’s not that I doubted myself, because I had practiced and was sure of my ability, at least in front of the fish and sharks, but the New York Comedy Club competition was full of lifelong talent, that graciously embraced me as a newcomer on the comedy circuit and I didn’t think I could compete against such seasoned professionals, all I was looking for was the experience, to be quite honest.
Winning posed a new set of problems, because it meant having to come up with seven minutes of new material every week, to move on to the next round and I wasn’t sure the fish and sharks could take any more of my nonsensical babbling every day in practice. The secret of stand up comedy is making the scripted material seem off-the-cuff. That, and winning the audience over immediately, for if you don’t have the audience in the palm of your hand, within the first fifteen seconds of your performance, the remaining time on stage will seem like an eternity in hell, for anyone attempting to do stand up comedy.
An angry audience can make a great white shark seem like Santa Clause and scar an artist for life, if one is not prepared to fall hard, on the sharp knife of failure, without a safety net. Stand up comedy is not for the insecure, timid or faint of heart but I can honestly say it was one of the most thrilling and rewarding experiences of my remarkable life. In closing, I will say this, when people laugh at you, it hurts to the very core of ones soul, which is why bullying is so dangerous and unacceptable in any civil society; on the flip side, one of the most satisfying things in life is to witness people laughing with you, it warms my heart to see people smile.
The following is footage from one of my performances at The New York Comedy Club during “The Best Comic Standing Competition”. I understand there is footage of my other stand up performances, floating around somewhere, in the ether of the internet, and if I ever find those clips, I will gladly share them with you as well, if you wish.
In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.
Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.
“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)
Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.
“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)
For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.
“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)
The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.
RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.
The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).
‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)
When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.
“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)
“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”
“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:
Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
Jane Wieidlin – Musician (The Go-Go’s), Actress (Bill & Ted’s Excellent Adventure)
Dave Wakeling – Musican (Lead Singer The English Beat, General Public)
W. Nelson Lewis – Media maven, TV Personality (FOX News Greta Live Wire), Journalist, Television Producer (FOX News Laura Ingraham Show, FOX News Greta Van Susteren, GOLF Channel)
Michael Posner – Movie Maven, Delray Beach Film Festival Founder
Roger A. Bauman – Wolfsonian Museum Advisory Board Member, Entrepreneur, Business Mogul (Baumann Cosmetic Dermatology)
“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden
MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.
LILY HATCHETT INVITED THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MANIFEST MODERN ART MUSIC MOVEMENT HAPPENINGS, CAPTURED ON FILM, THAT CREATED WORKS OF FINE ART GRAFFITI, ON CANVAS.
Lily Hatchett invited former United States Naval Academy (USNA) Midshipmen Officers, Barnaby Ruhe and Maverick Artist Victor-Hugo Vaca II to create works of art at the legendary, live-action multimedia art event featuring performance art, live bands, dance, fashion, video presentations, and DJ’s for a spectacular, marathon party and Modern Art Music Movement™ Happening, in Fort Myers, Florida, inside the historic, Sidney and Berne Davis Art Center, lasting two days and nights.
MAVERICK ARTIST VICTOR-HUGO VACA II POSES FOR PORTRAIT BY BARNABY RUHE.
USNA Midshipmen Officers are taught to persevere in the face of extreme obstacles and severe impediments; important skills in the war of business, art creation and marketing strategies.
MIDSHIPMAN OFFICER VICTOR-HUGO VACA II LEADING THE 26TH PLATOON AT THE UNITED STATES NAVAL ACADEMY IN ANNAPOLIS, MARYLAND.
The Modern Art Music Movement™ Happening evolved organically, within the Hatchett Production, manifesting the largest work of art ever created by the Maverick Artist Victor-Hugo Vaca II on canvas, a triptych titled, “Ronald Reagan and His Monkey”. The colossal work of art has appeared in music videos and television show backdrops but has not been displayed in public since the event, due, in part, to its considerable size and the necessity of a spacious venue for proper exhibition.
MODERN ART MUSIC MOVEMENT: DAVID HATCHETT, MAVERICK ARTIST VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT IN FRONT OF MASSIVE, “RONALD REAGAN AND HIS MONKEY”, TRIPTYCH.
Barnaby Ruhe received his doctorate in shamanism and art practice, an interdisciplinary effort combining psychology, anthropology, art history, phenomenology and art studio action.
UNITED STATES NAVAL ACADEMY ALUMNI, BARNABY RUHE, PAINTS MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GLOBAL WARMING ART REPORT PARTY.
World Famous Leadership Laboratory Produces Presidents, CEO’s, Artists And Modern-Art-Gonzo-Journalists.
The U.S. Naval Academy was established in 1845. The mission of the USNA is “To develop Midshipmen morally, mentally and physically.” The campus, known as “The Yard,” is a National Historic Landmark, 33 miles from Washington, D.C. and 30 miles from Baltimore. USNA students must have a congressional or presidential nomination to apply.
The U.S. Naval Academy provides a demanding four-year program leading to a Bachelor of Science degree and a commission as an Ensign in the United States Navy, or as a Second Lieutenant in the United States Marine Corps.
It is not exaggeration to describe USNA Midshipman Officers, graduates and veterans as loyal, trustworthy and hardworking furthermore, they are not only great leaders but great followers as well, because Midshipman are taught, to both lead and follow, by example.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
“The academies naturally foster the ability to get along with your fellow man, primarily because you live so close together. You have to be able to relate to senior officers, to peers, and people under you. It’s imperative. This is directly transferable to business.” – James Kinnear, Naval Academy Alumni and CEO of Texaco.
BEFORE ENTERING THE U.S. NAVAL ACADEMY, MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) COMPLETED RIGOROUS LEADERSHIP AND SURVIVAL TRAINING, AT THE NEWPORT NAVAL BASE, IN RHODE ISLAND, WHERE HE WAS PART OF THE TRIUMPHANT, NAVAL ACADEMY PREP SCHOOL SWIM TEAM.
Barnaby Ruhe graduated from the U.S. Naval Academy in 1968. He was senior editor of Art/World newspaper in the 1980s and ’90s and wrote the first New York City reviews of work by Francesco Clemente and the Starn Twins, as well as essays on Francisco de Goya, Henri Matisse, Andy Warhol and Joseph Beuys.
USNA ALUMNI, BARNABY RUHE, SERVES ON THE BOARD OF, “ARTISTS TALK ON ART”, AND IS A SIX-TIME, WORLD BOOMERANG CHAMPION.
Barnaby Ruhe, is a romantic artist, who incorporates; sentiment, gesture and psychic journeying into his paintings. He runs shaman healing workshops at the Burning Man festival, each summer, inside the Shamandome Camp.
“MAVERICK ARTIST VICTOR-HUGO VACA II PORTRAIT” BY BARNABY RUHE.
Barnaby Ruhe is best known for his marathon, portrait-painting sessions, like the one in January of 2009, wherein he painted fellow United States Naval Academy trained Artist, Victor-Hugo Vaca II, in Fort Myers, Florida, at Lily Hatchett’s extraordinary two-day, “Global Warming Art Report Party”.
BARNABY RUHE PORTRAIT PAINTING MARATHON WITH “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN BACKGROUND OF PORTRAITS.
“Ronald Reagan And His Monkey” by Maverick Artist Victor-Hugo Vaca II, combined spirit and mood while reflecting all the dance, drama, satire and media that transpired over forty-eight hours of non-stop, magic moments, at “The Global Warming Art Report Party”, encapsulating the zeitgeist into a massive, triptych painting, measuring over twelve feet tall and fifteen feet long, in one explosive marathon moment on canvas.
DETAIL FROM, “RONALD REAGAN AND HIS MONKEY”, FINE ART GRAFFITI TRIPTYCH, BY VICTOR-HUGO VACA II.
In 1975 Barnaby Ruhe earned an M.F.A. from Maryland Institute College of Art and in 1989 he procured a Ph.D. from New York University. He is a professor at New York University’s (NYU) Gallatin School Of Individualized Study.
NAVAL ACADEMY ALUMNI, ARTIST, PROFESSOR AND SHAMAN, BARNABY RUHE IN MIDST OF PORTRAIT PAINTING MARATHON.
The U.S. Naval Academy is one of the nation’s best business schools, producing highly skilled individuals prepared for the battles that comprise the war of business.
Since World War II, America’s military academies have produced 1,531 corporate CEOs, 2,012 corporate presidents, over 5,000 vice presidents and thousands of small-company entrepreneurs.
The U.S. Naval Academy training includes life-long lessons in honor, teamwork, and discipline that cannot be duplicated at civilian universities or MBA programs.
AS PART OF THE USNA PREP SCHOOL TENNIS TEAM, THE MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) LEARNED THE IMPORTANCE OF HONOR, ETHICS AND INTEGRITY IN CHARACTER BUILDING.
Lily Hatchett, producer of “The Global Warming Art Report Party”, also graduated from the Maryland Institute College of Art, like Barnaby Ruhe, and she was the official cross-country, documentarian for the Warped Tour, Hothouse Flowers, Fishbone and Ringo Starr & The All Star Band.
ARTISTS DAVID HATCHETT, VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT.
Lily Hatchett published, Indie Film and Art Reporter, NYC , from 2009-2016, focusing on obscure art and film.
Lily Hatchett’s, “Global Warming Art Report” party, was also the first time the iconic, sociopolitical, “Crackhead Jesus is coming” sticker, was seen in public, after its controversial, headline-grabbing debut, at Art Basel Miami Week, during the 2007 Holiday season.
AS SEEN IN THE MIAMI HERALD NEWSPAPER COLLECTOR’S EDITION, ART BASEL MIAMI MAGAZINE: FEATURING THE CLASSIC, MAVERICK ARTIST VICTOR-HUGO VACA II, CRACKHEAD JESUS EXHIBIT, PROMO.
Though the sociopolitical sticker, catalogued in the Library of Congress reference book by DB Burkeman, “Stickers: From Punk Rock To Contemporary Art”, caused quite a stir because it was prominently displayed atop the canvas of fine art graffiti, created throughout the 48 hour party, Hatchett Productions did not censor the provocative artistic expression, in spite of some protest.
THE ART OF CREATION: CONTROVERSIAL “CRACKHEAD JESUS IS COMING” STICKER CAN BE SEEN ON TOP LEFT OF WORK IN PROGRESS, “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“The truth is artists are only millionaires on paper. They have to sell their work, and according to the IRS, their work has value whether it’s sold or not. I have small sketches, prints and paintings; they can all be valued at something.”- Barnaby Ruhe
THE FOUNDATION FOR “RONALD REAGAN AND HIS MONKEY” STARTED WITH SPRAY PAINTED GRAFFITI, BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT MANIFESTED INTO COLORFUL CHARACTERS AND VISTAS IN AN ALTERNATE UNIVERSE.
In a U.S. News & World Report 2011 survey of high school guidance counselors, regarding national universities and national liberal arts colleges providing the best undergraduate education in America, the U.S. Naval Academy ranked #1.
In 2012, U.S. News & World Report ranked the U.S Naval Academy as the #1 Public Liberal Arts College in the nation, for the second year in a row.
In the 2012 U.S. News & World Report college rankings, the U.S. Naval Academy tied for 4th Best Undergraduate Engineering among non-doctorate-granting institutions.
“I WAS OFFERED THE OPPORTUNITY TO EXPRESS MYSELF, AS AN ARTIST, ON A MASSIVE BLANK CANVAS, IN FRONT OF A LIVE AUDIENCE FULL OF LEGENDARY ARTISTS, AT A TRIPPY, TWO-DAY, NON-STOP PARTY, TO RAISE AWARENESS ABOUT GLOBAL WARMING; SO, OF COURSE, I SEIZED THE DAY AND FLOWED INTO THE UNIQUE MOMENT, WITHOUT HESITATION.” – MAVERICK ARTIST VICTOR-HUGO VACA II
In 2016, the United States Naval Academy was ranked #2 in Public Colleges, #9 in Liberal Arts Universities, #17 best undergraduate institution and #24 Top College by Forbes magazine.
“THE ART OF CREATION BEGINS WITH A BLANK CANVAS AND AN OPEN MIND.” – VICTOR- HUGO VACA II
The U.S. Naval Academy teaches Midshipman Officers how to be effective leaders by exercising how to take command, execute orders, and making sure that those orders are carried out swiftly.
BEFORE ENTERING THE U.S. NAVAL ACADEMY IN 1989, THE MAVERICK ARTIST VICTOR-HUGO VACA II, HAD TO PROVE HE WAS RELIABLE, TRUSTWORTHY AND HONEST ENOUGH TO GRADUATE FROM THE USNA PREP SCHOOL IN NEWPORT, RHODE ISLAND.
“You were never outside the environment in which leadership mattered. We marched to class and we marched to every single meal, constantly in the presence of someone exhibiting leadership.”- Robert Herres, U.S. Naval Academy Alumni and retired CEO of USAA, a $60 billion insurance company.
DETAIL FROM “RONALD REAGAN AND HIS MONKEY” FEATURING THE ICONIC “CRACKHEAD JESUS IS COMING STICKER” (TOP LEFT) BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“If you look at the majority of successful people in business, the common feature of most of them is that they get things done, they deliver, they execute. That’s built into the DNA of what you’re taught at the military academies.”- Pete Dawkins, West Point Alumni, Heisman Trophy winner and vice chairman of Citigroup Private Banking.
BEHIND THE SCENES: “RONALD REAGAN AND HIS MONKEY”, WAS FEATURED IN THE ROCOPERA MUSIC VIDEO FOR, “SHAKE THE CITY”, PRODUCED AND DIRECTED BY, MAVERICK ARTIST VICTOR-HUGO VACA II.
“The academies are designed to produce leaders, and I think good leaders are successful irrespective of the medium they’re working in. You can have a terrific idea, a great plan, and bad leadership, and you’ll fail. You can have a bad plan and really good leadership, and still figure out how to make it successful. Leadership is the single most important ingredient in all institutions. If you have bad leaders, the rest doesn’t matter.” – James Kimsey, West Point Alumni and co-founder of America Online.
IN 1989, MIDSHIPMAN OFFICER VICTOR-HUGO VACA II WAS ADMITTED INTO THE UNITED STATES NAVAL ACADEMY CLASS OF 1993.
“Once you absorb that, your whole mindset changes. In battle, if you’re leading a company up a hill, and that night you have to write letters to all the mothers whose sons got killed that day, for whatever reasons, you realize there is no excuse. If you’re a CEO whose company is laying off thousands of workers because you failed to understand how the market changed, you also realize there is no excuse for those people now out of a job.”- James Kimsey, looking back on how Plebes at West Point and the U.S. Naval Academy are taught to respond, “No excuse, Sir!”, when their personal shortcomings and failure are exposed.
THE SCALE OF VENUE AND ARTWORK CREATED BY VICTOR-HUGO VACA II CAN BE SEEN IN THIS AERIAL VIEW.
“The Academy training gives you an attitude, and it’s the attitude that makes the difference. When I deal with Academy people in the business world, and I am asking for something to be done, I know it’s going to get done. I don’t hear a lot of, ‘Here are my excuses,’ but rather, ‘I am going to get it done, regardless.’ And that’s leadership.”- Ron Jones, Naval Academy Alumni, senior vice president at Veridian, a computer and engineering company.
WORK IN PROGRESS FINE ART GRAFFITI BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“We learned at the Academy that the Honor Code had no geographical boundaries or limits. It applied at all times, whether we were in or out of uniform…. At first it was rather intimidating. One slip-up could mean expulsion.” – Gil Dorland, from his book, “Duty, Honor, Company”.
MAVERICK ARTIST VICTOR-HUGO VACA II OUTSIDE OF THE SYDNEY AND BERNE DAVIS ART CENTER IN FORT MYERS, FLORIDA.
The United States Naval Academy, implants into the fiber of being of all Midshipman Officers, key success factors and qualities in areas of the private sector, such as: honor, ethics, and integrity.
“If you don’t have honor, integrity, and ethics, it will be found out and people won’t deal with you. Whatever you do in the business environment, your word is most important. You’d better do what you say you’re going to do. Once you lose your credibility, your value diminishes dramatically, both through the eyes of the people that work for you and the people you deal with. It’s sort of a sine qua non of being successful.” – Jim Kimsey, America Online co-founder.
“The fact is, honor, ethics, and integrity are key success factors in many areas of the private sector.” – Eric Grubman, Naval Academy Alumni and a partner at Goldman Sachs.
USNA MIDSHIPMAN OFFICERS VICTOR-HUGO VACA II AND JEFF EGAN.
Elite business schools like Wharton and Harvard hold military academy graduates in high regard. In the Harvard Business School class of 2001, 37 students had bachelor’s degrees from Harvard, in second place for undergraduate training, were the service academies, with 24 alumnus.
“At Wharton, leadership was a class that we took. At the Academy, leadership was a way of life.” – Ron Jones, who attended the Naval Academy and Wharton, contrasting the education he received at each institution.
CLASS OF 1993, PLATOON 26, ROOMMATES AND USNA MIDSHIPMAN OFFICERS, LIVING AND LEARNING TO MAKE QUICK DECISIONS, IN BANCROFT HALL, THE LARGEST SINGLE DORMITORY IN THE WORLD (MAVERICK ARTIST VICTOR-HUGO VACA II, HOLDING UP PEACE SIGN) .
The U.S. Naval Academy excels at teaching Midshipmen Officers the art of communicating swiftly and clearly with the rank and file, a skill necessary for successful CEO’s.
“Every day, you interact with your classmates and with your professors. You have got to communicate from day one as a plebe when you’re being hazed. You’ve got to communicate with your peers to survive.” – Joe Gudenburr, West Point Alumni and vice president of manufacturer, BuckBee-Mears.
THE MAVERICK ARTIST VICTOR-HUGO VACA II (FAR RIGHT) GRADUATED FROM THE NAVAL ACADEMY PREPARATORY SCHOOL; THE NAVY’S FOURTH OLDEST SCHOOL, BEHIND THE NAVAL ACADEMY, NAVAL WAR COLLEGE AND THE NAVAL POST GRADUATE SCHOOL.
Business leadership and stress go hand in hand; attending a U.S. military academy, like the USNA, provides practical stress management training.
“The academies are the finest institutions in the world at teaching honor, ethics, integrity, and loyalty. What you learn at a place like West Point will remain with you throughout your business career.” – Alexander Haig, President Reagan’s first Secretary of State, on U.S. Military Academies like the United States Naval Academy and Air Force Academy.
THE MISSION OF THE NAVAL ACADEMY PREP SCHOOL IS, “TO ENHANCE MIDSHIPMAN CANDIDATES’ MORAL, MENTAL, AND PHYSICAL FOUNDATIONS TO PREPARE THEM FOR SUCCESS AT THE UNITED STATES NAVAL ACADEMY” – MAVERICK ARTIST VICTOR-HUGO VACA II
Platoon leaders don’t have time to consult with headquarters during life and death combat situations, therefore Midshipman Officers are trained to make crucial quick decisions on their own, which translates into a valuable skill, in the war of business.
“Communication is very poor on the battlefield; so commanders have to react to the situation rapidly on their own with relatively limited information. There’s no time for the chain-of-command to issue orders. This is very characteristic of business. Businesses that do this well end up with higher performance.” – Jerry York, former CFO of Chrysler and IBM, vice-chairman of Tracinda, an investment company, and West Point Alumni.
MUSE CONTEMPLATES WORK OF ART BY MAVERICK ARTIST VICTOR-HUGO VACA II TITLED, “STEPPING INTO THE NIGHT”, AT THE SIDNEY & BERNE DAVIS ART CENTER.
“Too often art is about the hawking of wares, rather than about the quality of life and the human experience. Art has always existed. Humankind obviously has a need for intangibles. Even something seemingly as simple as entertainment is deeply rooted in humans, we have been entertaining each other right from the first storytellers who described occurrences and faraway places.” – Lily Hatchett
“Having survived two Plebe years, at NAPS and the United States Naval Academy, nothing fazes me; I see no limitations, only challenges.” – Maverick Artist Victor- Hugo Vaca II
USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
“What are the things that you can’t see that are important? I would say, justice, truth, humility, service,compassion, love. You can’t see any of those, but they’re the guiding lights of a life.” – Jimmy Carter, United States President and U.S. Naval Academy Alumni Class of 1946.
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