FOR IMMEDIATE RELEASE- August 23, 2018. AMERICAN PRINTING MONOPOLY USES POLITICAL CORRECTNESS TO CENSOR NEW YORK BORN HISPANIC ARTIST, VICTOR-HUGO VACA II, BEFORE MIDTERM ELECTIONS IN USA. What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
Maverick artist Victor-Hugo Vaca Jr. claims the much anticipated modern-art-graphic-novel series inspired by Florida Case Number 50-2006-CC-016579, dubbed, “The Crackhead Jesus Trials”, by mainstream media news outlets, has been censored by a powerful United States corporation, whose owner deemed the Latin author’s content to be inappropriate for the “men, women and children employed by the company”, according to PRC Book Printing CEO, Jacob Hope.
It appears a corporate monopoly of communication is subversively using political correctness to veil racism that effectively muzzles the voice of a Hispanic-American citizen, described by the USA Today Network as an, “Artist. Author. Filmmaker. Journalist. Maverick. Revolutionist.” , from publishing his highly anticipated “diary of the world on canvas”.
The fact that a print media monopoly is arbitrarily censoring books, before they ever get printed in hardcover, for copyright and registration into the United States Library of Congress, should alarm both capitalists and Constitutionalists alike. This frightening reality begs the question: “Why are the most powerful companies in the world, suddenly, so threatened by an independent Hispanic-American author from Queens, New York, that they are willing to lose business in order to silence him?”.
The sharp decline of newspaper readers and bookstores in America has decimated the printing industry, leaving only two companies, to produce high-quality, hardcover books, in the United States. This reality has manifested a racist business model, disguised in political correctness, that enables top notch printing monopolies, to mute strong Latin voices, by sweeping minority authors into a ghetto of publishing mediocrity.
In his explanation for why the Hispanic-American authored book is being suppressed, in violation of the First Amendment and anti-discrimination laws, the PRC Book Printing CEO claims that “children” are employed by the printer, to examine material that is about to be released and quell any parts that are considered, obscene or politically unacceptable.This business model enables the printer to arbitrarily censor free speech and eliminate any historical records deemed offensive, such as The Spanish Inquisition, slavery in America or the Crackhead Jesus Trials, by refusing to accept payment, from any independent minority business owners, seeking to self-publish historical-fiction and modern-art-gonzo-journalism, through interstate commerce, in the United States.
The contentious saga titled, “Redemption: The Story of The Crackhead Jesus Trials-Part II: The Second Coming of The Three Muses.”, by New York born Hispanic multi-media artist, Victor-Hugo Vaca II, was scheduled for release as a Limited Edition First Print Collector’s Item in time for the start of the 2018 Christmas shopping season, as a unique stocking stuffer, sold in select markets, after a prototype was successfully test marketed, during Art Basel Miami, in 2017 and later featured in a 2018, Vigore Chicago Magazine, cover story.
The planned mid-September 2018 roll-out of the first in a series of ten modern art graphic novels, about the origin of modern-art-gonzo-journalism and the Modern Art Music Movement, is now on hold, indefinitely, due to the crippling stranglehold printing press monopolies have in the United States to dictate culture and control speech. Whether the controversial series, over ten years in the making, will ever be published, is now in question, as the epidemic of censorship in the United States muzzles the voice of outspoken minorities that dare to speak truth to power.
The Supreme Court case of Jack Phillips, a Colorado baker who refused to make a custom cake for a same-sex-couple echoes the hardcover book printers, denial of service to one of the most influential artist’s of the 21st Century, Hispanic-American author, Victor-Hugo Vaca II. The difference in incidents being, the number of bakeries available to same-sex couples, versus the number of hardcover book printers made available to minority customers in the United States is a huge gap that makes it impossible, for independent minority-owned small businesses to publish thought provoking literature, in hardcover fine print. This unlawful action deprives minorities the right to reach a wide audience of intellectuals, craving unique political perspectives, before critical midterm elections in the United States.
In 2017, the Slants won a Supreme Court, First Amendment battle, that made world headlines, including Amsterdam’s, deVolkskrant Newspaper. The verdict enabled Victor-Hugo Vaca Jr. to apply for trademark of “Crackhead Jesus”, after initially being rejected, several times, by the United States Patent and Trademark Office, which labeled the fictional title character, “rude, disgusting, vulgar and offensive”.
Having overcome a series of free-speech obstacles, including an infamous incident wherein The Palm Beach Post, on October 29, 2010, inexplicably used “nine question marks” to redact the title of Vaca’s award-winning film, “Crackhead Jesus: The Movie”, when it screened alongside Stanley Kubrick’s “A Clockwork Orange” and “Pink Floyd’s The Wall” at the Modern Art Music Movement Midnight Cult Movie Series in Lake Worth, Florida, the dogged artist claims that he is determined to get his book published, even if it means taking a discrimination case to the Supreme Court.
Palm Beach Post Movie Listing 10/29/2010
The envelope pushing Hispanic-American author planned several book signings at select retailers across America including New York City, Brooklyn, Queens, New York, Miami, Marco Island, Naples, Fort Myers, Venice, Florida, Myrtle Beach, South Carolina, and Austin, Texas, before receiving news that the printer refused to honor his signed contract or accept payment in full, from the Latino artist, without any written explanation as to what content was deemed by someone in production to be “inappropriate” and why.
In a letter dated August 23, 2018 from Jacob Hope to Victor-Hugo, the following is stated, “My sincerest apologies. PRC Book Printing itself does not have issues with the files we received and would be happy to print your book if we had the ability. Unfortunately, our third-party printer, which we use for jobs with short turnaround times such as yours, is unwilling to produce your book due to some of the content.”
The alternative, according to Hope, is to buy hardcover books from China and postpone release of the revolutionary modern-art-graphic-novel series, produced by the Modern Art Music Movement, as a means of documenting history, through works of fine contemporary art, some of which, were manifested live, on stage, at “MAMM Jam Happenings” across America, orchestrated and choreographed by the multimedia artist, Victor-Hugo Vaca II, creator of modern-art-gonzo-journalism and founder of the Modern Art Music Movement, alongside legends in the music industry, seeking to raise awareness and spread compassionate wealth, through artistic charity benefit concerts.
So, what’s the takeaway for every American Citizen, regardless of race, creed or color?
That a U.S. company, responsible for documenting history and culture in print, would willfully turn business over to China, begs the question: What is it about the Hispanic-American authored book that makes its content banned in the U.S.A. before ever being printed for publication?
“The subtle racism of colonial capitalism enables print communication companies to censor the voice of outspoken Hispanic-American artists documenting history in the United States during revolutionary times.” – Victor-Hugo Vaca II
Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.
STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.
On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.
Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.
The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”
January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”
The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.
Victor-Hugo Vaca II book Interview with Peter Wein discuss fact that Washington Post chooses politics over public safety by ignoring allegations of a serial-killer spinal-surgeon in Baltimore, Maryland and Washington D.C. Instead of investigating allegations of murder in its own backyard the Washington Post put its limited resources into covering the story of forty-year old allegations, made against Judge Roy Moore, during the Alabama Senate race.
After Meryl Streep publicly calls Harvey Weinstein, “God”, at the Academy Awards, Hollywood comes clean about fake feminism and the glaring, rule of law double standard, for pedophiles and serial rapists, empowered by toxic leadership in collusion with a corrupt justice system, manufacturing a Sharia Law world, for the united slaves of America.
Ask New York Times Audience Strategy Editor, Nick Dudich, to comment on why Meryl Streep would proclaim that Harvey Weinstein is “God” and the godson of disgraced and allegedly treasonous, former FBI Director, James Comey, would probably respond, by ignoring the question and instead, change the subject by calling Donald Trump a pervert, who talks about grabbing women, by the pussy on NBC.
Ironically, the New York Times has exposed the hypocrisy of fake feminists, like Lisa Bloom, Michelle Obama and Hillary Clinton, who herald Harvey Weinstein, Bill Clinton and Barrack Hussein Obama, as role models for children and men.
Fake feminists, like Linda Sarsour, who organized the Women’s March On Washington, claim Sharia Law empowers women. Crackhead Jesus loves Sharia Law and thinks Harvey Weinstein is God too.
Modern-art-gonzo-journalists are exposing the truth behind the lies spewed by fake feminists, like Donna Karan, who blame women for getting raped by guys like Harvey Weinstein and Bill Cosby.
Lisa Bloom, Donna Karan, Linda Sarsour, Michelle Obama and Hillary Clinton, confuse men, urged, by fake news media, like the New York Times, NBC and CNN to emulate the behavior and actions of flawed individuals, like Harvey Weinstein, Bill Clinton and Kobe Bryant, held up in public as heroes and gods rather than rapists or crackheadjesus.
“If men can marry men and women can marry women, why isn’t Polygamy legal in the United States?” – Victor-Hugo Vaca II
Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.
Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?
Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?
This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.
The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.
In the New World Order, being created by social media, an educated minority asks:
Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?
If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?
If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?
Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.
Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.
“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II
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