Washington Post readers wonder why the wealthiest man in human history, Jeff Bezos, spends money to promote fake news gossip instead of hiring investigative journalists to follow decades old leads that the FDA is enabling an alleged serial-killer spinal-surgeon to hunt humans in the D.C area the way Hollywood allowed Harvey Weinstein and Bill Clinton to rape women for years under the public’s nose.
Meanwhile, racist CNN uses “Needy Latino’s” Jim Acosta and Ana Navarro to degrade and embarrass Latin culture every time these fake news reporters fall into unhinged rants with stereotypical hysterics and screams of profanity, not witnessed since PBS aired “Que Pasa USA?”
As Jeff Bezos counts his billions, while discarding the public trust of a global community, CNN’s resident “Fake News Uncle Tom’s”, Don Lemon and Van Jones, under the thumb of John Martin, are used as fake-news-slaves by the Turner Broadcast System, under Time Warner, to exploit CNN’s race baiting propaganda.
And then there’s NBC, reminding fake news reporters that spreading lies gets you work at MSNBC.
“Shine, because if you don’t deal with corruption and evil, it goes berserk and you will never be happy.” – Victor-Hugo Vaca II
January 11, 2018- Educated minorities, immigrants and feminists realized CNN was race baiting when talking heads Don Lemon, Anderson Cooper and other fake news reporters at the propaganda network used the term “Shithole” more than 195 times, against FCC regulations, over gossip of unsubstantiated allegations against President Donald Trump, as the “shithole” of Sweden was crowned “The Rape Capitol of Europe” the racist fake news network failed to mention the word for Muslim Gang Rape Culture, Taharrush, that is exploding across Europe and creeping into the United States.
Educated audiences witness the insincerity of fake feminists like Anderson Cooper and Don Lemon fighting back tears over allegations of the word “shitthole” being used to describe countries like Sweden and Haiti, while completely ignoring the word “Taharrush” which can be witnessed in multiple videos on YouTube, showing women being gang raped by Muslim immigrants in the streets of Europe, as police officers passively stand by, listening to the screams of women being sexually assaulted by packs of men, playing the rape game in public.
By ignoring the actions of men caught on tape sexually assaulting women, over the alleged words of a man describing the condition of countries like Sweden as shitholes, CNN fake news pundits show feminists and minorities how toxic leadership is more concerned with gossip than action.
TAMPA BAY TIMES CEO PAUL TASH DROPS BALL ON SHADOW BANNING STORY
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC “CRACKHEAD JESUS IS COMING” STICKER, CENSORED BY ALGORITHMS USED BY SOCIAL MEDIA GIANTS FACEBOOK AND INSTAGRAM UNDER THE LEADERSHIP OF MARK ZUCKERBERG.
STICKER BOOK by DB BURKEMAN features sociopolitical art by Hispanic New York born artist, VICTOR-HUGO VACA II, on page 232.
On May 4, 2016 the Tampa Bay Times purchased The Tampa Tribune, before a story could be published in The Tampa Tribune about Instagram, Facebook and Twitter, using shadow banning algorithms to silence opposing views after Instagram permanently deleted the digital footprint of the maverick artist Victor-Hugo Vaca II, following the release of an article in Centro Tampa, a Spanish language sister newspaper to the Tampa Bay Times, titled, “Arte moderno en Ybor y Clearwater”, about the outspoken Hispanic producer’s attempts to fight censorship with his “diary of the world on canvas”, known as modern-art-gonzo-journalism.
Tampa Bay Tribune Publisher, Brian Burns suggested that Victor-Hugo Vaca II contact Tampa Bay Times Chairman, Paul Tash, with the news tip that, seven minutes after a photo of the prolific provocateur sitting with Hillary Clinton’s Brother, Hugh Rodham, was posted on Instagram, Mark Zuckerberg, using unreported algorithms, issued a digital death sentence at the peak of the thought provoking artist’s popularity on his social media platforms, just days before the heated 2016 U.S. Presidential race against Donald Trump, to censor opposing political viewpoints.
The work of modern-art-gonzo-journalism created after Victor-Hugo Vaca II contacted the office of Paul Tash, Tampa Bay Times Chairman and CEO, with the shadow banning news tip, is titled “Digital Reporter Gets Facebook/Instagram/Clinton 2016 Social-Media Censorship Story As Fox News Ponders Public Trust Of Biased Reporting By News Sources And Chooses To Publish Narratives On Local Slip & Slide, A Stolen Lounge Chair & Adoption Of A Limp Dog; Begging The Question: Will Tampa Bay Times 2016 Election Reporting Be Fair & Balanced?”
January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. January 11, 2018 Project Veritas exposes Twitter shadow banning to “Ban a way of talking”. According to Olinda Hassan, on video, the Twitter Trust & Safety Policy Manager claims, “We’re trying to get shitty people to not show up. It’s a product thing we’re working on.”
The same day, Olinda Hassan’s statement about censorship and social engineering by media monopoly staff was put into public consciousness, by James O’Keefe, via Project Veritas, alleged CIA operative, Anderson Cooper, of fake news media CNN, reported as a fact without evidence, that during a closed door meeting with Democrats, President Donald Trump allegedly asked, “Why are we having all these people from shithole countries come here?”, thus fueling the rapid decline of public trust in mainstream media news outlets that assume people are too dumb to understand distraction while being fed a low truth news cycle of bread, circus and gossip from talking heads, disguised as journalists, controlled by opinionated media giants colluding with toxic leadership, to stifle opinion and thought, while clearly deflecting their own guilt and insecurities onto others.
Instagram Facebook Owner Deletes Digital Footprint Of Maverick Artist Victor Hugo.
Google has shown itself publicly, to be a monopoly, under leadership that censors diversity of opinion and terminates employees for thought crimes. As Facebook expands into volatile areas in Africa, Asia, Cuba, Mexico, Central and South America, will Mark Zuckerberg decide which artists to censor in controlling cultural growth?
Authoritarian regimes cut people, like artists, out of commerce and marketplace. Evidence is mounting, that Facebook CEO, Mark Zuckerberg, is racist and leading monopolies in an effort to suppress art and cultural history, by permanently eliminating the digital footprint of college-educated Latino’s and other outspoken, influential minorities on Facebook and Instagram, as the world goes digital. As digital currency like, Bitcoin, grows in popularity and usage, the swift digital death sentence of New York born, Hispanic-American, maverick artist, Victor-Hugo Vaca II, is a profound, canary-in-the-coal-mine moment, for both crypto-currency and social media, in their infancy. Will Facebook and Twitter go the way of MySpace, as a growing number of educated minorities, realize that Mark Zuckerberg can use his white privilege to silence their speech?
This bellwether may have everyone reverting to new ways of thinking and communicating, so as to outsmart censorship of information, by monopolies, run by oligarchs, seeking to control thought and influence. Victor-Hugo Vaca II was banned, permanently, from Facebook, for sharing art, deVolkskrant Headline News, and other worldwide newspaper articles, about the United States Supreme Court ruling on the censorship of offensive trademark names.
The mention of his seminal character, Crackhead Jesus, in the first paragraph of the article, has incited Facebook to censor the 5,000 friend account of the Maverick Artist Victor-Hugo. His modern-art-gonzo-journalism has been banned on the social platform before, however, this time, Facebook decided to digitally ostracize and terminate the artist’s digital identity, to manipulate facts by saying, “We couldn’t find anything for Victor-Hugo Vaca Jr.”, in multiple languages, thereby falsely implying, that the globally recognized artist never existed in the Facebook community.
In the New World Order, being created by social media, an educated minority asks:
Is Facebook CEO, Mark Zuckerberg using censorship to social engineer cultural growth in emerging markets?
If Mark Zuckerberg terminates your digital existence through an immediate death sentence, without appeal, does it mean people will not be able to find or remember you, or does it mean, the Facebook Emperor has been unveiled and found to be wearing no clothes, so people go back to living in the real world, outside of virtual reality and fake news?
If reputation is wealth, what happens if an EMP shutdown of electronics wipes out your digital bank account and all you are left with is fading receipts from too-big-to-fail-banks?
Minorities start at the back of white privilege, where guys like Mark Zuckerberg lead the pack. Now, Zuckerberg has shown publicly, his willingness, to take out a big stick and trip any ‘needy Latino’s’ or other minorities, at the peak of 5,000 friends, just to show everyone his place, in the social media monopoly, that he firmly controls, with his ubiquitous thought police.
Mark Zuckerberg’s executives, sentenced Maverick Artist Victor-Hugo’s web footprint, to a swift digital death, at the peak of the provocateur’s popularity on Instagram: Days before the 2016 Presidential election, a photo of Hillary Clinton’s Brother, Hugh Rodham, holding an autographed ‘Crackhead Jesus is coming sticker’, sitting beside the Maverick Artist Victor-Hugo, in the VIP section, of a South Beach Nightclub, was posted for public consumption. Seven minutes after the artist’s digital image was made public, his account was deleted and his digital footprint, on Instagram, swiftly ceased to exist, forevermore.
MAVERICK ARTIST VICTOR HUGO VACA II WITH HILLARY CLINTON’S BROTHER, HUGH RODHAM, HOLDING THE ICONIC, ‘CRACKHEAD JESUS IS COMING‘ STICKER: AS SEEN IN THE LIBRARY OF CONGRESS REFERENCE BOOK, “STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART” BY DB BURKEMAN.
“The irony of Facebook and Instagram digitally ostracizing my art is that they have made my voice on the internet stronger, since the organic alternative to satisfying the natural curiosity of a deleted Facebook page, is for people to visit The Victor Hugo Collection, as noted in the skyrocketing attendance of www.victorhugocollection.com . As Victor Hugo said before me, nothing is more powerful than an idea whose time has come, and Zuckerberg’s billions of dollars can not conquer the strength of my name or the sincerity of my art.” – Victor-Hugo Vaca II
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