On March 1, 2017 the USA Today Network published an article titled, “Artist Victor-Hugo Vaca Jr. creates ‘a diary of the world on canvas’”.Five days later, boosting the decline of public trust in news media, as noted in a recent Gallup Poll, editors at a USA Today publication used subtle-censorship to openly corrupt a factual header, in favor of a glaringly fake-news headline, to downplay a unique story about modern-art-gonzo-journalism and the Modern Art Music Movement (MAMM). The trending internet article, by journalist Lisa Conley, about the curious career of the Maverick Artist Victor-Hugo, was printed in the Sunday March 5, 2017, Naples Daily Newspaper, under the headline, “Artist creates, ‘a diary of the world on canvas'”, after premiering globally on the USA Today Network, onthe same day that Democratic Congressman, Cedric Richmond, uttered a crude, gang-rape, sex-joke about the Counselor to President Donald Trump, Kellyanne Conway, at The Washington Press Club Foundation’s Annual Congressional Dinner.
Impactful USA Today Network News Headline
“Between the famous name, the Naval Academy, “Crackhead Jesus” and Pink Floyd, Victor-Hugo Vaca Jr.’s story has everything.“:The caption read, as the article quickly caught public interest and was picked up over the next five days by several mainstream media news outlets across America including: The Tennessean, The Naples Daily News and The Marco Eagle.
Artist Victor-Hugo Vaca Jr. USA Today Network
As Lisa Conley’s article gained readers and momentum in shares, on social media networks, like Facebook and LinkedIn, the real news headline was abruptly changed, to a fake-news internet headline, by USA Today editors, without explanation.
USA Today Network: Subtle-censorship.
The nonsensical caption negatively impacts search algorithms and serves to stunt the stories reach. Students of art movements and human history, are left confused, rather than informed, when using Google, Bing and other information gathering resources on the internet, to research the United States Naval Academy trained, New York born, Hispanic, multi-media artist, Victor-Hugo Vaca Jr., who is better known by his stage name, Maverick Artist Victor-Hugo, when performing as part of the Modern Art Music Movement (MAMM), to raise money for charity and education scholarships, as well as elevate awareness about under-reported social issues, such as waning public trust in news media, at public events, like, Wet Paint Live, in Marco Island, Florida, as reported, in the USA Today Network article by Lisa Conley.
Artist Victor-Hugo Vaca Jr. USA Today Network
Victor-Hugo Vaca Jr. is listed in The Library Of Congress amongst some of the most influential artists in modern history, including The Beastie Boys, Shepard Fairey and The Wu Tang Clan, in the University/College reference book, by D.B. Burkeman, titled, “Stickers: From Punk Rock To Contemporary Art”. The Maverick Artist Victor-Hugo is known to no one in the entertainment industry or in his private life as, Vaca.
The headline “Marco visitor Vaca paints to create ‘diary of the world on canvas'” begs the questions: “If a USA Today journalist goes to Syria on assignment, would USA Today editors say the reporters are visiting or working to gather useful news and information for public consumption and if the artist Willie Nelson performs in Naples, will the Naples News headline read, “Nelson Visits Naples”?
Artist Willie Nelson USA Today Network
The same week, USA Today Editors, corrupted truth with false narrative, a story headlined, “Willie Nelson at Artis-Naples” was published in The Naples Daily News. The Naples News editors, who inexplicably chose to burden Conley’s work with a fake news headline, were then asked: “Wouldthe headline for a performance by Lady Gaga, Sting or Cher in Marco Island read; “Marco Visitor [Whatever Lady Gaga, Sting, or Cher’s Last Name is] Sings Songs About Life”?
According to USA Today Network editors, when asked to provide an explanation for this betrayal of public trust and answer why they chose to surreptitiously alter a fact based headline in favor of heralding a grossly misleading caption as truth for subscribers, the following statement was provided:
“We used the phrase Marco visitor because we try to emphasize local angles in headlines to distinguish our local stories from all of the state, nation and world stories available on our website and others. We used just his last name in the headline because that is standard practice in American journalism to keep headlines shorter and thus more readable. It’s not standard practice to put Jr. in a headline unless necessary to distinguish someone from his father. In this case, that wasn’t necessary because few of our readers would think of his father.”
Artist Victor-Hugo Vaca Jr. USA Today Network
It is curious, to say the least, that the USA Today Network would choose to bury a story about modern-art-gonzo-journalism, by purposefully changing the title to mislead algorithms and search engines, at the height of public interest. USA Today editors, using archaic, truth-defying-standards, appear to rationalize the perpetuation of false narratives, through fake news headlines, as a way of dumbing down the public. It is no wonder that smart readers have fled, in hordes, from subscribing to the poetic-misinformation peddled by newspapers.
The Palm Beach Post censors film title.
On October 29, 2010, The Palm Beach Post used subtle-censorship in the form of nine question marks, ?????????, to corrupt the title of the award-winning film, “Crackhead Jesus: The Movie”; a film written, produced and directed by Victor-Hugo Vaca Jr., as part of the 2010 Delray Beach Film Festival 72-Hour Movie-Making Competition.
“Crackhead Jesus: The Movie” Marquee.
When the 72-Hour Film Competition winner was screened alongside cult classic films, “Pink Floyd’s: The Wall” and Stanley Kubrick’s, “A Clockwork Orange”, in Lake Worth, Florida, as part of the Halloween Modern Art Music Movement Midnight Cult Movie MAMM Jam, the fake Palm Beach Post movie listing caused needless confusion for subscribers in the surrounding community and realized lost revenue for the theater owner and event producers.
Subtle-censorship by The Palm Beach Post.
To the credit of USA Today publications, though editors chose to stifle proliferation of the story of modern-art-gonzo-journalism on the internet, with a fake news headline, they did not censor, in print newspaper or on the internet, the contentious name of the title character, Crackhead Jesus, from the controversial, award-winning film, inspired by court documented events.
Artist Victor-Hugo Vaca Jr. USA Today Network
To credit USA Today publication editors at the Naples Daily News, which claims an audience of 70,995 Sunday and 60,232 daily, they did not use a fake news headline in the print newspaper version of Lisa Conley’s article, published on March 5th, 2010.
Artist Victor-Hugo Vaca Jr. USA Today Network
Modern-art-gonzo-journalism serves as a bridge between art and journalism, to help people understand the other side of the story, by seeing past the truth, through the Modern Art Music Movement (MAMM).
Modern Art Gonzo Journalism.
As newspapers struggle to stay relevant, it is only a matter of time before fake news headlines on websites perpetuated in big, bold letters and words, that ultimately mean nothing and only serve to confuse facts, will consume public trust and further alienate a growing skeptical internet audience.
The question for editors at USA Today remains the same: “Will the headline, ‘Willie Nelson at Artis-Naples’ eventually be changed to read, “Nelson Visits Naples” and will a performance by Lady Gaga, Sting or Cher in Marco Island receive the headlines, “Marco Visitor [Whatever Lady Gaga, Sting, or Cher’s Last Name Is] Sings Songs About Life”?
Artist Victor-Hugo Vaca Jr. USA Today Network
“Subtle censorship is a slippery slope, filled with false narratives that create fake news and collapse public trust in news media outlets.” -Maverick Artist Victor Hugo Vaca Jr.
WHO’S WATCHING OUR JUDGES? How The Crackhead Jesus Trials, White Guilt, Judge Donald W. Hafele, Judge James Robart, Judge Richard R. Clifton, Judge William Canby And Judge Michelle T. Friedland Exposed Judge Shopping And Judicial Tyranny To The United Slaves Of America While Knowingly Exposing Every American To Threats Of Terrorist Attacks From Improperly Vetted Immigrants Of Countries Where Sharia Law And Anarchy Rule.
On November 5, 2008 a painting was created by the Maverick Artist Victor-Hugo Vaca II that begged the question, “Who’s watching our Judges?”
The work of modern-art-gonzo-journalism was inspired by Florida Case #50-2006-CC-016-579 dubbed, “The Crackhead Jesus Trials”, by weak mainstream media news outlets, that ignored the warnings of Judge shopping and judicial tyranny exposed inside a Court, presided over by Judge Donald W. Hafele, who was appointed by Governor Jeb Bush and who served in a little-known, three member board, known as, “The Fairness Of Elections Committee”, in the year that George Bush Jr. was appointed President of The United States, by Florida Bar Judges of the Supreme Court, without receiving the majority of the United States popular vote, in the year 2000.
Art imitates life, in that, the question posed in a work of modern-art-gonzo-journalism, manifested in 2008, rings truer than ever before in 2017; the year three judges from Washington State effectively put the lives of over 350 million Americans of every race, creed and color, in clear and present danger, because the truth is, Rule Of Law is for sale to the highest bidder, in the U.S. and does not apply in the same way to all citizens, because it clearly favors illegal immigrants and an elite 0.01%, like Hillary Clinton and John Stumpf.
Jenny Scordamaglia of Miami TV dared to venture where so-called investigative journalists wouldn’t, in her infamous, bi-lingual interview, with the Maverick Artist Victor-Hugo Vaca II.
https://www.youtube.com/watch?v=kBPWzGWRcHc
“It appears to Hispanics, Blacks, Asians and Muslims who are paying attention, in the Age Of Donald Trump, that white-guilt has some liberal-progressive Caucasians losing their minds, collectively, in full public view, to the detriment of all United States citizens and legal immigrants.” – Maverick Artist Victor-Hugo Vaca II
On January 20, 2017, Donald Trump was sworn in as the 45th President of the United States as the former First Lady, Michelle Obama scowled and White protestors shouted, “Black lives matter!”, while black thugs shoved their middle fingers in the faces of peaceful white men wearing “Make America Great Again” hats and “Black Sabbath” t-shirts, as anarchists smashed windows in protest of democratic elections, the electoral college and the peaceful transfer of government leadership, while females and homosexuals marched against Sharia Law-like treatment, for the United Slaves Of America.
The Hispanic Undecided Voter watches from the steps of the Supreme Court as anarchist’s descend upon Washington, D.C.
The Hispanic Undecided Voter wonders why Caucasians are so openly expressing their “white guilt” and “white privilege” for public consumption and introspection.
The Hispanic Undecided Voter wonders why large groups of peaceful protestors do nothing to stop the bullying of Whites by racist Blacks in front of television cameras and police officers.
The Hispanic Undecided Voter wonders if it is officially okay to bully all White people on the streets of America?
The Hispanic Undecided Voter witnessed The 3 Muses (Mother, Wife, Grandmother) in Modern America and people, who are morally offended in, The Land Of Indignation, cheer as Madonna talked about “blowing up the White House” and at that moment realized that when Madonna publicly offered anyone who voted for Hillary Clinton in 2016, oral sex with, “lots of eye contact”, Grandmothers, Wives and Mothers, from around the world, were left to choose between a “Blow Job Nation” and a “Pussy Grabbing America”.
The Hispanic Undecided Voter wonders why Muslim women and homosexuals denouncing Donald Trump as a “misogynist homophobe” are not protesting Sharia Law or rap songs about “bitches and homos”, that perpetuate stereotypes of women as sex objects worth less than men and gays as queer fags.
As a crowd of women march on Washington, D.C., Boston, New York, Denver, Miami, Los Angeles, London, Sydney, Vancouver and Seattle, the Undecided Hispanic Voter scratches his head while recalling a famous Black rapper sing, “I got a pink hat on the tip of my dick, Bitch, open wide, while I shove it in yo’ mouth, Hoe!”, to a delighted crowd of liberated women, before watching Jay-Z serenade Hillary and Bill Clinton with, “99 Problems But A Bitch Ain’t One”, at a Democratic Fundraiser in Cleveland, Ohio, while Beyonce and First Lady Michelle Obama danced with President Barrack Hussein Obama’s daughters and other giddy girls, wearing Snoop Dogg and Kanye West t-shirts, over training bras, in front of their Mothers and Grandmothers, before watching Madonna talk about blowing up the White House, while addressing a large, angry mob of people fighting for peace in the New World Order.
The Hispanic Undecided Voter sees fake news outlets, like CNN, race baiting a modern civil war for ratings and money.
The Hispanic Undecided Voter notices that nobody is standing up for the rights of the silent majority, Hispanic people in America, who are taken for granted as voters and as viewers of mainstream media by marketers and content providers who fail to connect with Latinos in a divided, Black and White world.
Ebony & Irony.
The Hispanic Undecided Voter wonders how President Barack Hussein Obama was able to locate Osama Bin Laden and not rescue the 276 kidnapped girls of Chibok in Borno State, Nigeria, who were kidnapped from the Government Secondary School, during Obama’s term as Commander In Chief of the United States military and recalls, how, while Michelle Obama was First Lady, she held up a sign on Twitter, to show the world that Women’s lives and Black lives matter, while suddenly realizing, that on the day Michelle Obama left the White House, wearing designer shoes and a very public frown, for young girls and boys around the world to see, more than 200 of the red blooded girls kidnapped by the radical Islamic terrorist group, Boko Haram, remained captive as sex slaves and kidnap victims, for which the Obama administration did not see fit to pay ransom, unlike the $400 million worth of unmarked cash paid to Iran by President Obama, who endorsed terrorist funding ransom transaction to manifest, in exchange for male hostages, held in Iran, which all made the Hispanic Undecided Voter realize, that in the end, it is not about race, it is about state of mind.
“We all enter this world naked and without prejudice; hatred is learned.” – Maverick Artist Victor Hugo Vaca II
BALLOON BOY EXPOSES FAKE NEWS WHILE CBS NEW YORK SUPPRESSES WARNING OF ATTACKS ON FIRST AMENDMENT THAT LEAD TO LOVE GRAFFITI. How The Maverick Artist Victor Hugo And President Barack Hussein Obama Mutual Admiration Of Rat Dog Manifested A Modern Art Music Movement.
“Love Graffiti” By Victor-Hugo Vaca II.
On the day Balloon Boy exposed fake U.S. news , for what it is worth, Victor-Hugo Vaca II was interviewed by a CBS New York reporter, for a segment on the CBS Evening News, questioning why police issued the artist a citation for displaying a bumper sticker on his BMW that proclaimed, “Crackhead Jesus is coming”.
As Victor-Hugo Vaca II headed to the Rat Dog concert afterwards, police and Secret Servicemen swarmed the artist and corralled him along with everyone on the block into a corner, behind barricades, for over an hour.
News crews surrounded Victor-Hugo Vaca II as he stood next to a man holding a cardboard sign that introduced him as RocOpera. The WPIX Newscaster at the scene, informed Victor-Hugo that his “1st Amendment story on CBS evening news never aired”. According to Wanda, a CBS New York producer, the fake news of Balloon Boy had pre-empted the canary-in-the-coal-mine of free speech in America documented in a Suffolk Times article by Erin Schultz titled, “Pulled Over In The Name Of Crackhead Jesus?“. The newspaper article records the following:
Traveling artist says Southold police officer profiled him.
A bumper sticker bearing the phrase “Crackhead Jesus is coming” got an author pulled over in Southold last month, the man told The Suffolk Times.
Victor-Hugo Vaca Jr., a multimedia artist formerly of Brooklyn who now calls the road home, said that Southold Town Police Officer Frank Lyburt violated his First Amendment rights by pulling him over Oct. 11, simply because the officer was offended by the bumper sticker on Mr. Vaca’s rear windshield.
“I wasn’t speeding and I knew there was nothing wrong with my car,” said Mr. Vaca, 39, noting that the sticker is a promotional tool for his graphic novel, “Crackhead Jesus.”
The bumper sticker in question, which Mr. Vaca described as a ‘promotional tool’ for his upcoming graphic novel ‘Crackhead Jesus.’
“[The officer] said he was doing me a favor by handing me that ticket, the same way someone knocks on your door on a Sunday morning, saying you’re wicked for not going to church.”
The wandering author, who claims to have traveled across the country raising awareness of issues not typically covered in mainstream media, said he was ticketed while driving to the Hampton International Film Festival to promote “Crackhead Jesus,” the story of a man who went to work one day high on crack and told his co-workers that they were his disciples.
“[The sticker] has nothing to do with Jesus Christ,” Mr. Vaca said. “It has to do with the modern devils out there.”
Southold Town Capt. Martin Flatley said the ticket issued to Mr. Vaca is a valid summons, adding that there is a section in vehicle and traffic law that prohibits “the placing of posters or stickers on windshields or rear windows of motor vehicles.”
“I believe Officer Lyburt might have stopped the driver for another violation but ended up writing him this summons,” Capt. Flatley said. “This section of law may not be written often, but it is a valid section. This is part of the officer’s discretion when performing a traffic stop.”
Mr. Vaca said Officer Lyburt appeared very upset with the bumper sticker after he scanned his Florida license.
“He came back to my car and asked me, ‘What’s the deal with the Crackhead Jesus sticker?'” Mr. Vaca said. “Here I am, a white guy in a BMW with all this fancy artwork in the back, and for the first time, I felt what it was like to be profiled.”
Mr. Vaca made an appearance in September at Rock the Harvest, a concert held in Southold to benefit The Retreat of East Hampton.
“So I’m in town to help raise money for battered women, and I get mistaken for a guy spitting in the face of God,” he said. “I went to Southold to do good work, and I leave getting punished.”
Mr. Vaca said he plans to drive back to Southold from Florida — where he is attending a music festival in Miami — to fight the ticket.
“So many people are apathetic — they’ll just pay the ticket and get it over with, but that’s the problem,” he said. “I’m not just going to pay this ticket. I’m going to take a chance to look deeper into this.”
Reporters informed Victor-Hugo Vaca II that because President Barrack Hussein Obama is a fan of Rat Dog, everyone on the New York City Street next to the concert venue, were detained against their will, in zones, by Police and Secret Service agents, to protect President Obama, while he attended the first half of the Rat Dog concert.
Victor-Hugo Vaca II missed the first-half of the Rat Dog show because of President Obama. However, as a result of their mutual appreciation of Rat Dog and The Grateful Dead, this Modern Art Music Movement™ work of art was born.
As seen being manifested in the Modern Art Music Movement™ MAMM Music Video, “Crackhead Jesus: Shake The City”, Produced, Directed and featuring the Maverick Artist Victor-Hugo with music By RocOpera.
Behind The Scenes: On set with the Maverick Artist Victor-Hugo, RocOpera, Joanne Togati and Paparazzi.
Portions of the music video were filmed inside the Gulfstream Park Racing and Casino in Hallandale Beach, Florida.
Behind The Scenes: RocOpera on MI-VI set with the Maverick Artist Victor-Hugo.
Portions of the music video were filmed inside the legendary MI-VI Nightclub, as seen on tv news and in print newspapers.
Maverick Artist Victor-Hugo, RocOpera and filmmaker, Chris Alonso, inside, “The Labyrinth Of Creativity Miami”.
Portions of the music video were filmed inside Victor-Hugo Vaca Jr.’s production studio in Miami known as, The Labyrinth of Creativity Miami.
Behind the scenes, with filmmaker Victor-Hugo.Behind the scenes, with RocOpera and director Victor-Hugo Vaca II.Behind the scenes with filmmakers Victor-Hugo Vaca II, Chris Alonso, Mike McGill and Paparazzi.
Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.
On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).
THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.
THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.
“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.
RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ALL-STAR JAM IN FORT MYERS, FLORIDA.
Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:
“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”
MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).
THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.
Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:
“Couldn’t stop shouting when it first took hold.
It was an awesome night at the old church hall.
There was an old time preacher he was laying it down.
Heard the word and you know I can’t forget that sound.
Read the word, live it too.
Let the truth be seen in you.”
“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”
Rick Derringer and his wife own artwork from The Victor-Hugo Collection.
Rebuke Of Obama’s, “Anti-American Action”, Marks Historic Victory For September 11 Victims And Conspiracy Theorist’s, Seeking To Uncover The Truth, Behind The 9/11 Attacks On U.S. Soil, In 2001.
Thanks to pressure on government officials from alternative news outlets on the internet and public pressure from constituents and voters, as documented, in the modern-art-gonzo-journalism, fine-art, “9/11 Series” of paintings, the mysterious shroud of secrecy, behind what really happened, on September 11, 2001, often referred to as, “Conspiracy Theory”, by weak, neutered, investigative-journalists, working under severe editorial constraints, will finally be unveiled, in Court, to become historical archives for public consumption and universal introspection.
“CHAOS”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
On September 28, 2016, The United States House of Representatives and The U.S. Senate, overwhelmingly handed the Commander In Chief, his first veto defeat, when they voted against President Obama’s attempt, to deny 9/11 victims and U.S. Citizens the right to pursue justice for acts of terrorism, committed in collusion, with terrorists, allegedly disguised as allies and home-grown terrorists, that have allegedly infiltrated the U.S. Government and creeped into the halls of the United States Justice system, spewing corruption and treason all the way up to and including, the hallowed White House, to the extreme and perilous detriment of all U.S. and civil society interests, in allegedly, knowingly, hiding and abetting, high level, foreign and domestic plots, to crush Democracy, destroy lives and kill millions of people in the New World Order.
“SEE PAST THE TRUTH”, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The modern art graphic iNovel, “Redemption: The Story Of The Crackhead Jesus Trials“, documented, in modern-art-gonzo-journalism storyboard narration, some of the more plausible conspiracy theory and documented doubts regarding, the Twin Towers and surrounding World Trade Center Building implosions, including the infamous explanations for Building 7, which most mainstream news outlets failed to take seriously, by not producing any substantial probing reports or investigative journalism, to debunk the false narrative force fed to the 9/11 victims families and to the unconvinced and dwindling audience of newspaper and cable news network subscribers, that have declared an all time historical low, in public trust of news media, according to a 2016 Gallup poll.
“WHAT I SAW ON 9/11: WHY DO THEY HATE US?” MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The 9/11 Series was created in honor of those lives lost on September 11th, 2001 and the legacy of the loved ones they left behind, who vowed to “never forget”. Immortalizing those words in works of art, honors the legacy and passion of those outliers and conspiracy theorists who are unwilling to settle for the status quo answer of, “Move on, Folks, there’s nothing to see here.”, while staring at the glaring inconsistency between what is being witnessed and what is being reported to citizens, as fact, by weak mainstream media news outlets in collusion with government information networks.
THIS WORK OF MODERN-ART-GONZO-JOURNALISM, “TITLED 9/11 DACHAU”, PREDICTED THE TERROR THREAT GERMANY IS NOW EXPERIENCING WITH THE IMMIGRATION CRISIS. (24X35) OIL PAINTING BY THE MAVERICK ARTIST VICTOR- HUGO VACA II.
According to top physicists and scientists, official explanations for what happened to make skyscrapers, implode in Manhattan, at the World Trade Center, on September 11, 2001, defies the known laws of natural physics and statistical probability.
CHRISTMAS GREETING TITLED, “HAPPY EASTER”, CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II. THE WORK IS FILLED WITH NUANCES, NOT LEAST OF WHICH IS THE IRONY THAT SANTA CLAUSE, A TRUTH FED BY ADULTS TO TRUSTING CHILDREN, IS STEPPING ON THE TWIN TOWER CONSPIRACY THEORIES SURROUNDING WHAT REALLY HAPPENED ON 9/11 AT THE WORLD TRADE CENTER IN NYC. THE IMAGE IS SENT OUT EVERY YEAR AS A HOLIDAY GREETING TO FRIENDS AND ASSOCIATES OF THE MAVERICK ARTIST, IN LOVING MEMORY OF THE 9/11 VICTIMS AND TO HONOR THEIR FAMILIES, IN FAVOR OF THE “NEVER FORGET” PHILOSOPHY.
The inexplicable implosion of World Trade Center Building 7, which allegedly was reported to the public by certain news outlets as having occurred, before it even happened, is described as “conspiracy theory”, by untrusted news media outlets that ignore evidence and facts in favor of copy and paste journalism, while working in collusion with corrupt government officials to mislead naive U.S. Citizens using rhetoric and hyperbole.
MODERN-ART-GONZO-JOURNALISM BY THE MAVERICK ARTIST VICTOR-HUGO VACA II EQUATES THE LIES TOLD BY TOBACCO COMPANIES TO THE LIES BEING TOLD BY U.S. GOVERNMENT AND PRESS, TO ALL U.S CITIZENS, REGARDING THE TRUTH BEHIND WHAT REALLY HAPPENED ON SEPTEMBER 11, 2001.
Proponents of 9/11 conspiracy theories claim there are inconsistencies in the official conclusions from government investigations and evidence that was either ignored or overlooked by, “cut and paste reporters”, who claim to be, “investigative journalists”, working in an era when public trust in news media, is at an all time low.
“MR. ANTHONY WEINER, PRESIDENT BARACK HUSSEIN OBAMA, IS TECHNICALLY, BY DEFINITION, NOT THE FIRST BLACK PRESIDENT AND THE UNITED STATES OF AMERICA WAS FOUNDED ON GENOCIDE AND SLAVERY.” THIS WORK OF MODERN-ART-GONZO JOURNALISM WAS CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II TO STATE THE OBVIOUS AND COUNTER THE DUMBING DOWN OF AMERICANS AFTER THE 9/11/2001 ATTACK ON U.S. SOIL.
Four in 10 Americans trust mass media. “The Lied To Generation” are even less likely to trust newspapers, TV and radio, as documented in the censored, politically incorrect, works of modern-art-gonzo-journalism by the maverick artist Victor-Hugo Vaca II.
“MIDGETS, CIGARETTES, GANG RAPE AND THE WORLD TRADE CENTER FALLACY: HOW NEWS MEDIA DUMBED DOWN AMERICA USING SEX, SIN AND VICES TO DISTRACT AUDIENCES FROM COMPASSIONATE WEALTH AND REAL THREATS TO DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“Why a Commander In Chief, elected to protect and serve the best interest of a nation and its people, would vote against the best interest of its people, is anyone’s guess but history will show, that on “Obama Veto Day”, the U.S. government shifted in the right direction and began working, for the people, again.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II, MARCHING WITH RIFLE, AS PART OF PLATOON 26, ON THE HISTORIC, WORDEN FIELD.
THE UNDECIDED VOTER AND MILLENNIALS PIVOT TOWARDS VOTING AGAINST THE POLITICAL STATUS QUO, EMBODIED IN A WELL REHEARSED, CAREFULLY SCRIPTED, HILLARY CLINTON, AFTER WITNESSING MAINSTREAM NEWS MEDIA COVERAGE OF THE U.S. PRESIDENTIAL DEBATE THAT CLEARLY PAINTED DONALD TRUMP AS, THE UNDERDOG.
“BEFORE VOTING, ASK YOURSELF, WWMLD? WHAT WOULD MONICA LEWINSKY DO?”, 9/11 SERIES, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
The Undecided Voter and Millennials realize the question for those Independents still trying to decide between Donald Trump and Hillary Clinton is, to put it bluntly: “Which Bully do you want in the White House, representing the best interest of you, your Children and seven generations forward and which Woman, as Commander In Chief, or First Lady, do you want to serve your bloodline, as a historical role model, for developing young girls and grown women; Meanwhile, setting a public example, for how developing young boys and structured men, should behave around girls, women, military veterans and police officers, for seven generations forward?”
THE UNDECIDED VOTER
The Undecided Voter, regardless of Sex, Race, Creed or Color, is looking to elect someone with common sense and a clear, forward, vision, to press the reset button, on a politically correct system, that is obviously broken and in dire need of realistic repair; Maybe not by a couple of seasoned bullies in the White House but by one passionate, outsider, claiming to be capable of working efficiently and in fair cooperation with other world leaders, using every available tool, rather than trusting stale, over-rehearsed, meaningless rhetoric, filled with false narratives, of half-truths, shining brightly in the hypocrisy of philanthropy.
“FEMALE VOTER EXPLAINS JUANITA BROADDRICK, KATHLEEN WILLEY, PAULA JONES, GENNIFER FLOWERS AND MONICA LEWINSKY, TO HER DAUGHTER, ELOISE, WHO IS LIVING WITH HER BABY DADDY #1, IN PARIS, FRANCE.”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE GEDDES FINE ART COLLECTION.
The Undecided Voter is looking to elect someone, with strength and conviction, to stand up to foreign enemies and make friends, using firm, fair and clear communication, so as to cooperatively manifest the concept of compassionate wealth, on earth, during the global shift towards Asia, as the New World Order is both restructured and rebalanced for maps and history books.
“FEARLESS FEMINISTS DISCUSS, NARCISSISTIC LOONY TOONS, THE POLITICS OF THE PENIS, BIMBO ERUPTIONS, FAT SHAMING BEAUTY PAGEANT WINNERS AND BILL CLINTON’S RODEO CLOWNS, WITH THEIR YOUNG DAUGHTERS, ON CHRISTMAS DAY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II; PREMIERED DURING ART BASEL MIAMI WEEK AT THE GRAND OPENING OF “SHOCK”, THE HAUNTED ADDRESS OF THE NOTORIOUS FORMER BILL AND HILLARY CLINTON MIAMI BEACH, A-LIST, HANG OUT, “LIQUID NIGHTCLUB”, 1437-39 WASHINGTON AVENUE.
The Undecided Voter is looking to elect someone to procure a sustainable existence for seven generations forward, that would organically lean “The Lied To Generation” towards a peaceful lifetime; while swiftly rebuilding infrastructure and fixing politically rigged Courts, that stifle prosperity for the United Slaves Of America, by choking the American Dream, on the broken scales of justice.
INTERIOR DESIGN AND ARTWORK, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE NOTORIOUSLY HAUNTED ADDRESS, OF LIQUID AND SHOCK NIGHTCLUB, IN MIAMI BEACH, FLORIDA.
The Undecided Voter could not understand why the debate moderator, Lestor Holt, and both 2016 Presidential candidates, could not transcend the extraneous muck and zeitgeist of pop culture, in favor of progress and pressing social issues regarding the economy, justice system, public infrastructure policy, and national security, that affect everyone, regardless of age, religion, race or political affiliation.
1437-39 WASHINGTON AVENUE
THE LEGENDARY MIAMI BEACH HOT SPOT ADDRESS OF BOTH, LIQUID AND SHOCK, LOCATED ACROSS FROM THE ICONIC ESPANOLA WAY, SEEN IN SEVERAL MOVIES (MIAMI VICE) AND ON TV SHOWS (MIAMI VICE), WAS FREQUENTED BY SUCH NOTABLES AS MADONNA, SEAN PENN, BILL AND HILLARY CLINTON.
IN 2011, CELEBRATED FANFARE AND INTERNATIONAL PRESS, WELCOMED THE HAUNTED VENUE’S REINCARNATION AS THE INFAMOUS, “SHOCK” NIGHTCLUB, DURING ART BASEL MIAMI WEEK, SHOWCASING THE 5,000+ SQUARE FOOT, “NEW YORK CITY RETRO-CHIC FINE ART GRAFFITI MURAL”, INTERIOR DESIGN AND ARTWORK CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, EXCLUSIVELY FOR “SHOCK”, AS CONTRACTED BY THE FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, LATER NICKNAMED, “THE FRENCH BERNIE MADOFF”, BY HIS MANY VICTIMS.
THE 10-FOOT TALL WORK OF MODERN-ART-GONZO-JOURNALISM TITLED, “TITTY HARVEST: THE POLITICS OF THE PENIS”, ADORNED THE GIANT BRICK WALL NEXT TO THE EXCLUSIVE, VIP SECTION, OF THE EUROPEAN JET-SET VENUE, NEXT TO THE DJ BOOTH, WHICH HOSTED SOLD OUT, WINTER MUSIC CONFERENCE (WMC), EVENTS AND WAS, ALLEGEDLY, FEATURED IN THE BACKGROUND OF MUSIC VIDEOS AND PHOTO SHOOTS FOR LADY GAGA AND RICKY MARTIN.
BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT PATRONS REPORTED SEEING SUBLIMINAL MESSAGES IN, “FLOW”, THE TWO-STORY, FINE-ART GRAFFITI MURAL, CREATED BY, THE MAVERICK ARTIST VICTOR-HUGO VACA II, THE LONGER THEY LINGERED AROUND THE NEVER DULL BAR.
BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT CURIOUS PATRONS PURCHASED MORE DOUBLE-SHOTS OF TOP SHELF ALCOHOL, IN ATTEMPTS TO DECIPHER ALL THE SUBLIMINAL MESSAGES HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL TITLED, “FLOW” BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
AWARD-WINNING INTERNATIONALLY RENOWNED MIXOLOGIST, ALEX TENGO,WORKS HIS MAGIC, AT THE “SHOCK” BAR, IN FRONT OF FANS AND INTERNATIONAL, A-LIST JET SETTERS, SEARCHING FOR SUBLIMINAL CLUES, HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL, “FLOW”, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.
MODERN-ART-GONZO-JOURNALISM FLOWS THROUGH “SHOCK” NIGHTCLUB, SUBCONSCIOUSLY PERMEATING THE HEART, OF THE SOPHISTICATED ADULT PLAYGROUND IN MIAMI BEACH, FLORIDA, USING FINE-ART GRAFFITI TO SUBVERSIVELY COMMUNICATE A “CANARY IN THE COAL MINE” MESSAGE, TO MILLENNIALS, FROM AROUND THE WORLD, AWAKENING TO THE CLEAR AND PRESENT DANGER OF LIVING WITHIN A BROKEN JUSTICE SYSTEM, WITH RULE OF LAW DOUBLE STANDARDS, THAT FAVOR A SELECT FEW: SIMPLY PUT, “WITHOUT JUSTICE, PEACE CAN NOT FLOW” .
The Undecided Voter witnesses how, under the watch of an FBI, working in collusion with the U.S. Attorney General’s Office, political correctness and The Fifth Amendment, are being manipulated to blanket and hide the existence of a, “Double-Standard-Rule-Of-Law”, that favors an elite few, like Hillary Clinton and the Wells Fargo CEO, John G. Stumpf, but does not apply to 99% of tax-paying Constituents known as, “The United Slaves Of America”.
THE TWENTY-FOOT LONG AND TEN-FOOT HIGH, “KUNT”, MODERN-ART-GONZO-JOURNALISM PAINTING BY THE MAVERICK ARTIST VICTOR-HUGO VACA II PREMIERED AT “SHOCK” NIGHTCLUB DURING ART BASEL MIAMI WEEK, AT THE INSISTENCE OF “THE FRENCH BERNIE MADOFF”, WHOSE ILLEGAL ACTIONS EXPOSED THE WORLD TO AN INTERNATIONAL EPIDEMIC OF ECONOMIC FRAUD, THAT CRISS-CROSSED CONTINENTS FREELY, FROM THE SEXY SHORES OF MIAMI BEACH, FLORIDA, TO THE EXOTIC SHORES OF FRANCE AND IBIZA, SPAIN, IN COLLUSION WITH CORRUPT POLICE AND PUBLIC OFFICIALS, FAVORING WEALTHY INTERNATIONAL JET-SETTING CRIMINALS, AWARE OF THE BROKEN U.S. JUSTICE SYSTEM, WHOSE RULE OF LAW FAVORS WEALTHY PUBLIC FIGURES FROM ALL OVER THE WORLD, OVER LAW ABIDING U.S. CITIZENS AND HARD WORKING CONSTITUENTS, STRUGGLING TO SURVIVE, ON MINIMUM WAGE.
The Undecided Voter and Millennials see how the new-normal, “Double-Standard Rule-Of-Law”, for the elite 1% in the United States, like Hillary Clinton and Wells Fargo’s CEO, John G. Stumpf, can fuel chaos in the streets of Charlotte, North Carolina and through the heart of The Bible Belt, as God-fearing families witness anarchy racing towards The White House, to be the elected Commander In Chief, of the United Slaves of America.
MODERN-ART-GONZO-JOURNALISM EXPOSED CORRUPTION THAT LED TO SEVERAL ARRESTS OF PUBLIC OFFICIALS INCLUDING CORRUPT POLICE, AS DOCUMENTED ON FILM BY CBS NEWS MIAMI AND CANAL+ NEWS, IN FRANCE. THE INTERNATIONAL NEWS STORY WAS CHRONICLED IN A SERIES OF PRINT NEWSPAPER AND ONLINE ARTICLES BY MICHAEL MILLER IN “THE MIAMI NEW TIMES” FEATURING QUOTES AND ARTWORK FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II COLLECTION EXHIBITED AT “SHOCK” NIGHTCLUB DURING 2011 ART BASEL MIAMI WEEK.
THE MAVERICK ARTIST VICTOR-HUGO VACA II WAS HIRED BY FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, TO CREATE THE INTERIOR DESIGN FOR THE EXCLUSIVE MIAMI BEACH CLUB, “SHOCK”.
The Undecided Voter witnessed Donald Trump choke, under pressure, when presented with several opportunities to expose ignored truths of national interest, against a well lubed, Hillary Clinton machine, sporting a plastered-on-smile, at the first, 2016 United States Presidential debate, held on September 26, near New Hyde Park, Long Island, in Hempstead, New York, at Hofstra University.
“PLASTIC SMILE IN THE FACE OF GLASS STEAGALL” : MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WHO GREW UP IN NEW HYDE PARK, IN A TWO STORY, CORNER HOUSE, BEHIND THE LONG ISLAND JEWISH HOSPITAL, WHILE ATTENDING BROOKLYN TECHNICAL HIGH SCHOOL, BEFORE ENTERING THE U.S. NAVAL ACADEMY IN ANNAPOLIS, MARYLAND, AS A MIDSHIPMAN OFFICER, IN THE 26TH PLATOON, OF THE CLASS OF 1993.
MIAMI NEWS TIMES ARTICLE FEATURES QUOTES FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, WHO CREATED A 5000+ SQUARE-FOOT, FINE-ART-GRAFFITI MURAL, AT “SHOCK” NIGHTCLUB, WRITTEN IN EIGHT DIFFERENT LANGUAGES, INCLUDING ARAMAIC, ITALIAN FRENCH AND SPANISH.
MAVERICK ARTIST VICTOR-HUGO VACA II
THE MASSIVE, FINE-ART-GRAFFITI MURAL, TITLED, “THE STORY OF THE CRACKHEAD JESUS TRIALS”, WAS PAINSTAKINGLY CREATED TO WARN VISITORS FROM AROUND THE WORLD, OF THE EPIDEMIC OF ECONOMIC FRAUD, EMANATING FROM THE UNITED STATES OF AMERICA AND THREATENING, A GLOBAL COLLAPSE IN PUBLIC TRUST OF THE BANKING INDUSTRY, DUE TO A SEVERE BREAKDOWN IN THE JUSTICE SYSTEM, CREATING A DOUBLE-STANDARD, IN RULE OF LAW, THAT FAVORS RICH, WHITE-COLLAR CRIMINALS, OVER SINGLE MOTHER’S AND BABY DADDY’S, STEALING BREAD FROM FOOD DESERTS, TO FEED THEIR MALNOURISHED CHILDREN.
MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided Voter was baffled by Donald Trump’s inability to clearly and succinctly communicate rebuttals, during his first, one-on-one debate with a seasoned politician, and a noticeably biased moderator, tossing irrelevant bread and circus distractions, disguised as relevant questions, carefully crafted to incite racial disharmony, by demanding self reflection, in presuming that all Americans, are inherently bias, racist and deplorable human beings, in order to provoke social discord, by fueling insecurity and public distrust of police, press and authority.
IT’S NOT A BLACK OR WHITE ISSUE, IT’S A CORRUPT LEADERSHIP ISSUE.
The Undecided Voter observes Hillary Clinton’s husband, Bill, and ponders the treatment of Veterans who risk their lives, in defense of freedom, for future generations of Americans, to live in a democracy, not an oligarchy, or plutocracy, reigned over by bullies and tyrants disguised as caretakers and do-gooders, who defy Rule of Law and don’t pay taxes, while pandering to Hispanics, Blacks and Women, by pretending to care about Mexicans, African-Americans and Venezuelan Beauty Pageant winners, all while attempting to dumb down masses into believing that, the “First Black President”, miraculously emerged from an Aryan vagina, belonging to a white woman named, Stanley Ann Dunham, with predominantly English but including German, Swiss, Scottish, Irish, and Welsh ancestry.
BLACK PEOPLE REALIZE THAT BARACK HUSSEIN OBAMA IS NOT 100% BLACK BECAUSE HIS MOTHER WAS 100% WHITE.
“I’m not your Commander In Chief, anymore but if I were I would tell you to be more polite, now sit down!” – Bill Clinton
https://www.youtube.com/watch?v=nfQTTF9p8pk
The Undecided Voter ponders the treatment of blacks by Caucasians, like Bill Clinton, demanding that Black Lives Matter supporters, ignore his oppressive legislation, supported by his wife, Hillary, and focus instead on getting their thirteen-year old kids, off of crack, so as to ward off any potential, Crackhead Jesus, exposing the truth of hypocrisy and foiling the so-called, Democratic process, for the United Slaves Of America.
https://www.youtube.com/watch?v=HKjdGYvHTmk
“He [Bill Clinton] said, ‘Sit down, Nigger!’” – The Doctor Of Common Sense
BEFORE RUNNING FOR PRESIDENT OF THE UNITED STATES IN 2008, THE MAVERICK ARTIST VICTOR-HUGO VACA II, LEARNED TO LIVE BY THE HONOR CONCEPT, AS PART OF THE ELITE, BRIGADE OF MIDSHIPMAN, AT THE WORLD FAMOUS, UNITED STATES NAVAL ACADEMY.
In April 17, 2007 BLOUINART INFOInternational Magazine published an article titled,
NY Artist Victor-Hugo to Run for President
The column documented the under-reported presidential candidacy of the Maverick Artist Victor-Hugo Vaca II, who entered the 2008 Presidential race to run against fellow former U.S. Naval Academy Midshipman Officer, John McCain and Freshman Senator Barack Hussein Obama, as reported in alternative news outlets around the world including newspapers in Iceland.
https://www.youtube.com/watch?v=iT12_bVKIrE
The influential BLOUINART INFOInternational Magazine highlighted the New York born, Hispanic multi-media artist’s run for United States President, as a dark horse candidate, to raise awareness about the dangers of a corrupt justice system that politicized Rule Of Law in favor of anarchy, oligarchy and plutocracy.
THE UNITED SLAVES OF AMERICA
The BLOUINART INFOInternational Magazine article read:
Controversial Latino modern artist Victor-Hugo Vaca II, a native of Queens, N.Y., announced today his plans to pursue a spot on the 2008 presidential electoral ballot, taking on frontrunners Hillary Clinton and Barack Obama.
The artist said in a public statement that he will try to run for president while he continues to research his “Law and Justice in the United States” series of works.
The point of running for office, he explained, would be to educate his fans on the difficulty or ease with which a native-born American citizen can run for “the most powerful position in the world.”
He added that he hopes the investigation and his bid for the presidency inspires the “lied-to generation” to get more involved with politics and heed the warnings in Al Gores film, An Inconvenient Truth.
“I’m spending so much time in court investigating unethical attorneys and judges that I might as well find out what it takes to run for president while I’m there. Obviously, I realize that the biggest requirement is not intelligence or common sense—George W. Bush Jr. has proven that. Loads and loads of campaign contributions from interested parties is what is needed to win.” – Maverick Artist Victor-Hugo Vaca II
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER CANDIDATE VICTOR-HUGO VACA II
The legendary modern-art-gonzo-journalism, “Crackhead Jesus Series”, by the Maverick Artist Victor-Hugo Vaca II prognosticated a modern civil war in America, manifested by blatant public corruption, emanating out of the White House, enabled by biased news media and weak investigative journalism, whose cumulative effect, undermined the halls of justice, creating dangerous double standards, for favored elitists and notable public figures, protected by the FBI, Attorney General and Police, as underprivileged constituents are slaughtered in the streets, by those hired to serve and protect them, while grave injustice permeates unchecked, through U.S. Courtrooms, enslaving all Americans, regardless of race, creed or color, with a dangerously, double-standard, Rule Of Law.
TRUTH BE TOLD, IF BLACK LIVES REALLY MATTERED WE’D START BY TAKING CARE OF BLACK WOMEN AND CHILDREN, ABANDONED BY AN IGNORED NATIONAL EPIDEMIC OF DEAD BEAT BABY DADDY’S, PROCREATING FOR SPORT, WITHOUT ACCOUNTABILITY, CONCERN OR CONSEQUENCE.
The Undecided Voter notices that news outlets, owned by Caucasians, appear to be acting in collusion, with Presidential candidates, to recklessly toss the word, “racist”, around, in a subversive attempt, to promote a modern civil war agenda, that favors orchestrating riots, violent protests and looting, to produce anarchy, across the nation, for photo ops and soundbites, that increase ratings and profits white people.
MICHELE OBAMA ASKS BLACK LIVES MATTER AND THE CLINTON NEWS NETWORK(CNN) DON LEMON, TO CONSIDER THE NEARLY 300, FORGOTTEN NIGERIAN SCHOOLGIRLS, KIDNAPPED BY BOKO HARAM IN 2014.
The Undecided Voter, notices that news outlets, owned by white men, use titillating sex scandals and beauty-queen-fat-shaming, to deflect global attention, away from documented, top-down U.S. government leadership corruption, being promulgated openly, without shame, remorse or just punishment, under the nose of frustrated taxpayers and legal immigrants, in search of the, rapidly disappearing, American Dream.
“FLOW WOMAN: POLITICAL CORRECTNESS WILL KILL DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE TEN-FOOT TALL, OIL PAINTING, PREMIERED DURING ART BASEL MIAMI WEEK, AT THE “SHOCK” NIGHTCLUB, GRAND OPENING IN 2011.
The Undecided Voter witnessed a sniffling, impassioned, visibly temperamental, patriotic fool, lose his ability to effectively construct and prosecute a case against Hillary Clinton, while using a bad microphone, in front of a chomping-at-the-bit, live audience, being broadcast via satellite, to a record breaking number of viewers, around the world.
DISCREDITED JOURNALIST, BRIAN WILLIAMS, PEDDLING OPINION AND RHETORIC, AS FACT BASED NEWS, ON MSNBC, TO DUMB DOWN AMERICANS.
The Undecided Voter, witnessed Hillary Clinton acting like an insincere, smiling, zombie, standing beside the face and hair of a passionate, Caucasian, presidential candidate, publicly exhibiting narcissistic, histrionic and antisocial tendencies, while blatantly throwing awkwardly, restrained fits of frustration, rather than perpetuating logic, in the face of waning public trust, in unapologetically biased news media, that favors wealthy, career politicians over eccentric, wealthy outliers, that threaten, to shake up the status quo of mediocrity, that has infected American mentality, in the early 21st Century .
“IN THE ABSENCE OF COMMON SENSE, YOU GET NONSENSE AND PRETENSE.” – MAVERICK ARTIST VICTOR-HUGO VACA II
Maverick Artist Victor-Hugo Reflects Upon His Unique Experience As A Finalist, In “The Best Comic Standing Competition”, At The New York Comedy Club.
As an artist, I see no limitations, only challenges. Therefore, when I heard from friends in the entertainment industry that doing stand up comedy, in front of a live audience, is one of the most challenging things to do, if not the most difficult, in the business of entertainment, I realized I had to find out for myself, if this was, in fact, true. So, I convinced the owner of the New York Comedy Club, to let me enter “The Best Comic Standing Competition” in spite of warnings from the owners and seasoned stand-up comic professionals, that the audience would literally, eat me alive and throw me off stage, if my inexperience showed, in the least bit, during my performance as a comedian.
DETAIL FROM, “THE VIRGIN MARY AND LAMBCHOP VISIT AMSTERDAM”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Part of being an artist is learning how to fail, because failure comes with risk and without risk, there is no progress and progress comes from learning to cope with the experience of disappointment and without disappointment, an artist can never experience success.
An artist, should always be smart enough to fear failure but strong enough to realize, that hard work and study of craft can minimize the risk. Therefore, as an artist, I listened to the sound advice of modern masters I have met, in my curious passage through this blessed, spectacular lifetime.
When I lived in Beverly Hills, California, I met “The Diceman”, Andrew Dice Clay, and at first I thought he was being insulting when, in front of his manager at a pizza shop on Rodeo Drive, he told me, “If you want to be Hollywood, Victor-Hugo, you have to act Hollywood.”
As a wayward artist, living in the 90210 zip code, The Diceman’s words threw me into a brief but deep depression, that caused me to soul search, while walking the streets of Hollywood alone. Eventually, I ended up at The Backstage Cafe, in Beverly Hills; Ian Copeland’s legendary, hole-in-the-wall club, frequented by the likes of Herbie Hancock, Slash, Sting, Elizabeth Hurley, Sharon Stone, Dr. Dre and Tom Hanks, where L.A.’s top musicians often show up, to jam on their off nights. While trying to make sense of what I perceived to be, Andrew Dice Clay’s insult to my face, Bill Maher, the celebrated comic, spilled a drink on me, while walking upstairs, to the VIP section, at The Backstage Cafe. Mr. Maher immediately apologized and graciously offered to by me a drink. I accepted his offer and joined Bill Maher at his table for an unforgettable learning experience, surrounded by Hollywood aristocracy, that would forever change my worldview and life, as a maverick artist.
At the end of the day, upon reflection, I realized The Diceman had done me a huge favor, because the meaning of what he said sunk in to the fiber of my being and opened my eyes to the reality that there are no rules in art. I learned that Hollywood is an illusion that exists within reality and to be a true artist, I must convey the tangible reality of illusions to audiences clearly and succinctly.
I never thought I would make it to the finals of a stand-up comedy competition but then again, I never thought I would earn my living as an artist, either. I was supposed to be a Doctor, dutifully serving my country and Brothers In Arms, in the United States Navy, after graduating from the prestigious, world famous, leadership laboratory in Annapolis, Maryland known as, the U.S. Naval Academy.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II (USNA CLASS OF 93)
Alas, life has a funny way of happening when you least expect it and so I found myself, alone, on a beautiful beach in Florida, practicing my stand-up comedy routine, in front of an audience of sharks and fish, in the ocean.
JANUARY 2012 HAPPY HERALD FEATURING COVER STORY ON BEACHFRONT PROPERTY OF THE MAVERICK ARTIST VICTOR- HUGO VACA II
For six years, God blessed me with the opportunity to live on a pristine beachfront property on Millionaires Row in Florida.
HAPPY HERALD ARTICLE DESCRIBING THE LABYRINTH OF CREATIVITY ON THE BEACH, WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II LIVED AND BREATHED ART, IN NATURE.
The surrounding, undeveloped area, afforded me the unique opportunity to soak in the inspiration of my natural environment, without the clutter of distractions, chaos and noise from the outside world.
OASIS THAT PROVIDED SERENITY AND INSPIRATION FOR THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MATURE AS AN ARTIST.
I created masterpieces and developed my stature as a modern-art-gonzo-journalist reflecting on the human condition through the Modern Art Music Movement (MAMM).™
ARTICLE DESCRIBING THE LIFESTYLE OF MAVERICK ARTIST VICTOR-HUGO VACA II.
For hours and days before my performances, I studied comics at home, on tv and practiced the timing and nuances of my carefully crafted routine, in front of the flying fish and circling nurse sharks, that served as my captive audience, in the ocean. I figured, if the sharks didn’t bite and the fish were jumping, it meant my comedy routine wasn’t half bad.
BEACH WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II PRACTICED HIS STAND UP COMEDY ROUTINES CAN BE SEEN IN THIS REAL ESTATE AD.
To my amazement, I made it past the first couple of rounds and into the finals of “The Best Comic Standing” competition. It’s not that I doubted myself, because I had practiced and was sure of my ability, at least in front of the fish and sharks, but the New York Comedy Club competition was full of lifelong talent, that graciously embraced me as a newcomer on the comedy circuit and I didn’t think I could compete against such seasoned professionals, all I was looking for was the experience, to be quite honest.
Winning posed a new set of problems, because it meant having to come up with seven minutes of new material every week, to move on to the next round and I wasn’t sure the fish and sharks could take any more of my nonsensical babbling every day in practice. The secret of stand up comedy is making the scripted material seem off-the-cuff. That, and winning the audience over immediately, for if you don’t have the audience in the palm of your hand, within the first fifteen seconds of your performance, the remaining time on stage will seem like an eternity in hell, for anyone attempting to do stand up comedy.
An angry audience can make a great white shark seem like Santa Clause and scar an artist for life, if one is not prepared to fall hard, on the sharp knife of failure, without a safety net. Stand up comedy is not for the insecure, timid or faint of heart but I can honestly say it was one of the most thrilling and rewarding experiences of my remarkable life. In closing, I will say this, when people laugh at you, it hurts to the very core of ones soul, which is why bullying is so dangerous and unacceptable in any civil society; on the flip side, one of the most satisfying things in life is to witness people laughing with you, it warms my heart to see people smile.
The following is footage from one of my performances at The New York Comedy Club during “The Best Comic Standing Competition”. I understand there is footage of my other stand up performances, floating around somewhere, in the ether of the internet, and if I ever find those clips, I will gladly share them with you as well, if you wish.
In A Global Market Saturated With Counterfeit Paintings, Produced By Master Fabricators, Semen Serves To Authenticate Victor-Hugo Collection DNA Series of Artwork For Savvy Fine Art Collectors.
Dafen, China is home to 5,000 artists who produce dozens of replicas weekly, collectively churning out more than half of the oil paintings produced in the entire world each year. Over 5 million paintings a year are produced legally under Chinese Law where works of art fall out of copyright protection after fifty years.
“A WOMAN ALWAYS SEES WHAT SHE WANTS TO IN A MAN” (48X48) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (5-21-05)
Fine art forgeries can be purchased for forty dollars on every street corner in the village of Dafen, which was founded in the 1990’s by twenty artists, trained at art academies, and a businessman.
“HANDJOB” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (1-19-05)
For roughly the price of a high-end Kindle, you can get a near perfect replica of Vincent Van Gogh’s, Starry Night or Leonardo DaVinci’s, Mona Lisa in the United States. For that reason, the Maverick Artist Victor-Hugo Vaca II mixes his body fluids with paint, to safeguard the investment of fine art collectors who wish to ensure the authenticity of his unique works of modern-art-gonzo-journalism.
“BLEEDING WOMAN” (36X36) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-2-05)
The DNA Series premiered at the controversial “Ground Zero” exhibit in 2005 during Art Basel Miami Week, to critical acclaim.
RARE, COLLECTOR’S ITEM POSTCARD, PROMOTING THE CONTROVERSIAL “GROUND ZERO” EXHIBIT, WHICH INTRODUCED A GLOBAL AUDIENCE TO VICTOR-HUGO VACA II’S CRITICALLY ACCLAIMED DNA SERIES, AS SEEN ON MAJOR TELEVISION NETWORKS.
The DNA Series was inspired by, “Piss Christ”, a 1987 photograph by the American artist and photographer Andres Serrano and Chris Ofili’s “The Holy Virgin Mary”, a mixed-media painting depicting a black Madonna decorated with elephant manure which sold at auction at Christie’s in London for 2.9 million pounds ($4.6 million).
‘THE DEAD COCK” (30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WAS SOLD, AT AUCTION, ON JANUARY 29, 2009 AT “THE HIDEAWAY BEACH CLUB”, IN MARCO ISLAND, FLORIDA, AS PART OF THE PRESTIGIOUS, “WET PAINT LIVE”, AN ANNUAL CHARITY EVENT, CREATED TO BENEFIT EDUCATION SCHOLARSHIPS, ORGANIZED BY THE LEADERSHIP MARCO ALUMNI UNDER THE AUSPICES OF THE MARCO ISLAND AREA CHAMBER OF COMMERCE AND MARY LEE MAPOTHER, ACTOR, TOM CRUISE’S MOTHER. (1-21-05)
When people protested, the City of New York and Mayor Giuliani brought a court case against the Brooklyn Museum, in an attempt to evict and withdraw the annual, $7 million City Hall museum grant, for exhibiting, “The Holy Virgin Mary”, which, then Mayor of New York City, Rudolph Giuliani, described as, “sick”and “disgusting”. The museum director, Arnold L. Lehman, then filed a federal lawsuit against Mayor Rudolph Giuliani for a breach of the First Amendment and the Brooklyn Museum won the court case.
“THE FINALE”(30X30) DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II. (2-9-05)
“When I heard artists were using blood, vomit and feces to create works of art, I thought that was disgusting.” Maverick Artist Victor-Hugo Vaca II said. “I thought semen would be a better body fluid to work with, fortunately, my girlfriends agreed, so they helped me rub a few out and…well, the rest is history.”
“FOR JENNIFER” DNA SERIES, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.
The Maverick Artist Victor-Hugo Vaca II is often referred to as, “The Artist Of Rock And Roll Stars And Celebrities“, because his works of art are in the collection of such notable public and entertainment industry figures as:
Don King – Boxing promoter
Tito Puente Jr. – Musician
Doug Bell – Musician (Lead Singer Bellevue Cadillac, The Cars, J Geils Band)
Skunk Baxter – Musician (The Doobie Brothers, Steely Dan)
Rick Derringer – Musician (The McCoys)
Leroy Romans – Musician (Third World, The Wailers)
Fran Sheehan – Musican (Boston)
Barry Goudreau – Musican (Boston)
Robert “Mousey” Thompson – Musician (James Brown Band)
Danny Beissel – Musician (Fosterchild)
Robin Zander – Musician (Lead Singer Cheap Trick)
Simba – Artist
James Enders – Artist (International Pop Art Guru)
DJ Josh Wetherington – Musician/Producer
DJ Rob Malone – Musician/Producer
Dan Pacini – Musician ( The Baker Act, Dirty Foot, Shoram Fusion)
Guy Le Houx – Business mogul and restaurant magnate
Robert Sadler – Wall Street Stock Trader
Julien Manival – French Nightclub Impresario
Gerry Kelly – South Beach Night Club Impresario
Oliver Geddes – Canadian Nightclub and restaurant magnate
Fred Thompson – Actor (Law & Order), U.S. Rep. Senator, Lawyer on Watergate Committee, Radio Host
H-Love Eggers – Radio Show Host
Jeff Goldblum – Actor (The Fly, Independence Day, Jurassic Park)
Bill Johnson – Founding board member of the House of Blues
Barnaby Ruhe Ph.D. – Artist, Shaman, NYU Professor
Albie Monterrosa – Musician (Lead Singer deSol, Albie and the Neighborhood, MonteRosa Band, Love At The Bodega)
James Guerrero – Musician (deSol)
Shy Figaro – Fashion Designer
Neal Fox – Composer, Filmmaker, Artist, Activist, Musician (Polydor, RCA Victor), Top Ten Dance Club Hit, “In the Jungle”
Robin Fox – Musician, Top Ten Dance Club Hit, “I See Stars”
Naughty Natalia – Radio & TV Personality, Author, Entrepreneur
Kerry Walsh – Internationally Renowned Opera Singer, TV, Theater and Film Actress
Gene Degollada – Business Mogul, Founder Stuttgart International Auto
Belinda Carlisle – Musician (Lead Singer The Go-Go’s)
Jane Wieidlin – Musician (The Go-Go’s), Actress (Bill & Ted’s Excellent Adventure)
Dave Wakeling – Musican (Lead Singer The English Beat, General Public)
W. Nelson Lewis – Media maven, TV Personality (FOX News Greta Live Wire), Journalist, Television Producer (FOX News Laura Ingraham Show, FOX News Greta Van Susteren, GOLF Channel)
Michael Posner – Movie Maven, Delray Beach Film Festival Founder
Roger A. Bauman – Wolfsonian Museum Advisory Board Member, Entrepreneur, Business Mogul (Baumann Cosmetic Dermatology)
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Maverick Artist Victor-Hugo Vaca II
