Tag: Media Bias Clinton

ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.

Stunning Performance By The McCoy’s Frontman, Inspires Music Industry Icons To Produce Historic Rock And Roll Memorabilia, On Canvas, In Fort Myers, Florida.

On February 24, 2012, Rick Derringer walked into a room full of rock and roll icons gathered for rehearsal and blew everyone in sight away, with one of the most electrifying performances, any of the music industry legends had ever witnessed. The energy in the Sidney And Berne Davis Art Center, went from amazing to beyond intense, when Rick Derringer stepped on stage, grabbed the microphone and belted through a ferocious version of ,”Rock And Roll Hoochie Koo“, that left everyone in the hall breathless. The remarkable moment of Rock and Roll history was captured in a 41×56, work of art titled, “Live-Love-Flow“, manifested by the Maverick Artist Victor-Hugo Vaca II, who was specially selected as an intuitive artist with synesthesia, to perform with the entertainment industry All-Stars, as part of the Modern Art Music Movement™ (MAMM).

THE RIVER WEEKLY NEWS ARTICLE ANNOUNCING THE INCLUSION OF THE MAVERICK ARTIST VICTOR-HUGO VACA II IN THE MODERN ART MUSIC MOVEMENT ALL-STAR JAM.

THE MAVERICK ARTIST VICTOR-HUGO VACA II, CENTER STAGE, SURROUNDED BY ROCK & ROLL ARISTOCRACY AT THE MODERN ART MUSIC MOVEMENT ALL-STAR MAMM JAM IN FORT MYERS, FLORIDA.

“Rock and Roll Hoochie Koo” by Rick Derringer peaked at 23 on the U.S. Billboard Hot 100. It was first released on the “Johnny Winter And“ LP (1970), with Rick Derringer and the McCoys (#1 “Hang On Sloopy”) backing up Johnny Winter. Derringer decided to re-record the song for his first solo single, on the 1974, “All American Boy“, LP.”Hoochie Koo” is short for “Hoochie Koochie,” which is sexual slang popularized by Muddy Waters in his song “Hoochie Coochie Man”.

RICK DERRINGER, POINTS AT CAMERA, STANDING BESIDE THE MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, AT THE LEGENDARY MODERN ART MUSIC MOVEMENT™ ALL-STAR JAM IN FORT MYERS, FLORIDA.

Rick Derringer’s clever lyrics subversively imply female genitalia and the act of copulation:

“Hope you all know what I’m talkin’ about.
The way they wiggle that thing really knocks me out.
Gettin’ high all the time, hope you all are too.
C’mon little pussy gonna do it to you.”

MAVERICK ARTIST VICTOR-HUGO VACA II, FAR RIGHT, AT REHEARSAL, IN THE MIX OF THINGS, COLLABORATING WITH MUSIC INDUSTRY LEGENDS, TO CAPTURE MAGIC MOMENTS ON CANVAS, THROUGH THE MODERN ART MUSIC MOVEMENT™(MAMM).

THE ART OF CREATION: AT REHEARSAL, THE MAVERICK ARTIST VICTOR-HUGO VACA II, MANIFESTS ROCK AND ROLL MEMORABILIA WITH TITANS OF THE ENTERTAINMENT INDUSTRY, THAT COLLECTIVELY, HAVE SOLD OVER HALF A BILLION RECORD ALBUMS AND SINGLES, WORLDWIDE.

Like the Maverick Artist Victor-Hugo Vaca II, Rick Derringer was raised Roman Catholic and attended a private Catholic school, for eight-years, during his youth. After a time of intense personal struggle, Rick Derringer was reborn in his faith and rewrote the lyrics to, “Rock And Roll Hoochie Koo”, reflecting a less sexual and more spiritual mood:

“Couldn’t stop shouting when it first took hold.

It was an awesome night at the old church hall.

There was an old time preacher he was laying it down.

Heard the word and you know I can’t forget that sound.

Read the word, live it too.

Let the truth be seen in you.”

“LIVE-LOVE-FLOW” (41X56) BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, CAPTURES THE UNIQUE MOMENT, WHEN RICK DERRINGER JOINED THE MODERN ART MUSIC MOVEMENT ALL-STARS, FOR A ROUSING RENDITION OF HIS CLASSIC ANTHEM, “ROCK AND ROLL HOOTCHIE KOO.”

Rick Derringer and his wife own artwork from The Victor-Hugo Collection.

ART BASEL MIAMI BEACH SHOCK NIGHTCLUB UNDECIDED VOTER DONALD TRUMP HILLARY CLINTON EXPOSE PLUMMETING TRUST IN NEWSPAPERS AND GOVERNMENT

THE UNDECIDED VOTER AND MILLENNIALS PIVOT TOWARDS VOTING AGAINST THE POLITICAL STATUS QUO, EMBODIED IN A WELL REHEARSED, CAREFULLY SCRIPTED, HILLARY CLINTON, AFTER WITNESSING MAINSTREAM NEWS MEDIA COVERAGE OF THE U.S. PRESIDENTIAL DEBATE THAT CLEARLY PAINTED DONALD TRUMP AS, THE UNDERDOG.

The Undecided Voter Weighs The Danger Of Having Two Bullies Named Bill And Hillary In The White House Versus Having One Bully As Commander In Chief, With An Immigrant First Lady, Who Is So Forthcoming, That Anatomically-Correct-Politically-Incorrect Nude-Photo’s Of Her Exist And Can Be Seen By Anyone, At Anytime, On The Worldwide Web, Alongside News Stories Of The French Bernie Madoff And Shock Nightclub.

“BEFORE VOTING, ASK YOURSELF, WWMLD? WHAT WOULD MONICA LEWINSKY DO?”, 9/11 SERIES, MODERN-ART-GONZO-JOURNALISM, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

The Undecided Voter and Millennials realize the question for those Independents still trying to decide between Donald Trump and Hillary Clinton is, to put it bluntly: “Which Bully do you want in the White House, representing the best interest of you, your Children and seven generations forward and which Woman, as Commander In Chief, or First Lady, do you want to serve your bloodline, as a historical role model, for developing young girls and grown women; Meanwhile, setting a public example, for how developing young boys and structured men, should behave around girls, women, military veterans and police officers, for seven generations forward?”

THE UNDECIDED VOTER

The Undecided Voter, regardless of Sex, Race, Creed or Color, is looking to elect someone with common sense and a clear, forward, vision, to press the reset button, on a politically correct system, that is obviously broken and in dire need of realistic repair; Maybe not by a couple of seasoned bullies in the White House but by one passionate, outsider, claiming to be capable of working efficiently and in fair cooperation with other world leaders, using every available tool, rather than trusting stale, over-rehearsed, meaningless rhetoric, filled with false narratives, of half-truths, shining brightly in the hypocrisy of philanthropy.

“FEMALE VOTER EXPLAINS JUANITA BROADDRICK, KATHLEEN WILLEY, PAULA JONES, GENNIFER FLOWERS AND MONICA LEWINSKY, TO HER DAUGHTER, ELOISE, WHO IS LIVING WITH HER BABY DADDY #1, IN PARIS, FRANCE.”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE GEDDES FINE ART COLLECTION.

The Undecided Voter is looking to elect someone, with strength and conviction, to stand up to foreign enemies and make friends, using firm, fair and clear communication, so as to cooperatively manifest the concept of compassionate wealth, on earth, during the global shift towards Asia, as the New World Order is both restructured and rebalanced for maps and history books.

“FEARLESS FEMINISTS DISCUSS, NARCISSISTIC LOONY TOONS, THE POLITICS OF THE PENIS, BIMBO ERUPTIONS, FAT SHAMING BEAUTY PAGEANT WINNERS AND BILL CLINTON’S RODEO CLOWNS, WITH THEIR YOUNG DAUGHTERS, ON CHRISTMAS DAY.” MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II; PREMIERED DURING ART BASEL MIAMI WEEK AT THE GRAND OPENING OF “SHOCK”, THE HAUNTED ADDRESS OF THE NOTORIOUS FORMER BILL AND HILLARY CLINTON MIAMI BEACH, A-LIST, HANG OUT, “LIQUID NIGHTCLUB”, 1437-39 WASHINGTON AVENUE.

The Undecided Voter is looking to elect someone to procure a sustainable existence for seven generations forward, that would organically lean “The Lied To Generation” towards a peaceful lifetime; while swiftly rebuilding infrastructure and fixing politically rigged Courts, that stifle prosperity for the United Slaves Of America, by choking the American Dream, on the broken scales of justice.

INTERIOR DESIGN AND ARTWORK, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, AT THE NOTORIOUSLY HAUNTED ADDRESS, OF LIQUID AND SHOCK NIGHTCLUB, IN MIAMI BEACH, FLORIDA.

The Undecided Voter could not understand why the debate moderator, Lestor Holt, and both 2016 Presidential candidates, could not transcend the extraneous muck and zeitgeist of pop culture, in favor of progress and pressing social issues regarding the economy, justice system, public infrastructure policy, and national security, that affect everyone, regardless of age, religion, race or political affiliation.

1437-39 WASHINGTON AVENUE

THE LEGENDARY MIAMI BEACH HOT SPOT ADDRESS OF BOTH, LIQUID AND SHOCK, LOCATED ACROSS FROM THE ICONIC ESPANOLA WAY, SEEN IN SEVERAL MOVIES (MIAMI VICE) AND ON TV SHOWS (MIAMI VICE), WAS FREQUENTED BY SUCH NOTABLES AS MADONNA, SEAN PENN, BILL AND HILLARY CLINTON.

IN 2011, CELEBRATED FANFARE AND INTERNATIONAL PRESS, WELCOMED THE HAUNTED VENUE’S REINCARNATION AS THE INFAMOUS, “SHOCK” NIGHTCLUB, DURING ART BASEL MIAMI WEEK, SHOWCASING THE 5,000+ SQUARE FOOT, “NEW YORK CITY RETRO-CHIC FINE ART GRAFFITI MURAL”, INTERIOR DESIGN AND ARTWORK CREATED BY THE MAVERICK ARTIST VICTOR-HUGO VACA II, EXCLUSIVELY FOR “SHOCK”, AS CONTRACTED BY THE FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, LATER NICKNAMED, “THE FRENCH BERNIE MADOFF”, BY HIS MANY VICTIMS.

THE 10-FOOT TALL WORK OF MODERN-ART-GONZO-JOURNALISM TITLED, “TITTY HARVEST: THE POLITICS OF THE PENIS”, ADORNED THE GIANT BRICK WALL NEXT TO THE EXCLUSIVE, VIP SECTION, OF THE EUROPEAN JET-SET VENUE, NEXT TO THE DJ BOOTH, WHICH HOSTED SOLD OUT, WINTER MUSIC CONFERENCE (WMC), EVENTS AND WAS, ALLEGEDLY, FEATURED IN THE BACKGROUND OF MUSIC VIDEOS AND PHOTO SHOOTS FOR LADY GAGA AND RICKY MARTIN.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT PATRONS REPORTED SEEING SUBLIMINAL MESSAGES IN, “FLOW”, THE TWO-STORY, FINE-ART GRAFFITI MURAL, CREATED BY, THE MAVERICK ARTIST VICTOR-HUGO VACA II, THE LONGER THEY LINGERED AROUND THE NEVER DULL BAR.

BARTENDERS AND AWARD-WINNING MIXOLOGISTS AT “SHOCK” NIGHTCLUB, CLAIM THAT CURIOUS PATRONS PURCHASED MORE DOUBLE-SHOTS OF TOP SHELF ALCOHOL, IN ATTEMPTS TO DECIPHER ALL THE SUBLIMINAL MESSAGES HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL TITLED, “FLOW” BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

AWARD-WINNING INTERNATIONALLY RENOWNED MIXOLOGIST, ALEX TENGO,WORKS HIS MAGIC, AT THE “SHOCK” BAR, IN FRONT OF FANS AND INTERNATIONAL, A-LIST JET SETTERS, SEARCHING FOR SUBLIMINAL CLUES, HIDDEN WITHIN THE MASSIVE FINE-ART GRAFFITI MURAL, “FLOW”, BY THE MAVERICK ARTIST VICTOR-HUGO VACA II.

MODERN-ART-GONZO-JOURNALISM FLOWS THROUGH “SHOCK” NIGHTCLUB, SUBCONSCIOUSLY PERMEATING THE HEART, OF THE SOPHISTICATED ADULT PLAYGROUND IN MIAMI BEACH, FLORIDA, USING FINE-ART GRAFFITI TO SUBVERSIVELY COMMUNICATE A “CANARY IN THE COAL MINE” MESSAGE, TO MILLENNIALS, FROM AROUND THE WORLD, AWAKENING TO THE CLEAR AND PRESENT DANGER OF LIVING WITHIN A BROKEN JUSTICE SYSTEM, WITH RULE OF LAW DOUBLE STANDARDS, THAT FAVOR A SELECT FEW: SIMPLY PUT, “WITHOUT JUSTICE, PEACE CAN NOT FLOW” .

The Undecided Voter witnesses how, under the watch of an FBI, working in collusion with the U.S. Attorney General’s Office, political correctness and The Fifth Amendment, are being manipulated to blanket and hide the existence of a, “Double-Standard-Rule-Of-Law”, that favors an elite few, like Hillary Clinton and the Wells Fargo CEO, John G. Stumpf, but does not apply to 99% of tax-paying Constituents known as, “The United Slaves Of America”.

THE TWENTY-FOOT LONG AND TEN-FOOT HIGH, “KUNT”, MODERN-ART-GONZO-JOURNALISM PAINTING BY THE MAVERICK ARTIST VICTOR-HUGO VACA II PREMIERED AT “SHOCK” NIGHTCLUB DURING ART BASEL MIAMI WEEK, AT THE INSISTENCE OF “THE FRENCH BERNIE MADOFF”, WHOSE ILLEGAL ACTIONS EXPOSED THE WORLD TO AN INTERNATIONAL EPIDEMIC OF ECONOMIC FRAUD, THAT CRISS-CROSSED CONTINENTS FREELY, FROM THE SEXY SHORES OF MIAMI BEACH, FLORIDA, TO THE EXOTIC SHORES OF FRANCE AND IBIZA, SPAIN, IN COLLUSION WITH CORRUPT POLICE AND PUBLIC OFFICIALS, FAVORING WEALTHY INTERNATIONAL JET-SETTING CRIMINALS, AWARE OF THE BROKEN U.S. JUSTICE SYSTEM, WHOSE RULE OF LAW FAVORS WEALTHY PUBLIC FIGURES FROM ALL OVER THE WORLD, OVER LAW ABIDING U.S. CITIZENS AND HARD WORKING CONSTITUENTS, STRUGGLING TO SURVIVE, ON MINIMUM WAGE.

The Undecided Voter and Millennials see how the new-normal, “Double-Standard Rule-Of-Law”, for the elite 1% in the United States, like Hillary Clinton and Wells Fargo’s CEO, John G. Stumpf, can fuel chaos in the streets of Charlotte, North Carolina and through the heart of The Bible Belt, as God-fearing families witness anarchy racing towards The White House, to be the elected Commander In Chief, of the United Slaves of America.

MODERN-ART-GONZO-JOURNALISM EXPOSED CORRUPTION THAT LED TO SEVERAL ARRESTS OF PUBLIC OFFICIALS INCLUDING CORRUPT POLICE, AS DOCUMENTED ON FILM BY CBS NEWS MIAMI AND CANAL+ NEWS, IN FRANCE. THE INTERNATIONAL NEWS STORY WAS CHRONICLED IN A SERIES OF PRINT NEWSPAPER AND ONLINE ARTICLES BY MICHAEL MILLER IN “THE MIAMI NEW TIMES” FEATURING QUOTES AND ARTWORK FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II COLLECTION EXHIBITED AT “SHOCK” NIGHTCLUB DURING 2011 ART BASEL MIAMI WEEK.

“THE FRENCH BERNIE MADOFF”, EXPOSED AN EPIDEMIC OF ECONOMIC FRAUD, THAT CROSSED CONTINENTS, AS NOTED IN THIS HIGHLIGHTED QUOTE, FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, IN THE MIAMI NEW TIMES.

THE MAVERICK ARTIST VICTOR-HUGO VACA II WAS HIRED BY FRENCH NIGHTCLUB IMPRESARIO, JULIEN MANIVAL, TO CREATE THE INTERIOR DESIGN FOR THE EXCLUSIVE MIAMI BEACH CLUB, “SHOCK”.

The Undecided Voter witnessed Donald Trump choke, under pressure, when presented with several opportunities to expose ignored truths of national interest, against a well lubed, Hillary Clinton machine, sporting a plastered-on-smile, at the first, 2016 United States Presidential debate, held on September 26, near New Hyde Park, Long Island, in Hempstead, New York, at Hofstra University.

“PLASTIC SMILE IN THE FACE OF GLASS STEAGALL” : MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II, WHO GREW UP IN NEW HYDE PARK, IN A TWO STORY, CORNER HOUSE, BEHIND THE LONG ISLAND JEWISH HOSPITAL, WHILE ATTENDING BROOKLYN TECHNICAL HIGH SCHOOL, BEFORE ENTERING THE U.S. NAVAL ACADEMY IN ANNAPOLIS, MARYLAND, AS A MIDSHIPMAN OFFICER, IN THE 26TH PLATOON, OF THE CLASS OF 1993.

MIAMI NEWS TIMES ARTICLE FEATURES QUOTES FROM THE MAVERICK ARTIST VICTOR-HUGO VACA II, WHO CREATED A 5000+ SQUARE-FOOT, FINE-ART-GRAFFITI MURAL, AT “SHOCK” NIGHTCLUB, WRITTEN IN EIGHT DIFFERENT LANGUAGES, INCLUDING ARAMAIC, ITALIAN FRENCH AND SPANISH.

MAVERICK ARTIST VICTOR-HUGO VACA II

THE MASSIVE, FINE-ART-GRAFFITI MURAL, TITLED, “THE STORY OF THE CRACKHEAD JESUS TRIALS”, WAS PAINSTAKINGLY CREATED TO WARN VISITORS FROM AROUND THE WORLD, OF THE EPIDEMIC OF ECONOMIC FRAUD, EMANATING FROM THE UNITED STATES OF AMERICA AND THREATENING, A GLOBAL COLLAPSE IN PUBLIC TRUST OF THE BANKING INDUSTRY, DUE TO A SEVERE BREAKDOWN IN THE JUSTICE SYSTEM, CREATING A DOUBLE-STANDARD, IN RULE OF LAW, THAT FAVORS RICH, WHITE-COLLAR CRIMINALS, OVER SINGLE MOTHER’S AND BABY DADDY’S, STEALING BREAD FROM FOOD DESERTS, TO FEED THEIR MALNOURISHED CHILDREN.

MAVERICK ARTIST VICTOR-HUGO VACA II

The Undecided Voter was baffled by Donald Trump’s inability to clearly and succinctly communicate rebuttals, during his first, one-on-one debate with a seasoned politician, and a noticeably biased moderator, tossing irrelevant bread and circus distractions, disguised as relevant questions, carefully crafted to incite racial disharmony, by demanding self reflection, in presuming that all Americans, are inherently bias, racist and deplorable human beings, in order to provoke social discord, by fueling insecurity and public distrust of police, press and authority.

IT’S NOT A BLACK OR WHITE ISSUE, IT’S A CORRUPT LEADERSHIP ISSUE.

The Undecided Voter observes Hillary Clinton’s husband, Bill, and ponders the treatment of Veterans who risk their lives, in defense of freedom, for future generations of Americans, to live in a democracy, not an oligarchy, or plutocracy, reigned over by bullies and tyrants disguised as caretakers and do-gooders, who defy Rule of Law and don’t pay taxes, while pandering to Hispanics, Blacks and Women, by pretending to care about Mexicans, African-Americans and Venezuelan Beauty Pageant winners, all while attempting to dumb down masses into believing that, the “First Black President”, miraculously emerged from an Aryan vagina, belonging to a white woman named, Stanley Ann Dunham, with predominantly English but including German, Swiss, Scottish, Irish, and Welsh ancestry.

BLACK PEOPLE REALIZE THAT BARACK HUSSEIN OBAMA IS NOT 100% BLACK BECAUSE HIS MOTHER WAS 100% WHITE.

“I’m not your Commander In Chief, anymore but if I were I would tell you to be more polite, now sit down!” – Bill Clinton

https://www.youtube.com/watch?v=nfQTTF9p8pk

The Undecided Voter ponders the treatment of blacks by Caucasians, like Bill Clinton, demanding that Black Lives Matter supporters, ignore his oppressive legislation, supported by his wife, Hillary, and focus instead on getting their thirteen-year old kids, off of crack, so as to ward off any potential, Crackhead Jesus, exposing the truth of hypocrisy and foiling the so-called, Democratic process, for the United Slaves Of America.

https://www.youtube.com/watch?v=HKjdGYvHTmk

“He [Bill Clinton] said, ‘Sit down, Nigger!’” – The Doctor Of Common Sense

BEFORE RUNNING FOR PRESIDENT OF THE UNITED STATES IN 2008, THE MAVERICK ARTIST VICTOR-HUGO VACA II, LEARNED TO LIVE BY THE HONOR CONCEPT, AS PART OF THE ELITE, BRIGADE OF MIDSHIPMAN, AT THE WORLD FAMOUS, UNITED STATES NAVAL ACADEMY.

In April 17, 2007 BLOUIN ART INFO International Magazine published an article titled,

NY Artist Victor-Hugo to Run for President

The column documented the under-reported presidential candidacy of the Maverick Artist Victor-Hugo Vaca II, who entered the 2008 Presidential race to run against fellow former U.S. Naval Academy Midshipman Officer, John McCain and Freshman Senator Barack Hussein Obama, as reported in alternative news outlets around the world including newspapers in Iceland.

https://www.youtube.com/watch?v=iT12_bVKIrE

The influential BLOUIN ART INFO International Magazine highlighted the New York born, Hispanic multi-media artist’s run for United States President, as a dark horse candidate, to raise awareness about the dangers of a corrupt justice system that politicized Rule Of Law in favor of anarchy, oligarchy and plutocracy.

THE UNITED SLAVES OF AMERICA

The BLOUIN ART INFO International Magazine article read:

Controversial Latino modern artist Victor-Hugo Vaca II, a native of Queens, N.Y., announced today his plans to pursue a spot on the 2008 presidential electoral ballot, taking on frontrunners Hillary Clinton and Barack Obama.

The artist said in a public statement that he will try to run for president while he continues to research his “Law and Justice in the United States” series of works.

The point of running for office, he explained, would be to educate his fans on the difficulty or ease with which a native-born American citizen can run for “the most powerful position in the world.”

He added that he hopes the investigation and his bid for the presidency inspires the “lied-to generation” to get more involved with politics and heed the warnings in Al Gores film, An Inconvenient Truth.

“I’m spending so much time in court investigating unethical attorneys and judges that I might as well find out what it takes to run for president while I’m there. Obviously, I realize that the biggest requirement is not intelligence or common sense—George W. Bush Jr. has proven that. Loads and loads of campaign contributions from interested parties is what is needed to win.” – Maverick Artist Victor-Hugo Vaca II

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER CANDIDATE VICTOR-HUGO VACA II

The legendary modern-art-gonzo-journalism, “Crackhead Jesus Series”, by the Maverick Artist Victor-Hugo Vaca II prognosticated a modern civil war in America, manifested by blatant public corruption, emanating out of the White House, enabled by biased news media and weak investigative journalism, whose cumulative effect, undermined the halls of justice, creating dangerous double standards, for favored elitists and notable public figures, protected by the FBI, Attorney General and Police, as underprivileged constituents are slaughtered in the streets, by those hired to serve and protect them, while grave injustice permeates unchecked, through U.S. Courtrooms, enslaving all Americans, regardless of race, creed or color, with a dangerously, double-standard, Rule Of Law.

TRUTH BE TOLD, IF BLACK LIVES REALLY MATTERED WE’D START BY TAKING CARE OF BLACK WOMEN AND CHILDREN, ABANDONED BY AN IGNORED NATIONAL EPIDEMIC OF DEAD BEAT BABY DADDY’S, PROCREATING FOR SPORT, WITHOUT ACCOUNTABILITY, CONCERN OR CONSEQUENCE.

The Undecided Voter notices that news outlets, owned by Caucasians, appear to be acting in collusion, with Presidential candidates, to recklessly toss the word, “racist”, around, in a subversive attempt, to promote a modern civil war agenda, that favors orchestrating riots, violent protests and looting, to produce anarchy, across the nation, for photo ops and soundbites, that increase ratings and profits white people.

MICHELE OBAMA ASKS BLACK LIVES MATTER AND THE CLINTON NEWS NETWORK(CNN) DON LEMON, TO CONSIDER THE NEARLY 300, FORGOTTEN NIGERIAN SCHOOLGIRLS, KIDNAPPED BY BOKO HARAM IN 2014.

The Undecided Voter, notices that news outlets, owned by white men, use titillating sex scandals and beauty-queen-fat-shaming, to deflect global attention, away from documented, top-down U.S. government leadership corruption, being promulgated openly, without shame, remorse or just punishment, under the nose of frustrated taxpayers and legal immigrants, in search of the, rapidly disappearing, American Dream.

“FLOW WOMAN: POLITICAL CORRECTNESS WILL KILL DEMOCRACY.” MODERN-ART-GONZO-JOURNALISM, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE TEN-FOOT TALL, OIL PAINTING, PREMIERED DURING ART BASEL MIAMI WEEK, AT THE “SHOCK” NIGHTCLUB, GRAND OPENING IN 2011.

The Undecided Voter witnessed a sniffling, impassioned, visibly temperamental, patriotic fool, lose his ability to effectively construct and prosecute a case against Hillary Clinton, while using a bad microphone, in front of a chomping-at-the-bit, live audience, being broadcast via satellite, to a record breaking number of viewers, around the world.

DISCREDITED JOURNALIST, BRIAN WILLIAMS, PEDDLING OPINION AND RHETORIC, AS FACT BASED NEWS, ON MSNBC, TO DUMB DOWN AMERICANS.

The Undecided Voter, witnessed Hillary Clinton acting like an insincere, smiling, zombie, standing beside the face and hair of a passionate, Caucasian, presidential candidate, publicly exhibiting narcissistic, histrionic and antisocial tendencies, while blatantly throwing awkwardly, restrained fits of frustration, rather than perpetuating logic, in the face of waning public trust, in unapologetically biased news media, that favors wealthy, career politicians over eccentric, wealthy outliers, that threaten, to shake up the status quo of mediocrity, that has infected American mentality, in the early 21st Century .

“IN THE ABSENCE OF COMMON SENSE, YOU GET NONSENSE AND PRETENSE.” – MAVERICK ARTIST VICTOR-HUGO VACA II

THE ART OF STAND UP COMEDY

Maverick Artist Victor-Hugo Reflects Upon His Unique Experience As A Finalist, In “The Best Comic Standing Competition”, At The New York Comedy Club.

As an artist, I see no limitations, only challenges. Therefore, when I heard from friends in the entertainment industry that doing stand up comedy, in front of a live audience, is one of the most challenging things to do, if not the most difficult, in the business of entertainment, I realized I had to find out for myself, if this was, in fact, true. So, I convinced the owner of the New York Comedy Club, to let me enter “The Best Comic Standing Competition” in spite of warnings from the owners and seasoned stand-up comic professionals, that the audience would literally, eat me alive and throw me off stage, if my inexperience showed, in the least bit, during my performance as a comedian.

DETAIL FROM, “THE VIRGIN MARY AND LAMBCHOP VISIT AMSTERDAM”, MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

Part of being an artist is learning how to fail, because failure comes with risk and without risk, there is no progress and progress comes from learning to cope with the experience of disappointment and without disappointment, an artist can never experience success.

An artist, should always be smart enough to fear failure but strong enough to realize, that hard work and study of craft can minimize the risk. Therefore, as an artist, I listened to the sound advice of modern masters I have met, in my curious passage through this blessed, spectacular lifetime.

When I lived in Beverly Hills, California, I met “The Diceman”, Andrew Dice Clay, and at first I thought he was being insulting when, in front of his manager at a pizza shop on Rodeo Drive, he told me, “If you want to be Hollywood, Victor-Hugo, you have to act Hollywood.”

As a wayward artist, living in the 90210 zip code, The Diceman’s words threw me into a brief but deep depression, that caused me to soul search, while walking the streets of Hollywood alone. Eventually, I ended up at The Backstage Cafe, in Beverly Hills; Ian Copeland’s legendary, hole-in-the-wall club, frequented by the likes of Herbie Hancock, Slash, Sting, Elizabeth Hurley, Sharon Stone, Dr. Dre and Tom Hanks, where L.A.’s top musicians often show up, to jam on their off nights. While trying to make sense of what I perceived to be, Andrew Dice Clay’s insult to my face, Bill Maher, the celebrated comic, spilled a drink on me, while walking upstairs, to the VIP section, at The Backstage Cafe. Mr. Maher immediately apologized and graciously offered to by me a drink. I accepted his offer and joined Bill Maher at his table for an unforgettable learning experience, surrounded by Hollywood aristocracy, that would forever change my worldview and life, as a maverick artist.

At the end of the day, upon reflection, I realized The Diceman had done me a huge favor, because the meaning of what he said sunk in to the fiber of my being and opened my eyes to the reality that there are no rules in art. I learned that Hollywood is an illusion that exists within reality and to be a true artist, I must convey the tangible reality of illusions to audiences clearly and succinctly.

I never thought I would make it to the finals of a stand-up comedy competition but then again, I never thought I would earn my living as an artist, either. I was supposed to be a Doctor, dutifully serving my country and Brothers In Arms, in the United States Navy, after graduating from the prestigious, world famous, leadership laboratory in Annapolis, Maryland known as, the U.S. Naval Academy.

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II (USNA CLASS OF 93)

Alas, life has a funny way of happening when you least expect it and so I found myself, alone, on a beautiful beach in Florida, practicing my stand-up comedy routine, in front of an audience of sharks and fish, in the ocean.

JANUARY 2012 HAPPY HERALD FEATURING COVER STORY ON BEACHFRONT PROPERTY OF THE MAVERICK ARTIST VICTOR- HUGO VACA II

For six years, God blessed me with the opportunity to live on a pristine beachfront property on Millionaires Row in Florida.

HAPPY HERALD ARTICLE DESCRIBING THE LABYRINTH OF CREATIVITY ON THE BEACH, WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II LIVED AND BREATHED ART, IN NATURE.

The surrounding, undeveloped area, afforded me the unique opportunity to soak in the inspiration of my natural environment, without the clutter of distractions, chaos and noise from the outside world.

OASIS THAT PROVIDED SERENITY AND INSPIRATION FOR THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MATURE AS AN ARTIST.

I created masterpieces and developed my stature as a modern-art-gonzo-journalist reflecting on the human condition through the Modern Art Music Movement (MAMM).™

ARTICLE DESCRIBING THE LIFESTYLE OF MAVERICK ARTIST VICTOR-HUGO VACA II.

For hours and days before my performances, I studied comics at home, on tv and practiced the timing and nuances of my carefully crafted routine, in front of the flying fish and circling nurse sharks, that served as my captive audience, in the ocean. I figured, if the sharks didn’t bite and the fish were jumping, it meant my comedy routine wasn’t half bad.

BEACH WHERE THE MAVERICK ARTIST VICTOR-HUGO VACA II PRACTICED HIS STAND UP COMEDY ROUTINES CAN BE SEEN IN THIS REAL ESTATE AD.

To my amazement, I made it past the first couple of rounds and into the finals of “The Best Comic Standing” competition. It’s not that I doubted myself, because I had practiced and was sure of my ability, at least in front of the fish and sharks, but the New York Comedy Club competition was full of lifelong talent, that graciously embraced me as a newcomer on the comedy circuit and I didn’t think I could compete against such seasoned professionals, all I was looking for was the experience, to be quite honest.

Winning posed a new set of problems, because it meant having to come up with seven minutes of new material every week, to move on to the next round and I wasn’t sure the fish and sharks could take any more of my nonsensical babbling every day in practice. The secret of stand up comedy is making the scripted material seem off-the-cuff. That, and winning the audience over immediately, for if you don’t have the audience in the palm of your hand, within the first fifteen seconds of your performance, the remaining time on stage will seem like an eternity in hell, for anyone attempting to do stand up comedy.

An angry audience can make a great white shark seem like Santa Clause and scar an artist for life, if one is not prepared to fall hard, on the sharp knife of failure, without a safety net. Stand up comedy is not for the insecure, timid or faint of heart but I can honestly say it was one of the most thrilling and rewarding experiences of my remarkable life. In closing, I will say this, when people laugh at you, it hurts to the very core of ones soul, which is why bullying is so dangerous and unacceptable in any civil society; on the flip side, one of the most satisfying things in life is to witness people laughing with you, it warms my heart to see people smile.

The following is footage from one of my performances at The New York Comedy Club during “The Best Comic Standing Competition”. I understand there is footage of my other stand up performances, floating around somewhere, in the ether of the internet, and if I ever find those clips, I will gladly share them with you as well, if you wish.

New York Born Hispanic Artist Living In Shadow Of Revolutionary French Le Miserable And Hunchback Of Notre Dame Author Victor Hugo Warns Public Of Threats To Free Speech And Democratic Elections

BRANGELINA BREAKUP AND CHARLOTTE, NORTH CAROLINA RIOTS SPARK INTEREST IN PROPHETIC LETTER TO EDITOR FROM VICTOR-HUGO TO NEWSPAPER WITH JENNIFER ANNISTON ON COVER.

On May 1st, 2008, the beaches edition of The Sun Post, covering Miami Beach, North Bay Village, Surfside, Bay Harbor, Bal Harbour, Sunny Isles Beach, North Miami, North Miami Beach and Aventura, featured Jennifer Aniston on the cover, under the headline, “Celebrity Gossip”, stating “Jen’s body is a wonderland”, in reference to rumors of her intimate relationship with John Mayer. Inside the newspaper, distributed to readers with some of the highest per capita wealth in the United States, was a letter to the editor, from the Maverick Artist Victor-Hugo Vaca II which foretold by nearly a decade, the present state of a nation in turmoil, deciding between Donald Trump and Hillary Clinton, for Commander In Chief of the world’s most powerful armed forces.

MAVERICK ARTIST VICTOR- HUGO VACA II LETTER TO EDITOR

The letter was headlined, “Of Course Lawmaking Attorneys Want To Ban Free Speech”. It read:

“It should come as no surprise to anyone that a proposed law in the state of Florida could ban free speech. The Florida Bar, under the direction of Henry Coxe III, begot the saga of Crackhead Jesus (www.crackheadjesus.com) to avoid threats of censorship from rogue attorneys who make and interpret law for trusting constituents.

To find out exactly who has oversight over the man who determines the standard of ethics and competency for lawmakers in Florida, the offices of Gov. and potential vice presidential candidate Charlie Crist, along with Sen. Mel Martinez and Attorney General Bill McCollum, were contacted. Turns out they were all under the impression that the Florida Supreme Court was in charge of the Florida Bar. Wrong.

It appears government confusion has left the fox guarding the henhouse. Only in the state of Florida is a higher level of ethics and competence expected of Miami panhandlers than of lawmaking attorneys.

The Florida Commission on Ethics has gotten involved since no one in government seems quite sure what to do about this unexpected and embarrassing predicament facing Florida government during this election year.

Government officials appear ill at ease about the whole thing, I assume because they fear a credible news outlet might actually see this as a national news item should Gov. Crist be offered the vice presidential nomination, the death penalty moratorium be removed or more Florida residents, business owners and newspaper readers come froward with allegations that some Florida courts are being used by rogue attorneys to legally extort constituents while no one is watching.

Free speech and justice concerns are things that should make someone go “hmmm” in this election year, which may ultimately be determined by the same system that appointed George W. Bush in 2000.”

MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SUBLIMINAL MESSAGES THAT WARN THE GENERAL PUBLIC OF ISSUES IGNORED BY MAINSTREAM NEWS MEDIA DUE TO CENSORSHIP AND CONFLICT OF INTEREST WITH ADVERTISERS THAT FUND THE BUSINESS OF REPORTING NEWS AND INFORMATION TO TRUSTING MASSES.

Millennials should realize that the death of democracy happened in the year 2000, when the Florida Supreme Court appointed George W. Bush as President of the United States as if he were King, rather than allowing the majority of constituents to elect a Commander In Chief based on popular vote. Biased mainstream media news outlets dismiss, as conspiracy theory, Donald Trump’s valid concern that the electoral process is rigged, however the fact of the matter is, that nothing has changed since this prophetic letter was written, nearly a decade ago, by the man, who some claim is the reincarnation of the world renowned French artist Victor Hugo, who documented the French Revolution, in words and drawings that still resonate as meaningful and relevant, over a century after being manifested in the classic novels, “Les Miserables” and “The Hunchback Of Notre Dame”.

THIS WORK OF MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II CONTAINS SEVERAL SUBLIMINAL CLUES FOR INVESTIGATIVE JOURNALISTS TO EXAMINE JUDGE DONALD W. HAFELE AND THE LITTLE KNOWN, THREE MEMBER BOARD, KNOWN AS, “THE FAIRNESS OF ELECTIONS COMMITTEE”, THAT INFLUENCES AMERICAN ELECTIONS, BUT WHOSE PROFOUND GLOBAL IMPACT, GOES UNREPORTED, BY WEAK MAINSTREAM MEDIA NEWS OUTLETS WHO FAIL TO TELL THE PUBLIC THE WHOLE STORY OF THE U.S. ELECTORAL PROCESS AND HOW IT IS, IN FACT, NOT CONSPIRACY THEORY, RIGGED.

Now, for what he calls, “The Lied To Generation”, the Maverick Artist Victor-Hugo Vaca II, is documenting the American Revolution, taking place in the new millennium, in modern-art-gonzo-journalism form, for Millennials, to digest and ponder, in the midst of mainstream news media, that has forsaken public trust, in favor of greed, ratings and biased political agendas.

MODERN-ART-GONZO-JOURNALISM BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“Don’t be a dick”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

How President Obama Paying Cash Ransom To Iran And US Attorney General Loretta Lynch Failing To Prosecute Secretary Of State Hillary Clinton For Treason Following FBI Director James Comey Recommendation Manifested A Modern Civil War In The United States.

CRACKHEAD JESUS HERALDS ANARCHY IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD FOR PRIVILEGED ELITE VS AVERAGE CITIZEN.

As a worldwide audience watches the violent results, of the U.S. justice system, collapsing under the weight of toxic government leadership, enabled by fake news media, that fails to hold anyone accountable for the blatant, Rule Of Law double standard, that has become, the new normal in America, James Comey, sets a dangerous precedent for everyone, by lying to Congress, undermining the Constitution and teaching all Americans, including Needy Latino’s and Super Predators, that the racist Democratic Party, in collusion with weak mainstream media news outlets, while under the toxic leadership of Barrack Hussein Obama, who preached hope as a false prophet, that denied his own Mother and his white heritage, in favor of undermining the Black community, for profit, alongside Loretta Lynch, Eric Holder and the Clinton Machine mafia, that 0.01% of people in America can get away with murder and everything else, while the other 99.99% of the United Slaves Of America, live under strict Rule Of Law.

MODERN-ART-GONZO-JOURNALISM PAINTING CREATED BY VICTOR-HUGO VACA II IN 2009 PROPHESIED A MODERN CIVIL WAR IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD.

No justice, no peace.

When the head of the FBI, James Comey, became investigator, prosecutor, Judge and jury; minorities, who have been through the broken U.S. Justice system, took notice: ‘Needy Latino’s’ and ‘Super Predators’ knew instinctively, without propaganda, from mainstream media news outlets, that something was definitely wrong with the picture of Attorney General Loretta Lynch, in a private plane, on an Arizona airport tarmac, with Bill Clinton, days before an FBI investigation, into Hillary Clinton, was closed, without proper procedure, inquiry or prosecution referral.

The FBI, under the toxic leadership of James Comey and the justice system, under the toxic leadership of Loretta Lynch, destroyed public trust in U.S. Rule of Law, by undermining the Hillary Clinton investigation. A multicultural mob of constituents is awakening to the fact, that the U.S. justice system is rigged, in favor an elite hand-full of people, who rule the world, like Crackhead Jesus, with a, ‘do as I say, not as I do’, philosophy.

On March 3, 2009, Modern Art Music Movement (MAMM) Founder, Victor-Hugo Vaca II, sent the following “Letter To The Editor” to major international news outlets, including USA Today, in defense of the controversial, Winter Music Conference (WMC) Modern Art Music Movement, “Crackhead Jesus Cab” campaign, wherein a fleet of over fifty taxi cab’s drove through Florida during the Christmas season carrying an ominous message for residents and sun drenched tourists from around the world:

“Survival is based on common values and beliefs, not color. I learned that first-hand, at the U.S. Naval Academy and Prep School, in the 80’s and 90’s, when the military purged all maverick Alpha males out of service and left toxic leadership in command.” – Victor-Hugo Vaca II

U.S. Midshipman Officer Victor Hugo Vaca II

Dear Editor,

What do the hens do when the fox is guarding the hen house? Wake up, media! Crackhead Jesus is coming.

For years, news outlets have ignored warnings of the cataclysmic butterfly effect created by the dangerously low standard of competency and ethics for lawyers – those who grow up to be senators like Roland Burris or judges like Donald W. Hafele.

The controversial iNovel, Redemption: Episode One – The Story of the Crackhead Jesus Trials, was created to avoid threats of censorship from lawyers who did not want me to disclose the fact that I, unwittingly, discovered that lack of competency and ethics for lawmakers would lead to an economic disaster of global proportions.

Ladies and gentleman, now we are here. Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers.

Follow the trail of Judge Donald W. Hafele – from his appointment by Jeb Bush to the little known, three-member Fairness of Elections Committee in 2000, the year Democracy died, to the Jerod Miller case in which Judge Hafele publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.

After several documented warnings to Governor Charlie Crist’s office about the Judge’s corrupt fiber of being, Crist elevated Judge Hafele to a Circuit Court, where he now threatens the environment by creating a calculated delay in the Everglades’ case.

Why should anyone care about this? Because of the butterfly effect.

Elected representatives are ignoring the fact that no oversight exists over some of the 50 states’ Bar associations and that has lead to the breakdown of democracy – and is now set to breakdown the global environment for generations to come.

Elected representatives are ignoring the fact that a legal mafia exists in the United States, and it will not make things better.

With my birth name of Victor-Hugo Vaca Jr., my Web sites have gone viral on the Internet. Those who Google Victor Hugo, Modern Art, Judge Hafele, Conde and Cohen will be lead to the truth about what is really going on in this country.

Students from all over the world have begun to cite me in their school projects because I share the name of the great French revolutionary, Victor Hugo. The youth of our nation have given me a powerful voice, thanks to their ability to think outside of the box.

Clear Channel has agreed to post billboards and banners exclaiming, “Crackhead Jesus is coming (‘http://www.crackheadjesus.com‘)” during the Winter Music Conference in Miami Beach. I am not spending my money to create chaos or blaspheme any religious figure but rather to let the world know that the new Victor-Hugo has done his part in history as a patriot to defend and uphold democracy by thinking outside of the box and not with mere rhetoric.

Flow,
Victor-Hugo Vaca Jr.
The Maverick Artist

ACCORDING TO COX COMMUNICATIONS, THE “CRACKHEAD JESUS CABS” WERE SO EYE CATCHING, EXECUTIVES CLAIM IT WAS ONE OF THE MOST SUCCESSFUL AND EFFECTIVE AD CAMPAIGNS, IN MARKETING HISTORY.

Mainstream media censored, “Crackhead Jesus”, which has since become part of the vernacular, representing a breakdown in the system, but with the advent of cell phone camera’s, tourists from around the world were able to disseminate images of the curious cabs globally, thus circumventing news media censorship and getting the message across that, civil unrest was coming to the United States, due to a breakdown in the U.S. justice system that favors elites over the 99% of law abiding citizens in America.

CRACKHEAD JESUS CAB AT HILTON HOTEL IN SOUTH BEACH, MIAMI, FLORIDA.

When President Barrack Hussein Obama laundered cash to pay ransom for hostages to the number one supporter of terrorism, Iran, it sent a signal to the world that the United States was prepared to negotiate with evil.

CRACKHEAD JESUS CAB BEING PHOTOGRAPHED BY TOURISTS IN MIAMI BEACH, FLORIDA.

When FBI Director James Comey condoned acts of treason by Hillary Clinton, it signaled to the world that the United States government and justice system, is corrupt from the top down.

CRACKHEAD JESUS CAB LETS TOURIST OUT IN FRONT OF MAC STORE IN MIAMI BEACH, FLORIDA.

When the United States Attorney General, Loretta Lynch failed to prosecute Secretary Of State, Hillary Clinton for acts of treason, it signaled to the American public that there is a clear Rule Of Law double standard for the elite 1% in America.

CRACKHEAD JESUS CAB, IN FRONT OF THE GAP, NEXT TO PORSCHE, ON COLLINS AVENUE, IN MIAMI BEACH, FLORIDA.

“Before you trust lies that spring up as news, trust your instinct and fact check, using the critical thinking skills God gave you.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

https://www.youtube.com/watch?v=KN8SIigY8TI

MODERN CIVIL WAR PROPHESY ERUPTS IN USA AS SEEN IN NEW TIMES 2007 ART BASEL ARTICLE

Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.

In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”

MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.

The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.

DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.

The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.

THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.

Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.

THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.

The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.

THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.

Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.

THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.

“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”

– Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

TWITTER BANS ZOMBIE HILLARY CLINTON AND OSAMA BIN LADEN RESURFACES TO SUPPORT CLINTON FOR PRESIDENT WWCHJD? What Would Crackhead Jesus Do?

“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden

MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.

WELLS FARGO USURY EXAMINES DANGERS OF TO BIG TOO FAIL BANKS Why Tax Deductible Fines Fail To Stop Fraud Money Laundering And Deception In Banking Business

“Wells Fargo Usury” was created on September 1, 2013 by the Maverick Artist Victor-Hugo Vaca II. Wall Street banks made billions on securitized subprime mortgages. When the bubble burst 99% of the world population was negatively impacted by the ripple effects. The main culprits have escaped punishment, not one top executive-level banker has been personally punished or lost their job. Tax deductible fines are levied against banks for criminal acts, not prosecutions. The lesson learned is, crime pays for the 1%.

VOODOO ECONOMICS

While lame stream media distracts people by feeding them bread and circus, disguised as news and information, banks labeled, “too-big-to-fail”, are stealing money from customers with impunity, because they can.

Banks steal billions of dollars but only pay millions in fines that are usually tax deductible. So the lesson learned is: crime pays, if you are a corporate entity protected by a corrupt, “pay for play”, government.

BANKS ARE ABOVE THE LAW: TOO-BIG-TO FAIL MEANS TOO-BIG-TO-JAIL AND THAT TRANSLATES INTO FISCAL ANARCHY THAT ENABLES ECONOMIC TERRORISM.

Wells Fargo, the largest mortgage lender in the United States, admitted to deceiving the U.S. government into insuring thousands of risky mortgages and agreed to pay $1.2 billion to put to rest claims that it engaged in reckless lending under a Federal Housing Administration program that left a taxpayer subsidized, government insurance fund to clean up the mess.

Wells Fargo engaged in a reckless trifecta of poor training, deficient loan underwriting and poor disclosure in the government-backed loan program.

ECONOMIC TERRORISM DEFINED IN MODERN-ART-GONZO-JOURNALISM.

Wells Fargo was fined $3.6 million because the bank acted illegally by charging on-time payers with late fees, failed to inform borrowers of steps they could take to minimize fees and left credit report errors uncorrected, which resulted in some misled student loan borrowers paying unnecessary fees.

“Wells Fargo hit borrowers with illegal fees and deprived others of critical information needed to effectively manage their student loan accounts. Consumers should be able to rely on their servicer to process and credit payments correctly and to provide accurate and timely information.”- Richard Cordray, Director Of Consumer Financial Protection Bureau.

CONTEMPORARY ART MEME

The Consumer Financial Protection Bureau assessed nearly $36 million in penalties against Wells Fargo for the banks’ role in a “mortgage kickback” scheme. The financial regulator charged Wells Fargo bank employees with entering into an illegal arrangement with a now-defunct Maryland mortgage title company, under which the title company gave cash, marketing materials and consumer information in exchange for bank business. The CFPB determined in its investigation that more than 100 Wells Fargo loan officers in Maryland and Virginia entered into the illegal arrangement,

“These banks allowed their loan officers to focus on their own illegal financial gain rather than on treating consumers fairly.” – Richard Cordray, Consumer Financial Protection Bureau Director.

CONTEMPORARY ART MEME

Wells Fargo was fined $81.6 million for failing to provide bankrupt homeowners with legally required notices of mortgage payment increases which denied homeowners the opportunity to challenge the accuracy of mortgage payment increases. By failing to properly notify homeowners, Wells Fargo violated federal bankruptcy rules that took effect in December 2011 that imposed more detailed disclosure requirements to ensure proper accounting of fees and charges on homeowners in bankruptcy.

CONTEMPORARY ART MEME

Wells Fargo, agreed to pay $85 million to settle charges that it falsified loan documents of its borrowers and pushed borrowers into higher interest subprime mortgages even though they qualified for a mortgage with lower interest rates. Over 10,000 borrowers were steered into more expensive subprime mortgages with higher interest rates or had their loan paperwork falsified by Wells Fargo personnel. Wells Fargo personnel were driven to the fraudulent activity in order to meet their company goals required for consideration to receive bonuses.

CONTEMPORARY ART MEME

Wells Fargo agreed to pay a $70 million penalty to settle legal claims over improper activity including the robo-signing of foreclosure documents, faulty payment-change notices filed in bankruptcy courts and faulty escrow calculations. Wells Fargo employees acted as robo-signers to speed up the foreclosure process with falsified or inadequate underlying documentation.

CONTEMPORARY ART MEME

“One would assume the most valuable tool for an artist is in his hands, in reality, however, it is the mind of the artist which serves to create.”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

Victor Hugo Movies and Art Indie Horror Film Features Victor Hugo Painting Live As Serial Killer Terrorizes Community With Deadly Drones

MAVERICK ARTIST VICTOR HUGO PAINTING MALE FEMALE FUSION CREATED ON STAGE AT VOODOO LOUNGE IN FILM ABOUT DOMESTIC TERRORIST DRONE STRIKES.

The Modern Art Music Movement™ painting titled, “Male/Female Fusion” appeared on the ABC Television Network’s dance show titled, “Club TV” and in the independent film, “Death By Remote Control”, an American made thriller, about a serial killer, terrorizing a metropolis, with deadly drones.

BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II CO-STARRED IN THE AWARD WINNING (BEST FILM), “48 HOUR FILM FESTIVAL”, GRIND-HOUSE THRILLER TITLED, “THE ART OF ROADKILL”.

“Male/Female Fusion” was created on stage September 5, 2008 during the ABC Club TV Modern Art Music Movement™ MAMM Jam in Fort Lauderdale, Florida, at The Voodoo Lounge, with Modern Art Music Movement™ artists Brooklyn Murphy & Victor-Hugo Vaca Jr. , performing live art intuition with a sensual twist, simultaneously, for both the television show and film, in front of a live audience.

“MALE/FEMALE FUSION” HAS BEEN REMIXED, DIGITALLY, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN LIMITED EDITION SIGNED/AUTOGRAPHED Lithograph PRINTS.

IN “THE ART OF ROADKILL”, BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO PLAY DETECTIVES STRUGGLING TO SOLVE A SERIES OF BIZARRE MURDERS WITH AN ARTISTIC TWIST.

“Male/Female Fusion” actually appeared in two films; the independent horror film titled, “Death By Remote Control”, about a psychopath terrorizing suburban communities with his deadly, home-made drones and also in, “The Last Hit”, an award-winning mob flick available on DVD at major retailers like Wal-Mart and Target and on popular streaming networks like Amazon Prime, Hulu and Epix.

THE MAVERICK ARTIST VICTOR-HUGO VACA II HAD THE UNIQUE OPPORTUNITY OF, CROSS POLLINATING FILM CHARACTERS, BY PLACING THE HOMELESS ORACLE HE PORTRAYED IN THE CULT CLASSIC, “CRACKHEAD JESUS: THE MOVIE”, INTO THE STORYLINE OF “THE LAST HIT”.

“The Last Hit” is the story of hitman, Simon Carson, who earns his wages as an elite killer for a local crime syndicate. When he’s given an assignment to kill a young girl, he takes matters into his own hands, with revenge in his heart, and decides to protect and save her instead. The Maverick Artist Victor-Hugo Vaca II has a cameo with dialogue, as a homeless war veteran suffering from PTSD, in the audience favorite at several international film festivals including the Fort Lauderdale International Film Festival (FLIFF) and La Romana International Film Festival (LRIFF) in the Dominican Republic.

“THE LAST HIT” AND “CRACKHEAD JESUS: THE MOVIE” BOTH SCREENED AT THE “LA ROMANA INTERNATIONAL FILM FESTIVAL” AND BOTH MOTION PICTURES WERE AWARDED TROPHIES, BEST FILM AND BEST SCREENPLAY, RESPECTIVELY.

“Male/Female Fusion” was manifested on building plans for a U.S. veterans hospital that was never constructed, due to the Wall Street bank bailout, that shattered the U.S. economy and sent negative reverberations throughout the global banking industry.

BEHIND THE SCENES/ ART SECRETS: RAW, UNEDITED IMAGE OF, “MALE/FEMALE FUSION”, A MODERN ART MUSIC MOVEMENT WORK OF MODERN-ART-GONZO-JOURNALISM, CREATED TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD, THAT MANIFESTED ECONOMIC TERRORISM ON WALL STREET THAT HAS NEGATIVELY IMPACTED 99% OF THE HUMAN POPULATION.

Scene from, “Death By Remote Control”, featuring Maverick Artist Victor-Hugo Vaca II and Brooklyn Murphy as featured in the USA Today Network article, “Artist Victor Hugo Creates Diary Of World On Canvas” .

Scene from the award-winning, “48 Hour Film Festival”, grind house flick, “The Art Of Roadkill” starring Brooklyn Murphy and Maverick Artist Victor-Hugo Vaca II.

Scene from the award-winning film, “The Last Hit”, featuring Modern Art Music Movement™ works of art including “Male/Female Fusion”. The climax of the movie was filmed at the beachfront home of the Maverick Artist Victor-Hugo Vaca II known as the “Labyrinth of Creativity On The Beach” on Hillsboro Mile A.K.A., “Millionaires Row”, a unique, scenic, yacht-lined, exclusive, one mile beach community, inhabited by artists, actors, musicians, CEO’s, Football Team Owners, Sultans and Queens.

https://www.youtube.com/watch?v=NeI4zNuSULM

Movie trailer, for the award-winning film, “The Last Hit”, featuring cameo by Maverick Artist Victor-Hugo Vaca II, in the role he created for, “Crackhead Jesus: The Movie”, of a war veteran, suffering from Post Traumatic Stress Disorder (PTSD), that serves as an oracle for protagonists in both films.

VICTOR HUGO COLLECTION SEEN ON BIG SCREEN IN THE LAST HIT AWARD WINNING ACTION DRAMA

https://www.youtube.com/watch?v=NeI4zNuSULM

“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.

“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.