Press, Blatantly Reporting Opinion And Hyperbole As News, Has A Frustrated Public Turning To Artists, To Document Untold History, On Canvas, In Lieu Of Weak Newspaper And Television Reporting In The Age Of Donald Trump And Hillary Clinton.
In the words of the alleged-serial-killer-spinal-surgeon, operating out of the Washington D.C. Baltimore, Maryland area, Dr. Charles Edwards: “You can get away with murder because you can always count on cops being overworked, underpaid and lazy and lawyers being greedy.”
Severe cuts in staffing high-quality investigative journalists at mainstream media news outlets, portends a disturbing trend, that should concern anyone who worries about living in a functioning Democracy.
“IF A MAJOR NEWS ORGANIZATION LIKE NBC IS GOING TO REDUCE THE NUMBER, AND IT SOUNDS LIKE A SIGNIFICANT NUMBER, OF THE PEOPLE WHO GO OUT AND GATHER INFORMATION TO GO INTO THE DAILY STREAM OF NEWS, IT’S GOING TO THIN OUR KNOWLEDGE OF THE WORLD SOMEWHAT.” – BILL KOVACH
So, then, what is one to do in a world, where weak investigative journalists, peddle opinion as news and see “The Clinton Death List” and the World Trade Center, Building Seven, spontaneous-implosion, in New York City, on September 11, 2001, as conspiracy theories?
MODERN-ART-GONZO-JOURNALISM PAINTS HISTORY IN A WAY THAT MAINSTREAM TELEVISION NEWS OUTLETS CAN NOT AFFORD TO DO.
Hopeless people, claiming cops don’t care and investigative journalists won’t listen, contact modern-art-gonzo journalists with stories that go unreported or woefully under-reported in weak mainstream media news outlets, due to lack of will, budget and corporate interest.
WORLD TRADE CENTER CONTEMPORARY ART MEME, EXPLORES THE FACT, THAT U.S. NEWS MEDIA, WOULD HAVE PUBLIC TRUST BELIEVE, THAT THE WORLD TRADE CENTER BUILDING SEVEN, COULD DEFY THE LAWS OF PHYSICS.
In the way jesters, during the Dark Ages, were able to point out, that the King was not wearing any clothes, so too, modern-art-gonzo journalism is able to skim past false truths, fed in soundbites, to skeptical public trust, in creating a vernacular and visual , “Diary Of The World On Canvas”, that interprets the court of public opinion, in brief moments of time, throughout history.
“COMPLIANCE IS NOT A DESTINATION, IT’S A JOURNEY SAYS THE SECURITIES AND EXCHANGE COMMISSION OFFICE OF CREDIT RATINGS DIRECTOR TO THE UNITED SLAVES OF AMERICA.”, IS A WORK OF MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, USING BEAR STERNS STATIONARY, FROM THE OFFICE OF A SENIOR MANAGING DIRECTOR, AS CANVAS, FOR THIS MIXED MEDIA WORK OF ADHESIVE GRAFFITI FINE ART.
The world has become so immune to corruption and dishonesty that lying thieves are becoming the elected choice of people who have given up and feel safe in the status quo of false promises and exploitation.
LIKE A FLY ON THE WALL, OR, “WHERE’S WALDO”, MODERN-ART-GONZO-JOURNALIST, VICTOR HUGO VACA II, CAN BE FOUND IN THE BACKGROUND, CONTEMPLATING LIFE’S CURIOUS MOMENTS?
Corporations, like Nestle, buy water for pennies on the dollar, from natural springs, syphoned away, by greed, from public consumption and spend millions of dollars on advertising, with U.S. news networks, while people in Flint Michigan, are poisoned by corrupt government officials, under the nose of journalists, distracted by Miley Cyrus, twerking Robin Thicke, on an awards show.
“NEWS IS ABOUT ADVERTISING AND ADVERTISING IS A BUSINESS” – VICTOR-HUGO VACA II
News media turned a blind eye to the plight of the disenfranchised without a voice, until contemporary artists, like Cher and Beyonce, started raising public awareness about the reality surrounding us all, as cultured beings, in a state of rapid change and awakening.
DETAIL FROM FEATURED PAINTING, CREATED IN 2007 AT A MODERN ART MUSIC MOVEMENT REHEARSAL WITH, MAVERICK ARTIST VICTOR-HUGO VACA II AND POWER, FROM RYTHMM EPKINS, “MIND, BODY AND SOUL”, BEFORE A SOLD OUT CONCERT, IN BAKERSFIELD, CALIFORNIA, TO BENEFIT MENTALLY HANDICAPPED CHILDREN.
The following is an emailed example, with the name of the sender omitted to protect sources of information, of the sorts of requests from citizens of Earth, to modern-art-gonzo-journalists, in the hopes, that their story of the human condition, will be documented in art, for future generations of investigative journalists and historians, to revisit artistic canvassed chronicles, in the pursuit of a remedy, for the growing cancer of dishonesty and corruption in the evolution of human nature:
“IN MY DIARY OF THE WORLD ON CANVAS, I PAINT WHAT I SEE, AND WHAT I SEE IS THE BEAUTIFUL CHAOS THAT SURROUNDS US ALL IN THE MULTI-UNIVERSE.”- MAVERICK ARTIST VICTOR-HUGO VACA II.
Hi,
My friend asked me to email you the following basic info:
– Very high profile business individuals involved
– $18 Million invested
– Potential dirty money from Mexico
– City official involved with under the table “help”
– Embezzlement
– Infringement of ownership
– Fraudulent transfer to avoid paying due to local businesses ($1.5+ MM due)
– Documents forgeries
– Known name and about to reopen under a new name within the next 2-3 months
– Currently several lawsuits already filed against various group’s entities
– Etc.
Ex-executive with thousands of supporting documents potentially ready to talk under certain conditions and guarantied multiple city publication (getting involved other journalist to publish it nationally)
Let me know if any interests.
MODERN-ART-GONZO-JOURNALIST VICTOR-HUGO VACA II
“When I contacted WSVN 7 Fox News, after Hurricane Wilma, about a clear and present danger, impacting the lives of over fifteen-hundred residents, in a high rise building, destroyed by a tornado, the newsroom said: ‘Call us back when you see burning bodies flying out of the building, otherwise, it’s not news.'”. – Maverick Artist Victor-Hugo Vaca II
STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.
THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.
STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.
STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.
The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.
SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.
“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN
NEW YORK TIMES GRAFFITI STICKER TAGS.
“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.
CHINATOWN STREET ART
The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.
STREET ART YBOR CITY
“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.
STICKER TAG
A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.
THOUGHT PROVOKING STICKER ART
“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman
MIAMI GRAFFITI STICKER ART
Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.
STREET ART MIAMI BEACH
“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.
“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN
“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN
SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.
“Allegedly Leon was a pimp. ” – DB BURKEMAN
CHICAGO STREET ART
“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN
Miami Beach Street Art
“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN
St. Petersburg Street Art
“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart
COCONUT GROVE STREET ART
In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.
MIAMI STREET ART
The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.
NEW YORK STREET ART
“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN
NEW YORK STREET ART
“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN
CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS
“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN
CHICAGOSTREET ART
“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN
CHICAGO STREET ART
“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN
MIAMI DESIGN DISTRICT STREET ART
“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN
SOUTH BEACH STREET ART
“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN
STICKER SLAPPING
“Topps are the American Sticker Gods” – DB BURKEMAN
STICKER TAGGING
“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN
STREET ART BETHLEHEM
“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN
STREET ART YBOR CITY
“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN
STICKER BOMB
“It’s anti-media, anti-established art world.” – Poster Boy
SLAP TAGGING
“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN
NEW YORK STREET ART
R. Stanton Avery created the first self-adhesive sticker in the 1930’s.
ADHESIVE STICKER ART
In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.
NEW JERSEY STREET ART
“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman
STREET ART CHICAGO
“Stickers rule.” – Shepard Fairey
STICKER TAGS
“When I pause to think about it, stickers have changed my life.” – Shepard Fairey
STICKER SLAP
“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey
STICKER BOMB
“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey
STICKER TAG
“I wanted stickers as badges of my culture.” – Shepard Fairey
STICKER BOMB
The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.
CHICAGO STREET ART
“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey
NEW YORK STREET ART
“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey
MIAMI BEACH STREET ART
“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey
CHICAGO STREET ART
“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey
STICKER BOMB
“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey
CHICAGO STREET ART
“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey
SLAP TAGGING
“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey
STICKER SLAPPING
“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey
CHICAGO STREET ART
“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey
MIAMI BEACH STREET ART
“It amazed me just how liberating and easy sticking was.” – Shepard Fairey
STICKER SLAPPING
“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey
CHICAGO STREET ART
From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.
GRAFFITI STICKER ART
To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.
STICKER TAG
The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.
THE DOORS, JIM MORRISON, GRAVE.
The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.
THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.
The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.
CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.
During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.
STICKER BUM
“Crackheadjesus is coming and he doesn’t pull out.”
-MAVERICK ARTIST VICTOR HUGO VACA II
THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM DUE TO STAFF AND BUDGET CUTS.
The newspaper, in its 300-year-long history, was the primary source for news and events. American society depended on newspapers to let them know what was happening and how to prepare for things to come. Since the advent of the Internet, a number of major metropolitan dailies have been shuttered or drastically pruned. This massive decline in Newspaper circulation has led to a Rebirth of Journalism. The way news is transmitted, shared and read have all been transformed.
OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
Maverick Artist Victor-Hugo Vaca II In Front Of Skeletal Remains Of The Miami Herald Building Before It Is Imploded, Bulldozed & Scrapped, Due To Declining Public Trust In Reporting, Declining Sales & Circulation.
What Victor-Hugo Vaca II has manifested, for public consumption, is modern-art-gonzo- journalism. By fusing the style of Salvador Dali’s cryptic artwork, containing hidden messages and clues, with Hunter S. Thompson’s gonzo journalism, he has created a diary of the world on canvas, to tell the untold story of an, alleged, serial-killer spinal-surgeon using money, lawyers and influence to perpetuate his, alleged scheme, of becoming the most prolific serial-killer in history and to warn masses of a small group of home-grown terrorists, disguised as lawyers, judges and lobbyists, who have infiltrated the U.S. Justice system, Congress, Senate and The White House, to undermine the Constitution, in order to actualize the death of democracy and herald a New World Order.
THE INFAMOUS MIAMI HERALD VICTOR- HUGO VACA II U.S. NAVAL ACADEMY ARTICLE THAT EXPOSED WEAK INVESTIGATIVE JOURNALISM OVERLOOKING THE DANGERS OF ENABLING TOXIC LEADERSHIP AND ITS FUTURE IMPACT ON SOCIETY.
On May 24, 1990, The Miami Herald published a story by staff writer, Mike Wilson, titled, “DIARY OF A YEAR IN HELL: The Navy called it ‘plebe year’. Midshipman Fourth-Class Victor Vaca called it harassment.” Besides getting his name wrong in the headline, his birth certificate reads, “Victor-Hugo Vaca Jr.”, The Miami Herald whitewashed the front-page world news story by understating the dangerous impact of breeding toxic leadership at the world famous United States Naval Academy, by training young officers to torture suspects and sexually assault female officers in an elite, powerful, clandestine community. It is no wonder that, recent news headlines indicate, U.S. military leadership problems persist, at the U.S. Naval Academy and other tactical training institutions.
THE SUNDAY CAPITAL ANNAPOLIS, MARYLAND FRONT PAGE ARTICLE SUNDAY MAY 27, 1990 FEATURING QUOTES FROM USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II.
SEE SOMETHING; SAY SOMETHING: Victor-Hugo Vaca II felt it was his patriotic duty, to expose the horrors he witnessed, as a United States Naval Academy Midshipman. He saw leadership training, that eventually led to Abu Ghraib torture and prisoner abuse, as acceptable practice by U.S. military command and he knew that what he had witnessed, was not proper instruction for future commanders of the free world.
VICTOR -HUGO VACA II QUOTED IN THE SUN FRONT PAGE USNA ARTICLE “I TRIED TO STICK UP FOR MY RIGHTS, AND THATS’S WHAT GOT ME INTO TROUBLE.”
Maverick Artist Victor-Hugo Vaca II was a whistleblower, trying to warn mankind, of the dangerous butterfly-effect, abuse of power would have on the future that now exists, in the age of Donald Trump versus Hillary Clinton, where lies are acceptable as truth and honor has all but disappeared, but The Miami Herald chose to present the story as a personal account of hazing instead of focusing on the big picture.
SUNDAY MAY 27, 1990 VOL. 90 NO. 21 THE BALTIMORE SUN FRONT PAGE ARTICLE FEATURING USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II. (REPRINTED FROM MIKE WILSON AP NEWS WIRE MIAMI HERALD KNIGHT RIDDER ARTICLE.)
When Victor-Hugo Vaca II gave The Miami Herald his diary, he trusted editors would see the big picture and focus on the potential global impact of his unique experience; instead, they chose to spotlight minor incidents, like upperclassmen teasing his name. Teasing is a lot different than torture and shortsighted journalists failing to differentiate between the two in foreseeing the long term impacts on society is one example of why public trust has plummeted in news outlets.
USNA Midshipman Officer Victor-Hugo Vaca Jr.
Fast-forward to November 30, 2005, when The Miami Herald published a story by staff writer, Elinor J. Brecher, titled, “ARTIST SAYS CONDO WORKERS DESTROYED HIS ART PROJECT: An artist complained to police that his Hurricane Wilma-related art installation was damaged by somebody making repairs after Hurricane Wilma.” Besides getting Victor-Hugo Vaca II’s name wrong, again, the article failed to mention the fact that the 2005 Miami Art Basel week exhibit, was created to bring worldwide attention to allegations, that Baltimore spinal-surgeon, Dr. Charles Edwards, was more than just a slumlord, he was also, an alleged serial-killer.
THE MIAMI HERALD FULL PAGE ARTICLE FEATURING VICTOR- HUGO VACA JR. -JOURNALISTS AGAIN LOSE PUBLIC TRUST BY COMPLETELY IGNORING ALLEGED SERIAL-KILLER BUILDING OWNER ASPECT OF THE NEWS STORY IN FAVOR OF FLUFF, BECAUSE THE SUSPECT WAS A MAJOR ADVERTISER WITH THE NEWSPAPER.
When Victor-Hugo Vaca II confronted Elinor J. Brecher about this, she said Dr. Edwards legal team had sent a letter to The Miami Herald editors reminding them that he was a long time advertiser with the newspaper and that her series of investigative reports about the notorious Doctor and his trouble plagued North Bay Village monolith, The Grand View Palace, were creating potential harm to there longstanding business relationship.
“I thought newspapers were about reporting news?” Victor-Hugo Vaca II said.
“Wake up!” Elinor J Brecher answered. “Newspapers are a business.”
Crackhead Jesus Is Coming On Miami Herald
She went on to tell Victor-Hugo Vaca II how Miami Herald staff had been worried about losing their jobs based on rumors of a Knight-Ridder buyout by McClatchy and that the newspaper industry, would be decimated by the Internet. In March of 2006, McClatchy assumed about $2 billion in Knight Ridder’s debt when they purchased The Miami Herald and Brecher’s prediction about mobile technology and the Internet transforming newspapers came to fruition.
MAVERICK ARTIST VICTOR-HUGO VACA II, NY BORN FINE ARTIST, CREATES 7,000 SQUARE FOOT GRAFFITI MURAL INSIDE THE HAUNTED HALLS OF THE INFAMOUS MIAMI BEACH ADDRESS OF LEGENDARY HOT SPOTS, LIQUID AND SHOCK NIGHTCLUB, TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD AND ECONOMIC TERRORISM DESTROYING AMERICAN ECONOMY ENABLED BY WEAK INVESTIGATIVE JOURNALISM.
Fast forward, to February 17, 2011, when a Miami New Times article by Michael E. Miller, titled “SHOCK NIGHTCLUB OWNER SKIPS TOWN WITHOUT PAYING HIS BILLS” revealed that Julien Manival nicknamed, “The French Bernie Madoff”, had bragged to El Nuevo Herald, The Miami Herald’s Spanish language sister- publication, that he wanted his patrons’ heads to spin for days from all the special effects in his new nightclub, located at the former address of the legendary Liquid Nightclub.
MAVERICK ARTIST VICTOR-HUGO VACA II INSIDE THE 7,000 SQUARE FOOT MODERN- ART-GONZO-JOURNALISM GRAFFITI MURAL, WRITTEN IN SEVEN LANGUAGES INCLUDING: ARAMAIC, FRENCH, GERMAN, CHINESE AND SPANISH, HE MANIFESTED THROUGHOUT THE HAUNTED HALLS OF THE INFAMOUS LIQUID, SHOCK NIGHTCLUB, WASHINGTON AVENUE, MIAMI BEACH, FLORIDA, ADDRESS.
Having been hired as the official artist of Shock Nightclub by Manival himself, to create, “a world-record sized fine-art-graffiti mural” at the infamous 1437-39 Washington Avenue address on South Beach, Victor-Hugo Vaca II witnessed, first hand, the corruption and dangers to public safety that existed before two separate FBI corruption investigations led to eight individuals charged and arrested in a corruption probe including Miami Beach Code Compliance Officers, Miami Beach Firefighters and a Miami Dade Police Officer.
MIAMI BEACH MAYOR, MATTI BOWER, AND MIAMI HERALD EDITORS KNEW THAT THOUSANDS OF INTERNATIONAL PARTYGOERS WERE IN CLEAR AND PRESENT DANGER OF CEILING COLLAPSE AT 1437-39 WASHINGTON AVENUE, SHOCK NIGHTCLUB, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, BUT NEITHER DID ANYTHING TO GAIN PUBLIC TRUST BY WARNING TRAVELERS AND CONSTITUENTS.
Mayor Matti Bower and Miami Herald Editors had photographic evidence of clear and present danger, including shocking images of a rotting second story dance floor being concealed, without permits, to withstand the weight of hundreds of trusting revelers. Every editor at the Miami Herald was alerted to the dangerous situation being perpetrated by the epidemic of economic fraud and corruption endangering the lives of unsuspecting visitors to Miami Beach and its constituents.
MIAMI HERALD AND MAYOR MATTI BOWER FORFEIT PUBLIC TRUST BY IGNORING CLEAR AND PRESENT DANGER AT POPULAR MIAMI BEACH NIGHTCLUB ADORNED WITH FINE ART AND GIGANTIC GRAFFITI MURAL BY NEW YORK BORN HISPANIC ENTREPRENEUR MAVERICK ARTIST VICTOR-HUGO VACA II.
CBS NEWS MIAMI FILMED THE 7,000 SQUARE FOOT MODERN-ART-GONZO- JOURNALISM GRAFFITI MURAL TITLED, “FLOW”, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE MURAL CONTAINED SUBLIMINAL GRAFFITI IN SEVEN LANGUAGES AND POINTERS, FOR THE INQUISITIVE, PAINTED WITH FINE ART OIL BRUSHES, WITHIN THE LARGE WORDS, THAT TOLD A STORY OF CORRUPTION, FOR SAVVY SOCIALITES, INVESTIGATIVE JOURNALISTS AND THOSE ENTRUSTED WITH PUBLIC SAFETY TO DO THEIR JOB AND CATCH THE CLUES LEADING TO THE REALIZATION OF A CLEAR AND PRESENT DANGER POSSIBLY EXISTING ABOVE THE HEADS OF UNSUSPECTING INTERNATIONAL LUMINARIES AND CELEBRITIES, LIKE LADY GAGA AND RICKY MARTIN, DANCING THE NIGHT AWAY, IN THE VIP SECTION, OF ONE OF THE MOST INFAMOUS CLUBS ON SOUTH BEACH.
For reasons unknown, CBS News producers never aired the footage they obtained from inside of Shock Nightclub but Jenny Scordamaglia (Miami TV, VidBloggerNation), dared to air the following segment on the first season of her show, “Off Limits”, featuring the infamous censored and stolen paintings and 7,000 square foot fine-art-graffiti mural by Maverick Artist Victor-Hugo Vaca II, intended to raise awareness about economic terrorism and the epidemic of economic fraud impacting the global economy.
After a couple of weeks, Shock Nightclub abruptly shut down. When “The French Bernie Madoff”, Julien Manival’s, checks started bouncing, the Frenchman jetted back across the Atlantic, leaving behind over $100,000 in outstanding debts and an unsafe dance floor that could collapse under pressure on hundreds of unsuspecting people.
MONEY TRUMPS PUBLIC SAFETY: THE MIAMI HERALD FAILED TO REPORT UNSAFE STRUCTURE AT THE WORLD FAMOUS, SHOCK NIGHTCLUB, FEATURING DECOR BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Once money became an issue, mainstream media news outlets like, The Miami New Times, began reporting the economic fraud and money laundering taking place between Miami Beach and France. Yet, editors at The Miami Herald failed to publish the photos they had in their possession, of rotting, unsafe, elevated dance floors, in the heart of Miami Beach, where the privileged pay good money to play and party like rock stars, royalty and celebrities in venues like Shock Nightclub, with artistic decor by Florida International University Alumni, Victor-Hugo Vaca II.
THOUSANDS OF WINTER MUSIC CONFERENCE REVELERS FROM ALL OVER THE GLOBE WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT “SHOCK NIGHTCLUB” BECAUSE THE MIAMI HERALD FAILED TO REPORT ON THESE PHOTOS, IN POSSESSION OF MAYOR MATTIE BOWER, SHOWING CONSTRUCTION WORK DONE WITH NO LICENSE OR PERMIT TO SECURE A ROTTING CEILING AND DANCE FLOOR.
The Miami Herald showed their commitment to public trust by dismissing the report. The only article published by the Miami Herald regarding Shock Nightclub was an article, that appeared in the Spanish language newspaper, El Nuevo Herald, noting the exceptional artwork and graffiti created by the New York born Hispanic artist Victor-Hugo Vaca II and heralding Julien Manival, as a nightclub impresario, creating a safe haven for elite patrons and public figures from around the world, in the heart of Miami Beach, Florida.
JET-SETTERS AND WEALTHY GLOBE TROTTERS WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT THE WORLD FAMOUS SHOCK NIGHTCLUB, DECORATED IN GRAFFITI AND FINE ART BY MAVERICK ARTIST VICTOR-HUGO VACA II, BECAUSE THE MIAMI HERALD DISMISSED PUBLIC TRUST IN REPORTING CLEAR AND PRESENT DANGERS TO THE COMMUNITY.
MAVERICK ARTIST VICTOR-HUGO VACA II MASSIVE “FLOW” GRAFFITI MURAL TOWERS OVER PARTY PEOPLE FROM ALL OVER THE WORLD, COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT SHOCK NIGHTCLUB, BECAUSE THE MIAMI HERALD FAILED PUBLIC TRUST, IN FAVOR OF PUBLISHING AN ARTICLE PRAISING THE ARTWORK OF THE MODERN-ART-GONZO- JOURNALIST.
MAVERICK ARTIST VICTOR-HUGO VACA II 7,000 SQUARE FOOT GRAFFITI MURAL TITLED, “FLOW” AND FINE ART BY THE MODERN ART MUSIC MOVEMENT FOUNDER DECORATED THE WALLS OF THE WORLD FAMOUS MIAMI BEACH SHOCK NIGHTCLUB FREQUENTED BY AFFLUENT TRENDSETTERS AND GLOBETROTTING CLUBGOERS.
Fast forward again, this time to September 19, 2013 when the Pultizer Prize winning, Sun Sentinel published two stories about a high-speed chase on a winding, ocean-front, mansion-lined, two-lane road, through an exclusive residential neighborhood, without sidewalks, the day after an innocent victim was killed during another high-speed chase in the Miami Herald readership area and just days before Miriam Carey, was shot to death in D.C., with a 1-year-old girl in her car, after a high-speed car chase. The front-page articles contained quotes from the eyewitness account, of Victor-Hugo Vaca II, which were also given to Miami Herald reporters, who asked for bystander testimony.
‘THE BOOK OF LIFE PASSED ME BY AS I WALKED MY DOG’ BY VICTOR-HUGO VACA II
Neither newspaper mentioned the cavalry of black, grey and blue, unmarked SUV’s, that trembled earth, through the community, known as, “Millionaires Row”, like an endless rumbling freight train, at unsafe speeds, for over forty-five minutes, after the media reported, “two-minute” car chase, was over.
THE MIAMI HERALD REPORTS AN EARTH SHAKING, FORTY-FIVE MINUTE ONSLAUGHT OF HIGH-SPEED UNMARKED CARS RACING THROUGH “MILLIONAIRES ROW” ON A TIGHT, WINDING ROAD, AS A “TWO-MINUTE” CAR CHASE.
The Sun Sentinel Article read:
Victor-Hugo Vaca Jr. was walking his dog Romeo in front of his Hillsboro Beach home when the suspect’s vehicle and patrol cars whooshed past him like a barreling train, he said. Vaca feared for his life and first thought of Medina, he said.
“That’s the first thing that flashed in my mind. The second thing was my dog and my own safety,” he said. “I had enough time to grab his neck back with the leash before he walked into that chaos. It gave me just enough time to react.
“I felt the force of the chase coming towards me. They were coming at such a velocity and there was such a caravan of metal,” he said. “We were stuck in our tracks; we didn’t move.”
A bicyclist on the opposite side of the road jumped off his bike because he was so shaken and told Vaca how terrified he was, he said.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HIS DOG ROMEO.
Roaring past pedestrians on a narrow, winding road at high speeds, for over forty-five minutes, a motorcade of unmarked law enforcement vehicles in one of the wealthiest neighborhoods on earth, recklessly endangered the lives of pets and pedestrians in the name of the law, but that’s not how The Miami Herald reported the incident, witnessed by Hillsboro Beach, Florida resident, Victor-Hugo Vaca II.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM- OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
The Miami Herald made it seem like all the life threatening chaos along “Millionaires Row” ensued over a burglary suspect and never delved deeper into this curious story that begged the questions, “Why would over 60 unmarked cars race through a winding road at breakneck speeds for over forty-five minutes endangering civilians to catch a burglar? What exactly did the suspect steal in the mega-mansion neighborhood, to warrant such an extreme response, from undercover law enforcement and where did all the unmarked vehicles come from?”
WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT ALL-STAR DJ MAMM JAM EVENT FEATURING MAVERICK ARTIST VICTOR-HUGO VACA II.
The painting titled, “Public Trust: The Story of How Miami Herald Circulation Declined”, was created for the promotion of public welfare, live, on-stage, at the 2013 Winter Music Conference (WMC) Sunbreeze Dance Music Festival with All-Star Dj’s including Ron D *8*Lim (Power of Love), DJ Romain, DJ Yass, Nermin, Viktor Simonelli, Patrick Bo, N ‘Dinga Gaba and Neal Fox (Polydor, RCA and Columbia Records recording artist).
MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTING, “PUBLIC TRUST: THE STORY OF HOW MIAMI HERALD CIRCULATION DECLINED”, ON STAGE AT THE WINTER MUSIC CONFERENCE ALL-STAR DJ’S MAMM JAM IN MIAMI BEACH.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH THE POWER OF LOVE, RON D 8 LIM, PERFORM MODERN ART MUSIC MOVEMENT, AT THE WINTER MUSIC CONFERENCE ALL STAR DJ’S MAMM JAM.
The Power Of Love with Ron D 8 Lim has performed at The Winter Music Conference (WMC), FUSE, Detroit Electronic Music Festival, Art Basel Miami and fashion shows for BCBG and Elle.
MAVERICK ARTIST VICTOR-HUGO VACA II PERFORMS WITH RON D 8 LIM AT THE WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT MIAMI MUSIC WEEK MAMM JAM IN MIAMI BEACH FLORIDA.
The Maverick Artist Victor-Hugo Vaca II and Neal Fox (The Conspiracy Project, Deliberate Dumbing Down of America, Fuck The Fed, Thank You, Dan Rather) collaborated on the following video, which premiered at the Miami Music Week Winter Music Conference (WMC) All Star Dj’s MAMM Jam event.
IF USA IS RULED BY A CORRUPT JUSTICE SYSTEM THAT MANIFESTS A TWO TIER RULE OF LAW FAVORING OLIGARCHY AND CORPORATIONS, SHOULD PEOPLE TRUST GM?
This work of modern art gonzo journalism premiered publicly on September 1, 2010. The mixed media work of art created by modern art gonzo journalist, Victor-Hugo Vaca Jr., to adorn the walls of the legendary, French-jet-setter, South Beach, celebrity-filled address, that once housed, “Liquid Nightclub”, attended by notable elites such as Madonna and Bill and Hillary Clinton, in Miami Beach, Florida, “Shock Nightclub” predicated, by five years and sixteen days the $900 million dollar, price tag paid by General Motors (GM) in a sweet deal reached with federal authorities, to avoid criminal charges, on September 17, 2015.
As predicted by the work of art titled, “Trust GM“, the United States Justice system has officially set the price for murder in the United States of America on the head of every constituent regardless of race, creed or political affiliation. How has this reality manifested itself in the land of the free?
In God We Trust
So, the lesson taught by this generation for future generations to digest is: If you wish to murder at least 124 human beings and injure at least 275 more people, in the United States Of America, without going to jail, hire corporate lawyers and pay $900 million dollars in tax deductible fines to the United States Government. If you purchase a General Motors (GM) vehicle, a percentage of your money goes to paying legal fees for murder. Truth is stranger than fiction, no matter how you rationalize reality.
Zodiac Ted Cruz’s Favorite Alleged Serial Killer-Spinal-Surgeon, Dr. Charles Edwards
The rumored story of a well-respected, alleged-serial-killer-spinal-surgeon and Kiwi Airlines owner, operating out of the Baltimore, Maryland, Washington D.C. area, who allegedly, knowingly buys companies, to get away with murder, as CEO, like the notorious, ex-Massey Energy CEO, Don Blankenship. Known as “The Coal King”, Blankenship was awarded the short sentence of one year in jail, for his role in safety violations, described as, “monstrous” wrongdoing, by Prosecutors, related to a fatal explosion that killed twenty-nine miners.
The Palm Beach Post Friday Oct 29, 2010 Modern Art Music Movement Halloween Midnight Cult Movie Series Crackhead Jesus The Movie Clockwork Orange Pink Floyds The Wall Movie Reviews
Delray Beach Film Festival Modern Art Music Movement Poster.
The story of a serial-killer-spinal-surgeon, false prophets, lawyers and homegrown terrorists using political correctness as a weapon to infiltrate the U.S. Justice system to destroy Democracy and end lives, was inspired by Florida Case # 50-2006-CC-016579, dubbed “The Crackhead Jesus Trials” by mainstream media outlets. The lawsuit exposed the world to a dangerous lack of oversight in the Florida Justice system creating a global butterfly effect documented by the maverick New York born filmmaker and multimedia-artist in a diary of the world on canvas he calls, “Modern-Art-Gonzo-Journalism”.
We use cookies to ensure that we give you the best experience on our website. With the aid of cookies, we analyze the typical use pattern of visitors to the website. Your continued use of our website shall be conclusively deemed acceptance of the use of cookies.
IF USA IS RULED BY A CORRUPT JUSTICE SYSTEM THAT MANIFESTS A TWO TIER RULE OF LAW FAVORING OLIGARCHY AND CORPORATIONS, SHOULD PEOPLE TRUST GM?
