“Wells Fargo Usury” was created on September 1, 2013 by the Maverick Artist Victor-Hugo Vaca II.Ā Wall Street banks made billions on securitized subprime mortgages. When the bubble burst 99% of the world population was negatively impacted by the ripple effects. The main culprits have escaped punishment, not one top executive-level banker has been personally punished or lost their job. Tax deductible fines are levied against banks for criminal acts, not prosecutions. The lesson learned is, crime pays for the 1%.
VOODOO ECONOMICS
While lame stream media distracts people by feeding them bread and circus, disguised as news and information, banks labeled, “too-big-to-fail”, are stealing money from customers with impunity, because they can.
Banks steal billions of dollars but only pay millions in fines that are usually tax deductible. So the lesson learned is: crime pays, if you are a corporate entity protected by a corrupt, “pay for play”, government.
BANKS ARE ABOVE THE LAW: TOO-BIG-TO FAIL MEANS TOO-BIG-TO-JAIL AND THAT TRANSLATES INTO FISCAL ANARCHY THAT ENABLES ECONOMIC TERRORISM.
Wells Fargo, the largest mortgage lender in the United States,Ā admitted to deceiving the U.S. government into insuring thousands of risky mortgages and agreed to pay $1.2 billion to put to rest claims that it engaged in reckless lending under a Federal Housing AdministrationĀ program that left a taxpayer subsidized, government insurance fund to clean up the mess.
Wells Fargo engaged in a reckless trifecta of poor training, deficient loan underwriting and poor disclosure in the government-backed loan program.
ECONOMIC TERRORISM DEFINED IN MODERN-ART-GONZO-JOURNALISM.
Wells Fargo was fined $3.6 million because the bank actedĀ illegally by charging on-time payers withĀ late fees, failedĀ to inform borrowers of steps they could take to minimize feesĀ and leftĀ credit report errors uncorrected,Ā which resulted in some misled student loan borrowers paying unnecessary fees.
āWells Fargo hit borrowers with illegal fees and deprived others of critical information needed to effectively manage their student loan accounts. Consumers should be able to rely on their servicer to process and credit payments correctly and to provide accurate and timely information.ā- Richard Cordray,Ā Director Of Consumer Financial Protection Bureau.
CONTEMPORARY ART MEME
The Consumer Financial Protection Bureau assessed nearly $36 million in penalties against Wells Fargo for the banksā role in a āmortgage kickbackā scheme.Ā The financial regulator charged Wells Fargo bank employees with entering into an illegal arrangement with a now-defunct Maryland mortgage title company, under which the title company gave cash, marketing materials and consumer information in exchange for bank business.Ā The CFPB determined in its investigation that more than 100 Wells Fargo loan officers in Maryland and Virginia entered into the illegal arrangement,
āThese banks allowed their loan officers to focus on their own illegal financial gain rather than on treating consumers fairly.” – Richard Cordray,Ā Consumer Financial Protection Bureau Director.
CONTEMPORARY ART MEME
Wells Fargo was fined $81.6 million for failing to provide Ā bankrupt homeowners with legally required notices of mortgage payment increases which denied homeowners the opportunity to challenge the accuracy of mortgage payment increases.Ā By failing to properly notify homeowners, Wells Fargo violated federal bankruptcy rules that took effect in December 2011 that imposed more detailed disclosure requirements to ensure proper accounting of fees and charges on homeowners in bankruptcy.
CONTEMPORARY ART MEME
Wells Fargo, agreed to pay $85 million to settle charges that it falsified loan documents of its borrowers and pushed borrowers into higher interest subprime mortgages even though they qualified for a mortgage with lower interest rates. Over 10,000 borrowers were steered into more expensive subprime mortgages with higher interest rates or had their loan paperwork falsified by Wells Fargo personnel.Ā Wells Fargo personnel were driven to the fraudulent activity in order to meet their company goals required for consideration to receive bonuses.
CONTEMPORARY ART MEME
Wells Fargo agreed to pay a $70 million penalty to settle legal claims overĀ improper activity including the robo-signing of foreclosure documents,Ā faulty payment-change notices filed in bankruptcy courts and faulty escrow calculations. Wells FargoĀ employees acted as robo-signers toĀ speed up the foreclosure process with falsified or inadequate underlying documentation.
CONTEMPORARY ART MEME
“One would assume the most valuable tool for an artist is in his hands, in reality, however, it is the mind of the artist which serves to create.”- Ā Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR HUGO PAINTING MALE FEMALE FUSION CREATED ON STAGE AT VOODOO LOUNGE IN FILM ABOUT DOMESTIC TERRORIST DRONE STRIKES.
The Modern Art Music Movementā¢Ā painting titled, “Male/Female Fusion” appeared on the ABC Television Network’s dance show titled, “Club TV” and in the independent film, “Death By Remote Control”, an American made thriller, about a serial killer, terrorizing a metropolis, with deadly drones.
BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II CO-STARRED IN THE AWARD WINNING (BEST FILM), “48 HOUR FILM FESTIVAL”, GRIND-HOUSE THRILLER TITLED, “THE ART OF ROADKILL”. Ā
“Male/Female Fusion” was created on stage September 5, 2008 during the ABC Club TV Modern Art Music Movementā¢Ā MAMM Jam in Fort Lauderdale, Florida, at The Voodoo Lounge, with Modern Art Music Movementā¢Ā artists Brooklyn Murphy & Victor-Hugo Vaca Jr. , performing live art intuition with a sensual twist, simultaneously, for both the television show and film, in front of a live audience.
āMALE/FEMALE FUSIONā Ā HAS BEEN REMIXED, DIGITALLY, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN LIMITED EDITION SIGNED/AUTOGRAPHED Lithograph PRINTS.
IN “THE ART OF ROADKILL”, BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO PLAY DETECTIVES STRUGGLING TO SOLVE A SERIES OF BIZARRE MURDERS WITH AN ARTISTIC TWIST.
“Male/Female Fusion” actually appeared in two films; the independent horror film titled, “Death By Remote Control”, about a psychopath terrorizing suburban communities with his deadly, home-made drones and also in, “The Last Hit”, an award-winning mob flick available on DVD at major retailers like Wal-Mart and Target and on popular streaming networks like Amazon Prime, Hulu and Epix.
THE MAVERICK ARTIST VICTOR-HUGO VACA II HAD THE UNIQUE OPPORTUNITY OF, CROSS POLLINATING FILM CHARACTERS, BY PLACING THE HOMELESS ORACLE HE PORTRAYED IN THE CULT CLASSIC, “CRACKHEAD JESUS: THE MOVIE”, INTO THE STORYLINE OF “THE LAST HIT”.
“The Last Hit” is the story ofĀ hitman, Simon Carson, who earns his wages as an elite killer for a local crime syndicate. When he’s given an assignment to kill a young girl, he takes matters into his own hands, with revenge in his heart, and decides to protect andĀ save her instead. The Maverick Artist Victor-Hugo Vaca II has a cameo with dialogue, as a homeless war veteran suffering from PTSD, in the audience favorite at several international film festivals including the Fort Lauderdale International Film Festival (FLIFF) and La Romana International Film Festival (LRIFF) in the Dominican Republic.
“THE LAST HIT” AND “CRACKHEAD JESUS: THE MOVIE” BOTH SCREENED AT THE “LA ROMANA INTERNATIONAL FILM FESTIVAL” AND BOTH MOTION PICTURES WERE AWARDED TROPHIES, BEST FILM AND BEST SCREENPLAY, RESPECTIVELY.
“Male/Female Fusion” was manifested on building plans for a U.S. veterans hospital that was never constructed, due to the Wall Street bank bailout, that shattered the U.S. economy and sent negative reverberations throughout the global banking industry.
BEHIND THE SCENES/ ART SECRETS: RAW, UNEDITED IMAGE OF, “MALE/FEMALE FUSION”, A MODERN ART MUSIC MOVEMENT WORK OF MODERN-ART-GONZO-JOURNALISM, CREATED TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD, THAT MANIFESTED ECONOMIC TERRORISM ON WALL STREET THAT HAS NEGATIVELY IMPACTED 99% OF THE HUMAN POPULATION.
Scene from, “Death By Remote Control”, featuring Maverick Artist Victor-Hugo Vaca II and Brooklyn Murphy as featured in the USA Today Network article, “Artist Victor Hugo Creates Diary Of World On Canvas” .
Scene from the award-winning, “48 Hour Film Festival”, grind house flick, “The Art Of Roadkill” starring Brooklyn Murphy and Maverick Artist Victor-Hugo Vaca II.
Scene from the award-winning film, “The Last Hit”, featuring Modern Art Music Movement⢠works of art including “Male/Female Fusion”. The climax of the movie was filmed at the beachfront home of the Maverick Artist Victor-Hugo Vaca II known as the “Labyrinth of Creativity On The Beach” on Hillsboro Mile A.K.A., “Millionaires Row”, a unique, scenic, yacht-lined, exclusive, one mile beach community, inhabited by artists, actors, musicians, CEO’s, Football Team Owners, Sultans and Queens.
https://www.youtube.com/watch?v=NeI4zNuSULM
Movie trailer, for the award-winning film, “The Last Hit”, featuring cameo by Maverick Artist Victor-Hugo Vaca II, in the role he created for, “Crackhead Jesus: The Movie”,Ā of a war veteran, suffering from Post Traumatic Stress Disorder (PTSD), that serves as an oracle for protagonists in both films.
LILY HATCHETT INVITED THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MANIFEST MODERN ART MUSIC MOVEMENT HAPPENINGS, CAPTURED ON FILM, Ā THAT CREATED WORKS OF FINE ART GRAFFITI, ON CANVAS.
Lily Hatchett invited former United States Naval Academy (USNA) Midshipmen Officers, Barnaby Ruhe and Maverick Artist Victor-Hugo Vaca II to create works of art at the legendary, live-action multimedia art event featuring performance art, live bands, dance, fashion, video presentations, and DJ’s for a spectacular, marathon party and Modern Art Music Movementā¢Ā Happening, in Fort Myers, Florida, inside the historic, Sidney and Berne Davis Art Center, lastingĀ two days and nights.
MAVERICK ARTIST VICTOR-HUGO VACA II POSES FOR PORTRAIT BY BARNABY RUHE.
USNA Midshipmen Officers are taught to persevere in the face of extreme obstacles and severe impediments; important skills in the war of business, art creation and marketing strategies.
MIDSHIPMAN OFFICER VICTOR-HUGO VACA II LEADING THE 26TH PLATOON AT THE UNITED STATES NAVAL ACADEMY IN ANNAPOLIS, MARYLAND.
The Modern Art Music Movementā¢Ā Happening evolved organically, within the Hatchett Production, manifesting the largest work of art ever created by the Maverick Artist Victor-Hugo Vaca II on canvas, a triptych titled, “Ronald Reagan and His Monkey”. The colossal work of art has appeared in music videos and television show backdrops but has not been displayed in public since the event, due, in part, to its considerable size and the necessity of a spacious venue for proper exhibition.
MODERN ART MUSIC MOVEMENT: DAVID HATCHETT, MAVERICK ARTIST VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT IN FRONT OF MASSIVE, “RONALD REAGAN AND HIS MONKEY”, TRIPTYCH.
Barnaby Ruhe received his doctorate in shamanism and art practice, an interdisciplinary effort combining psychology, anthropology, art history, phenomenology and art studio action.
UNITED STATES NAVAL ACADEMY ALUMNI, BARNABY RUHE, PAINTS MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GLOBAL WARMING ART REPORT PARTY.
World Famous Leadership Laboratory Produces Presidents, CEO’s, Artists And Modern-Art-Gonzo-Journalists.
The U.S. Naval AcademyĀ was established in 1845. The mission of the USNA is “To develop Midshipmen morally, mentally and physically.” The campus, known as “The Yard,” is a National Historic Landmark, 33 miles from Washington, D.C. and 30 miles from Baltimore. USNA students must have a congressional or presidential nomination to apply.
The U.S. Naval Academy provides a demanding four-year program leading to a Bachelor of Science degree and a commission as an Ensign in the United States Navy, or as a Second Lieutenant in the United States Marine Corps.
It is not exaggeration to describe USNA Midshipman Officers, graduates and veterans asĀ loyal, trustworthy and hardworking furthermore, they are not only great leaders but great followers as well, because Midshipman are taught, to both lead and follow, by example.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
“The academies naturally foster the ability to get along with your fellow man, primarily because you live so close together. You have to be able to relate to senior officers, to peers, and people under you. Itās imperative. This is directly transferable to business.” –Ā Ā James Kinnear, Naval Academy Alumni and CEO of Texaco.
BEFORE ENTERING THE U.S. NAVAL ACADEMY, MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) COMPLETED RIGOROUS LEADERSHIP AND SURVIVAL TRAINING, AT Ā THE NEWPORT NAVAL BASE, IN RHODE ISLAND, WHERE HE WAS PART OF THE TRIUMPHANT, NAVAL ACADEMY PREP SCHOOL SWIM TEAM. Ā
Barnaby Ruhe graduated from the U.S. Naval Academy in 1968. He was senior editor of Art/World newspaper in the 1980s and ’90s and wrote the first New York City reviews of work by Francesco Clemente and the Starn Twins, as well as essays on Francisco de Goya, Henri Matisse, Andy Warhol and Joseph Beuys.
USNA ALUMNI, BARNABY RUHE, SERVES ON THE BOARD OF, “ARTISTS TALK ON ART”, AND IS A SIX-TIME, WORLD BOOMERANG CHAMPION.
Barnaby Ruhe, is a romantic artist, who incorporates; sentiment, gesture and psychic journeying into his paintings. He runs shaman healing workshopsĀ at the Burning Man festival, each summer, inside the Shamandome Camp.
“MAVERICK ARTIST VICTOR-HUGO VACA II PORTRAIT” BY BARNABY RUHE.
Barnaby Ruhe is best known for his marathon, portrait-painting sessions, like the one in January of 2009, Ā wherein he painted fellow United States Naval Academy trained Artist, Victor-Hugo Vaca II, in Fort Myers, Florida, at Lily Hatchett’s extraordinary two-day, “Global Warming Art Report Party”.
BARNABY RUHE PORTRAIT PAINTING MARATHON WITH “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN BACKGROUND OF PORTRAITS.
“Ronald Reagan And His Monkey” by Maverick Artist Victor-Hugo Vaca II, combined spirit and mood while reflecting all the dance, drama, satire and media that transpired over forty-eight hours of non-stop, magic moments, at “The Global Warming Art Report Party”, Ā encapsulating the zeitgeist into a massive, triptych painting, measuring over twelve feet tall and fifteen feet long, in one explosive marathon moment on canvas.
DETAIL FROM, “RONALD REAGAN AND HIS MONKEY”, FINE ART GRAFFITI TRIPTYCH, BY VICTOR-HUGO VACA II.
In 1975 Barnaby Ruhe earned anĀ M.F.A. from Maryland Institute College of Art and in 1989 he procured aĀ Ph.D. from New York University. He isĀ a professor at New York University’s (NYU) Gallatin School Of Individualized Study.
NAVAL ACADEMY ALUMNI, ARTIST, PROFESSOR AND SHAMAN, BARNABY RUHE IN MIDST OF PORTRAIT PAINTING MARATHON.Ā
The U.S. Naval Academy is one of the nationās best business schools, producing highly skilled individualsĀ prepared for the battles that comprise the war of business.
Since World War II, America’s military academies have produced 1,531 corporate CEOs, 2,012 corporate presidents, over 5,000 vice presidents and thousands of small-company entrepreneurs.
The U.S. Naval Academy training includes life-longĀ lessons in honor, teamwork, and discipline that cannot be duplicated at civilian universities or MBA programs.
AS PART OF THE USNA PREP SCHOOL TENNIS TEAM, THE MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) LEARNED THE IMPORTANCE OF HONOR, ETHICS AND INTEGRITY IN CHARACTER BUILDING.
Lily Hatchett, producer of “The Global Warming Art Report Party”, also graduated from theĀ Maryland Institute College of Art,Ā like Barnaby Ruhe, and she was the official cross-country,Ā documentarian for the Warped Tour, Hothouse Flowers,Ā Fishbone and Ringo Starr & The All Star Band.
ARTISTS DAVID HATCHETT, VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT.
Lily Hatchett published, Indie Film and Art Reporter, NYCĀ , fromĀ 2009-2016, focusing on obscure art and film.
Lily Hatchett’s, “Global Warming Art Report” party, was also the first time the iconic, sociopolitical, “Crackhead Jesus is coming” sticker, was seen in public, after its controversial, headline-grabbing debut, at Art Basel Miami Week, during the 2007 Holiday season.
AS SEEN IN THE MIAMI HERALD NEWSPAPER COLLECTOR’S EDITION, ART BASEL MIAMI MAGAZINE: FEATURING THE CLASSIC, MAVERICK ARTIST VICTOR-HUGO VACA II, CRACKHEAD JESUS EXHIBIT, PROMO.
Though the sociopolitical sticker, catalogued in the Library of Congress reference book by DB Burkeman, “Stickers: From Punk Rock To Contemporary Art”, caused quite a stir because it was prominently displayed atop the canvas of fine art graffiti, created throughout the 48 hour party, Hatchett Productions did not censor the provocative artistic expression, in spite of some protest.
THE ART OF CREATION: CONTROVERSIAL “CRACKHEAD JESUS IS COMING” STICKER CAN BE SEEN ON TOP LEFT OF WORK IN PROGRESS, “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“The truth is artists are only millionaires on paper. They have to sell their work, and according to the IRS, their work has value whether it’s sold or not. I have small sketches, prints and paintings; they can all be valued at something.”-Ā Barnaby Ruhe
Ā THE FOUNDATION FOR “RONALD REAGAN AND HIS MONKEY” STARTED WITH SPRAY PAINTED GRAFFITI, BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT MANIFESTED INTO COLORFUL CHARACTERS AND VISTAS IN AN ALTERNATE UNIVERSE.
In a U.S. News & World Report 2011 survey of high school guidance counselors, regarding national universities and national liberal arts colleges providing the best undergraduate education in America, the U.S. Naval Academy ranked #1.
In 2012, U.S. News & World Report ranked the U.S Naval Academy as the #1 Public Liberal Arts College in the nation, for the second year in a row.
In the 2012 U.S. News & World Report college rankings, the U.S. Naval Academy tied for 4th Best Undergraduate Engineering among non-doctorate-granting institutions.
āI WAS OFFERED THE OPPORTUNITY TO EXPRESS MYSELF, AS AN ARTIST, ON A MASSIVE BLANK CANVAS, IN FRONT OF A LIVE AUDIENCE FULL OF LEGENDARY ARTISTS, AT A TRIPPY, TWO-DAY, NON-STOP PARTY, TO RAISE AWARENESS ABOUT GLOBAL WARMING; SO, OF COURSE, I SEIZED THE DAY AND FLOWED INTO THE UNIQUE MOMENT, WITHOUT HESITATION.ā ā MAVERICK ARTIST VICTOR-HUGO VACA II
In 2016, the United States Naval Academy was ranked #2 in Public Colleges, #9 in Liberal Arts Universities, #17 best undergraduate institution and #24 Top College by Forbes magazine.
āTHE ART OF CREATION BEGINS WITH A BLANK CANVAS AND AN OPEN MIND.ā ā VICTOR- HUGO VACA II
The U.S. Naval Academy teaches Midshipman Officers how to be effective leaders by exercising how to take command, execute orders, and making sure that those orders are carried out swiftly.
BEFORE ENTERING THE U.S. NAVAL ACADEMY IN 1989, THE MAVERICK ARTIST VICTOR-HUGO VACA II, HAD TO PROVE HE WAS RELIABLE, TRUSTWORTHY AND HONEST ENOUGH TO GRADUATE FROM THE USNA PREP SCHOOL IN NEWPORT, RHODE ISLAND.Ā
“You were never outside the environment in which leadership mattered. We marched to class and we marched to every single meal, constantly in the presence of someone exhibiting leadership.”-Ā Robert Herres, U.S. Naval Academy Alumni and retired CEO of USAA, a $60 billion insurance company.
DETAIL FROM āRONALD REAGAN AND HIS MONKEYā FEATURING THE ICONIC āCRACKHEAD JESUS IS COMING STICKERā (TOP LEFT) BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“If you look at the majority of successful people in business, the common feature of most of them is that they get things done, they deliver, they execute. Thatās built into the DNA of what youāre taught at the military academies.”-Ā Pete Dawkins, West Point Alumni, Heisman Trophy winner and vice chairman of Citigroup Private Banking.
BEHIND THE SCENES: āRONALD REAGAN AND HIS MONKEYā, WAS FEATURED IN THE ROCOPERA MUSIC VIDEO FOR, āSHAKE THE CITYā, PRODUCED AND DIRECTED BY, MAVERICK ARTIST VICTOR-HUGO VACA II.
“The academies are designed to produce leaders, and I think good leaders are successful irrespective of the medium theyāre working in. You can have a terrific idea, a great plan, and bad leadership, and youāll fail. You can have a bad plan and really good leadership, and still figure out how to make it successful. Leadership is the single most important ingredient in all institutions. If you have bad leaders, the rest doesnāt matter.” –Ā James Kimsey, West Point Alumni and co-founder of America Online.
IN 1989, MIDSHIPMAN OFFICER VICTOR-HUGO VACA II WAS ADMITTED INTO THE UNITED STATES NAVAL ACADEMY CLASS OF 1993.
“Once you absorb that, your whole mindset changes. In battle, if youāre leading a company up a hill, and that night you have to write letters to all the mothers whose sons got killed that day, for whatever reasons, you realize there is no excuse. If youāre a CEO whose company is laying off thousands of workers because you failed to understand how the market changed, you also realize there is no excuse for those people now out of a job.”-Ā James Kimsey, looking back on howĀ Plebes at West Point and the U.S. Naval Academy are taught to respond, “No excuse, Sir!”, when their personal shortcomings and failure are exposed.
THE SCALE OF VENUE AND ARTWORK CREATED BY Ā VICTOR-HUGO VACA II CAN BE SEEN IN THIS AERIAL VIEW.
“The Academy training gives you an attitude, and itās the attitude that makes the difference. When I deal with Academy people in the business world, and I am asking for something to be done, I know itās going to get done. I donāt hear a lot of, āHere are my excuses,ā but rather, āI am going to get it done, regardless.ā And thatās leadership.”-Ā Ron Jones, Naval Academy Alumni, senior vice president at Veridian, a computer and engineering company.
WORK IN PROGRESS FINE ART GRAFFITI BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“We learned at the Academy that the Honor Code had no geographical boundaries or limits. It applied at all times, whether we were in or out of uniformā¦. At first it was rather intimidating. One slip-up could mean expulsion.” –Ā Gil Dorland, from his book, “Duty, Honor, Company”.
MAVERICK ARTIST VICTOR-HUGO VACA II OUTSIDE OF THE SYDNEY AND BERNE DAVIS ART CENTER IN FORT MYERS, FLORIDA.Ā
The United StatesĀ Naval Academy, implantsĀ into theĀ fiber of being of allĀ Midshipman Officers,Ā key success factors and qualities in areas of the private sector, such as: honor, ethics, and integrity.
“If you donāt have honor, integrity, and ethics, it will be found out and people wonāt deal with you. Whatever you do in the business environment, your word is most important. Youād better do what you say youāre going to do. Once you lose your credibility, your value diminishes dramatically, both through the eyes of the people that work for you and the people you deal with. Itās sort of a sine qua non of being successful.” –Ā Jim Kimsey, America Online co-founder.
“The fact is, honor, ethics, and integrity are key success factors in many areas of the private sector.” –Ā Eric Grubman, Naval Academy Alumni and a partner at Goldman Sachs.
USNA MIDSHIPMAN OFFICERS VICTOR-HUGO VACA II AND JEFF EGAN.
Elite business schools like Wharton and Harvard hold military academy graduates in high regard. In theĀ Harvard Business SchoolĀ class of 2001, 37 students had bachelorās degrees from Harvard, in second place for undergraduate training, were the service academies, with 24 alumnus.
“At Wharton, leadership was a class that we took. At the Academy, leadership was a way of life.” –Ā Ron Jones,Ā who attended the Naval Academy and Wharton, contrasting the education he received at each institution.
CLASS OF 1993, PLATOON 26,Ā ROOMMATES AND USNA MIDSHIPMAN OFFICERS, LIVING AND LEARNING TO MAKE QUICK DECISIONS, IN BANCROFT HALL, THE LARGEST SINGLE DORMITORY IN THE WORLD (MAVERICK ARTIST VICTOR-HUGO VACA II, HOLDING UP PEACE SIGN) .
The U.S. Naval Academy excels at teaching Midshipmen Officers the art of communicating swiftly and clearly with the rank and file, a skill necessary for successful CEO’s.
“Every day, you interact with your classmates and with your professors. You have got to communicate from day one as a plebe when youāre being hazed. Youāve got to communicate with your peers to survive.” –Ā Joe Gudenburr, West Point Alumni and vice president of manufacturer, BuckBee-Mears.
THE MAVERICK ARTIST VICTOR-HUGO VACA II (FAR RIGHT) GRADUATED FROM THE NAVAL ACADEMY PREPARATORY SCHOOL; THE NAVYāS FOURTH OLDEST SCHOOL, BEHIND THE NAVAL ACADEMY, NAVAL WAR COLLEGE AND THE NAVAL POST GRADUATE SCHOOL.
Business leadership and stress go hand in hand; attending a U.S. military academy, like the USNA, providesĀ practical stress management training.
“The academies are the finest institutions in the world at teaching honor, ethics, integrity, and loyalty. What you learn at a place like West Point will remain with you throughout your business career.” –Ā Alexander Haig, President Reaganās first Secretary of State, on U.S. Military Academies like the United States Naval Academy and Air Force Academy.
THE MISSION OF THE NAVAL ACADEMY PREP SCHOOL IS, āTO ENHANCE MIDSHIPMAN CANDIDATESā MORAL, MENTAL, AND PHYSICAL FOUNDATIONS TO PREPARE THEM FOR SUCCESS AT THE UNITED STATES NAVAL ACADEMYā ā Ā MAVERICK ARTIST VICTOR-HUGO VACA II
Platoon leaders donāt have time to consult with headquarters duringĀ life and death combat situations, therefore Midshipman Officers are trained to make crucial quick decisions on their own, which translates intoĀ a valuable skill, in the war of business.
“Communication is very poor on the battlefield; so commanders have to react to the situation rapidly on their own with relatively limited information. Thereās no time for the chain-of-command to issue orders. This is very characteristic of business. Businesses that do this well end up with higher performance.” –Ā Jerry York, former CFO of Chrysler and IBM, vice-chairman of Tracinda, an investment company, and West Point Alumni.
MUSE CONTEMPLATES WORK OF ART BY MAVERICK ARTIST VICTOR-HUGO VACA II TITLED, āSTEPPING INTO THE NIGHTā, AT THE SIDNEY & BERNE DAVIS ART CENTER.
“Too often art is about the hawking of wares, rather than about the quality of life and the human experience. Art has always existed. Humankind obviously has a need for intangibles. Even something seemingly as simple as entertainment is deeply rooted in humans, we have been entertaining each other right from the first storytellers who described occurrences and faraway places.” – Lily Hatchett
“HavingĀ survived two Plebe years, at NAPS and the United States Naval Academy, nothing fazes me; I see no limitations, only challenges.” – Maverick Artist Victor- Hugo Vaca II
USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
āWhat are the things that you canāt see that are important? I would say, justice, truth, humility, service,compassion, love. You canāt see any of those, but theyāre the guiding lights of a life.ā –Ā Jimmy Carter, United States President and U.S. Naval Academy Alumni Class of 1946.
“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.
āWOMANā, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, āTHE LAST HITā: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.
THE UNDECIDED VOTER ASKS: āWHY, IF HILLARY CLINTON CLAIMS TO CHAMPION WOMENāS RIGHTS, HAS SHE RETAINED HUMA ABEDIN, AS VICE CHAIR OF THE HILLARY CLINTON PRESIDENTIAL CAMPAIGN?
The Undecided Voter understands that,Ā Anthony Weiner, also known as, “Carlos Danger”,Ā is married to Hillary Clinton’s top aide, Huma Abedin.
CARLOS DANGER : THE ALTER EGO OF AMERICAN POLITICS
The Undecided Voter understands that, the former Congressman and New York City mayoral candidate, Anthony Weiner, sent explicit photos to a woman multiple times during Hillary Clinton’s run for President of the United States.
āTHAT DEPENDS ON WHAT THE DEFINITION OF, āIS,ā IS.ā ā PRESIDENT BILL CLINTON
The Undecided Voter understands that,Ā Anthony Weiner, spent 12 years in the House of Representatives before resigning in June 2011 after posting an explicit image of himself on his Twitter account. At the time, Weiner admitted that he had, “exchanged messages and photos of an explicit nature with about six women”, over the previous three years.
Ā Ā Ā Ā REPUTATION IS WEALTH
The Undecided VoterĀ understands that,Ā AnthonyĀ Weiner’s wife,Ā Huma Mahmood Abedin, Hillary ClintonāsĀ top campaign aide, and the woman who might be the future White House chief of staff to the first female US president, edited, for ten-years, a radical Muslim publication that opposed womenās rights and blamed the US for 9/11.
The Undecided VoterĀ understands that,Ā Huma Mahmood Abedin, whileĀ working in the White House, as an intern, for then-first lady Hillary Clinton, Ā publishedĀ āWomenās Rights Are Islamic Rights,ā a 1996 article that suggests single moms, working moms and gay couples with children, should not be recognized as families.
AS LONG AS MEN, TREAT WOMEN AND CHILDREN, LIKE āBITCHESā AND āSLAVESā, BLACK LIVES MATTER AND FAILING TO STAND UP FOR THE PLEDGE OF ALLEGIANCE OR STAR SPANGLED BANNER, IS JUST, HYPOCRISY DISGUISED AS ACTIVISM.
The Undecided VoterĀ understands that, the”Journal of Muslim Minority Affairs” article, published by Clinton’s top aide, Huma Mahmood Abedin, born in Kalamazoo, Michigan,Ā states that more revealing dress ushered in by womenās liberation, ādirectly translates into unwanted results of sexual promiscuity and irresponsibility and indirectly promote violence against women.ā, suggesting sexually liberated women are asking to be raped.
POLITICAL CORRECTNESS RUN AMOK.
The Undecided VoterĀ understands that, Huma Mahmood Abedin,Ā as assistant editor of theĀ Saudi, “Journal of Muslim Minority Affairs”, working under her mother, Saleha Mahmood Abedin, who remains editor-in-chief of the controversial publication, published an article that debunked, devalued and dehumanized Hillary Clintonās feminist platform.
The Undecided Voter understands that, the following statements are from a 31-page article published by Hillary Clinton’s top aid Huma Mahmood Abedin:
-āMore men are victims of domestic violence than women .ā.ā. If we see the world through āmenās eyesā we will find them suffering from many hardships and injustices.ā
-āAcknowledging the very central role women play in procreation, child-raising and homemaking, Islam places the economic responsibility of supporting the family primarily on the male members.ā
āāEmpowermentā of women does more harm than benefit the cause of women or their relations with men,ā
āA WOMANS RIGHT TO BE SUPPRESSED IS ALWAYS CHAMPIONED BY THE SUPPRESSOR.āĀ MAVERICK ARTIST VICTOR-HUGO VACA IIĀ
The Undecided VoterĀ understands that, in 1999 a Saudi funderĀ published a book, edited byĀ Saleha Mahmood Abedin, Huma Mahmoud Abedin’s mother, Hillary Clinton’s top aide, that justifies the barbaric practice of female genital mutilation under Islamic law.
āRESPECT, TICKLE AND SAVE THE CLITORIS.ā -MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided VoterĀ understands that, Huma Mahmood Abedin, was assistant editor of theĀ Saudi, “Journal of Muslim Minority Affairs”, when she published an article written by her mother, Saleha Mahmood Abedin, that stated the following: āThe spiral of violence having continued unabated worldwide, and widely seen to be allowed to continue, was building up intense anger and hostility within the pressure cooker that was kept on a vigorous flame while the lid was weighted down with various kinds of injustices and sanctions .ā.ā. It was a time bomb that had to explode and explode it did on September 11, changing in its wake the life and times of the very community and the people it aimed to serve.ā
THE UNDECIDED VOTER ASKS: āCAN IRAN, SAUDI ARABIA, RUSSIA OR CHINA, BRIBE HILLARY CLINTON, AS U.S. PRESIDENT, BY USING THE HACKED, TOP-SECRET EMAILS, FROM HER PERSONAL SERVER, AS SECRETARY OF STATE?ā
The Undecided VoterĀ understands that,Ā Bill Clinton, allegedlyĀ bombed Saddam Hussein to deflect from his Monica Lewinsky affair, as claimedĀ in a 2002 articleĀ written by Sina Ali MuscatiĀ titled,Ā “Arab/Muslim āOthernessā: The Role of Racial Constructions in the Gulf War and the Continuing Crisis with Iraq.”, published in the “Journal of Muslim Minority Affairs”, where Huma Mahmood Abedin was a member of the group of people who decide what is published in the academic journal.
āTHE POLITICS OF THE PENIS AFFORDS EXPENSIVE DISTRACTIONS.ā-Ā MAVERICK ARTIST VICTOR-HUGO VACA II
The Undecided VoterĀ understands that, the Bill Clinton article published by Huma Mahmood Abedin, Hillary Clinton’s aid and the wife of Anthony Weiner states, “The crisis with Iraq has also probably benefited Clinton, serving as a good deterrent of attention from personal crises, such as his campaign funding scandals, legislative failures, or the Monica Lewinsky affair,” and “By occasionally bombing Iraq in the name of humanity, at least, he has been able to look strong and presidential.”
DURING BILL CLINTONāS PRESIDENCY, HE AND HILLARY CLINTON CAMPAIGNED TO MAKE THE ACT OF ORALLY PLEASING THE MALE GENITALIA, LEGALLY CONSIDERED, A NON-SEXUAL ACT; THUS, MANIFESTING GENERATIONS THAT DEFINE, āFELLATIOā, AS, āORAL EXERCISEā, NOT SEX.
The Undecided VoterĀ understands that, BillĀ Clinton’s bombing of Iraq in December 1998 was widely mocked as ‘Monica’s war’ because he ordered four days of strikes by bombers and cruise missiles at the height of his impeachment trial, during his admission of having a ‘not appropriate’ relationship with Monica Lewinsky.Ā The strikes were officially known as Operation Desert Fox and were ordered the day after the House of Representatives issued a report accusing the president of ‘high crimes and misdemeanors’ then ended on the day the articles of impeachment were passed.
Ā “Duke” By Victor-Hugo Vaca II.
Ā “Slick Willie” is the nickname of Hillary Clinton’s Husband, alleged sex offender and former U.S. President, Bill Clinton.The Undecided VoterĀ understands that, Hillary ClintonĀ is expected to pick Huma Mahmood Abedin for chief of staff if she wins the 2016 Presidential election against Donald Trump.
āA GIRL SIZE HAND NEEDS A GIRL-SIZE PENISā BY VICTOR-HUGO VACA II.
The Undecided VoterĀ understands that, in 2010, Huma Mahmood Abedin arranged for then-Secretary of State, Hillary Clinton,Ā to speak alongside her mother, Saleha Mahmood Abedin, at an all-girls college in Jeddah, Saudi Arabia.
DONALD TRUMP VS. HILLARY CLINTON
The Undecided VoterĀ understands that, according to a transcript of the speech, Hillary Clinton said Americans have to do a better job of getting past āthe stereotypes and the mischaracterizationsā of the oppressed Saudi woman. She also assured the audience of burqa-clad girls that not all American girls go āaround in a bikini bathing suit.ā
CONTEMPORARY ART MEME COMMENTING ON THE BLATANT CLINTON HYPOCRISY THAT SUBJUGATES WOMEN, CHILDREN AND MINORITIES.Ā
The Undecided VoterĀ understands that, at no point in Hillary Clinton’s extended visit, which included a question-and-answer session, did she protest the human rights violations Saudi women suffer under the Shariah laws that Huma Abedinās mother, Saleha Mahmood Abedin,Ā actively promotes.
āWOMEN AND CHILDREN HAVE A RIGHT TO EXIST IN PEACE.ā ā VICTOR-HUGO VACA IIĀ
The Undecided VoterĀ understands that, Secretary of State,Ā Hillary Clinton, said nothing about the laws barring women from driving or traveling anywhere without male āguardiansā whileĀ speaking alongside Huma Mahmood Abedinās hijab-wearing mother, Saleha Mahmood Abedin, at the all-girls college in Jeddah, Saudi Arabia.
āTHE DONāT BE A DICK SHOWā WAS CREATED DURING A 90- MINUTE VARIETY SHOW PRODUCED IN FRONT OF A LIVE STUDIO AUDIENCE BY THE MODERN ART MUSIC MOVEMENT.
“The Golden Rule supersedes any proclamation of man-made law because the collective will do the right thing with common sense and love.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II PROMOTES THE GOLDEN RULE AND COMPASSIONATE WEALTH.
THE WORD RACIST HAS LOST ITS MEANING IN THE NEW WORLD ORDER.
The Undecided Voter knows the meaning of the word, RACIST, which by definition,Ā demands a superior-inferior power relationship: Therefore, Caucasians, like Hillary Clinton and Donald Trump, can be labeled “racist”; however, a Black or HispanicĀ person may be disdainful of, prejudiced against, or dislike a Caucasian, or all Caucasians for that matter, but a Black or HispanicĀ person or group, like La Raza or Black Lives Matter, cannot be labeled racist, ever.
TO DISTRACT FROM THE āHILLARY CLINTON PAY-FOR-PLAY-RIGGED- ELECTION-RACIST-DNC- EMAIL-SCANDALSā Ā THE CLINTON MACHINE TRIES TO IGNITE A MODERN CIVIL WAR, BY LABELING SWATHS OF BLACKS AND HISPANICS, āALT-RIGHT BIGOTSā, DURING THE 2016 TRUMP VS CLINTON WHITE HOUSE RACE.
The Undecided Voter realizes that Hillary Clinton is attempting to diminish the history and meaning of the word, “RACIST”, by politicizing racism and prejudice to mean: Anyone who is against corruption or oligarchy, as in; “If you do not vote for Hillary Clinton you are a racist, alt right, conspiracy theorist.”, which, of course, is simply not true.
Ā THE UNDECIDED VOTER
The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe conspiracy theorists are tantamount to racists.
Ā CONSPIRACY THEORY OR FACT?
The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe that Hispanics and Blacks who believe in change are racist.
ALT-RIGHT-HILLARY CLINTON WOULD HAVE EVERYONE BELIEVE THAT ALL HISPANICS ARE MEXICAN AND THAT ANY HISPANIC THAT SUPPORTS TRUMP IS RACIST OR IGNORANT.
The Undecided Voter notices that Hillary Clinton would haveĀ American citizens and constituents believe all Hispanics and Blacks who are pro-democracy and not in favor of plutocracy and oligarchy in the United States of America, are racist bigots or rapists.
ALT-RIGHT-HILLARY CLINTON WOULD HAVE PEOPLE BELIEVE THAT ALL BLACKS ARE LIKE BILL COSBY AND THAT ANY BLACK OR HISPANIC WHO VOTES FOR TRUMP IS RACIST AND IGNORANT.
The Undecided Voter notices Hillary Clinton would haveĀ American citizens and constituents believe that Hispanics and Blacks who believe in Democracy without corruption are racist.
ALT-RIGHT āHILLARY CLINTON WOULD HAVE PEOPLE BELIEVE THAT BLACKS AND HISPANICS WHO DONāT VOTE FOR A CORRUPT SYSTEM OF GOVERNMENT ARE RACIST.
The Undecided Voter notices Hillary Clinton would haveĀ American citizens and constituents believe that Hispanics and Blacks who believe 9/11 was an inside job are racist.
CONTEMPORARY ART CONSPIRACY THEORY MEME UNDERSTOOD BY EVERYONE, INCLUDING NEEDY LATINO’S AND SUPER PREDATORS.
The Undecided Voter notices that Blacks and Hispanics know very well, that not all Hispanics are Mexican and not all African-Americans are Black.
THIS WHITE MAN IS AFRICAN, FROM SANDTON, JOHANNESBURG, SOUTH AFRICA. HE IS, CONVICTED MURDERER, OSCAR PISTORIUS, A.K.A. THE BLADE RUNNER. IF HE WERE TO BECOME AN AMERICAN CITIZEN, BY DEFINITION; HE WOULD BE LABELED, AN IMMIGRANT AFRICAN-AMERICAN CONVICTED OF MURDER. ACCORDING TO THE NFL, UNDER THE TOXIC LEADERSHIP OF ROGER GOODELL, ANYONE WHO STANDS FOR THE NATIONAL ANTHEM AND THINKS OUT LOUD THAT SOME PROFESSIONAL AFRICAN-AMERICAN ATHLETES ARE VIOLENT, IS A RACIST PERSON.Ā
The Undecided Voter notices that there are some black Brazilians and White Mexicans that are wonderful human beings and some Brown, White, Black and Hispanic people that are rapists and murderers, which, like sexual predators and killers of any color, nationality or religious belief, are dangerous to civil society and the general public as a whole.
THE UNITED SLAVES OF AMERICA SEE PAST THE TRUTH OF RACISM AND BIGOTRY BEING PEDDLED AS POLITICAL CORRECTNESS IN AMERICA.
The Undecided Voter sees Blacks and Hispanics shouting, “No justice, no peace!”, while the United Slaves Of America demand Rule Of Law be fairly applied to all Constituents.
BLACKS, HISPANICS AND WHITES ARE ALL UNITED SLAVES OF AMERICA WHEN RULE OF LAW IS NOT APPLIED FAIRLY, AS IN THE CASE OF BARRACK HUSSEIN OBAMA AND HILLARY RODHAM CLINTON.
The Undecided VoterĀ realizes that, being educated and informed, does not make Hispanics, Blacks or Whites radical, racist, alt-right, conspiracy-theorists.
BLACKS AND HISPANICS CAN TELL WHEN A WHITE MAN LIES TO THEM ON TELEVISION AND CALLS IT NEWS.
“As a United States Naval Academy Midshipman Officer, at the world famous leadership laboratory in Annapolis, Maryland, I learned that what Hillary Clinton has done to the citizens of the United States is tantamount to treason, because her actions have left our nation vulnerable to blackmail by enemies of the state.” – Victor-Hugo Vaca II
Marathon All-Star MAMM Jam Creates āMuse 4 Haitiā To Benefit Earthquake Victims Through The Figaro Angel Network.
On January 12, 2010 Haiti was struck by an earthquake thatĀ measured 7.0 magnitude.”Muse 4 Haiti” (38Ć53) was created on January 8, 2011 at the NBC Omni Auditorium at the Haiti Memorial Concert.
THE MAVERICK ARTIST VICTOR-HUGO VACA II JOINED AN ALL-STAR LINE UP OF INTERNATIONAL TALENT TO RAISE MONEY FOR EARTHQUAKE SURVIVORS.
Over 220,000 people were killed and over 300,000 people wereĀ injured on January 12, 2010 in HaitiĀ .
MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, PERFORMING A SIX-HOUR MARATHON, MODERN ART MUSIC MOVEMENT, AT THE ALL-STAR MAMM JAM HAPPENING, WITH AN INTERNATIONAL LINE UP, OFĀ TALENTEDĀ MUSICIANS, AT THE NBC OMNIĀ AUDITORIUM, TO BENEFIT HAITI EARTHQUAKE VICTIMS.
The Haiti earthquake left more than 1.5 million homeless survivors.
MAVERICK ARTIST VICTOR- HUGO VACA II PERFORMED WITH 14 ARTISTS TO CREATE THE PAINTING TITLED, āMUSE 4 HAITIā.
Five years later, tens of thousands of people in Port-au-Prince still live in tents and other temporary housing.
MAVERICK ARTIST VICTOR-HUGO VACA II CHANNELS THE MUSE INTO LIFE ON STAGE.
$13.5 billion in humanitarian aid from donations and pledges was raised fromĀ nations and private charity after the catastrophic 2010 Haiti Earthquake.
IN BETWEEN SETS, THE āMUSE 4 HAITIā BEGINS TO TAKE FORM ON STAGE.
The hypocrisy of philanthropy, political correctness and weak journalism fueled by greed, is such that, according to the Washington-based Center for Economic Policy and Research, less than a penny of every dollar goes directly to Haitian organizations. Thus, meaning that billions in relief and recovery aid, haven’t been enough to rescue Haiti from chronic corruption, which has enabled a tangible failure to manifestĀ improvements that, in a better world, would have been brought to fruition, with all the available resources and goodwill.
MAVERICK ARTIST VICTOR-HUGO VACA II PLEADS WITH AUDIENCE FOR DONATIONS TO AID IN RECOVERY.
As a consequence of the earthquake, over the past four years, cholera has struck more than 720,000 HaitiansĀ and killed almost 9,000 people in Haiti.
āMUSE 4 HAITIā BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Modern Art Music Movement⢠(MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally investigated on mainstream-media news outlets and to promote new talent and compassionate wealth, through art and education across the multi-universe.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH TITO PUENTE JR. BACKSTAGE.
The Modern Art Music Movement⢠(MAMM) fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order.
KING WAWA, SEAN HILL, TITO PUENTE JR. AND MAVERICK ARTIST VICTOR-HUGO VACA II BACKSTAGE AT THE HAITI MEMORIAL CONCERT.
The Modern Art Music Movement⢠(MAMM) affords artists the opportunity to capture history, on canvas; manifested in Rorschach interpretations, created as mixed-media-performance-art, that fuses live music with art and movies in performances at multi-media events called MAMM Jams.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH MUSES BACKSTAGE AT HAITI MEMORIAL CONCERT.
The following SFL news report, appeared on the CW Network; it features the Maverick Artist Victor-Hugo Vaca II performing a Modern Art Music Movementā¢Ā MAMM Jam Happening with Tito Puente Jr., Belo, Donta Wilson, King Wawa, Jahnesta, Mecca aka Grimo, Violeta Leskyte, Katalog, Misty Jean, Sunlove, Tonton Bicha, Alaye aka Zoerock, Harold St. Louis, Shirley Desgrottes, Robert Martino & The Lander Sisters at the Haiti Memorial Concert in South Florida.
“Live-Love-Flow-Shine.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II IN THE LABYRINTH OF CREATIVITY.
And now, for something completely different; sort of.
Press, Blatantly Reporting Opinion And Hyperbole As News, Has A Frustrated Public Turning To Artists, To Document Untold History, On Canvas, In Lieu Of Weak Newspaper And Television Reporting In The Age Of Donald Trump And Hillary Clinton.
In the words of the alleged-serial-killer-spinal-surgeon, operating out of the Washington D.C. Baltimore, Maryland area, Dr. Charles Edwards: āYou can get away with murderĀ because you can always count on cops being overworked, underpaid and lazy and lawyers being greedy.ā
Severe cuts in staffing high-quality investigative journalists at mainstream media news outlets, portends a disturbing trend, that should concern anyone who worries about living in a functioning Democracy.
āIF A MAJOR NEWS ORGANIZATION LIKE NBC IS GOING TO REDUCE THE NUMBER, AND IT SOUNDS LIKE A SIGNIFICANT NUMBER, OF THE PEOPLE WHO GO OUT AND GATHER INFORMATION TO GO INTO THE DAILY STREAM OF NEWS, ITāS GOING TO THIN OURĀ KNOWLEDGE OF THE WORLDĀ SOMEWHAT.ā ā BILL KOVACH
So, then, what is one to do in a world, where weak investigative journalists, peddle opinion as news and see “The Clinton Death List” andĀ the World Trade Center, Building Seven, spontaneous-implosion, in New York City, on September 11, 2001, as conspiracy theories?
MODERN-ART-GONZO-JOURNALISM PAINTS HISTORY IN A WAY THAT MAINSTREAM TELEVISION NEWS OUTLETS CAN NOT AFFORD TO DO.
Hopeless people, claiming cops don’t care and investigative journalists won’t listen, contact modern-art-gonzo journalists with stories that go unreported or woefully under-reported in weak mainstream media news outlets, due to lack of will, budget and corporate interest.
WORLD TRADE CENTER CONTEMPORARY ART MEME, EXPLORES THE FACT, THAT U.S. NEWS MEDIA, WOULD HAVE PUBLIC TRUST BELIEVE, THAT THE WORLD TRADE CENTER BUILDING SEVEN, COULD DEFY THE LAWS OF PHYSICS.
In the way jesters,Ā during the Dark Ages, were able to point out, that the King was not wearing any clothes, so too, modern-art-gonzo journalism is able to skim past false truths, fed in soundbites, to skeptical public trust, in creating a vernacular and visualĀ , “Diary Of The World On Canvas”, that interprets the court of public opinion, in brief moments of time, throughout history.
āCOMPLIANCE IS NOT A DESTINATION, ITāS A JOURNEY SAYS THE SECURITIES AND EXCHANGE COMMISSION OFFICE OF CREDIT RATINGS DIRECTOR TO THE UNITED SLAVES OF AMERICA.ā, IS A WORK OF MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, USING BEAR STERNS STATIONARY, FROM THE OFFICE OF A SENIOR MANAGING DIRECTOR, AS CANVAS, FOR THIS MIXED MEDIA WORK OF ADHESIVE GRAFFITI FINE ART.
The world has become so immune to corruption and dishonesty that lying thieves are becoming the elected choice of people who have given up and feel safe in the status quo of false promises and exploitation.
LIKE A FLY ON THE WALL, OR, āWHEREāS WALDOā, MODERN-ART-GONZO-JOURNALIST, VICTOR HUGO VACA II, CAN BE FOUND IN THE BACKGROUND, CONTEMPLATING LIFEāS CURIOUS MOMENTS?
Corporations, like Nestle, buy water for pennies on the dollar, from natural springs, syphoned away, by greed, from public consumption and spend millions of dollars on advertising, with U.S. news networks, while people in Flint Michigan, are poisoned by corrupt government officials, under the nose of journalists, distracted by Miley Cyrus, twerking Robin Thicke, on an awards show.
āNEWS IS ABOUT ADVERTISING AND ADVERTISING IS A BUSINESSā ā VICTOR-HUGO VACA II
News media turned a blind eye to the plight of the disenfranchised without a voice, until contemporary artists, like Cher and Beyonce, started raising public awareness about the reality surrounding us all, as cultured beings, in a state of rapid change and awakening.
DETAIL FROM FEATURED PAINTING, CREATED IN 2007 AT A MODERN ART MUSIC MOVEMENT REHEARSAL WITH, MAVERICK ARTIST VICTOR-HUGO VACA II AND POWER, FROM RYTHMM EPKINS, āMIND, BODY AND SOULā, BEFORE A SOLD OUT CONCERT, IN BAKERSFIELD, CALIFORNIA, TO BENEFIT MENTALLY HANDICAPPED CHILDREN. Ā
The following is an emailed example, with the name of the sender omitted to protect sources of information, of theĀ sorts of requests from citizens of Earth, to modern-art-gonzo-journalists, in the hopes, that their story of the human condition, will be documented in art, for future generations of investigative journalists and historians, to revisit artistic canvassed chronicles, in the pursuit of a remedy, for the growing cancer of dishonesty and corruption in the evolution of human nature:
āIN MY DIARY OF THE WORLD ON CANVAS, I PAINT WHAT I SEE, AND WHAT I SEE IS THE BEAUTIFUL CHAOS THAT SURROUNDS US ALL IN THE MULTI-UNIVERSE.ā- MAVERICK ARTIST VICTOR-HUGO VACA II.
Hi,
My friend asked me to email you the following basic info:
– Very high profile business individuals involved
– $18 Million invested
– Potential dirty money from Mexico
– City official involved with under the table “help”
– Embezzlement
– Infringement of ownership
– Fraudulent transfer to avoid paying due to local businesses ($1.5+ MM due)
– Documents forgeries
– Known name and about to reopen under a new name within the next 2-3 months
– Currently several lawsuits already filed against various group’s entities
– Etc.
Ex-executive with thousands of supporting documents potentially ready to talk under certain conditions and guarantied multiple city publication (getting involved other journalist to publish it nationally)
Let me know if any interests.
MODERN-ART-GONZO-JOURNALIST VICTOR-HUGO VACA II
“When I contacted WSVN 7 Fox News, after Hurricane Wilma, about a clear and present danger, impacting the lives of over fifteen-hundred residents, inĀ a high rise building, destroyedĀ by a tornado, the newsroom said: ‘Call us back when you see burning bodies flying out of the building, otherwise, it’s not news.'”. – Maverick Artist Victor-Hugo Vaca II
STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.
THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.
STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.
STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.
The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.
SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.
“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN
NEW YORK TIMES GRAFFITI STICKER TAGS.
“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.
CHINATOWN STREET ART
The Library of Congress andĀ University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early HipĀ Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.
STREET ART YBOR CITY
“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movementā¢Ā founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.
STICKER TAG
A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.
THOUGHT PROVOKING STICKER ART
āWhether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.ā – Stikman
MIAMI GRAFFITI STICKER ART
Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.
STREET ART MIAMI BEACH
“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.
āITāS HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.ā- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Just like the people I knew then, very few stickers made it out alive.”Ā Ā – DB BURKEMAN
āA LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.ā ā SHEPARD FAIREY: STICKER BOOK INTRODUCTION.
“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN
SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A Ā LOW BUDGET.
“Allegedly Leon was a pimp. ”Ā – DB BURKEMAN
Ā Ā Ā Ā Ā Ā Ā Ā CHICAGO STREET ART
“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis.Ā – DB BURKEMAN
Miami Beach Street Art
“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN
St. Petersburg Street Art
“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart
Ā Ā Ā COCONUT GROVE STREET ART
In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.
MIAMI STREET ART
The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.
NEW YORK STREET ART
“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.”Ā Ā – DB BURKEMAN
NEW YORK STREET ART
“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?”Ā Ā – DB BURKEMAN
CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS
“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN
CHICAGOĀ STREET ART
“I feel that the people who love stickers think of them as tiny, portable works of art.”Ā Ā – DB BURKEMAN
Ā Ā Ā Ā Ā Ā Ā Ā Ā CHICAGO STREET ART
“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” Ā – DB BURKEMAN
MIAMI DESIGN DISTRICT STREET ART
“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.”Ā Ā – DB BURKEMAN
SOUTH BEACH STREET ART
“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.”Ā Ā – DB BURKEMAN
STICKER SLAPPING
“Topps are the American Sticker Gods”Ā Ā – DB BURKEMAN
Ā Ā Ā Ā Ā STICKER TAGGING
“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.”Ā Ā – DB BURKEMAN
STREET ART BETHLEHEM
“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” Ā Ā – DB BURKEMAN
STREET ART YBOR CITY
“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.”Ā – DB BURKEMAN
STICKER BOMB
“It’s anti-media, anti-established art world.” – Poster Boy
Ā Ā Ā Ā Ā Ā SLAP TAGGING
“Guess he’s just an asshole in an art lover’s suit.”Ā – DB BURKEMAN
NEW YORK STREET ART
R. Stanton Avery created the first self-adhesive sticker in the 1930’s.
ADHESIVE STICKER ART
In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.
NEW JERSEY STREET ART
“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman
STREET ART CHICAGO
“Stickers rule.” – Shepard Fairey
STICKER TAGS
“When I pause to think about it, stickers have changed my life.” – Shepard Fairey
STICKER SLAP
“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā STICKER BOMB
“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey
STICKER TAG
“I wanted stickers as badges of my culture.”Ā Ā – Shepard Fairey
STICKER BOMB
The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.
CHICAGO STREET ART
“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey
NEW YORK STREET ART
“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.”Ā – Shepard Fairey
MIAMI BEACH STREET ART
“A lot of the art stickers begged the question: What is this about?”Ā Ā – Shepard Fairey
CHICAGO STREET ART
“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.”Ā – Shepard Fairey
STICKER BOMB
“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.”Ā – Shepard Fairey
CHICAGO STREET ART
“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” Ā – Shepard Fairey
SLAP TAGGING
“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.”Ā – Shepard Fairey
STICKER SLAPPING
“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.”Ā – Shepard Fairey
CHICAGO STREET ART
“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.”Ā Ā – Shepard Fairey
Ā MIAMI BEACH STREET ART
“It amazed me just how liberating and easy sticking was.”Ā – Shepard Fairey
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā STICKER SLAPPING
“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.”Ā – Shepard Fairey
CHICAGO STREET ART
From 1989 to 1996,Ā Shepard Fairey hand-printed and hand-cut over one million stickers.
GRAFFITI STICKER ART
To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have beenĀ distributed to global audiencesĀ atĀ Modern Art Music Movement⢠Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movementā¢Ā tours.
STICKER TAG
The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.
THE DOORS, JIMĀ MORRISON, GRAVE.
The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.
THE āSTICKERSā DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.
The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.
CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.
During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.
Ā Ā Ā Ā Ā Ā Ā Ā Ā STICKER BUM
“Crackheadjesus is coming and he doesn’t pull out.”
-MAVERICK ARTIST VICTOR HUGO VACA II
THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.
ARTIST CREATES A CONTEMPORARY ART CRACKHEAD JESUS Ā MEME
Memes are a great way of communicating an idea with strong words and visuals.
MEANWHILE, AT THE UNITED NATIONS.
The meme evolved organically into the fabric of digital art, from pop artists like Andy Warhol, who took the banal and forced it into the worldview of art curators and wealthy fine art collectors.
Ā Ā Ā Ā Ā Ā Ā THE CONUNDRUM
Memes blur the line between content and art.
Ā Ā Ā Ā UNITED SLAVES OF AMERICA
Whether or not you think memes are contemporary works of art, at the very least, itās impossible to discount them as creative, historical, digital artifacts.
HILLARY CLINTON OLIGARCHY
Teachers use memes as classroom tools that serve as powerful conversation starters.
DID GOD MAKE MAN OR DID SPIDERMAN MAKE GOD?
The May 2011 edition of Smithsonian Magazine featured an article in the Arts and culture section titled, āWhat Defines A Meme?ā By James Gleick.
WELFARE STATE
On June 16, 2013, āTimeā magazine published an article titled, āThe Meme As Art: Painter Sophisticates Cybercultureā, by Samantha Grossman.
BUT I THINK YOU’RE A CUNT
On June 23, 2013, Kate Knibbs article, āAre Memes The Pop Culture Art Of Our Era?ā was published in āDigital Trendsā.
DONALD TRUMP VS. HILLARY CLINTON
Many galleries showcase Internet-based art. In 2012, Gallery 1988 featured an exhibit called āMemesā.
UNITED SLAVES OF AMERICA WAKE UP
On April 12, 2012 āThe Vergeā published an article titled, āAre Memes Art?ā By Tyler Gold.
LOBBYISTS
Meme-lovers embrace the idea of communal ownership.
CONTEMPORARY ART MEME
On Saturday July 18, 2015 The āIndependentā U.K. published an article by Richard Jinman titled, ā A Los Angeles Art Museum Is Turning Classic Works Into Memes And Sharing Them On Snapchat For Youngsters To View. One āsnap was viewed more than 60,000 times.ā
THIS 2ND AMENDMENT MEME WAS CENSORED BY FACEBOOK BECAUSE THE 1ST AMENDMENT DOESN’T APPLY TO PRIVATELY OWNED SOCIAL NETWORKS LIKE INSTAGRAM, FACEBOOK OR TWITTER: HOWEVER, THE AFOREMENTIONED SOCIAL NETWORKS, DO ALLOW TERRORISTS TO BE RECRUITED ON THEIR PLATFORMS AND RAPES TO BE BROADCAST LIVE.
In 2016, āArt Pulseā Published āWhat Happens When Contemporary Art Turns Into an Internet Meme?āBy Domenico Quaranta.
THE CLINTON MACHINE DEFIES THE RULE OF LAW, CREATING ANARCHY IN THE USA.Ā
On June 19, 2013, āRelevant Magazineā published an article titled, āThe Fine Art Of The Memeā.
PUBLIC TRUST IN AMERICAN NEWS OUTLETS NOSEDIVES DUE TO WEAK INVESTIGATIVE JOURNALISM AND LAZY FACT CHECKING.
āPeople are creating images and sharing them with strangers to communicate their personal experiences? That, my friends, is art.ā – PBS Idea Channel host, Mike Rugnetta, citing Tolstoy and Aristotle.
HAPPY MEAL
“When in doubt about the Golden Rule, ask yourself: What would Crackheadjesus do? Because we all know what Jesus Christ would do.” – Ā Maverick Artist Victor-Hugo Vaca II
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