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MODERN CIVIL WAR PROPHESY ERUPTS IN USA AS SEEN IN NEW TIMES 2007 ART BASEL ARTICLE

Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.

In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”

MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.

The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.

DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.

The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.

THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.

Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.

THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.

The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.

THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.

Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.

THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.

“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”

– Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

TWITTER BANS ZOMBIE HILLARY CLINTON AND OSAMA BIN LADEN RESURFACES TO SUPPORT CLINTON FOR PRESIDENT WWCHJD? What Would Crackhead Jesus Do?

“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden

MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.

WELLS FARGO USURY EXAMINES DANGERS OF TO BIG TOO FAIL BANKS Why Tax Deductible Fines Fail To Stop Fraud Money Laundering And Deception In Banking Business

“Wells Fargo Usury” was created on September 1, 2013 by the Maverick Artist Victor-Hugo Vaca II. Wall Street banks made billions on securitized subprime mortgages. When the bubble burst 99% of the world population was negatively impacted by the ripple effects. The main culprits have escaped punishment, not one top executive-level banker has been personally punished or lost their job. Tax deductible fines are levied against banks for criminal acts, not prosecutions. The lesson learned is, crime pays for the 1%.

VOODOO ECONOMICS

While lame stream media distracts people by feeding them bread and circus, disguised as news and information, banks labeled, “too-big-to-fail”, are stealing money from customers with impunity, because they can.

Banks steal billions of dollars but only pay millions in fines that are usually tax deductible. So the lesson learned is: crime pays, if you are a corporate entity protected by a corrupt, “pay for play”, government.

BANKS ARE ABOVE THE LAW: TOO-BIG-TO FAIL MEANS TOO-BIG-TO-JAIL AND THAT TRANSLATES INTO FISCAL ANARCHY THAT ENABLES ECONOMIC TERRORISM.

Wells Fargo, the largest mortgage lender in the United States, admitted to deceiving the U.S. government into insuring thousands of risky mortgages and agreed to pay $1.2 billion to put to rest claims that it engaged in reckless lending under a Federal Housing Administration program that left a taxpayer subsidized, government insurance fund to clean up the mess.

Wells Fargo engaged in a reckless trifecta of poor training, deficient loan underwriting and poor disclosure in the government-backed loan program.

ECONOMIC TERRORISM DEFINED IN MODERN-ART-GONZO-JOURNALISM.

Wells Fargo was fined $3.6 million because the bank acted illegally by charging on-time payers with late fees, failed to inform borrowers of steps they could take to minimize fees and left credit report errors uncorrected, which resulted in some misled student loan borrowers paying unnecessary fees.

“Wells Fargo hit borrowers with illegal fees and deprived others of critical information needed to effectively manage their student loan accounts. Consumers should be able to rely on their servicer to process and credit payments correctly and to provide accurate and timely information.”- Richard Cordray, Director Of Consumer Financial Protection Bureau.

CONTEMPORARY ART MEME

The Consumer Financial Protection Bureau assessed nearly $36 million in penalties against Wells Fargo for the banks’ role in a “mortgage kickback” scheme. The financial regulator charged Wells Fargo bank employees with entering into an illegal arrangement with a now-defunct Maryland mortgage title company, under which the title company gave cash, marketing materials and consumer information in exchange for bank business. The CFPB determined in its investigation that more than 100 Wells Fargo loan officers in Maryland and Virginia entered into the illegal arrangement,

“These banks allowed their loan officers to focus on their own illegal financial gain rather than on treating consumers fairly.” – Richard Cordray, Consumer Financial Protection Bureau Director.

CONTEMPORARY ART MEME

Wells Fargo was fined $81.6 million for failing to provide bankrupt homeowners with legally required notices of mortgage payment increases which denied homeowners the opportunity to challenge the accuracy of mortgage payment increases. By failing to properly notify homeowners, Wells Fargo violated federal bankruptcy rules that took effect in December 2011 that imposed more detailed disclosure requirements to ensure proper accounting of fees and charges on homeowners in bankruptcy.

CONTEMPORARY ART MEME

Wells Fargo, agreed to pay $85 million to settle charges that it falsified loan documents of its borrowers and pushed borrowers into higher interest subprime mortgages even though they qualified for a mortgage with lower interest rates. Over 10,000 borrowers were steered into more expensive subprime mortgages with higher interest rates or had their loan paperwork falsified by Wells Fargo personnel. Wells Fargo personnel were driven to the fraudulent activity in order to meet their company goals required for consideration to receive bonuses.

CONTEMPORARY ART MEME

Wells Fargo agreed to pay a $70 million penalty to settle legal claims over improper activity including the robo-signing of foreclosure documents, faulty payment-change notices filed in bankruptcy courts and faulty escrow calculations. Wells Fargo employees acted as robo-signers to speed up the foreclosure process with falsified or inadequate underlying documentation.

CONTEMPORARY ART MEME

“One would assume the most valuable tool for an artist is in his hands, in reality, however, it is the mind of the artist which serves to create.”- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

Victor Hugo Movies and Art Indie Horror Film Features Victor Hugo Painting Live As Serial Killer Terrorizes Community With Deadly Drones

MAVERICK ARTIST VICTOR HUGO PAINTING MALE FEMALE FUSION CREATED ON STAGE AT VOODOO LOUNGE IN FILM ABOUT DOMESTIC TERRORIST DRONE STRIKES.

The Modern Art Music Movement™ painting titled, “Male/Female Fusion” appeared on the ABC Television Network’s dance show titled, “Club TV” and in the independent film, “Death By Remote Control”, an American made thriller, about a serial killer, terrorizing a metropolis, with deadly drones.

BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II CO-STARRED IN THE AWARD WINNING (BEST FILM), “48 HOUR FILM FESTIVAL”, GRIND-HOUSE THRILLER TITLED, “THE ART OF ROADKILL”.

“Male/Female Fusion” was created on stage September 5, 2008 during the ABC Club TV Modern Art Music Movement™ MAMM Jam in Fort Lauderdale, Florida, at The Voodoo Lounge, with Modern Art Music Movement™ artists Brooklyn Murphy & Victor-Hugo Vaca Jr. , performing live art intuition with a sensual twist, simultaneously, for both the television show and film, in front of a live audience.

“MALE/FEMALE FUSION” HAS BEEN REMIXED, DIGITALLY, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN LIMITED EDITION SIGNED/AUTOGRAPHED Lithograph PRINTS.

IN “THE ART OF ROADKILL”, BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO PLAY DETECTIVES STRUGGLING TO SOLVE A SERIES OF BIZARRE MURDERS WITH AN ARTISTIC TWIST.

“Male/Female Fusion” actually appeared in two films; the independent horror film titled, “Death By Remote Control”, about a psychopath terrorizing suburban communities with his deadly, home-made drones and also in, “The Last Hit”, an award-winning mob flick available on DVD at major retailers like Wal-Mart and Target and on popular streaming networks like Amazon Prime, Hulu and Epix.

THE MAVERICK ARTIST VICTOR-HUGO VACA II HAD THE UNIQUE OPPORTUNITY OF, CROSS POLLINATING FILM CHARACTERS, BY PLACING THE HOMELESS ORACLE HE PORTRAYED IN THE CULT CLASSIC, “CRACKHEAD JESUS: THE MOVIE”, INTO THE STORYLINE OF “THE LAST HIT”.

“The Last Hit” is the story of hitman, Simon Carson, who earns his wages as an elite killer for a local crime syndicate. When he’s given an assignment to kill a young girl, he takes matters into his own hands, with revenge in his heart, and decides to protect and save her instead. The Maverick Artist Victor-Hugo Vaca II has a cameo with dialogue, as a homeless war veteran suffering from PTSD, in the audience favorite at several international film festivals including the Fort Lauderdale International Film Festival (FLIFF) and La Romana International Film Festival (LRIFF) in the Dominican Republic.

“THE LAST HIT” AND “CRACKHEAD JESUS: THE MOVIE” BOTH SCREENED AT THE “LA ROMANA INTERNATIONAL FILM FESTIVAL” AND BOTH MOTION PICTURES WERE AWARDED TROPHIES, BEST FILM AND BEST SCREENPLAY, RESPECTIVELY.

“Male/Female Fusion” was manifested on building plans for a U.S. veterans hospital that was never constructed, due to the Wall Street bank bailout, that shattered the U.S. economy and sent negative reverberations throughout the global banking industry.

BEHIND THE SCENES/ ART SECRETS: RAW, UNEDITED IMAGE OF, “MALE/FEMALE FUSION”, A MODERN ART MUSIC MOVEMENT WORK OF MODERN-ART-GONZO-JOURNALISM, CREATED TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD, THAT MANIFESTED ECONOMIC TERRORISM ON WALL STREET THAT HAS NEGATIVELY IMPACTED 99% OF THE HUMAN POPULATION.

Scene from, “Death By Remote Control”, featuring Maverick Artist Victor-Hugo Vaca II and Brooklyn Murphy as featured in the USA Today Network article, “Artist Victor Hugo Creates Diary Of World On Canvas” .

Scene from the award-winning, “48 Hour Film Festival”, grind house flick, “The Art Of Roadkill” starring Brooklyn Murphy and Maverick Artist Victor-Hugo Vaca II.

Scene from the award-winning film, “The Last Hit”, featuring Modern Art Music Movement™ works of art including “Male/Female Fusion”. The climax of the movie was filmed at the beachfront home of the Maverick Artist Victor-Hugo Vaca II known as the “Labyrinth of Creativity On The Beach” on Hillsboro Mile A.K.A., “Millionaires Row”, a unique, scenic, yacht-lined, exclusive, one mile beach community, inhabited by artists, actors, musicians, CEO’s, Football Team Owners, Sultans and Queens.

https://www.youtube.com/watch?v=NeI4zNuSULM

Movie trailer, for the award-winning film, “The Last Hit”, featuring cameo by Maverick Artist Victor-Hugo Vaca II, in the role he created for, “Crackhead Jesus: The Movie”, of a war veteran, suffering from Post Traumatic Stress Disorder (PTSD), that serves as an oracle for protagonists in both films.

UNITED STATES NAVAL ACADEMY ALUMNI BARNABY RUHE PAINTS PORTRAIT OF FELLOW USNA ARTIST VICTOR HUGO VACA II AT LEGENDARY GLOBAL WARMING ART REPORT LILY HATCHETT EVENT.

LILY HATCHETT INVITED THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MANIFEST MODERN ART MUSIC MOVEMENT HAPPENINGS, CAPTURED ON FILM, THAT CREATED WORKS OF FINE ART GRAFFITI, ON CANVAS.

Lily Hatchett invited former United States Naval Academy (USNA) Midshipmen Officers, Barnaby Ruhe and Maverick Artist Victor-Hugo Vaca II to create works of art at the legendary, live-action multimedia art event featuring performance art, live bands, dance, fashion, video presentations, and DJ’s for a spectacular, marathon party and Modern Art Music Movement™ Happening, in Fort Myers, Florida, inside the historic, Sidney and Berne Davis Art Center, lasting two days and nights.

MAVERICK ARTIST VICTOR-HUGO VACA II POSES FOR PORTRAIT BY BARNABY RUHE.

USNA Midshipmen Officers are taught to persevere in the face of extreme obstacles and severe impediments; important skills in the war of business, art creation and marketing strategies.

MIDSHIPMAN OFFICER VICTOR-HUGO VACA II LEADING THE 26TH PLATOON AT THE UNITED STATES NAVAL ACADEMY IN ANNAPOLIS, MARYLAND.

The Modern Art Music Movement™ Happening evolved organically, within the Hatchett Production, manifesting the largest work of art ever created by the Maverick Artist Victor-Hugo Vaca II on canvas, a triptych titled, “Ronald Reagan and His Monkey”. The colossal work of art has appeared in music videos and television show backdrops but has not been displayed in public since the event, due, in part, to its considerable size and the necessity of a spacious venue for proper exhibition.

MODERN ART MUSIC MOVEMENT: DAVID HATCHETT, MAVERICK ARTIST VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT IN FRONT OF MASSIVE, “RONALD REAGAN AND HIS MONKEY”, TRIPTYCH.

Barnaby Ruhe received his doctorate in shamanism and art practice, an interdisciplinary effort combining psychology, anthropology, art history, phenomenology and art studio action.

UNITED STATES NAVAL ACADEMY ALUMNI, BARNABY RUHE, PAINTS MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GLOBAL WARMING ART REPORT PARTY.

World Famous Leadership Laboratory Produces Presidents, CEO’s, Artists And Modern-Art-Gonzo-Journalists.

The U.S. Naval Academy was established in 1845. The mission of the USNA is “To develop Midshipmen morally, mentally and physically.” The campus, known as “The Yard,” is a National Historic Landmark, 33 miles from Washington, D.C. and 30 miles from Baltimore. USNA students must have a congressional or presidential nomination to apply.

The U.S. Naval Academy provides a demanding four-year program leading to a Bachelor of Science degree and a commission as an Ensign in the United States Navy, or as a Second Lieutenant in the United States Marine Corps.

It is not exaggeration to describe USNA Midshipman Officers, graduates and veterans as loyal, trustworthy and hardworking furthermore, they are not only great leaders but great followers as well, because Midshipman are taught, to both lead and follow, by example.

UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II

“The academies naturally foster the ability to get along with your fellow man, primarily because you live so close together. You have to be able to relate to senior officers, to peers, and people under you. It’s imperative. This is directly transferable to business.” – James Kinnear, Naval Academy Alumni and CEO of Texaco.

BEFORE ENTERING THE U.S. NAVAL ACADEMY, MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) COMPLETED RIGOROUS LEADERSHIP AND SURVIVAL TRAINING, AT THE NEWPORT NAVAL BASE, IN RHODE ISLAND, WHERE HE WAS PART OF THE TRIUMPHANT, NAVAL ACADEMY PREP SCHOOL SWIM TEAM.

Barnaby Ruhe graduated from the U.S. Naval Academy in 1968. He was senior editor of Art/World newspaper in the 1980s and ’90s and wrote the first New York City reviews of work by Francesco Clemente and the Starn Twins, as well as essays on Francisco de Goya, Henri Matisse, Andy Warhol and Joseph Beuys.

USNA ALUMNI, BARNABY RUHE, SERVES ON THE BOARD OF, “ARTISTS TALK ON ART”, AND IS A SIX-TIME, WORLD BOOMERANG CHAMPION.

Barnaby Ruhe, is a romantic artist, who incorporates; sentiment, gesture and psychic journeying into his paintings. He runs shaman healing workshops at the Burning Man festival, each summer, inside the Shamandome Camp.

“MAVERICK ARTIST VICTOR-HUGO VACA II PORTRAIT” BY BARNABY RUHE.

Barnaby Ruhe is best known for his marathon, portrait-painting sessions, like the one in January of 2009, wherein he painted fellow United States Naval Academy trained Artist, Victor-Hugo Vaca II, in Fort Myers, Florida, at Lily Hatchett’s extraordinary two-day, “Global Warming Art Report Party”.

BARNABY RUHE PORTRAIT PAINTING MARATHON WITH “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN BACKGROUND OF PORTRAITS.

“Ronald Reagan And His Monkey” by Maverick Artist Victor-Hugo Vaca II, combined spirit and mood while reflecting all the dance, drama, satire and media that transpired over forty-eight hours of non-stop, magic moments, at “The Global Warming Art Report Party”, encapsulating the zeitgeist into a massive, triptych painting, measuring over twelve feet tall and fifteen feet long, in one explosive marathon moment on canvas.

DETAIL FROM, “RONALD REAGAN AND HIS MONKEY”, FINE ART GRAFFITI TRIPTYCH, BY VICTOR-HUGO VACA II.

In 1975 Barnaby Ruhe earned an M.F.A. from Maryland Institute College of Art and in 1989 he procured a Ph.D. from New York University. He is a professor at New York University’s (NYU) Gallatin School Of Individualized Study.

NAVAL ACADEMY ALUMNI, ARTIST, PROFESSOR AND SHAMAN, BARNABY RUHE IN MIDST OF PORTRAIT PAINTING MARATHON.

The U.S. Naval Academy is one of the nation’s best business schools, producing highly skilled individuals prepared for the battles that comprise the war of business.

Since World War II, America’s military academies have produced 1,531 corporate CEOs, 2,012 corporate presidents, over 5,000 vice presidents and thousands of small-company entrepreneurs.

The U.S. Naval Academy training includes life-long lessons in honor, teamwork, and discipline that cannot be duplicated at civilian universities or MBA programs.

AS PART OF THE USNA PREP SCHOOL TENNIS TEAM, THE MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) LEARNED THE IMPORTANCE OF HONOR, ETHICS AND INTEGRITY IN CHARACTER BUILDING.

Lily Hatchett, producer of “The Global Warming Art Report Party”, also graduated from the Maryland Institute College of Art, like Barnaby Ruhe, and she was the official cross-country, documentarian for the Warped Tour, Hothouse Flowers, Fishbone and Ringo Starr & The All Star Band.

ARTISTS DAVID HATCHETT, VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT.

Lily Hatchett published, Indie Film and Art Reporter, NYC , from 2009-2016, focusing on obscure art and film.

Lily Hatchett’s, “Global Warming Art Report” party, was also the first time the iconic, sociopolitical, “Crackhead Jesus is coming” sticker, was seen in public, after its controversial, headline-grabbing debut, at Art Basel Miami Week, during the 2007 Holiday season.

AS SEEN IN THE MIAMI HERALD NEWSPAPER COLLECTOR’S EDITION, ART BASEL MIAMI MAGAZINE: FEATURING THE CLASSIC, MAVERICK ARTIST VICTOR-HUGO VACA II, CRACKHEAD JESUS EXHIBIT, PROMO.

Though the sociopolitical sticker, catalogued in the Library of Congress reference book by DB Burkeman, “Stickers: From Punk Rock To Contemporary Art”, caused quite a stir because it was prominently displayed atop the canvas of fine art graffiti, created throughout the 48 hour party, Hatchett Productions did not censor the provocative artistic expression, in spite of some protest.

THE ART OF CREATION: CONTROVERSIAL “CRACKHEAD JESUS IS COMING” STICKER CAN BE SEEN ON TOP LEFT OF WORK IN PROGRESS, “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“The truth is artists are only millionaires on paper. They have to sell their work, and according to the IRS, their work has value whether it’s sold or not. I have small sketches, prints and paintings; they can all be valued at something.”- Barnaby Ruhe

THE FOUNDATION FOR “RONALD REAGAN AND HIS MONKEY” STARTED WITH SPRAY PAINTED GRAFFITI, BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT MANIFESTED INTO COLORFUL CHARACTERS AND VISTAS IN AN ALTERNATE UNIVERSE.

In a U.S. News & World Report 2011 survey of high school guidance counselors, regarding national universities and national liberal arts colleges providing the best undergraduate education in America, the U.S. Naval Academy ranked #1.

In 2012, U.S. News & World Report ranked the U.S Naval Academy as the #1 Public Liberal Arts College in the nation, for the second year in a row.

In the 2012 U.S. News & World Report college rankings, the U.S. Naval Academy tied for 4th Best Undergraduate Engineering among non-doctorate-granting institutions.

“I WAS OFFERED THE OPPORTUNITY TO EXPRESS MYSELF, AS AN ARTIST, ON A MASSIVE BLANK CANVAS, IN FRONT OF A LIVE AUDIENCE FULL OF LEGENDARY ARTISTS, AT A TRIPPY, TWO-DAY, NON-STOP PARTY, TO RAISE AWARENESS ABOUT GLOBAL WARMING; SO, OF COURSE, I SEIZED THE DAY AND FLOWED INTO THE UNIQUE MOMENT, WITHOUT HESITATION.” – MAVERICK ARTIST VICTOR-HUGO VACA II

In 2016, the United States Naval Academy was ranked #2 in Public Colleges, #9 in Liberal Arts Universities, #17 best undergraduate institution and #24 Top College by Forbes magazine.

“THE ART OF CREATION BEGINS WITH A BLANK CANVAS AND AN OPEN MIND.” – VICTOR- HUGO VACA II

The U.S. Naval Academy teaches Midshipman Officers how to be effective leaders by exercising how to take command, execute orders, and making sure that those orders are carried out swiftly.

BEFORE ENTERING THE U.S. NAVAL ACADEMY IN 1989, THE MAVERICK ARTIST VICTOR-HUGO VACA II, HAD TO PROVE HE WAS RELIABLE, TRUSTWORTHY AND HONEST ENOUGH TO GRADUATE FROM THE USNA PREP SCHOOL IN NEWPORT, RHODE ISLAND.

“You were never outside the environment in which leadership mattered. We marched to class and we marched to every single meal, constantly in the presence of someone exhibiting leadership.”- Robert Herres, U.S. Naval Academy Alumni and retired CEO of USAA, a $60 billion insurance company.

DETAIL FROM “RONALD REAGAN AND HIS MONKEY” FEATURING THE ICONIC “CRACKHEAD JESUS IS COMING STICKER” (TOP LEFT) BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“If you look at the majority of successful people in business, the common feature of most of them is that they get things done, they deliver, they execute. That’s built into the DNA of what you’re taught at the military academies.”- Pete Dawkins, West Point Alumni, Heisman Trophy winner and vice chairman of Citigroup Private Banking.

BEHIND THE SCENES: “RONALD REAGAN AND HIS MONKEY”, WAS FEATURED IN THE ROCOPERA MUSIC VIDEO FOR, “SHAKE THE CITY”, PRODUCED AND DIRECTED BY, MAVERICK ARTIST VICTOR-HUGO VACA II.

“The academies are designed to produce leaders, and I think good leaders are successful irrespective of the medium they’re working in. You can have a terrific idea, a great plan, and bad leadership, and you’ll fail. You can have a bad plan and really good leadership, and still figure out how to make it successful. Leadership is the single most important ingredient in all institutions. If you have bad leaders, the rest doesn’t matter.” – James Kimsey, West Point Alumni and co-founder of America Online.

IN 1989, MIDSHIPMAN OFFICER VICTOR-HUGO VACA II WAS ADMITTED INTO THE UNITED STATES NAVAL ACADEMY CLASS OF 1993.

“Once you absorb that, your whole mindset changes. In battle, if you’re leading a company up a hill, and that night you have to write letters to all the mothers whose sons got killed that day, for whatever reasons, you realize there is no excuse. If you’re a CEO whose company is laying off thousands of workers because you failed to understand how the market changed, you also realize there is no excuse for those people now out of a job.”- James Kimsey, looking back on how Plebes at West Point and the U.S. Naval Academy are taught to respond, “No excuse, Sir!”, when their personal shortcomings and failure are exposed.

THE SCALE OF VENUE AND ARTWORK CREATED BY VICTOR-HUGO VACA II CAN BE SEEN IN THIS AERIAL VIEW.

“The Academy training gives you an attitude, and it’s the attitude that makes the difference. When I deal with Academy people in the business world, and I am asking for something to be done, I know it’s going to get done. I don’t hear a lot of, ‘Here are my excuses,’ but rather, ‘I am going to get it done, regardless.’ And that’s leadership.”- Ron Jones, Naval Academy Alumni, senior vice president at Veridian, a computer and engineering company.

WORK IN PROGRESS FINE ART GRAFFITI BY MAVERICK ARTIST VICTOR-HUGO VACA II.

“We learned at the Academy that the Honor Code had no geographical boundaries or limits. It applied at all times, whether we were in or out of uniform…. At first it was rather intimidating. One slip-up could mean expulsion.” – Gil Dorland, from his book, “Duty, Honor, Company”.

MAVERICK ARTIST VICTOR-HUGO VACA II OUTSIDE OF THE SYDNEY AND BERNE DAVIS ART CENTER IN FORT MYERS, FLORIDA.

The United States Naval Academy, implants into the fiber of being of all Midshipman Officers, key success factors and qualities in areas of the private sector, such as: honor, ethics, and integrity.

“If you don’t have honor, integrity, and ethics, it will be found out and people won’t deal with you. Whatever you do in the business environment, your word is most important. You’d better do what you say you’re going to do. Once you lose your credibility, your value diminishes dramatically, both through the eyes of the people that work for you and the people you deal with. It’s sort of a sine qua non of being successful.” – Jim Kimsey, America Online co-founder.

“The fact is, honor, ethics, and integrity are key success factors in many areas of the private sector.” – Eric Grubman, Naval Academy Alumni and a partner at Goldman Sachs.

USNA MIDSHIPMAN OFFICERS VICTOR-HUGO VACA II AND JEFF EGAN.

Elite business schools like Wharton and Harvard hold military academy graduates in high regard. In the Harvard Business School class of 2001, 37 students had bachelor’s degrees from Harvard, in second place for undergraduate training, were the service academies, with 24 alumnus.

“At Wharton, leadership was a class that we took. At the Academy, leadership was a way of life.” – Ron Jones, who attended the Naval Academy and Wharton, contrasting the education he received at each institution.

CLASS OF 1993, PLATOON 26, ROOMMATES AND USNA MIDSHIPMAN OFFICERS, LIVING AND LEARNING TO MAKE QUICK DECISIONS, IN BANCROFT HALL, THE LARGEST SINGLE DORMITORY IN THE WORLD (MAVERICK ARTIST VICTOR-HUGO VACA II, HOLDING UP PEACE SIGN) .

The U.S. Naval Academy excels at teaching Midshipmen Officers the art of communicating swiftly and clearly with the rank and file, a skill necessary for successful CEO’s.

“Every day, you interact with your classmates and with your professors. You have got to communicate from day one as a plebe when you’re being hazed. You’ve got to communicate with your peers to survive.” – Joe Gudenburr, West Point Alumni and vice president of manufacturer, BuckBee-Mears.

THE MAVERICK ARTIST VICTOR-HUGO VACA II (FAR RIGHT) GRADUATED FROM THE NAVAL ACADEMY PREPARATORY SCHOOL; THE NAVY’S FOURTH OLDEST SCHOOL, BEHIND THE NAVAL ACADEMY, NAVAL WAR COLLEGE AND THE NAVAL POST GRADUATE SCHOOL.

Business leadership and stress go hand in hand; attending a U.S. military academy, like the USNA, provides practical stress management training.

“The academies are the finest institutions in the world at teaching honor, ethics, integrity, and loyalty. What you learn at a place like West Point will remain with you throughout your business career.” – Alexander Haig, President Reagan’s first Secretary of State, on U.S. Military Academies like the United States Naval Academy and Air Force Academy.

THE MISSION OF THE NAVAL ACADEMY PREP SCHOOL IS, “TO ENHANCE MIDSHIPMAN CANDIDATES’ MORAL, MENTAL, AND PHYSICAL FOUNDATIONS TO PREPARE THEM FOR SUCCESS AT THE UNITED STATES NAVAL ACADEMY” – MAVERICK ARTIST VICTOR-HUGO VACA II

Platoon leaders don’t have time to consult with headquarters during life and death combat situations, therefore Midshipman Officers are trained to make crucial quick decisions on their own, which translates into a valuable skill, in the war of business.

“Communication is very poor on the battlefield; so commanders have to react to the situation rapidly on their own with relatively limited information. There’s no time for the chain-of-command to issue orders. This is very characteristic of business. Businesses that do this well end up with higher performance.” – Jerry York, former CFO of Chrysler and IBM, vice-chairman of Tracinda, an investment company, and West Point Alumni.

MUSE CONTEMPLATES WORK OF ART BY MAVERICK ARTIST VICTOR-HUGO VACA II TITLED, “STEPPING INTO THE NIGHT”, AT THE SIDNEY & BERNE DAVIS ART CENTER.

“Too often art is about the hawking of wares, rather than about the quality of life and the human experience. Art has always existed. Humankind obviously has a need for intangibles. Even something seemingly as simple as entertainment is deeply rooted in humans, we have been entertaining each other right from the first storytellers who described occurrences and faraway places.” – Lily Hatchett

“Having survived two Plebe years, at NAPS and the United States Naval Academy, nothing fazes me; I see no limitations, only challenges.” – Maverick Artist Victor- Hugo Vaca II

USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II

“What are the things that you can’t see that are important? I would say, justice, truth, humility, service,compassion, love. You can’t see any of those, but they’re the guiding lights of a life.” – Jimmy Carter, United States President and U.S. Naval Academy Alumni Class of 1946.

VICTOR HUGO COLLECTION SEEN ON BIG SCREEN IN THE LAST HIT AWARD WINNING ACTION DRAMA

https://www.youtube.com/watch?v=NeI4zNuSULM

“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.

“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.

BIG SUGA JOSH HORTON AND MAVERICK ARTIST VICTOR HUGO VACA II RAISE MONEY FOR DOMESTIC VIOLENCE SERVICES WITH MODERN ART MUSIC MOVEMENT HAPPENINGS FROM NEW YORK TO FLORIDA

The Drummer Captures Energy Of Performance At Miami Music Festival Inauguration.

In the summer of 2009, a series of Modern Art Music Movement™ (MAMM) Happenings were held in world famous venues and at music festivals from New York to Florida, including “The Stephen Talkhouse”, “Martha Clara Vineyards”, “Pindar Vineyards”, “Rock The Harvest” music festival, in New York’s wine country, near Southampton, and the “Miami Music Festival”, to raise money and awareness for Domestic Violence Services.

JOSH HORTON OF BIG SUGA ON STAGE WITH MAVERICK ARTIST VICTOR-HUGO VACA II AND MILES TO DAYTON AT THE “2009 ROCK THE HARVEST MODERN ART MUSIC MOVEMENT HAPPENING” IN NEW YORK.

Big Suga has shared stages with Sonny Landreth, The Outlaws, Eddie Money and blues legend Kerry Kearney.

MODERN ART MUSIC MOVEMENT PAINTING CREATED AT “ROCK THE HARVEST” MUSIC FESTIVAL BY MAVERICK ARTIST VICTOR-HUGO VACA II TO RAISE AWARENESS ABOUT DOMESTIC VIOLENCE IN AMERICA.

Joshua Young Horton is the song writer, frontman & lead singer and rhythm guitar player for BIG SUGA. His grit, energy and soulful stage presence leads the band and fans into unforgettable performances.

THE STEPHEN TALKHOUSE MODERN ART MUSIC MOVEMENT MAMM JAM HAPPENING MANIFESTED ARTWORK BY VICTOR-HUGO VACA II, CREATED ON CANVAS AND ON DISCARDED BUILDING PLANS, FOR A VETERANS HOSPITAL, THAT WAS NEVER BUILT, BECAUSE OF THE WALL STREET BANK BAILOUT.

Josh Horton with Big Suga and the Modern Art Music Movement™ (MAMM) Founder, Maverick Artist Victor-Hugo Vaca Jr., performed together to raise money and awareness for, “The Retreat”, a safe-space center for battered women and children, offering domestic violence services.

MAVERICK ARTIST VICTOR-HUGO VACA II ON STAGE AT THE “ROCK THE HARVEST MODERN ART MUSIC MOVEMENT HAPPENING” WITH JOSH HORTON AND BIG SUGA.

Big Suga rocks the house with Josh Horton as the Maverick Artist Victor-Hugo fuses the energy of the band, venue and audience on canvases in color.

MODERN ART MUSIC MOVEMENT PAINTING CREATED AT “ROCK THE HARVEST”, LONG ISLAND’S ONLY INDEPENDENT MUSIC AND WINE FESTIVAL, AT PINDAR VINEYARDS, IN PECONIC, NEW YORK, BY VICTOR-HUGO VACA II.

As a solo artist, Josh Horton, has performed across the United States in bars, biker joints, honky-tonks, coffee houses, small theaters, on the decks of ships and in the streets. His life experience as a merchant seaman, Tugboat Captain, elected public official, Josh Horton took 4 years off from performing to run a town, father, former hard drinker, traveler and so on make him one of the most eclectic songwriters and performers in the New York music scene.

SOME OF THE ART CREATED IN THE SUMMER OF 2009 AT MAMM JAMS IN NEW YORK WITH JOSH HORTON’S BIG SUGA AND THE MAVERICK ARTIST VICTOR-HUGO VACA II.

“The Drummer” captures the energy culminated at the end of the Modern Art Music Movement™ coast-to-coast performances at music festivals from New York’s Wine Country Summer spectacular, “Rock The Harvest”, to the first-annual, “Miami Music Festival” with Josh Horton and Big Suga.

“THE DRUMMER” (42×52) BY VICTOR-HUGO VACA II WITH BIG SUGA AND JOSH HORTON.

“The Drummer”, was manifested live on stage by Maverick Artist Victor-Hugo Vaca Jr. with Josh Horton and Big Suga at the Inaugural Miami Music Festival Modern Art Music Movement™ MAMM Jam Happening on December 12, 2009.

THE KINKS, ROLLING STONES, COLDPLAY AND THE WHO ARE AMONG SOME OF THE LEGENDARY ARTISTS WHO HAVE PERFORMED ON THE SAME STEPHEN TALKHOUSE STAGE, WHERE MAVERICK ARTIST VICTOR-HUGO VACA II PRODUCED MODERN ART MUSIC MOVEMENT PAINTINGS, AT MAMM JAM HAPPENINGS WITH JOSH HORTON AND BIG SUGA.

Modern Art Music Movement™ creations were manifested with the inspiration of some of the greatest artists in the world, who have left their spiritual energy imprinted on the Stephen Talkhouse stage, where legendary artists have performed, including the following musicians, who are all in the “Rock & Roll Hall Of Fame”: The Kinks, The Rolling Stones, The Who, The Platters, The Coasters, Bo Diddley, The Drifters, Paul Simon, Paul McCartney, The Byrds with Roger McGuinn, John Lee Hooker, Van Morrison, The Animals with Eric Burden, Jefferson Airplane, The Velvet Underground, Buffalo Springfield, Billy Joel, The Allman Brothers Band, The Band with Robbie Robertson, The Mama’s and The Papa’s, The Talking Heads, The Police, Traffic with Dave Mason, Percy Sledge, Grandmaster Flash and The Furious Five, Patti Smith, Jimmy Cliff, Leon Russell, Lynyrd Skynard, The Supremes, Red Hot Chili Peppers and Crosby, Stills & Nash.

MODERN ART MUSIC MOVEMENT WORKS BY MAVERICK ARTIST VICTOR-HUGO VACA II CREATED ON THE HISTORIC, STEPHEN TALKHOUSE STAGE, IN AMAGANSETT, NEW YORK.

Big Suga drummer Jamie Schott co-founded the band with Josh Horton. They are life long friends.

Jamie Schott has performed and recorded with numerous acts in Los Angeles, kicked it with Bob Marley’s Original Wailers and founded the renowned New York Funk band, Golden Fists of Fury.

“THINK LOVE” DIPTYCH CREATED AT THE INAUGURAL MIAMI MUSIC FESTIVAL BY MAVERICK ARTIST VICTOR-HUGO VACA II WITH JOSH HORTON AND BIG SUGA.

Phil Mastrangelo is the bassist for Big Suga. He is an original and current member of the widely known NY Indie Power Pop act, “Knockout Drops”, and has worked as a musician since the age of 14 performing throughout the U.S. and Europe, sharing the stage with some of Rock ‘N Roll’s biggest names.

MODERN ART MUSIC MOVEMENT PAINTING CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II DURING 2009 MAMM JAM HAPPENINGS IN NEW YORK; MANIFESTED ON BUILDING PLANS, FOR A VETERANS HOSPITAL IN AMERICA, THAT WAS NEVER BUILT, BECAUSE OF THE U.S. ECONOMIC COLLAPSE, THAT BIRTHED THE WALL STREET BANK BAILOUT.

Tom “Shecky” Davis plays lead guitar for BIG SUGA and is still a regular stand in and session man when “The Wailers” are performing and recording in New York.

Russell “Lee” Smith Jr. and Tonnie “Swann” Franklin are the big Gospel of Big Suga; they have performed, toured and recorded with a myriad of Gospel, Pop and Rock acts on the East Coast.

ARTWORK CREATED DURING 2009 MODERN ART MUSIC MOVEMENT MAMM JAM HAPPENINGS FROM NEW YORK TO FLORIDA WITH JOSH HORTON AND BIG SUGA BY VICTOR-HUGO VACA II.

“The fusion of art and music is the Modern Art Music Movement. “- Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

The Impact Of Street Art Sticker Slapping Culture On Millennials And Baby Boomers Living In The Age Of Donald Trump And Hillary Clinton

STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.

THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.

STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.

STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.

The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.

SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.

“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN

NEW YORK TIMES GRAFFITI STICKER TAGS.

“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.

CHINATOWN STREET ART

The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.

STREET ART YBOR CITY

“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.

STICKER TAG

A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.

THOUGHT PROVOKING STICKER ART

“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman

MIAMI GRAFFITI STICKER ART

Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.

STREET ART MIAMI BEACH

“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.

“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN

“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN

SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.

“Allegedly Leon was a pimp. ” – DB BURKEMAN

CHICAGO STREET ART

“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN

Miami Beach Street Art

“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN

St. Petersburg Street Art

“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart

COCONUT GROVE STREET ART

In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.

MIAMI STREET ART

The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.

NEW YORK STREET ART

“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN

NEW YORK STREET ART

“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN

CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS

“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN

CHICAGO STREET ART

“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN

CHICAGO STREET ART

“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN

MIAMI DESIGN DISTRICT STREET ART

“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN

SOUTH BEACH STREET ART

“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN

STICKER SLAPPING

“Topps are the American Sticker Gods” – DB BURKEMAN

STICKER TAGGING

“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN

STREET ART BETHLEHEM

“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN

STREET ART YBOR CITY

“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN

STICKER BOMB

“It’s anti-media, anti-established art world.” – Poster Boy

SLAP TAGGING

“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN

NEW YORK STREET ART

R. Stanton Avery created the first self-adhesive sticker in the 1930’s.

ADHESIVE STICKER ART

In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.

NEW JERSEY STREET ART

“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman

STREET ART CHICAGO

“Stickers rule.” – Shepard Fairey

STICKER TAGS

“When I pause to think about it, stickers have changed my life.” – Shepard Fairey

STICKER SLAP

“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey

STICKER BOMB

“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey

STICKER TAG

“I wanted stickers as badges of my culture.” – Shepard Fairey

STICKER BOMB

The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.

CHICAGO STREET ART

“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey

NEW YORK STREET ART

“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey

CHICAGO STREET ART

“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey

STICKER BOMB

“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey

CHICAGO STREET ART

“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey

SLAP TAGGING

“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey

STICKER SLAPPING

“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey

CHICAGO STREET ART

“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“It amazed me just how liberating and easy sticking was.” – Shepard Fairey

STICKER SLAPPING

“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey

CHICAGO STREET ART

From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.

GRAFFITI STICKER ART

To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.

STICKER TAG

The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.

THE DOORS, JIM MORRISON, GRAVE.

The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.

THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.

The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.

CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.

During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.

STICKER BUM

“Crackheadjesus is coming and he doesn’t pull out.”

-MAVERICK ARTIST VICTOR HUGO VACA II

THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.

https://www.youtube.com/watch?v=WZFjfMaJh1I