Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.
In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”
MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.
The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.
DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.
The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.
THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.
Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.
THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.
The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.
THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.
Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.
THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.
“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”
“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden
MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.
“Wells Fargo Usury” was created on September 1, 2013 by the Maverick Artist Victor-Hugo Vaca II. Wall Street banks made billions on securitized subprime mortgages. When the bubble burst 99% of the world population was negatively impacted by the ripple effects. The main culprits have escaped punishment, not one top executive-level banker has been personally punished or lost their job. Tax deductible fines are levied against banks for criminal acts, not prosecutions. The lesson learned is, crime pays for the 1%.
VOODOO ECONOMICS
While lame stream media distracts people by feeding them bread and circus, disguised as news and information, banks labeled, “too-big-to-fail”, are stealing money from customers with impunity, because they can.
Banks steal billions of dollars but only pay millions in fines that are usually tax deductible. So the lesson learned is: crime pays, if you are a corporate entity protected by a corrupt, “pay for play”, government.
BANKS ARE ABOVE THE LAW: TOO-BIG-TO FAIL MEANS TOO-BIG-TO-JAIL AND THAT TRANSLATES INTO FISCAL ANARCHY THAT ENABLES ECONOMIC TERRORISM.
Wells Fargo, the largest mortgage lender in the United States, admitted to deceiving the U.S. government into insuring thousands of risky mortgages and agreed to pay $1.2 billion to put to rest claims that it engaged in reckless lending under a Federal Housing Administration program that left a taxpayer subsidized, government insurance fund to clean up the mess.
Wells Fargo engaged in a reckless trifecta of poor training, deficient loan underwriting and poor disclosure in the government-backed loan program.
ECONOMIC TERRORISM DEFINED IN MODERN-ART-GONZO-JOURNALISM.
Wells Fargo was fined $3.6 million because the bank acted illegally by charging on-time payers with late fees, failed to inform borrowers of steps they could take to minimize fees and left credit report errors uncorrected, which resulted in some misled student loan borrowers paying unnecessary fees.
“Wells Fargo hit borrowers with illegal fees and deprived others of critical information needed to effectively manage their student loan accounts. Consumers should be able to rely on their servicer to process and credit payments correctly and to provide accurate and timely information.”- Richard Cordray, Director Of Consumer Financial Protection Bureau.
CONTEMPORARY ART MEME
The Consumer Financial Protection Bureau assessed nearly $36 million in penalties against Wells Fargo for the banks’ role in a “mortgage kickback” scheme. The financial regulator charged Wells Fargo bank employees with entering into an illegal arrangement with a now-defunct Maryland mortgage title company, under which the title company gave cash, marketing materials and consumer information in exchange for bank business. The CFPB determined in its investigation that more than 100 Wells Fargo loan officers in Maryland and Virginia entered into the illegal arrangement,
“These banks allowed their loan officers to focus on their own illegal financial gain rather than on treating consumers fairly.” – Richard Cordray, Consumer Financial Protection Bureau Director.
CONTEMPORARY ART MEME
Wells Fargo was fined $81.6 million for failing to provide bankrupt homeowners with legally required notices of mortgage payment increases which denied homeowners the opportunity to challenge the accuracy of mortgage payment increases. By failing to properly notify homeowners, Wells Fargo violated federal bankruptcy rules that took effect in December 2011 that imposed more detailed disclosure requirements to ensure proper accounting of fees and charges on homeowners in bankruptcy.
CONTEMPORARY ART MEME
Wells Fargo, agreed to pay $85 million to settle charges that it falsified loan documents of its borrowers and pushed borrowers into higher interest subprime mortgages even though they qualified for a mortgage with lower interest rates. Over 10,000 borrowers were steered into more expensive subprime mortgages with higher interest rates or had their loan paperwork falsified by Wells Fargo personnel. Wells Fargo personnel were driven to the fraudulent activity in order to meet their company goals required for consideration to receive bonuses.
CONTEMPORARY ART MEME
Wells Fargo agreed to pay a $70 million penalty to settle legal claims over improper activity including the robo-signing of foreclosure documents, faulty payment-change notices filed in bankruptcy courts and faulty escrow calculations. Wells Fargo employees acted as robo-signers to speed up the foreclosure process with falsified or inadequate underlying documentation.
CONTEMPORARY ART MEME
“One would assume the most valuable tool for an artist is in his hands, in reality, however, it is the mind of the artist which serves to create.”- Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR HUGO PAINTING MALE FEMALE FUSION CREATED ON STAGE AT VOODOO LOUNGE IN FILM ABOUT DOMESTIC TERRORIST DRONE STRIKES.
The Modern Art Music Movement™ painting titled, “Male/Female Fusion” appeared on the ABC Television Network’s dance show titled, “Club TV” and in the independent film, “Death By Remote Control”, an American made thriller, about a serial killer, terrorizing a metropolis, with deadly drones.
BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II CO-STARRED IN THE AWARD WINNING (BEST FILM), “48 HOUR FILM FESTIVAL”, GRIND-HOUSE THRILLER TITLED, “THE ART OF ROADKILL”.
“Male/Female Fusion” was created on stage September 5, 2008 during the ABC Club TV Modern Art Music Movement™ MAMM Jam in Fort Lauderdale, Florida, at The Voodoo Lounge, with Modern Art Music Movement™ artists Brooklyn Murphy & Victor-Hugo Vaca Jr. , performing live art intuition with a sensual twist, simultaneously, for both the television show and film, in front of a live audience.
“MALE/FEMALE FUSION” HAS BEEN REMIXED, DIGITALLY, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN LIMITED EDITION SIGNED/AUTOGRAPHED Lithograph PRINTS.
IN “THE ART OF ROADKILL”, BROOKLYN MURPHY AND THE MAVERICK ARTIST VICTOR-HUGO PLAY DETECTIVES STRUGGLING TO SOLVE A SERIES OF BIZARRE MURDERS WITH AN ARTISTIC TWIST.
“Male/Female Fusion” actually appeared in two films; the independent horror film titled, “Death By Remote Control”, about a psychopath terrorizing suburban communities with his deadly, home-made drones and also in, “The Last Hit”, an award-winning mob flick available on DVD at major retailers like Wal-Mart and Target and on popular streaming networks like Amazon Prime, Hulu and Epix.
THE MAVERICK ARTIST VICTOR-HUGO VACA II HAD THE UNIQUE OPPORTUNITY OF, CROSS POLLINATING FILM CHARACTERS, BY PLACING THE HOMELESS ORACLE HE PORTRAYED IN THE CULT CLASSIC, “CRACKHEAD JESUS: THE MOVIE”, INTO THE STORYLINE OF “THE LAST HIT”.
“The Last Hit” is the story of hitman, Simon Carson, who earns his wages as an elite killer for a local crime syndicate. When he’s given an assignment to kill a young girl, he takes matters into his own hands, with revenge in his heart, and decides to protect and save her instead. The Maverick Artist Victor-Hugo Vaca II has a cameo with dialogue, as a homeless war veteran suffering from PTSD, in the audience favorite at several international film festivals including the Fort Lauderdale International Film Festival (FLIFF) and La Romana International Film Festival (LRIFF) in the Dominican Republic.
“THE LAST HIT” AND “CRACKHEAD JESUS: THE MOVIE” BOTH SCREENED AT THE “LA ROMANA INTERNATIONAL FILM FESTIVAL” AND BOTH MOTION PICTURES WERE AWARDED TROPHIES, BEST FILM AND BEST SCREENPLAY, RESPECTIVELY.
“Male/Female Fusion” was manifested on building plans for a U.S. veterans hospital that was never constructed, due to the Wall Street bank bailout, that shattered the U.S. economy and sent negative reverberations throughout the global banking industry.
BEHIND THE SCENES/ ART SECRETS: RAW, UNEDITED IMAGE OF, “MALE/FEMALE FUSION”, A MODERN ART MUSIC MOVEMENT WORK OF MODERN-ART-GONZO-JOURNALISM, CREATED TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD, THAT MANIFESTED ECONOMIC TERRORISM ON WALL STREET THAT HAS NEGATIVELY IMPACTED 99% OF THE HUMAN POPULATION.
Scene from, “Death By Remote Control”, featuring Maverick Artist Victor-Hugo Vaca II and Brooklyn Murphy as featured in the USA Today Network article, “Artist Victor Hugo Creates Diary Of World On Canvas” .
Scene from the award-winning, “48 Hour Film Festival”, grind house flick, “The Art Of Roadkill” starring Brooklyn Murphy and Maverick Artist Victor-Hugo Vaca II.
Scene from the award-winning film, “The Last Hit”, featuring Modern Art Music Movement™ works of art including “Male/Female Fusion”. The climax of the movie was filmed at the beachfront home of the Maverick Artist Victor-Hugo Vaca II known as the “Labyrinth of Creativity On The Beach” on Hillsboro Mile A.K.A., “Millionaires Row”, a unique, scenic, yacht-lined, exclusive, one mile beach community, inhabited by artists, actors, musicians, CEO’s, Football Team Owners, Sultans and Queens.
https://www.youtube.com/watch?v=NeI4zNuSULM
Movie trailer, for the award-winning film, “The Last Hit”, featuring cameo by Maverick Artist Victor-Hugo Vaca II, in the role he created for, “Crackhead Jesus: The Movie”, of a war veteran, suffering from Post Traumatic Stress Disorder (PTSD), that serves as an oracle for protagonists in both films.
Marathon All-Star MAMM Jam Creates “Muse 4 Haiti” To Benefit Earthquake Victims Through The Figaro Angel Network.
On January 12, 2010 Haiti was struck by an earthquake that measured 7.0 magnitude.”Muse 4 Haiti” (38×53) was created on January 8, 2011 at the NBC Omni Auditorium at the Haiti Memorial Concert.
THE MAVERICK ARTIST VICTOR-HUGO VACA II JOINED AN ALL-STAR LINE UP OF INTERNATIONAL TALENT TO RAISE MONEY FOR EARTHQUAKE SURVIVORS.
Over 220,000 people were killed and over 300,000 people were injured on January 12, 2010 in Haiti .
MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, PERFORMING A SIX-HOUR MARATHON, MODERN ART MUSIC MOVEMENT, AT THE ALL-STAR MAMM JAM HAPPENING, WITH AN INTERNATIONAL LINE UP, OF TALENTED MUSICIANS, AT THE NBC OMNI AUDITORIUM, TO BENEFIT HAITI EARTHQUAKE VICTIMS.
The Haiti earthquake left more than 1.5 million homeless survivors.
MAVERICK ARTIST VICTOR- HUGO VACA II PERFORMED WITH 14 ARTISTS TO CREATE THE PAINTING TITLED, “MUSE 4 HAITI”.
Five years later, tens of thousands of people in Port-au-Prince still live in tents and other temporary housing.
MAVERICK ARTIST VICTOR-HUGO VACA II CHANNELS THE MUSE INTO LIFE ON STAGE.
$13.5 billion in humanitarian aid from donations and pledges was raised from nations and private charity after the catastrophic 2010 Haiti Earthquake.
IN BETWEEN SETS, THE “MUSE 4 HAITI” BEGINS TO TAKE FORM ON STAGE.
The hypocrisy of philanthropy, political correctness and weak journalism fueled by greed, is such that, according to the Washington-based Center for Economic Policy and Research, less than a penny of every dollar goes directly to Haitian organizations. Thus, meaning that billions in relief and recovery aid, haven’t been enough to rescue Haiti from chronic corruption, which has enabled a tangible failure to manifest improvements that, in a better world, would have been brought to fruition, with all the available resources and goodwill.
MAVERICK ARTIST VICTOR-HUGO VACA II PLEADS WITH AUDIENCE FOR DONATIONS TO AID IN RECOVERY.
As a consequence of the earthquake, over the past four years, cholera has struck more than 720,000 Haitians and killed almost 9,000 people in Haiti.
“MUSE 4 HAITI” BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Modern Art Music Movement™ (MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally investigated on mainstream-media news outlets and to promote new talent and compassionate wealth, through art and education across the multi-universe.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH TITO PUENTE JR. BACKSTAGE.
The Modern Art Music Movement™ (MAMM) fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order.
KING WAWA, SEAN HILL, TITO PUENTE JR. AND MAVERICK ARTIST VICTOR-HUGO VACA II BACKSTAGE AT THE HAITI MEMORIAL CONCERT.
The Modern Art Music Movement™ (MAMM) affords artists the opportunity to capture history, on canvas; manifested in Rorschach interpretations, created as mixed-media-performance-art, that fuses live music with art and movies in performances at multi-media events called MAMM Jams.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH MUSES BACKSTAGE AT HAITI MEMORIAL CONCERT.
The following SFL news report, appeared on the CW Network; it features the Maverick Artist Victor-Hugo Vaca II performing a Modern Art Music Movement™ MAMM Jam Happening with Tito Puente Jr., Belo, Donta Wilson, King Wawa, Jahnesta, Mecca aka Grimo, Violeta Leskyte, Katalog, Misty Jean, Sunlove, Tonton Bicha, Alaye aka Zoerock, Harold St. Louis, Shirley Desgrottes, Robert Martino & The Lander Sisters at the Haiti Memorial Concert in South Florida.
“Live-Love-Flow-Shine.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II IN THE LABYRINTH OF CREATIVITY.
And now, for something completely different; sort of.
In 2006, “NY Arts Magazine” and “China Arts Magazine” listed www.victorhugogallery.com in their annual catalog of “The Top Art Websites”. The “International Edition” of the collectors item catalog premiered to a global audience of art critics in 2006 at “Art Basel” in Miami Beach, Florida, featuring artwork from a diary of the world on canvas created by New York born Hispanic artist, Victor-Hugo Vaca Jr.
CONTINUE TO DESCEND Maverick Artist Victor-Hugo Vaca II Jeff Koons Broadway Gallery Soho Manhattan New York City
That same year, “Art Fairs International Magazine” featured an article about Victor-Hugo Vaca Jr.’s top art website after his February 17-28, 2006, art exhibit with Jeff Koons, who holds the “Guiness Book Of World Records” distinction of highest priced work of art ($58.4 million dollars) sold at auction by a living artist, in a group show, titled, “Continue To Descend” at the Broadway Gallery in Soho, New York.
NY Arts / China Arts Featuring Victor-Hugo Vaca Jr. Exhibit With Jeff Koons At Broadway Gallery In Soho New York Feb. 2006 Article
NY Arts Top Art Websites Includes Victor-Hugo Vaca II Diary Of The World On Canvas
Art Fairs International Featuring Article About Victor-Hugo Vaca Jr.’s Award Winning Art Website
Victor-Hugo Vaca II & Jeff Koons Art Exhibit At Broadway Gallery In Soho, New York
On February 18, 2012, after an intense debate on FOX NEWS between “The Kelly Files”, Megyn Kelly and the Maverick Artist Victor-Hugo that reached a worldwide audience of over 9.5 million viewers; a strange thing happened on the way to one of the biggest Modern Art Music Movement™ events in the fast-rising, multi-media artist’s career, in Fort Myers, Florida.
https://www.youtube.com/watch?v=WZFjfMaJh1I
Minutes before taking the stage in front of thousands of people to perform live, Modern Art Music Movement™ MAMM Jam Happenings, at “The Surf & Song Festival”, in Fort Myers, Florida, with members of the bands: Camper Van Beethoven, Cracker, John Waite, The Baby’s, Bad English and Johnny Rzeznick of the Goo-Goo Dolls; to increase awareness about Autism and raise money for charity, to help families with autistic children, the award-winning website, www.victorhugogallery.com, was destroyed, hacked and rerouted to a non-affiliated website with extremely graphic sexual content and equally vulgar domain name by a faceless entity.
Johnny Rzeznik of Goo Goo Dolls on stage with Maverick Artist Victor-Hugo Vaca II performing the hit song, “Slide”, at Modern Art Music Movement™ MAMM Jam on 3/30/12 in Fort Myers, Florida at the “Surf & Song Festival”. This video shows interplay between artists in the evolution of the work of modern-art-gonzo -journalism titled, “Goo Goo Doll” autographed by members of The Goo-Goo Dolls and The Maverick Artist Victor-Hugo.
Over a decade of art pieces created in front of thousands of Modern Art Music Movement™ fans will be displayed in the new website titled www.victorhugocollection.com .
“Strong Men In A Weak World” Created live on stage by The Maverick Artist Victor-Hugo with JohnWaite at the 2012 Surf & Song Festival In FortMyers, Florida.
This unique digital-fine-art-museum, will exhibit never-before-seen works of thought provoking fine-art, fine-art graffiti, contemporary art memes as well as artwork so profound and impactful, they can only be seen in the www.victorhugocollection.com because the original uncensored images have been censored permanently from appearing on Facebook, Instagram and MySpace by politically correct police appointed by enemies of free speech and artistic expression in the New World Order. For example, the image below, featuring Hillary Rodham Clinton’s brother, Hugh Rodham, holding the iconic, “Crackhead Jesus is coming” sticker, autographed and gifted to him by Victor-Hugo Vaca II at a famous celebrity strewn South Beach, Miami, Florida nightclub, incited Bill and Hillary Clinton’s, “Clinton Machine”, to permanently extinguish the digital footprint of Maverick Artist Victor-Hugo on Instagram without warning or second chance, within seven minutes of the paparazzi photo being posted on Instagram with the hashtags: #Trump2016 #Hillary2016 #Sanders2016 #TrumpHillary2016 #DonaldTrump #HillaryClinton #BernieSanders2016 #Crackheadjesus2016.
The Clinton Machine Censors Art.
www.victorhugocollection.com will replace www.victorhugogallery.com and will evolve gradually to include over 1000 works of art from the extensive fine art collection of Victor-Hugo Vaca Jr. including Modern Art Music Movement™, Modern-Art-Gonzo-Journalism, sticker art, and graffiti-fine-art as seen in the world famous and infamous celebrity nightclub venues “Club NY” and “Shock Nightclub”, the latter located at the notoriously, haunted address of 1437-39 Washington Avenue, in the international, jet-setter, playground of South Beach, in Miami Beach, Florida, as seen on television, newspapers and in other mainstream media news outlets .
THE MODERN ART MUSIC MOVEMENT
Experience the uncensored vision and voice of the artist described as “The Howard Stern of the art world”(ABC-TV), “The Modern Picasso”(FOX NEWS), and as “one of the most influential artists of our time”, as featured in the Library of Congress reference book titled, “Stickers: From Punk Rock To Contemporary Art”, exclusively at www.victorhugocollection.com.
Sticker Book Stickers: FromPunk Rock To Contemporary Art
The Sticker Book: Stickers- From Punk Rock To Contemporary Art By DB Burkeman & Monica LoCascio Featuring The Sociopolitical Artwork Of New York Native, Maverick Artist Victor-Hugo Vaca II
Tracking a serial-killer is like trying to put together a moving jigsaw puzzle. Serial killers leave crumbs of evidence in plain sight because they can’t fight the urge to want to get caught. For most people, the hard part is seeing the crumbs for the clues they are but intuitive artists, detectives and investigative journalists often see past the truth. After all, what good are all those brilliant crimes if no one takes the credit?
In a world where the Washington Post, NPR, NBC and other news outlets have focused on long term character traits and behavior patterns for morning show hosts, and Hollywood producers, should people worry about an elite spinal-surgeon, described in news publications as a slum-lord who according to government officials, almost ran an airline into the ground and female subordinates claim is a sexual predator serial-killer?
https://www.youtube.com/watch?v=dujFVJqTjZc
“Capicua 3:1:3 – The Long Arm Of The Law (The Story Of Alleged Serial-Killer-Spinal-Surgeon, Charles C. Edwards MD)” By Victor-Hugo Vaca II.
FOR IMMEDIATE RELEASE: Is Baltimore/D.C. Area Surgeon Charles Edwards MD, Ted Cruz’s favorite alleged serial killer?
https://www.youtube.com/watch?v=GgIP4cnm7dc
MODERN-ART-GONZO-JOURNALISM : TO CATCH A SERIAL KILLER – Ted Cruz Ponders Favorite Serial Killer On Jimmy Kimmel Live After 55 Year-Old Italian Nurse Arrested As Tuscan Hospital Serial Killer: Awkward moment captured on film makes voters wonder if Charles C. Edwards MD, is the Canadian born Republican U.S. presidential candidate’s favorite alleged serial killer.
https://www.youtube.com/watch?v=T63oEG5-wSM
In this telling interview, United States Presidential candidate, Rafael Edward “Ted” Cruz, who was born in Calgary, Alberta, Canada on December 22, 1970 and remained a Canadian citizen until he officially renounced it on May 14, 2014, eighteen months after taking the oath of office as a U.S. Senator, stumbles into an awkward moment on Jimmy Kimmel Live, that raises several questions about the alleged serial-killer-spinal surgeon, Dr. Charles Edwards, operating out of the Baltimore/Washington, D.C. area and Senator Ted Cruz, whom some allege to be the Zodiac Killer.
Infamous Ted Cruz Favorite Serial Killer Moment On Jimmy Kimmel Live Highlights Apathy Manifesting Global Hunting Grounds For Alleged Serial Killers And Terrorists Who Live In General Public Disguised As Figures Of Public Trust : The Grim Sleeper, Serial-Killer-Spinal-Surgeon, ISIS And Ted Cruz Open Serial Killer vs.Terrorist Debate in 2016 United States Presidential Election.
For 30 years, from 1985 to 2007, Lonnie Franklin Jr., a 63-year-old former police mechanic from Los Angeles, California, allegedly killed over 180 victims; though, some crime analysts estimate the final body count attributed to him, may be over one thousand murdered. After a victim survived his attack in 1988, Franklin Jr. took a break from creating ghosts, until 2002, when the urge to murder became too strong. Because of this break in his killing spree, Lonnie Franklin Jr. is nicknamed, “The Grim Sleeper”. Franklin, according to prosecutors, was invisible, and able to blend in perfectly amid the chaos of a city which was blighted by crack cocaine.
In the award-winning film, “Crackhead Jesus: The Movie”, art imitates life. Inspired by curious allegations of Washington D.C. area stalked by a serial-killer-spinal-surgeon that surfaced from individuals close to Baltimore area investor, airline owner and doctor, Charles Edwards MD. According to an F.A.A. insider, Charles Edwards MD, allegedly purchased Kiwi Airlines to run down maintenance on airplanes as acting CEO, in order to get away with murder, since Airline CEO’s don’t get arrested for murder after fatal plane crash disasters. A Federal Aviation Administration report found Kiwi Airlines planes to be unsafe to fly and the company was shut down by the FAA because Kiwi Airlines planes were found to be in “unairworthy condition”.
The Story of Alleged Serial Killer Spinal Surgeon Dr. Charles Edwards
Growing allegations that Charles C. Edwards MD, described by People magazine as, “a uniquely inventive orthopedic surgeon who has added radical new techniques to skeletal reconstruction”, could feel empowered to act, in the Age of Harvey Weinstein, to kill unsuspecting tenants, patients and customers, on a grand scale, by using lawyers to manipulate a broken two-tier justice system, that affords corporations like GM, CEO’s like, Don Blankenship and allegedly well connected serial-killer-spinal-surgeons working for Sisters of Mercy to hide behind publicly perceived protection and receive immunity from punishment under corporate shields, inspired the New York born Hispanic artist, Victor-Hugo Vaca II to create a Modern-Art-Graphic-Novel titled, “Redemption: The Story Of The Crackhead Jesus Trials”.
Redemption
The work of modern-art-gonzo-journalism explores circumstances behind the allegations that a world renowned spinal surgeon could be an alleged serial-killer flying under the radar for decades emboldened by weak investigative journalism, corporate greed, corrupt government and a broken justice system in the United States of America during a year of election.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The work of art titled “Capicua 3:1:3 – The Long Arm Of The Law The Story Of Alleged Serial Killer Spinal Surgeon, Charles Edwards MD” inspired the award-winning independent short-film produced by the Modern Art Music Movement titled, “Crackhead Jesus: The Movie”, directed by Victor-Hugo Vaca Jr, at the 2009 Delray Beach, Florida Film Festival during a seventy-two hour film competition.
Crackhead Jesus: The Movie Review
Alleged serial-killers like Lonnie Franklin Jr. and Charles C. Edwards MD are alleged to have tallied a high victim count. Republican, Ted Cruz, let it be known to Jimmy Kimmel in front of a startled live audience, that in fact, the Canadian-Born-Christian-Conservative, not only has a unique favorite breakfast cereal, he has a favorite serial-killer too.
Is Charles Edwards MD Ted Cruz’s favorite alleged serial killer?
The following quotes from newspaper articles fueled rumors that Charles C. Edwards MD had allegedly set his sights on being the most prolific serial killer in history by using money, influence, profession and a shield of corporate lawyers to protect his murderous ways:
MIAMI HERALD ARTICLE Grand View Palace North Bay Village, Florida
The Baltimore surgeon who owns the Cherry Hill Apartments filed a lawsuit yesterday against the township, seeking to stop Mayor Susan Bass Levin from completing the condemnation of his property.
“The suit, filed by owner Charles Edwards in Camden County Superior Court, seeks to block township officials from declaring the 41-year-old apartment complex on Route 38 a redevelopment zone”
“The apartments were deemed “unfit for human habitation” in early August. Its 61 residents were evacuated and placed in other apartments in town.”
THE GRAND VIEW PALACE & CHERRY HILL APARTMENTS – SAME, SAME BUT DIFFERENT.
“The Cherry Hill Apartments are in desperate need of rehabilitation,” Levin said, adding that the Township Council is set to vote Monday on repossessing the property. “I suggest he stop hiring lawyers and do something to make the buildings safe again.”
“township officials had told Edwards several times about their concerns over the buildings’ condition – which led township, county and state agencies to cite Edwards for violations ranging from faulty lighting to dead animals on the premises.”
Charles C. Edwards, the surgeon, acquired the buildings in 1995 but could not come up with the capital to rehabilitate them, and the township threatened condemnation. A 1998 township report called conditions “deplorable,” and the last 40 tenants were evacuated. Viking acquired the buildings in 2002.
Each building has 217 apartments. Together they constitute the third-largest high-rise housing complex in the township.
Susan Bass Levine, the mayor of Cherry Hill, said the structures fell into disrepair before their current owner, Charles C. Edwards MD, of Maryland, bought them about four years ago; Edwards has not been able to turn the property around.
“It’s currently a building in crisis that could be a shining star,” she said.
The township will give the current owner, a surgeon who Morgan said did the residential development of Pier Three in Philadelphia, a few more weeks. After that, if he does not sell it or take action to do the improvements, the township will take steps to have the high-rises condemned and taken over.
HIGH RISE HELL – THE GRANDVIEW PALACE
A day after Kiwi International Airlines thought it had won a reprieve from a Government-imposed death sentence, the Federal Aviation Administration yesterday grounded the struggling carrier, saying that it was unsafe to fly.
KIWI Airlines – Unsafe To Fly
It was the first time the Government had shut down a scheduled carrier since Valujet was grounded in 1996 after one of its DC-9’s crashed in the Everglades, killing 110 people.
The F.A.A.’s order cited a series of maintenance and safety violations that it said resulted in Kiwi flying airplanes that were ”in an unairworthy condition.” In one case, Kiwi flew one of its four jets for two days in late February without fixing an oil leak in one of its two engines, the agency said.
When reliable sources contacted modern-art-gonzo-journalist Victor-Hugo Vaca Jr. with verifiable facts and information regarding an alleged serial-killer spinal-surgeon living and working in the Baltimore, Maryland/Washington D.C. area, the multimedia artist rewrote the script for, “Crackhead Jesus: The Movie”, to include the serial-killer-spinal-surgeon theme as a subplot in the controversial film that would go on to become a cult classic in the age of OJ Simpson.
Crackhead Jesus: The Movie Film Slate
Public trust in police and newspapers has reached such a low point in human history, that victims and witnesses have turned to modern-art-gonzo-journalists to “paint the news” being ignored by financially strapped mainstream media news outlets and police forces, in the hopes that someone, will do something positive with the clues and information presented in works of art inspired by actual events.
Recently, Victor-Hugo Vaca Jr. was contacted by Sean Welsh, an editor at the Baltimore Sun, regarding modern-art-gonzo-journalism. Supposedly, Welsh passed information along to staff writer Christine Jedra, an investigative journalist, who contacted Victor-Hugo by phone for an at length interview from Las Vegas, Nevada. When all was said and done, Christine Jedra, who claimed to work for “The Capital Newspaper” in Annapolis, Maryland, admitted that she was new at the job of reporting news and that she had no idea what to do with the information she had been provided.
So, if you come across a spinal-surgeon from Baltimore, named Charles C. Edwards MD, be forewarned, he is an alleged serial-killer and if you have faith in what you hear on the news, realize that public trust does not top the list of priorities for cash strapped news outlets, trying to survive in the age of OJ Simpson.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The following archived articles from The New York Times, The Philadelphia Inquirer, The North Jersey Media Group, The Record, and The Asbury Park Press referencing Charles C. Edwards MD, Director of The Maryland Spine Center at Mercy Medical Center in Baltimore, Maryland, make sharp investigate journalists, FBI investigators and serial-killer-spotters go, “Hmmmm.”
New York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDPhiladelphia Inquirer Charles C. Edwards MD, Maryland Spine Center Mercy Medical Center Baltimore, MarylandThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MD
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM DUE TO STAFF AND BUDGET CUTS.
The newspaper, in its 300-year-long history, was the primary source for news and events. American society depended on newspapers to let them know what was happening and how to prepare for things to come. Since the advent of the Internet, a number of major metropolitan dailies have been shuttered or drastically pruned. This massive decline in Newspaper circulation has led to a Rebirth of Journalism. The way news is transmitted, shared and read have all been transformed.
OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
Maverick Artist Victor-Hugo Vaca II In Front Of Skeletal Remains Of The Miami Herald Building Before It Is Imploded, Bulldozed & Scrapped, Due To Declining Public Trust In Reporting, Declining Sales & Circulation.
What Victor-Hugo Vaca II has manifested, for public consumption, is modern-art-gonzo- journalism. By fusing the style of Salvador Dali’s cryptic artwork, containing hidden messages and clues, with Hunter S. Thompson’s gonzo journalism, he has created a diary of the world on canvas, to tell the untold story of an, alleged, serial-killer spinal-surgeon using money, lawyers and influence to perpetuate his, alleged scheme, of becoming the most prolific serial-killer in history and to warn masses of a small group of home-grown terrorists, disguised as lawyers, judges and lobbyists, who have infiltrated the U.S. Justice system, Congress, Senate and The White House, to undermine the Constitution, in order to actualize the death of democracy and herald a New World Order.
THE INFAMOUS MIAMI HERALD VICTOR- HUGO VACA II U.S. NAVAL ACADEMY ARTICLE THAT EXPOSED WEAK INVESTIGATIVE JOURNALISM OVERLOOKING THE DANGERS OF ENABLING TOXIC LEADERSHIP AND ITS FUTURE IMPACT ON SOCIETY.
On May 24, 1990, The Miami Herald published a story by staff writer, Mike Wilson, titled, “DIARY OF A YEAR IN HELL: The Navy called it ‘plebe year’. Midshipman Fourth-Class Victor Vaca called it harassment.” Besides getting his name wrong in the headline, his birth certificate reads, “Victor-Hugo Vaca Jr.”, The Miami Herald whitewashed the front-page world news story by understating the dangerous impact of breeding toxic leadership at the world famous United States Naval Academy, by training young officers to torture suspects and sexually assault female officers in an elite, powerful, clandestine community. It is no wonder that, recent news headlines indicate, U.S. military leadership problems persist, at the U.S. Naval Academy and other tactical training institutions.
THE SUNDAY CAPITAL ANNAPOLIS, MARYLAND FRONT PAGE ARTICLE SUNDAY MAY 27, 1990 FEATURING QUOTES FROM USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II.
SEE SOMETHING; SAY SOMETHING: Victor-Hugo Vaca II felt it was his patriotic duty, to expose the horrors he witnessed, as a United States Naval Academy Midshipman. He saw leadership training, that eventually led to Abu Ghraib torture and prisoner abuse, as acceptable practice by U.S. military command and he knew that what he had witnessed, was not proper instruction for future commanders of the free world.
VICTOR -HUGO VACA II QUOTED IN THE SUN FRONT PAGE USNA ARTICLE “I TRIED TO STICK UP FOR MY RIGHTS, AND THATS’S WHAT GOT ME INTO TROUBLE.”
Maverick Artist Victor-Hugo Vaca II was a whistleblower, trying to warn mankind, of the dangerous butterfly-effect, abuse of power would have on the future that now exists, in the age of Donald Trump versus Hillary Clinton, where lies are acceptable as truth and honor has all but disappeared, but The Miami Herald chose to present the story as a personal account of hazing instead of focusing on the big picture.
SUNDAY MAY 27, 1990 VOL. 90 NO. 21 THE BALTIMORE SUN FRONT PAGE ARTICLE FEATURING USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II. (REPRINTED FROM MIKE WILSON AP NEWS WIRE MIAMI HERALD KNIGHT RIDDER ARTICLE.)
When Victor-Hugo Vaca II gave The Miami Herald his diary, he trusted editors would see the big picture and focus on the potential global impact of his unique experience; instead, they chose to spotlight minor incidents, like upperclassmen teasing his name. Teasing is a lot different than torture and shortsighted journalists failing to differentiate between the two in foreseeing the long term impacts on society is one example of why public trust has plummeted in news outlets.
USNA Midshipman Officer Victor-Hugo Vaca Jr.
Fast-forward to November 30, 2005, when The Miami Herald published a story by staff writer, Elinor J. Brecher, titled, “ARTIST SAYS CONDO WORKERS DESTROYED HIS ART PROJECT: An artist complained to police that his Hurricane Wilma-related art installation was damaged by somebody making repairs after Hurricane Wilma.” Besides getting Victor-Hugo Vaca II’s name wrong, again, the article failed to mention the fact that the 2005 Miami Art Basel week exhibit, was created to bring worldwide attention to allegations, that Baltimore spinal-surgeon, Dr. Charles Edwards, was more than just a slumlord, he was also, an alleged serial-killer.
THE MIAMI HERALD FULL PAGE ARTICLE FEATURING VICTOR- HUGO VACA JR. -JOURNALISTS AGAIN LOSE PUBLIC TRUST BY COMPLETELY IGNORING ALLEGED SERIAL-KILLER BUILDING OWNER ASPECT OF THE NEWS STORY IN FAVOR OF FLUFF, BECAUSE THE SUSPECT WAS A MAJOR ADVERTISER WITH THE NEWSPAPER.
When Victor-Hugo Vaca II confronted Elinor J. Brecher about this, she said Dr. Edwards legal team had sent a letter to The Miami Herald editors reminding them that he was a long time advertiser with the newspaper and that her series of investigative reports about the notorious Doctor and his trouble plagued North Bay Village monolith, The Grand View Palace, were creating potential harm to there longstanding business relationship.
“I thought newspapers were about reporting news?” Victor-Hugo Vaca II said.
“Wake up!” Elinor J Brecher answered. “Newspapers are a business.”
Crackhead Jesus Is Coming On Miami Herald
She went on to tell Victor-Hugo Vaca II how Miami Herald staff had been worried about losing their jobs based on rumors of a Knight-Ridder buyout by McClatchy and that the newspaper industry, would be decimated by the Internet. In March of 2006, McClatchy assumed about $2 billion in Knight Ridder’s debt when they purchased The Miami Herald and Brecher’s prediction about mobile technology and the Internet transforming newspapers came to fruition.
MAVERICK ARTIST VICTOR-HUGO VACA II, NY BORN FINE ARTIST, CREATES 7,000 SQUARE FOOT GRAFFITI MURAL INSIDE THE HAUNTED HALLS OF THE INFAMOUS MIAMI BEACH ADDRESS OF LEGENDARY HOT SPOTS, LIQUID AND SHOCK NIGHTCLUB, TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD AND ECONOMIC TERRORISM DESTROYING AMERICAN ECONOMY ENABLED BY WEAK INVESTIGATIVE JOURNALISM.
Fast forward, to February 17, 2011, when a Miami New Times article by Michael E. Miller, titled “SHOCK NIGHTCLUB OWNER SKIPS TOWN WITHOUT PAYING HIS BILLS” revealed that Julien Manival nicknamed, “The French Bernie Madoff”, had bragged to El Nuevo Herald, The Miami Herald’s Spanish language sister- publication, that he wanted his patrons’ heads to spin for days from all the special effects in his new nightclub, located at the former address of the legendary Liquid Nightclub.
MAVERICK ARTIST VICTOR-HUGO VACA II INSIDE THE 7,000 SQUARE FOOT MODERN- ART-GONZO-JOURNALISM GRAFFITI MURAL, WRITTEN IN SEVEN LANGUAGES INCLUDING: ARAMAIC, FRENCH, GERMAN, CHINESE AND SPANISH, HE MANIFESTED THROUGHOUT THE HAUNTED HALLS OF THE INFAMOUS LIQUID, SHOCK NIGHTCLUB, WASHINGTON AVENUE, MIAMI BEACH, FLORIDA, ADDRESS.
Having been hired as the official artist of Shock Nightclub by Manival himself, to create, “a world-record sized fine-art-graffiti mural” at the infamous 1437-39 Washington Avenue address on South Beach, Victor-Hugo Vaca II witnessed, first hand, the corruption and dangers to public safety that existed before two separate FBI corruption investigations led to eight individuals charged and arrested in a corruption probe including Miami Beach Code Compliance Officers, Miami Beach Firefighters and a Miami Dade Police Officer.
MIAMI BEACH MAYOR, MATTI BOWER, AND MIAMI HERALD EDITORS KNEW THAT THOUSANDS OF INTERNATIONAL PARTYGOERS WERE IN CLEAR AND PRESENT DANGER OF CEILING COLLAPSE AT 1437-39 WASHINGTON AVENUE, SHOCK NIGHTCLUB, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, BUT NEITHER DID ANYTHING TO GAIN PUBLIC TRUST BY WARNING TRAVELERS AND CONSTITUENTS.
Mayor Matti Bower and Miami Herald Editors had photographic evidence of clear and present danger, including shocking images of a rotting second story dance floor being concealed, without permits, to withstand the weight of hundreds of trusting revelers. Every editor at the Miami Herald was alerted to the dangerous situation being perpetrated by the epidemic of economic fraud and corruption endangering the lives of unsuspecting visitors to Miami Beach and its constituents.
MIAMI HERALD AND MAYOR MATTI BOWER FORFEIT PUBLIC TRUST BY IGNORING CLEAR AND PRESENT DANGER AT POPULAR MIAMI BEACH NIGHTCLUB ADORNED WITH FINE ART AND GIGANTIC GRAFFITI MURAL BY NEW YORK BORN HISPANIC ENTREPRENEUR MAVERICK ARTIST VICTOR-HUGO VACA II.
CBS NEWS MIAMI FILMED THE 7,000 SQUARE FOOT MODERN-ART-GONZO- JOURNALISM GRAFFITI MURAL TITLED, “FLOW”, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE MURAL CONTAINED SUBLIMINAL GRAFFITI IN SEVEN LANGUAGES AND POINTERS, FOR THE INQUISITIVE, PAINTED WITH FINE ART OIL BRUSHES, WITHIN THE LARGE WORDS, THAT TOLD A STORY OF CORRUPTION, FOR SAVVY SOCIALITES, INVESTIGATIVE JOURNALISTS AND THOSE ENTRUSTED WITH PUBLIC SAFETY TO DO THEIR JOB AND CATCH THE CLUES LEADING TO THE REALIZATION OF A CLEAR AND PRESENT DANGER POSSIBLY EXISTING ABOVE THE HEADS OF UNSUSPECTING INTERNATIONAL LUMINARIES AND CELEBRITIES, LIKE LADY GAGA AND RICKY MARTIN, DANCING THE NIGHT AWAY, IN THE VIP SECTION, OF ONE OF THE MOST INFAMOUS CLUBS ON SOUTH BEACH.
For reasons unknown, CBS News producers never aired the footage they obtained from inside of Shock Nightclub but Jenny Scordamaglia (Miami TV, VidBloggerNation), dared to air the following segment on the first season of her show, “Off Limits”, featuring the infamous censored and stolen paintings and 7,000 square foot fine-art-graffiti mural by Maverick Artist Victor-Hugo Vaca II, intended to raise awareness about economic terrorism and the epidemic of economic fraud impacting the global economy.
After a couple of weeks, Shock Nightclub abruptly shut down. When “The French Bernie Madoff”, Julien Manival’s, checks started bouncing, the Frenchman jetted back across the Atlantic, leaving behind over $100,000 in outstanding debts and an unsafe dance floor that could collapse under pressure on hundreds of unsuspecting people.
MONEY TRUMPS PUBLIC SAFETY: THE MIAMI HERALD FAILED TO REPORT UNSAFE STRUCTURE AT THE WORLD FAMOUS, SHOCK NIGHTCLUB, FEATURING DECOR BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Once money became an issue, mainstream media news outlets like, The Miami New Times, began reporting the economic fraud and money laundering taking place between Miami Beach and France. Yet, editors at The Miami Herald failed to publish the photos they had in their possession, of rotting, unsafe, elevated dance floors, in the heart of Miami Beach, where the privileged pay good money to play and party like rock stars, royalty and celebrities in venues like Shock Nightclub, with artistic decor by Florida International University Alumni, Victor-Hugo Vaca II.
THOUSANDS OF WINTER MUSIC CONFERENCE REVELERS FROM ALL OVER THE GLOBE WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT “SHOCK NIGHTCLUB” BECAUSE THE MIAMI HERALD FAILED TO REPORT ON THESE PHOTOS, IN POSSESSION OF MAYOR MATTIE BOWER, SHOWING CONSTRUCTION WORK DONE WITH NO LICENSE OR PERMIT TO SECURE A ROTTING CEILING AND DANCE FLOOR.
The Miami Herald showed their commitment to public trust by dismissing the report. The only article published by the Miami Herald regarding Shock Nightclub was an article, that appeared in the Spanish language newspaper, El Nuevo Herald, noting the exceptional artwork and graffiti created by the New York born Hispanic artist Victor-Hugo Vaca II and heralding Julien Manival, as a nightclub impresario, creating a safe haven for elite patrons and public figures from around the world, in the heart of Miami Beach, Florida.
JET-SETTERS AND WEALTHY GLOBE TROTTERS WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT THE WORLD FAMOUS SHOCK NIGHTCLUB, DECORATED IN GRAFFITI AND FINE ART BY MAVERICK ARTIST VICTOR-HUGO VACA II, BECAUSE THE MIAMI HERALD DISMISSED PUBLIC TRUST IN REPORTING CLEAR AND PRESENT DANGERS TO THE COMMUNITY.
MAVERICK ARTIST VICTOR-HUGO VACA II MASSIVE “FLOW” GRAFFITI MURAL TOWERS OVER PARTY PEOPLE FROM ALL OVER THE WORLD, COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT SHOCK NIGHTCLUB, BECAUSE THE MIAMI HERALD FAILED PUBLIC TRUST, IN FAVOR OF PUBLISHING AN ARTICLE PRAISING THE ARTWORK OF THE MODERN-ART-GONZO- JOURNALIST.
MAVERICK ARTIST VICTOR-HUGO VACA II 7,000 SQUARE FOOT GRAFFITI MURAL TITLED, “FLOW” AND FINE ART BY THE MODERN ART MUSIC MOVEMENT FOUNDER DECORATED THE WALLS OF THE WORLD FAMOUS MIAMI BEACH SHOCK NIGHTCLUB FREQUENTED BY AFFLUENT TRENDSETTERS AND GLOBETROTTING CLUBGOERS.
Fast forward again, this time to September 19, 2013 when the Pultizer Prize winning, Sun Sentinel published two stories about a high-speed chase on a winding, ocean-front, mansion-lined, two-lane road, through an exclusive residential neighborhood, without sidewalks, the day after an innocent victim was killed during another high-speed chase in the Miami Herald readership area and just days before Miriam Carey, was shot to death in D.C., with a 1-year-old girl in her car, after a high-speed car chase. The front-page articles contained quotes from the eyewitness account, of Victor-Hugo Vaca II, which were also given to Miami Herald reporters, who asked for bystander testimony.
‘THE BOOK OF LIFE PASSED ME BY AS I WALKED MY DOG’ BY VICTOR-HUGO VACA II
Neither newspaper mentioned the cavalry of black, grey and blue, unmarked SUV’s, that trembled earth, through the community, known as, “Millionaires Row”, like an endless rumbling freight train, at unsafe speeds, for over forty-five minutes, after the media reported, “two-minute” car chase, was over.
THE MIAMI HERALD REPORTS AN EARTH SHAKING, FORTY-FIVE MINUTE ONSLAUGHT OF HIGH-SPEED UNMARKED CARS RACING THROUGH “MILLIONAIRES ROW” ON A TIGHT, WINDING ROAD, AS A “TWO-MINUTE” CAR CHASE.
The Sun Sentinel Article read:
Victor-Hugo Vaca Jr. was walking his dog Romeo in front of his Hillsboro Beach home when the suspect’s vehicle and patrol cars whooshed past him like a barreling train, he said. Vaca feared for his life and first thought of Medina, he said.
“That’s the first thing that flashed in my mind. The second thing was my dog and my own safety,” he said. “I had enough time to grab his neck back with the leash before he walked into that chaos. It gave me just enough time to react.
“I felt the force of the chase coming towards me. They were coming at such a velocity and there was such a caravan of metal,” he said. “We were stuck in our tracks; we didn’t move.”
A bicyclist on the opposite side of the road jumped off his bike because he was so shaken and told Vaca how terrified he was, he said.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HIS DOG ROMEO.
Roaring past pedestrians on a narrow, winding road at high speeds, for over forty-five minutes, a motorcade of unmarked law enforcement vehicles in one of the wealthiest neighborhoods on earth, recklessly endangered the lives of pets and pedestrians in the name of the law, but that’s not how The Miami Herald reported the incident, witnessed by Hillsboro Beach, Florida resident, Victor-Hugo Vaca II.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM- OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
The Miami Herald made it seem like all the life threatening chaos along “Millionaires Row” ensued over a burglary suspect and never delved deeper into this curious story that begged the questions, “Why would over 60 unmarked cars race through a winding road at breakneck speeds for over forty-five minutes endangering civilians to catch a burglar? What exactly did the suspect steal in the mega-mansion neighborhood, to warrant such an extreme response, from undercover law enforcement and where did all the unmarked vehicles come from?”
WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT ALL-STAR DJ MAMM JAM EVENT FEATURING MAVERICK ARTIST VICTOR-HUGO VACA II.
The painting titled, “Public Trust: The Story of How Miami Herald Circulation Declined”, was created for the promotion of public welfare, live, on-stage, at the 2013 Winter Music Conference (WMC) Sunbreeze Dance Music Festival with All-Star Dj’s including Ron D *8*Lim (Power of Love), DJ Romain, DJ Yass, Nermin, Viktor Simonelli, Patrick Bo, N ‘Dinga Gaba and Neal Fox (Polydor, RCA and Columbia Records recording artist).
MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTING, “PUBLIC TRUST: THE STORY OF HOW MIAMI HERALD CIRCULATION DECLINED”, ON STAGE AT THE WINTER MUSIC CONFERENCE ALL-STAR DJ’S MAMM JAM IN MIAMI BEACH.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH THE POWER OF LOVE, RON D 8 LIM, PERFORM MODERN ART MUSIC MOVEMENT, AT THE WINTER MUSIC CONFERENCE ALL STAR DJ’S MAMM JAM.
The Power Of Love with Ron D 8 Lim has performed at The Winter Music Conference (WMC), FUSE, Detroit Electronic Music Festival, Art Basel Miami and fashion shows for BCBG and Elle.
MAVERICK ARTIST VICTOR-HUGO VACA II PERFORMS WITH RON D 8 LIM AT THE WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT MIAMI MUSIC WEEK MAMM JAM IN MIAMI BEACH FLORIDA.
The Maverick Artist Victor-Hugo Vaca II and Neal Fox (The Conspiracy Project, Deliberate Dumbing Down of America, Fuck The Fed, Thank You, Dan Rather) collaborated on the following video, which premiered at the Miami Music Week Winter Music Conference (WMC) All Star Dj’s MAMM Jam event.
IF USA IS RULED BY A CORRUPT JUSTICE SYSTEM THAT MANIFESTS A TWO TIER RULE OF LAW FAVORING OLIGARCHY AND CORPORATIONS, SHOULD PEOPLE TRUST GM?
This work of modern art gonzo journalism premiered publicly on September 1, 2010. The mixed media work of art created by modern art gonzo journalist, Victor-Hugo Vaca Jr., to adorn the walls of the legendary, French-jet-setter, South Beach, celebrity-filled address, that once housed, “Liquid Nightclub”, attended by notable elites such as Madonna and Bill and Hillary Clinton, in Miami Beach, Florida, “Shock Nightclub” predicated, by five years and sixteen days the $900 million dollar, price tag paid by General Motors (GM) in a sweet deal reached with federal authorities, to avoid criminal charges, on September 17, 2015.
As predicted by the work of art titled, “Trust GM“, the United States Justice system has officially set the price for murder in the United States of America on the head of every constituent regardless of race, creed or political affiliation. How has this reality manifested itself in the land of the free?
In God We Trust
So, the lesson taught by this generation for future generations to digest is: If you wish to murder at least 124 human beings and injure at least 275 more people, in the United States Of America, without going to jail, hire corporate lawyers and pay $900 million dollars in tax deductible fines to the United States Government. If you purchase a General Motors (GM) vehicle, a percentage of your money goes to paying legal fees for murder. Truth is stranger than fiction, no matter how you rationalize reality.
Zodiac Ted Cruz’s Favorite Alleged Serial Killer-Spinal-Surgeon, Dr. Charles Edwards
The rumored story of a well-respected, alleged-serial-killer-spinal-surgeon and Kiwi Airlines owner, operating out of the Baltimore, Maryland, Washington D.C. area, who allegedly, knowingly buys companies, to get away with murder, as CEO, like the notorious, ex-Massey Energy CEO, Don Blankenship. Known as “The Coal King”, Blankenship was awarded the short sentence of one year in jail, for his role in safety violations, described as, “monstrous” wrongdoing, by Prosecutors, related to a fatal explosion that killed twenty-nine miners.
The Palm Beach Post Friday Oct 29, 2010 Modern Art Music Movement Halloween Midnight Cult Movie Series Crackhead Jesus The Movie Clockwork Orange Pink Floyds The Wall Movie Reviews
Delray Beach Film Festival Modern Art Music Movement Poster.
The story of a serial-killer-spinal-surgeon, false prophets, lawyers and homegrown terrorists using political correctness as a weapon to infiltrate the U.S. Justice system to destroy Democracy and end lives, was inspired by Florida Case # 50-2006-CC-016579, dubbed “The Crackhead Jesus Trials” by mainstream media outlets. The lawsuit exposed the world to a dangerous lack of oversight in the Florida Justice system creating a global butterfly effect documented by the maverick New York born filmmaker and multimedia-artist in a diary of the world on canvas he calls, “Modern-Art-Gonzo-Journalism”.
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IF USA IS RULED BY A CORRUPT JUSTICE SYSTEM THAT MANIFESTS A TWO TIER RULE OF LAW FAVORING OLIGARCHY AND CORPORATIONS, SHOULD PEOPLE TRUST GM?
