CRACKHEAD JESUS HERALDS ANARCHY IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD FOR PRIVILEGED ELITE VS AVERAGE CITIZEN.
As a worldwide audience watches the violent results, of the U.S. justice system, collapsing under the weight of toxic government leadership, enabled by fake news media, that fails to hold anyone accountable for the blatant, Rule Of Law double standard, that has become, the new normal in America, James Comey, sets a dangerous precedent for everyone, by lying to Congress, undermining the Constitution and teaching all Americans, including Needy Latino’s and Super Predators, that the racist Democratic Party, in collusion with weak mainstream media news outlets, while under the toxic leadership of Barrack Hussein Obama, who preached hope as a false prophet, that denied his own Mother and his white heritage, in favor of undermining the Black community, for profit, alongside Loretta Lynch, Eric Holder and the Clinton Machine mafia, that 0.01% of people in America can get away with murder and everything else, while the other 99.99% of the United Slaves Of America, live under strict Rule Of Law.
MODERN-ART-GONZO-JOURNALISM PAINTING CREATED BY VICTOR-HUGO VACA II IN 2009 PROPHESIED A MODERN CIVIL WAR IN AMERICA FUELED BY RULE OF LAW DOUBLE STANDARD.
No justice, no peace.
When the head of the FBI, James Comey, became investigator, prosecutor, Judge and jury; minorities, who have been through the broken U.S. Justice system, took notice: ‘Needy Latino’s’ and ‘Super Predators’ knew instinctively, without propaganda, from mainstream media news outlets, that something was definitely wrong with the picture of Attorney General Loretta Lynch, in a private plane, on an Arizona airport tarmac, with Bill Clinton, days before an FBI investigation, into Hillary Clinton, was closed, without proper procedure, inquiry or prosecution referral.
The FBI, under the toxic leadership of James Comey and the justice system, under the toxic leadership of Loretta Lynch, destroyed public trust in U.S. Rule of Law, by undermining the Hillary Clinton investigation. A multicultural mob of constituents is awakening to the fact, that the U.S. justice system is rigged, in favor an elite hand-full of people, who rule the world, like Crackhead Jesus, with a, ‘do as I say, not as I do’, philosophy.
On March 3, 2009, Modern Art Music Movement (MAMM) Founder, Victor-Hugo Vaca II, sent the following “Letter To The Editor” to major international news outlets, including USA Today, in defense of the controversial, Winter Music Conference (WMC) Modern Art Music Movement, “Crackhead Jesus Cab” campaign, wherein a fleet of over fifty taxi cab’s drove through Florida during the Christmas season carrying an ominous message for residents and sun drenched tourists from around the world:
“Survival is based on common values and beliefs, not color. I learned that first-hand, at the U.S. Naval Academy and Prep School, in the 80’s and 90’s, when the military purged all maverick Alpha males out of service and left toxic leadership in command.” – Victor-Hugo Vaca II
U.S. Midshipman Officer Victor Hugo Vaca II
Dear Editor,
What do the hens do when the fox is guarding the hen house? Wake up, media! Crackhead Jesus is coming.
For years, news outlets have ignored warnings of the cataclysmic butterfly effect created by the dangerously low standard of competency and ethics for lawyers – those who grow up to be senators like Roland Burris or judges like Donald W. Hafele.
The controversial iNovel, Redemption: Episode One – The Story of the Crackhead Jesus Trials, was created to avoid threats of censorship from lawyers who did not want me to disclose the fact that I, unwittingly, discovered that lack of competency and ethics for lawmakers would lead to an economic disaster of global proportions.
Ladies and gentleman, now we are here. Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers.
Follow the trail of Judge Donald W. Hafele – from his appointment by Jeb Bush to the little known, three-member Fairness of Elections Committee in 2000, the year Democracy died, to the Jerod Miller case in which Judge Hafele publicly stated that it went against the fiber of his being to remove himself from a murder trial where the accused murderer was being defended by the Judge’s campaign treasurer in 2000.
After several documented warnings to Governor Charlie Crist’s office about the Judge’s corrupt fiber of being, Crist elevated Judge Hafele to a Circuit Court, where he now threatens the environment by creating a calculated delay in the Everglades’ case.
Why should anyone care about this? Because of the butterfly effect.
Elected representatives are ignoring the fact that no oversight exists over some of the 50 states’ Bar associations and that has lead to the breakdown of democracy – and is now set to breakdown the global environment for generations to come.
Elected representatives are ignoring the fact that a legal mafia exists in the United States, and it will not make things better.
With my birth name of Victor-Hugo Vaca Jr., my Web sites have gone viral on the Internet. Those who Google Victor Hugo, Modern Art, Judge Hafele, Conde and Cohen will be lead to the truth about what is really going on in this country.
Students from all over the world have begun to cite me in their school projects because I share the name of the great French revolutionary, Victor Hugo. The youth of our nation have given me a powerful voice, thanks to their ability to think outside of the box.
Clear Channel has agreed to post billboards and banners exclaiming, “Crackhead Jesus is coming (‘http://www.crackheadjesus.com‘)” during the Winter Music Conference in Miami Beach. I am not spending my money to create chaos or blaspheme any religious figure but rather to let the world know that the new Victor-Hugo has done his part in history as a patriot to defend and uphold democracy by thinking outside of the box and not with mere rhetoric.
Flow,
Victor-Hugo Vaca Jr.
The Maverick Artist
ACCORDING TO COX COMMUNICATIONS, THE “CRACKHEAD JESUS CABS” WERE SO EYE CATCHING, EXECUTIVES CLAIM IT WAS ONE OF THE MOST SUCCESSFUL AND EFFECTIVE AD CAMPAIGNS, IN MARKETING HISTORY.
Mainstream media censored, “Crackhead Jesus”, which has since become part of the vernacular, representing a breakdown in the system, but with the advent of cell phone camera’s, tourists from around the world were able to disseminate images of the curious cabs globally, thus circumventing news media censorship and getting the message across that, civil unrest was coming to the United States, due to a breakdown in the U.S. justice system that favors elites over the 99% of law abiding citizens in America.
CRACKHEAD JESUS CAB AT HILTON HOTEL IN SOUTH BEACH, MIAMI, FLORIDA.
When President Barrack Hussein Obama laundered cash to pay ransom for hostages to the number one supporter of terrorism, Iran, it sent a signal to the world that the United States was prepared to negotiate with evil.
CRACKHEAD JESUS CAB BEING PHOTOGRAPHED BY TOURISTS IN MIAMI BEACH, FLORIDA.
When FBI Director James Comey condoned acts of treason by Hillary Clinton, it signaled to the world that the United States government and justice system, is corrupt from the top down.
CRACKHEAD JESUS CAB LETS TOURIST OUT IN FRONT OF MAC STORE IN MIAMI BEACH, FLORIDA.
When the United States Attorney General, Loretta Lynch failed to prosecute Secretary Of State, Hillary Clinton for acts of treason, it signaled to the American public that there is a clear Rule Of Law double standard for the elite 1% in America.
CRACKHEAD JESUS CAB, IN FRONT OF THE GAP, NEXT TO PORSCHE, ON COLLINS AVENUE, IN MIAMI BEACH, FLORIDA.
“Before you trust lies that spring up as news, trust your instinct and fact check, using the critical thinking skills God gave you.” – Maverick Artist Victor-Hugo Vaca II
Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.
In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”
MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.
The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.
DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.
The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.
THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.
Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.
THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.
The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.
THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.
Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.
THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.
“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”
“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden
MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.
“Wells Fargo Usury” was created on September 1, 2013 by the Maverick Artist Victor-Hugo Vaca II. Wall Street banks made billions on securitized subprime mortgages. When the bubble burst 99% of the world population was negatively impacted by the ripple effects. The main culprits have escaped punishment, not one top executive-level banker has been personally punished or lost their job. Tax deductible fines are levied against banks for criminal acts, not prosecutions. The lesson learned is, crime pays for the 1%.
VOODOO ECONOMICS
While lame stream media distracts people by feeding them bread and circus, disguised as news and information, banks labeled, “too-big-to-fail”, are stealing money from customers with impunity, because they can.
Banks steal billions of dollars but only pay millions in fines that are usually tax deductible. So the lesson learned is: crime pays, if you are a corporate entity protected by a corrupt, “pay for play”, government.
BANKS ARE ABOVE THE LAW: TOO-BIG-TO FAIL MEANS TOO-BIG-TO-JAIL AND THAT TRANSLATES INTO FISCAL ANARCHY THAT ENABLES ECONOMIC TERRORISM.
Wells Fargo, the largest mortgage lender in the United States, admitted to deceiving the U.S. government into insuring thousands of risky mortgages and agreed to pay $1.2 billion to put to rest claims that it engaged in reckless lending under a Federal Housing Administration program that left a taxpayer subsidized, government insurance fund to clean up the mess.
Wells Fargo engaged in a reckless trifecta of poor training, deficient loan underwriting and poor disclosure in the government-backed loan program.
ECONOMIC TERRORISM DEFINED IN MODERN-ART-GONZO-JOURNALISM.
Wells Fargo was fined $3.6 million because the bank acted illegally by charging on-time payers with late fees, failed to inform borrowers of steps they could take to minimize fees and left credit report errors uncorrected, which resulted in some misled student loan borrowers paying unnecessary fees.
“Wells Fargo hit borrowers with illegal fees and deprived others of critical information needed to effectively manage their student loan accounts. Consumers should be able to rely on their servicer to process and credit payments correctly and to provide accurate and timely information.”- Richard Cordray, Director Of Consumer Financial Protection Bureau.
CONTEMPORARY ART MEME
The Consumer Financial Protection Bureau assessed nearly $36 million in penalties against Wells Fargo for the banks’ role in a “mortgage kickback” scheme. The financial regulator charged Wells Fargo bank employees with entering into an illegal arrangement with a now-defunct Maryland mortgage title company, under which the title company gave cash, marketing materials and consumer information in exchange for bank business. The CFPB determined in its investigation that more than 100 Wells Fargo loan officers in Maryland and Virginia entered into the illegal arrangement,
“These banks allowed their loan officers to focus on their own illegal financial gain rather than on treating consumers fairly.” – Richard Cordray, Consumer Financial Protection Bureau Director.
CONTEMPORARY ART MEME
Wells Fargo was fined $81.6 million for failing to provide bankrupt homeowners with legally required notices of mortgage payment increases which denied homeowners the opportunity to challenge the accuracy of mortgage payment increases. By failing to properly notify homeowners, Wells Fargo violated federal bankruptcy rules that took effect in December 2011 that imposed more detailed disclosure requirements to ensure proper accounting of fees and charges on homeowners in bankruptcy.
CONTEMPORARY ART MEME
Wells Fargo, agreed to pay $85 million to settle charges that it falsified loan documents of its borrowers and pushed borrowers into higher interest subprime mortgages even though they qualified for a mortgage with lower interest rates. Over 10,000 borrowers were steered into more expensive subprime mortgages with higher interest rates or had their loan paperwork falsified by Wells Fargo personnel. Wells Fargo personnel were driven to the fraudulent activity in order to meet their company goals required for consideration to receive bonuses.
CONTEMPORARY ART MEME
Wells Fargo agreed to pay a $70 million penalty to settle legal claims over improper activity including the robo-signing of foreclosure documents, faulty payment-change notices filed in bankruptcy courts and faulty escrow calculations. Wells Fargo employees acted as robo-signers to speed up the foreclosure process with falsified or inadequate underlying documentation.
CONTEMPORARY ART MEME
“One would assume the most valuable tool for an artist is in his hands, in reality, however, it is the mind of the artist which serves to create.”- Maverick Artist Victor-Hugo Vaca II
LILY HATCHETT INVITED THE MAVERICK ARTIST VICTOR-HUGO VACA II TO MANIFEST MODERN ART MUSIC MOVEMENT HAPPENINGS, CAPTURED ON FILM, THAT CREATED WORKS OF FINE ART GRAFFITI, ON CANVAS.
Lily Hatchett invited former United States Naval Academy (USNA) Midshipmen Officers, Barnaby Ruhe and Maverick Artist Victor-Hugo Vaca II to create works of art at the legendary, live-action multimedia art event featuring performance art, live bands, dance, fashion, video presentations, and DJ’s for a spectacular, marathon party and Modern Art Music Movement™ Happening, in Fort Myers, Florida, inside the historic, Sidney and Berne Davis Art Center, lasting two days and nights.
MAVERICK ARTIST VICTOR-HUGO VACA II POSES FOR PORTRAIT BY BARNABY RUHE.
USNA Midshipmen Officers are taught to persevere in the face of extreme obstacles and severe impediments; important skills in the war of business, art creation and marketing strategies.
MIDSHIPMAN OFFICER VICTOR-HUGO VACA II LEADING THE 26TH PLATOON AT THE UNITED STATES NAVAL ACADEMY IN ANNAPOLIS, MARYLAND.
The Modern Art Music Movement™ Happening evolved organically, within the Hatchett Production, manifesting the largest work of art ever created by the Maverick Artist Victor-Hugo Vaca II on canvas, a triptych titled, “Ronald Reagan and His Monkey”. The colossal work of art has appeared in music videos and television show backdrops but has not been displayed in public since the event, due, in part, to its considerable size and the necessity of a spacious venue for proper exhibition.
MODERN ART MUSIC MOVEMENT: DAVID HATCHETT, MAVERICK ARTIST VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT IN FRONT OF MASSIVE, “RONALD REAGAN AND HIS MONKEY”, TRIPTYCH.
Barnaby Ruhe received his doctorate in shamanism and art practice, an interdisciplinary effort combining psychology, anthropology, art history, phenomenology and art studio action.
UNITED STATES NAVAL ACADEMY ALUMNI, BARNABY RUHE, PAINTS MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GLOBAL WARMING ART REPORT PARTY.
World Famous Leadership Laboratory Produces Presidents, CEO’s, Artists And Modern-Art-Gonzo-Journalists.
The U.S. Naval Academy was established in 1845. The mission of the USNA is “To develop Midshipmen morally, mentally and physically.” The campus, known as “The Yard,” is a National Historic Landmark, 33 miles from Washington, D.C. and 30 miles from Baltimore. USNA students must have a congressional or presidential nomination to apply.
The U.S. Naval Academy provides a demanding four-year program leading to a Bachelor of Science degree and a commission as an Ensign in the United States Navy, or as a Second Lieutenant in the United States Marine Corps.
It is not exaggeration to describe USNA Midshipman Officers, graduates and veterans as loyal, trustworthy and hardworking furthermore, they are not only great leaders but great followers as well, because Midshipman are taught, to both lead and follow, by example.
UNITED STATES NAVAL ACADEMY MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
“The academies naturally foster the ability to get along with your fellow man, primarily because you live so close together. You have to be able to relate to senior officers, to peers, and people under you. It’s imperative. This is directly transferable to business.” – James Kinnear, Naval Academy Alumni and CEO of Texaco.
BEFORE ENTERING THE U.S. NAVAL ACADEMY, MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) COMPLETED RIGOROUS LEADERSHIP AND SURVIVAL TRAINING, AT THE NEWPORT NAVAL BASE, IN RHODE ISLAND, WHERE HE WAS PART OF THE TRIUMPHANT, NAVAL ACADEMY PREP SCHOOL SWIM TEAM.
Barnaby Ruhe graduated from the U.S. Naval Academy in 1968. He was senior editor of Art/World newspaper in the 1980s and ’90s and wrote the first New York City reviews of work by Francesco Clemente and the Starn Twins, as well as essays on Francisco de Goya, Henri Matisse, Andy Warhol and Joseph Beuys.
USNA ALUMNI, BARNABY RUHE, SERVES ON THE BOARD OF, “ARTISTS TALK ON ART”, AND IS A SIX-TIME, WORLD BOOMERANG CHAMPION.
Barnaby Ruhe, is a romantic artist, who incorporates; sentiment, gesture and psychic journeying into his paintings. He runs shaman healing workshops at the Burning Man festival, each summer, inside the Shamandome Camp.
“MAVERICK ARTIST VICTOR-HUGO VACA II PORTRAIT” BY BARNABY RUHE.
Barnaby Ruhe is best known for his marathon, portrait-painting sessions, like the one in January of 2009, wherein he painted fellow United States Naval Academy trained Artist, Victor-Hugo Vaca II, in Fort Myers, Florida, at Lily Hatchett’s extraordinary two-day, “Global Warming Art Report Party”.
BARNABY RUHE PORTRAIT PAINTING MARATHON WITH “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II, IN BACKGROUND OF PORTRAITS.
“Ronald Reagan And His Monkey” by Maverick Artist Victor-Hugo Vaca II, combined spirit and mood while reflecting all the dance, drama, satire and media that transpired over forty-eight hours of non-stop, magic moments, at “The Global Warming Art Report Party”, encapsulating the zeitgeist into a massive, triptych painting, measuring over twelve feet tall and fifteen feet long, in one explosive marathon moment on canvas.
DETAIL FROM, “RONALD REAGAN AND HIS MONKEY”, FINE ART GRAFFITI TRIPTYCH, BY VICTOR-HUGO VACA II.
In 1975 Barnaby Ruhe earned an M.F.A. from Maryland Institute College of Art and in 1989 he procured a Ph.D. from New York University. He is a professor at New York University’s (NYU) Gallatin School Of Individualized Study.
NAVAL ACADEMY ALUMNI, ARTIST, PROFESSOR AND SHAMAN, BARNABY RUHE IN MIDST OF PORTRAIT PAINTING MARATHON.
The U.S. Naval Academy is one of the nation’s best business schools, producing highly skilled individuals prepared for the battles that comprise the war of business.
Since World War II, America’s military academies have produced 1,531 corporate CEOs, 2,012 corporate presidents, over 5,000 vice presidents and thousands of small-company entrepreneurs.
The U.S. Naval Academy training includes life-long lessons in honor, teamwork, and discipline that cannot be duplicated at civilian universities or MBA programs.
AS PART OF THE USNA PREP SCHOOL TENNIS TEAM, THE MAVERICK ARTIST VICTOR-HUGO VACA II, (BOTTOM LEFT) LEARNED THE IMPORTANCE OF HONOR, ETHICS AND INTEGRITY IN CHARACTER BUILDING.
Lily Hatchett, producer of “The Global Warming Art Report Party”, also graduated from the Maryland Institute College of Art, like Barnaby Ruhe, and she was the official cross-country, documentarian for the Warped Tour, Hothouse Flowers, Fishbone and Ringo Starr & The All Star Band.
ARTISTS DAVID HATCHETT, VICTOR-HUGO VACA II, LADY JANE, CONNIE BOTTINELLI AND LILY HATCHETT.
Lily Hatchett published, Indie Film and Art Reporter, NYC , from 2009-2016, focusing on obscure art and film.
Lily Hatchett’s, “Global Warming Art Report” party, was also the first time the iconic, sociopolitical, “Crackhead Jesus is coming” sticker, was seen in public, after its controversial, headline-grabbing debut, at Art Basel Miami Week, during the 2007 Holiday season.
AS SEEN IN THE MIAMI HERALD NEWSPAPER COLLECTOR’S EDITION, ART BASEL MIAMI MAGAZINE: FEATURING THE CLASSIC, MAVERICK ARTIST VICTOR-HUGO VACA II, CRACKHEAD JESUS EXHIBIT, PROMO.
Though the sociopolitical sticker, catalogued in the Library of Congress reference book by DB Burkeman, “Stickers: From Punk Rock To Contemporary Art”, caused quite a stir because it was prominently displayed atop the canvas of fine art graffiti, created throughout the 48 hour party, Hatchett Productions did not censor the provocative artistic expression, in spite of some protest.
THE ART OF CREATION: CONTROVERSIAL “CRACKHEAD JESUS IS COMING” STICKER CAN BE SEEN ON TOP LEFT OF WORK IN PROGRESS, “RONALD REAGAN AND HIS MONKEY”, BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“The truth is artists are only millionaires on paper. They have to sell their work, and according to the IRS, their work has value whether it’s sold or not. I have small sketches, prints and paintings; they can all be valued at something.”- Barnaby Ruhe
THE FOUNDATION FOR “RONALD REAGAN AND HIS MONKEY” STARTED WITH SPRAY PAINTED GRAFFITI, BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT MANIFESTED INTO COLORFUL CHARACTERS AND VISTAS IN AN ALTERNATE UNIVERSE.
In a U.S. News & World Report 2011 survey of high school guidance counselors, regarding national universities and national liberal arts colleges providing the best undergraduate education in America, the U.S. Naval Academy ranked #1.
In 2012, U.S. News & World Report ranked the U.S Naval Academy as the #1 Public Liberal Arts College in the nation, for the second year in a row.
In the 2012 U.S. News & World Report college rankings, the U.S. Naval Academy tied for 4th Best Undergraduate Engineering among non-doctorate-granting institutions.
“I WAS OFFERED THE OPPORTUNITY TO EXPRESS MYSELF, AS AN ARTIST, ON A MASSIVE BLANK CANVAS, IN FRONT OF A LIVE AUDIENCE FULL OF LEGENDARY ARTISTS, AT A TRIPPY, TWO-DAY, NON-STOP PARTY, TO RAISE AWARENESS ABOUT GLOBAL WARMING; SO, OF COURSE, I SEIZED THE DAY AND FLOWED INTO THE UNIQUE MOMENT, WITHOUT HESITATION.” – MAVERICK ARTIST VICTOR-HUGO VACA II
In 2016, the United States Naval Academy was ranked #2 in Public Colleges, #9 in Liberal Arts Universities, #17 best undergraduate institution and #24 Top College by Forbes magazine.
“THE ART OF CREATION BEGINS WITH A BLANK CANVAS AND AN OPEN MIND.” – VICTOR- HUGO VACA II
The U.S. Naval Academy teaches Midshipman Officers how to be effective leaders by exercising how to take command, execute orders, and making sure that those orders are carried out swiftly.
BEFORE ENTERING THE U.S. NAVAL ACADEMY IN 1989, THE MAVERICK ARTIST VICTOR-HUGO VACA II, HAD TO PROVE HE WAS RELIABLE, TRUSTWORTHY AND HONEST ENOUGH TO GRADUATE FROM THE USNA PREP SCHOOL IN NEWPORT, RHODE ISLAND.
“You were never outside the environment in which leadership mattered. We marched to class and we marched to every single meal, constantly in the presence of someone exhibiting leadership.”- Robert Herres, U.S. Naval Academy Alumni and retired CEO of USAA, a $60 billion insurance company.
DETAIL FROM “RONALD REAGAN AND HIS MONKEY” FEATURING THE ICONIC “CRACKHEAD JESUS IS COMING STICKER” (TOP LEFT) BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“If you look at the majority of successful people in business, the common feature of most of them is that they get things done, they deliver, they execute. That’s built into the DNA of what you’re taught at the military academies.”- Pete Dawkins, West Point Alumni, Heisman Trophy winner and vice chairman of Citigroup Private Banking.
BEHIND THE SCENES: “RONALD REAGAN AND HIS MONKEY”, WAS FEATURED IN THE ROCOPERA MUSIC VIDEO FOR, “SHAKE THE CITY”, PRODUCED AND DIRECTED BY, MAVERICK ARTIST VICTOR-HUGO VACA II.
“The academies are designed to produce leaders, and I think good leaders are successful irrespective of the medium they’re working in. You can have a terrific idea, a great plan, and bad leadership, and you’ll fail. You can have a bad plan and really good leadership, and still figure out how to make it successful. Leadership is the single most important ingredient in all institutions. If you have bad leaders, the rest doesn’t matter.” – James Kimsey, West Point Alumni and co-founder of America Online.
IN 1989, MIDSHIPMAN OFFICER VICTOR-HUGO VACA II WAS ADMITTED INTO THE UNITED STATES NAVAL ACADEMY CLASS OF 1993.
“Once you absorb that, your whole mindset changes. In battle, if you’re leading a company up a hill, and that night you have to write letters to all the mothers whose sons got killed that day, for whatever reasons, you realize there is no excuse. If you’re a CEO whose company is laying off thousands of workers because you failed to understand how the market changed, you also realize there is no excuse for those people now out of a job.”- James Kimsey, looking back on how Plebes at West Point and the U.S. Naval Academy are taught to respond, “No excuse, Sir!”, when their personal shortcomings and failure are exposed.
THE SCALE OF VENUE AND ARTWORK CREATED BY VICTOR-HUGO VACA II CAN BE SEEN IN THIS AERIAL VIEW.
“The Academy training gives you an attitude, and it’s the attitude that makes the difference. When I deal with Academy people in the business world, and I am asking for something to be done, I know it’s going to get done. I don’t hear a lot of, ‘Here are my excuses,’ but rather, ‘I am going to get it done, regardless.’ And that’s leadership.”- Ron Jones, Naval Academy Alumni, senior vice president at Veridian, a computer and engineering company.
WORK IN PROGRESS FINE ART GRAFFITI BY MAVERICK ARTIST VICTOR-HUGO VACA II.
“We learned at the Academy that the Honor Code had no geographical boundaries or limits. It applied at all times, whether we were in or out of uniform…. At first it was rather intimidating. One slip-up could mean expulsion.” – Gil Dorland, from his book, “Duty, Honor, Company”.
MAVERICK ARTIST VICTOR-HUGO VACA II OUTSIDE OF THE SYDNEY AND BERNE DAVIS ART CENTER IN FORT MYERS, FLORIDA.
The United States Naval Academy, implants into the fiber of being of all Midshipman Officers, key success factors and qualities in areas of the private sector, such as: honor, ethics, and integrity.
“If you don’t have honor, integrity, and ethics, it will be found out and people won’t deal with you. Whatever you do in the business environment, your word is most important. You’d better do what you say you’re going to do. Once you lose your credibility, your value diminishes dramatically, both through the eyes of the people that work for you and the people you deal with. It’s sort of a sine qua non of being successful.” – Jim Kimsey, America Online co-founder.
“The fact is, honor, ethics, and integrity are key success factors in many areas of the private sector.” – Eric Grubman, Naval Academy Alumni and a partner at Goldman Sachs.
USNA MIDSHIPMAN OFFICERS VICTOR-HUGO VACA II AND JEFF EGAN.
Elite business schools like Wharton and Harvard hold military academy graduates in high regard. In the Harvard Business School class of 2001, 37 students had bachelor’s degrees from Harvard, in second place for undergraduate training, were the service academies, with 24 alumnus.
“At Wharton, leadership was a class that we took. At the Academy, leadership was a way of life.” – Ron Jones, who attended the Naval Academy and Wharton, contrasting the education he received at each institution.
CLASS OF 1993, PLATOON 26, ROOMMATES AND USNA MIDSHIPMAN OFFICERS, LIVING AND LEARNING TO MAKE QUICK DECISIONS, IN BANCROFT HALL, THE LARGEST SINGLE DORMITORY IN THE WORLD (MAVERICK ARTIST VICTOR-HUGO VACA II, HOLDING UP PEACE SIGN) .
The U.S. Naval Academy excels at teaching Midshipmen Officers the art of communicating swiftly and clearly with the rank and file, a skill necessary for successful CEO’s.
“Every day, you interact with your classmates and with your professors. You have got to communicate from day one as a plebe when you’re being hazed. You’ve got to communicate with your peers to survive.” – Joe Gudenburr, West Point Alumni and vice president of manufacturer, BuckBee-Mears.
THE MAVERICK ARTIST VICTOR-HUGO VACA II (FAR RIGHT) GRADUATED FROM THE NAVAL ACADEMY PREPARATORY SCHOOL; THE NAVY’S FOURTH OLDEST SCHOOL, BEHIND THE NAVAL ACADEMY, NAVAL WAR COLLEGE AND THE NAVAL POST GRADUATE SCHOOL.
Business leadership and stress go hand in hand; attending a U.S. military academy, like the USNA, provides practical stress management training.
“The academies are the finest institutions in the world at teaching honor, ethics, integrity, and loyalty. What you learn at a place like West Point will remain with you throughout your business career.” – Alexander Haig, President Reagan’s first Secretary of State, on U.S. Military Academies like the United States Naval Academy and Air Force Academy.
THE MISSION OF THE NAVAL ACADEMY PREP SCHOOL IS, “TO ENHANCE MIDSHIPMAN CANDIDATES’ MORAL, MENTAL, AND PHYSICAL FOUNDATIONS TO PREPARE THEM FOR SUCCESS AT THE UNITED STATES NAVAL ACADEMY” – MAVERICK ARTIST VICTOR-HUGO VACA II
Platoon leaders don’t have time to consult with headquarters during life and death combat situations, therefore Midshipman Officers are trained to make crucial quick decisions on their own, which translates into a valuable skill, in the war of business.
“Communication is very poor on the battlefield; so commanders have to react to the situation rapidly on their own with relatively limited information. There’s no time for the chain-of-command to issue orders. This is very characteristic of business. Businesses that do this well end up with higher performance.” – Jerry York, former CFO of Chrysler and IBM, vice-chairman of Tracinda, an investment company, and West Point Alumni.
MUSE CONTEMPLATES WORK OF ART BY MAVERICK ARTIST VICTOR-HUGO VACA II TITLED, “STEPPING INTO THE NIGHT”, AT THE SIDNEY & BERNE DAVIS ART CENTER.
“Too often art is about the hawking of wares, rather than about the quality of life and the human experience. Art has always existed. Humankind obviously has a need for intangibles. Even something seemingly as simple as entertainment is deeply rooted in humans, we have been entertaining each other right from the first storytellers who described occurrences and faraway places.” – Lily Hatchett
“Having survived two Plebe years, at NAPS and the United States Naval Academy, nothing fazes me; I see no limitations, only challenges.” – Maverick Artist Victor- Hugo Vaca II
USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II
“What are the things that you can’t see that are important? I would say, justice, truth, humility, service,compassion, love. You can’t see any of those, but they’re the guiding lights of a life.” – Jimmy Carter, United States President and U.S. Naval Academy Alumni Class of 1946.
“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.
“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.
Marathon All-Star MAMM Jam Creates “Muse 4 Haiti” To Benefit Earthquake Victims Through The Figaro Angel Network.
On January 12, 2010 Haiti was struck by an earthquake that measured 7.0 magnitude.”Muse 4 Haiti” (38×53) was created on January 8, 2011 at the NBC Omni Auditorium at the Haiti Memorial Concert.
THE MAVERICK ARTIST VICTOR-HUGO VACA II JOINED AN ALL-STAR LINE UP OF INTERNATIONAL TALENT TO RAISE MONEY FOR EARTHQUAKE SURVIVORS.
Over 220,000 people were killed and over 300,000 people were injured on January 12, 2010 in Haiti .
MAVERICK ARTIST VICTOR-HUGO VACA II, ON STAGE, PERFORMING A SIX-HOUR MARATHON, MODERN ART MUSIC MOVEMENT, AT THE ALL-STAR MAMM JAM HAPPENING, WITH AN INTERNATIONAL LINE UP, OF TALENTED MUSICIANS, AT THE NBC OMNI AUDITORIUM, TO BENEFIT HAITI EARTHQUAKE VICTIMS.
The Haiti earthquake left more than 1.5 million homeless survivors.
MAVERICK ARTIST VICTOR- HUGO VACA II PERFORMED WITH 14 ARTISTS TO CREATE THE PAINTING TITLED, “MUSE 4 HAITI”.
Five years later, tens of thousands of people in Port-au-Prince still live in tents and other temporary housing.
MAVERICK ARTIST VICTOR-HUGO VACA II CHANNELS THE MUSE INTO LIFE ON STAGE.
$13.5 billion in humanitarian aid from donations and pledges was raised from nations and private charity after the catastrophic 2010 Haiti Earthquake.
IN BETWEEN SETS, THE “MUSE 4 HAITI” BEGINS TO TAKE FORM ON STAGE.
The hypocrisy of philanthropy, political correctness and weak journalism fueled by greed, is such that, according to the Washington-based Center for Economic Policy and Research, less than a penny of every dollar goes directly to Haitian organizations. Thus, meaning that billions in relief and recovery aid, haven’t been enough to rescue Haiti from chronic corruption, which has enabled a tangible failure to manifest improvements that, in a better world, would have been brought to fruition, with all the available resources and goodwill.
MAVERICK ARTIST VICTOR-HUGO VACA II PLEADS WITH AUDIENCE FOR DONATIONS TO AID IN RECOVERY.
As a consequence of the earthquake, over the past four years, cholera has struck more than 720,000 Haitians and killed almost 9,000 people in Haiti.
“MUSE 4 HAITI” BY MAVERICK ARTIST VICTOR-HUGO VACA II
The Modern Art Music Movement™ (MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally investigated on mainstream-media news outlets and to promote new talent and compassionate wealth, through art and education across the multi-universe.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH TITO PUENTE JR. BACKSTAGE.
The Modern Art Music Movement™ (MAMM) fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order.
KING WAWA, SEAN HILL, TITO PUENTE JR. AND MAVERICK ARTIST VICTOR-HUGO VACA II BACKSTAGE AT THE HAITI MEMORIAL CONCERT.
The Modern Art Music Movement™ (MAMM) affords artists the opportunity to capture history, on canvas; manifested in Rorschach interpretations, created as mixed-media-performance-art, that fuses live music with art and movies in performances at multi-media events called MAMM Jams.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH MUSES BACKSTAGE AT HAITI MEMORIAL CONCERT.
The following SFL news report, appeared on the CW Network; it features the Maverick Artist Victor-Hugo Vaca II performing a Modern Art Music Movement™ MAMM Jam Happening with Tito Puente Jr., Belo, Donta Wilson, King Wawa, Jahnesta, Mecca aka Grimo, Violeta Leskyte, Katalog, Misty Jean, Sunlove, Tonton Bicha, Alaye aka Zoerock, Harold St. Louis, Shirley Desgrottes, Robert Martino & The Lander Sisters at the Haiti Memorial Concert in South Florida.
“Live-Love-Flow-Shine.” – Maverick Artist Victor-Hugo Vaca II
MAVERICK ARTIST VICTOR-HUGO VACA II IN THE LABYRINTH OF CREATIVITY.
And now, for something completely different; sort of.
The fusion of art, music, film, fashion and literature fostering peace, love and compassionate wealth, worldwide.
Modern Art Music Movement
MAMM Mission Statement
Through the active participation in:
The Victor-Hugo Collection LLC, including fine art originals, limited edition reproductions, lithographs of artwork created by Victor-Hugo Vaca II at MAMM jams and novelty items such as t-shirts, hats, clothing, postcards, etc.
MAMM Film Production Company producing movies, documentaries and series inspired by MAMM books, art and future content for other filmmakers that share the MAMM vision.
MAMM Music Production Company producing original soundtracks for film and book series by musicians that share the MAMM vision.
MAMM publishing division, “Redemption: The Story of the Crackhead Jesus Trials.” Series, “The Greatest Love Story Ever Told or How I Took A Chance and Gambled on Love.” including future writings.
MAMM teaching guides and curriculum implementing MAMM programs in schools around the world.
Modern Art Music Movement
History/Background
The Modern Art Music Movement™ (MAMM) is the umbrella company for The Victor-Hugo Collection LLC that includes fine art originals, limited edition reproductions and lithographs of artwork created by Victor-Hugo Vaca II. The Victor-Hugo Collection visual arts catalog exceeds 1,000 original contemporary fine art paintings, sketches, drawings, modern-art-gonzo-journalism and Modern Art Music Movement™ Rock n’ Roll memorabilia. The Maverick Artist Victor-Hugo Vaca II, MAMM and The Victor-Hugo Collection has been showcased internationally on every major broadcast television network including ABC, NBC, CBS, FOX, Univision, Telemundo and in cover stories, editorials, and featured articles from China to Iceland and the United States, in major magazines and newspapers including: NY Arts Magazine, China Arts Magazine, Art Fairs International, Vigore Chicago Arts Magazine, The Miami Herald, The New York Times, New York Newsday, The Baltimore Sun, The Washington Post, Sun Post, The Sun Sentinel, The Marco Island Sun Times, Naples News, Miami New Times, Gulf Breeze News, The Annapolis Capital, Tampa Bay Times, The Observer, El Nuevo Herald, Centro Tampa, The Happy Herald, Phoenix Arizona Republic Newspaper, St. Maarten Today Newspaper and de Volkskrant Holland Amsterdam Press to name a few.
Modern Art Music Movement
What is MAMM? The Modern Art Music Movement™ most commonly known as MAMM is an international coalition of artists, musicians, filmmakers, and professionals using art, music, movies and live mixed-media events to raise awareness about social issues not normally covered in mainstream media. The Victor-Hugo MAMM Jam Collection includes fine art manifested at Modern Art Music Movement™ MAMM Jam Happenings created alongside legends in the music industry and signed by Rock n’ Roll icons such as John Rzeznik of the Goo-Goo Dolls and John Waite of Bad English and The Babys.
The Modern Art Music Movement™ affords artists an opportunity to capture history on canvas as Rorschach interpretations of mixed-media happenings that fuse live music with performance art and movies at multi-media events called “MAMM Jams”.
Modern Art Music Movement
What are MAMM Jams? Modern Art Music Movement™ Happenings, known as “MAMM Jams”, are organized events, wherein the Maverick Artist Victor-Hugo performs live on stage as part of the band or alongside a DJ, interpreting musical wavelengths and frequencies in color, on canvas, to the rhythms and beats of music industry icons and legends who, collectively, have sold over half a billion albums and singles around the world. The first official documented Modern Art Music Movement™ “MAMM Jam Happening” occurred December 5, 2006 during Art Basel Miami Week at the grand opening of Area 51 nightclub in downtown Miami, Florida where the Maverick Artist Victor-Hugo Vaca II created a fifteen-foot-tall, twenty-five-foot long mural titled, “Don’t Believe the Truth”, in front of a live audience, alongside world famous Dj’s throughout a grueling twenty-four-hour painting marathon.
Modern Art Music Movement
How does MAMM work for communities? MAMM fuses art and music to inspire creativity, compassionate wealth, cooperation, clear communication and conflict resolution while spreading a message of peace, love and hope to the masses. MAMM envisions synthesizing art, music, film, fashion and literature as a way to foster compassionate wealth worldwide. Sponsored MAMM Jams amalgamate live mixed media performance art with all genres of music including but not limited to: Rock-n-Roll, Pop, Opera, Latin, Country, Folk, Rap, Hip-Hop, Heavy Metal, and Electronic Dance Music (EDM) in promoting cultural exchange, while dynamically cultivating constructive creativity and building global goodwill. MAMM utilizes art, fashion, film, literature and education to promulgate positive messages through a platform where art serves as a neutral focal point.
The MAMM Film Production Company produces movies/television series and internet content inspired by MAMM books while the Music Production Company produces original soundtracks for film and book series. The education sector of MAMM produces teaching materials, guides and curriculum exemplifying ways to implement MAMM programs in schools and educational systems around the world.
MODERN ART MUSIC MOVEMENT (MAMM)- THE FUSION OF ART & MUSIC.
The Modern Art Music Movement™ (MAMM) is an International Coalition of Artists, Musicians, Filmmakers, and Professionals using art, music, movies and live mixed-media events, to raise awareness about social issues not normally covered in mainstream media and to introduce new talent and promote compassionate wealth, through art and education, using cutting-edge technology.
MODERN ART MUSIC MOVEMENT (MAMM) – THE FUSION OF ART & MUSIC
The Modern Art Music Movement fuses art and music to inspire creativity, cooperation, compassionate wealth, clear communication, conflict resolution and peace-making-innovation in the New World Order. Spread the word. Live-Love-Flow-Shine.
MODERN ART MUSIC MOVEMENT – THE FUSION OF ART AND MUSIC
MODERN ART MUSIC MOVEMENT (MAMM) – THE FUSION OF ART AND MUSIC.
“Just because you listen to music, watch movies and have style does not make you ignorant of the fact that the Emperor, dancing naked in front of you, is not wearing any clothes; no matter how hard anyone tries to convince you otherwise, with stale bread and circus: Open your mind to the truth that lies within the art and soul of music.” – Victor-Hugo Vaca II
MODERN ART MUSIC MOVEMENT (MAMM)- THE FUSION OF ART AND MUSIC
On the set of “Crackhead Jesus – The Music Video” Performed by The Baker Act with Maverick Artist Victor-Hugo Vaca II as seen at The Modern Art Music Movement™ Halloween Midnight Cult Movie MAMM Jam as promoted in this rare, classic, vintage, cult-movie commercial featuring the song, “Crackhead Jesus” from the award-winning, audience-favorite, cult-film about the origins of modern-art-gonzo-journalism produced by the Modern Art Music Movement™.
Tracking a serial-killer is like trying to put together a moving jigsaw puzzle. Serial killers leave crumbs of evidence in plain sight because they can’t fight the urge to want to get caught. For most people, the hard part is seeing the crumbs for the clues they are but intuitive artists, detectives and investigative journalists often see past the truth. After all, what good are all those brilliant crimes if no one takes the credit?
In a world where the Washington Post, NPR, NBC and other news outlets have focused on long term character traits and behavior patterns for morning show hosts, and Hollywood producers, should people worry about an elite spinal-surgeon, described in news publications as a slum-lord who according to government officials, almost ran an airline into the ground and female subordinates claim is a sexual predator serial-killer?
https://www.youtube.com/watch?v=dujFVJqTjZc
“Capicua 3:1:3 – The Long Arm Of The Law (The Story Of Alleged Serial-Killer-Spinal-Surgeon, Charles C. Edwards MD)” By Victor-Hugo Vaca II.
FOR IMMEDIATE RELEASE: Is Baltimore/D.C. Area Surgeon Charles Edwards MD, Ted Cruz’s favorite alleged serial killer?
https://www.youtube.com/watch?v=GgIP4cnm7dc
MODERN-ART-GONZO-JOURNALISM : TO CATCH A SERIAL KILLER – Ted Cruz Ponders Favorite Serial Killer On Jimmy Kimmel Live After 55 Year-Old Italian Nurse Arrested As Tuscan Hospital Serial Killer: Awkward moment captured on film makes voters wonder if Charles C. Edwards MD, is the Canadian born Republican U.S. presidential candidate’s favorite alleged serial killer.
https://www.youtube.com/watch?v=T63oEG5-wSM
In this telling interview, United States Presidential candidate, Rafael Edward “Ted” Cruz, who was born in Calgary, Alberta, Canada on December 22, 1970 and remained a Canadian citizen until he officially renounced it on May 14, 2014, eighteen months after taking the oath of office as a U.S. Senator, stumbles into an awkward moment on Jimmy Kimmel Live, that raises several questions about the alleged serial-killer-spinal surgeon, Dr. Charles Edwards, operating out of the Baltimore/Washington, D.C. area and Senator Ted Cruz, whom some allege to be the Zodiac Killer.
Infamous Ted Cruz Favorite Serial Killer Moment On Jimmy Kimmel Live Highlights Apathy Manifesting Global Hunting Grounds For Alleged Serial Killers And Terrorists Who Live In General Public Disguised As Figures Of Public Trust : The Grim Sleeper, Serial-Killer-Spinal-Surgeon, ISIS And Ted Cruz Open Serial Killer vs.Terrorist Debate in 2016 United States Presidential Election.
For 30 years, from 1985 to 2007, Lonnie Franklin Jr., a 63-year-old former police mechanic from Los Angeles, California, allegedly killed over 180 victims; though, some crime analysts estimate the final body count attributed to him, may be over one thousand murdered. After a victim survived his attack in 1988, Franklin Jr. took a break from creating ghosts, until 2002, when the urge to murder became too strong. Because of this break in his killing spree, Lonnie Franklin Jr. is nicknamed, “The Grim Sleeper”. Franklin, according to prosecutors, was invisible, and able to blend in perfectly amid the chaos of a city which was blighted by crack cocaine.
In the award-winning film, “Crackhead Jesus: The Movie”, art imitates life. Inspired by curious allegations of Washington D.C. area stalked by a serial-killer-spinal-surgeon that surfaced from individuals close to Baltimore area investor, airline owner and doctor, Charles Edwards MD. According to an F.A.A. insider, Charles Edwards MD, allegedly purchased Kiwi Airlines to run down maintenance on airplanes as acting CEO, in order to get away with murder, since Airline CEO’s don’t get arrested for murder after fatal plane crash disasters. A Federal Aviation Administration report found Kiwi Airlines planes to be unsafe to fly and the company was shut down by the FAA because Kiwi Airlines planes were found to be in “unairworthy condition”.
The Story of Alleged Serial Killer Spinal Surgeon Dr. Charles Edwards
Growing allegations that Charles C. Edwards MD, described by People magazine as, “a uniquely inventive orthopedic surgeon who has added radical new techniques to skeletal reconstruction”, could feel empowered to act, in the Age of Harvey Weinstein, to kill unsuspecting tenants, patients and customers, on a grand scale, by using lawyers to manipulate a broken two-tier justice system, that affords corporations like GM, CEO’s like, Don Blankenship and allegedly well connected serial-killer-spinal-surgeons working for Sisters of Mercy to hide behind publicly perceived protection and receive immunity from punishment under corporate shields, inspired the New York born Hispanic artist, Victor-Hugo Vaca II to create a Modern-Art-Graphic-Novel titled, “Redemption: The Story Of The Crackhead Jesus Trials”.
Redemption
The work of modern-art-gonzo-journalism explores circumstances behind the allegations that a world renowned spinal surgeon could be an alleged serial-killer flying under the radar for decades emboldened by weak investigative journalism, corporate greed, corrupt government and a broken justice system in the United States of America during a year of election.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The work of art titled “Capicua 3:1:3 – The Long Arm Of The Law The Story Of Alleged Serial Killer Spinal Surgeon, Charles Edwards MD” inspired the award-winning independent short-film produced by the Modern Art Music Movement titled, “Crackhead Jesus: The Movie”, directed by Victor-Hugo Vaca Jr, at the 2009 Delray Beach, Florida Film Festival during a seventy-two hour film competition.
Crackhead Jesus: The Movie Review
Alleged serial-killers like Lonnie Franklin Jr. and Charles C. Edwards MD are alleged to have tallied a high victim count. Republican, Ted Cruz, let it be known to Jimmy Kimmel in front of a startled live audience, that in fact, the Canadian-Born-Christian-Conservative, not only has a unique favorite breakfast cereal, he has a favorite serial-killer too.
Is Charles Edwards MD Ted Cruz’s favorite alleged serial killer?
The following quotes from newspaper articles fueled rumors that Charles C. Edwards MD had allegedly set his sights on being the most prolific serial killer in history by using money, influence, profession and a shield of corporate lawyers to protect his murderous ways:
MIAMI HERALD ARTICLE Grand View Palace North Bay Village, Florida
The Baltimore surgeon who owns the Cherry Hill Apartments filed a lawsuit yesterday against the township, seeking to stop Mayor Susan Bass Levin from completing the condemnation of his property.
“The suit, filed by owner Charles Edwards in Camden County Superior Court, seeks to block township officials from declaring the 41-year-old apartment complex on Route 38 a redevelopment zone”
“The apartments were deemed “unfit for human habitation” in early August. Its 61 residents were evacuated and placed in other apartments in town.”
THE GRAND VIEW PALACE & CHERRY HILL APARTMENTS – SAME, SAME BUT DIFFERENT.
“The Cherry Hill Apartments are in desperate need of rehabilitation,” Levin said, adding that the Township Council is set to vote Monday on repossessing the property. “I suggest he stop hiring lawyers and do something to make the buildings safe again.”
“township officials had told Edwards several times about their concerns over the buildings’ condition – which led township, county and state agencies to cite Edwards for violations ranging from faulty lighting to dead animals on the premises.”
Charles C. Edwards, the surgeon, acquired the buildings in 1995 but could not come up with the capital to rehabilitate them, and the township threatened condemnation. A 1998 township report called conditions “deplorable,” and the last 40 tenants were evacuated. Viking acquired the buildings in 2002.
Each building has 217 apartments. Together they constitute the third-largest high-rise housing complex in the township.
Susan Bass Levine, the mayor of Cherry Hill, said the structures fell into disrepair before their current owner, Charles C. Edwards MD, of Maryland, bought them about four years ago; Edwards has not been able to turn the property around.
“It’s currently a building in crisis that could be a shining star,” she said.
The township will give the current owner, a surgeon who Morgan said did the residential development of Pier Three in Philadelphia, a few more weeks. After that, if he does not sell it or take action to do the improvements, the township will take steps to have the high-rises condemned and taken over.
HIGH RISE HELL – THE GRANDVIEW PALACE
A day after Kiwi International Airlines thought it had won a reprieve from a Government-imposed death sentence, the Federal Aviation Administration yesterday grounded the struggling carrier, saying that it was unsafe to fly.
KIWI Airlines – Unsafe To Fly
It was the first time the Government had shut down a scheduled carrier since Valujet was grounded in 1996 after one of its DC-9’s crashed in the Everglades, killing 110 people.
The F.A.A.’s order cited a series of maintenance and safety violations that it said resulted in Kiwi flying airplanes that were ”in an unairworthy condition.” In one case, Kiwi flew one of its four jets for two days in late February without fixing an oil leak in one of its two engines, the agency said.
When reliable sources contacted modern-art-gonzo-journalist Victor-Hugo Vaca Jr. with verifiable facts and information regarding an alleged serial-killer spinal-surgeon living and working in the Baltimore, Maryland/Washington D.C. area, the multimedia artist rewrote the script for, “Crackhead Jesus: The Movie”, to include the serial-killer-spinal-surgeon theme as a subplot in the controversial film that would go on to become a cult classic in the age of OJ Simpson.
Crackhead Jesus: The Movie Film Slate
Public trust in police and newspapers has reached such a low point in human history, that victims and witnesses have turned to modern-art-gonzo-journalists to “paint the news” being ignored by financially strapped mainstream media news outlets and police forces, in the hopes that someone, will do something positive with the clues and information presented in works of art inspired by actual events.
Recently, Victor-Hugo Vaca Jr. was contacted by Sean Welsh, an editor at the Baltimore Sun, regarding modern-art-gonzo-journalism. Supposedly, Welsh passed information along to staff writer Christine Jedra, an investigative journalist, who contacted Victor-Hugo by phone for an at length interview from Las Vegas, Nevada. When all was said and done, Christine Jedra, who claimed to work for “The Capital Newspaper” in Annapolis, Maryland, admitted that she was new at the job of reporting news and that she had no idea what to do with the information she had been provided.
So, if you come across a spinal-surgeon from Baltimore, named Charles C. Edwards MD, be forewarned, he is an alleged serial-killer and if you have faith in what you hear on the news, realize that public trust does not top the list of priorities for cash strapped news outlets, trying to survive in the age of OJ Simpson.
Charles C Edwards MD- Alleged Serial-Killer-Spinal-Surgeon
The following archived articles from The New York Times, The Philadelphia Inquirer, The North Jersey Media Group, The Record, and The Asbury Park Press referencing Charles C. Edwards MD, Director of The Maryland Spine Center at Mercy Medical Center in Baltimore, Maryland, make sharp investigate journalists, FBI investigators and serial-killer-spotters go, “Hmmmm.”
New York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDNew York Times Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDThe Record Maryland Spine Center Mercy Medical Center Baltimore Charles C Edwards MDPhiladelphia Inquirer Charles C. Edwards MD, Maryland Spine Center Mercy Medical Center Baltimore, MarylandThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MDThe Philadelphia Inquirer Maryland Spine Center Mercy Medical Center Baltimore Charles C. Edwards MD
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM DUE TO STAFF AND BUDGET CUTS.
The newspaper, in its 300-year-long history, was the primary source for news and events. American society depended on newspapers to let them know what was happening and how to prepare for things to come. Since the advent of the Internet, a number of major metropolitan dailies have been shuttered or drastically pruned. This massive decline in Newspaper circulation has led to a Rebirth of Journalism. The way news is transmitted, shared and read have all been transformed.
OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
Maverick Artist Victor-Hugo Vaca II In Front Of Skeletal Remains Of The Miami Herald Building Before It Is Imploded, Bulldozed & Scrapped, Due To Declining Public Trust In Reporting, Declining Sales & Circulation.
What Victor-Hugo Vaca II has manifested, for public consumption, is modern-art-gonzo- journalism. By fusing the style of Salvador Dali’s cryptic artwork, containing hidden messages and clues, with Hunter S. Thompson’s gonzo journalism, he has created a diary of the world on canvas, to tell the untold story of an, alleged, serial-killer spinal-surgeon using money, lawyers and influence to perpetuate his, alleged scheme, of becoming the most prolific serial-killer in history and to warn masses of a small group of home-grown terrorists, disguised as lawyers, judges and lobbyists, who have infiltrated the U.S. Justice system, Congress, Senate and The White House, to undermine the Constitution, in order to actualize the death of democracy and herald a New World Order.
THE INFAMOUS MIAMI HERALD VICTOR- HUGO VACA II U.S. NAVAL ACADEMY ARTICLE THAT EXPOSED WEAK INVESTIGATIVE JOURNALISM OVERLOOKING THE DANGERS OF ENABLING TOXIC LEADERSHIP AND ITS FUTURE IMPACT ON SOCIETY.
On May 24, 1990, The Miami Herald published a story by staff writer, Mike Wilson, titled, “DIARY OF A YEAR IN HELL: The Navy called it ‘plebe year’. Midshipman Fourth-Class Victor Vaca called it harassment.” Besides getting his name wrong in the headline, his birth certificate reads, “Victor-Hugo Vaca Jr.”, The Miami Herald whitewashed the front-page world news story by understating the dangerous impact of breeding toxic leadership at the world famous United States Naval Academy, by training young officers to torture suspects and sexually assault female officers in an elite, powerful, clandestine community. It is no wonder that, recent news headlines indicate, U.S. military leadership problems persist, at the U.S. Naval Academy and other tactical training institutions.
THE SUNDAY CAPITAL ANNAPOLIS, MARYLAND FRONT PAGE ARTICLE SUNDAY MAY 27, 1990 FEATURING QUOTES FROM USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II.
SEE SOMETHING; SAY SOMETHING: Victor-Hugo Vaca II felt it was his patriotic duty, to expose the horrors he witnessed, as a United States Naval Academy Midshipman. He saw leadership training, that eventually led to Abu Ghraib torture and prisoner abuse, as acceptable practice by U.S. military command and he knew that what he had witnessed, was not proper instruction for future commanders of the free world.
VICTOR -HUGO VACA II QUOTED IN THE SUN FRONT PAGE USNA ARTICLE “I TRIED TO STICK UP FOR MY RIGHTS, AND THATS’S WHAT GOT ME INTO TROUBLE.”
Maverick Artist Victor-Hugo Vaca II was a whistleblower, trying to warn mankind, of the dangerous butterfly-effect, abuse of power would have on the future that now exists, in the age of Donald Trump versus Hillary Clinton, where lies are acceptable as truth and honor has all but disappeared, but The Miami Herald chose to present the story as a personal account of hazing instead of focusing on the big picture.
SUNDAY MAY 27, 1990 VOL. 90 NO. 21 THE BALTIMORE SUN FRONT PAGE ARTICLE FEATURING USNA MIDSHIPMAN OFFICER VICTOR-HUGO VACA II. (REPRINTED FROM MIKE WILSON AP NEWS WIRE MIAMI HERALD KNIGHT RIDDER ARTICLE.)
When Victor-Hugo Vaca II gave The Miami Herald his diary, he trusted editors would see the big picture and focus on the potential global impact of his unique experience; instead, they chose to spotlight minor incidents, like upperclassmen teasing his name. Teasing is a lot different than torture and shortsighted journalists failing to differentiate between the two in foreseeing the long term impacts on society is one example of why public trust has plummeted in news outlets.
USNA Midshipman Officer Victor-Hugo Vaca Jr.
Fast-forward to November 30, 2005, when The Miami Herald published a story by staff writer, Elinor J. Brecher, titled, “ARTIST SAYS CONDO WORKERS DESTROYED HIS ART PROJECT: An artist complained to police that his Hurricane Wilma-related art installation was damaged by somebody making repairs after Hurricane Wilma.” Besides getting Victor-Hugo Vaca II’s name wrong, again, the article failed to mention the fact that the 2005 Miami Art Basel week exhibit, was created to bring worldwide attention to allegations, that Baltimore spinal-surgeon, Dr. Charles Edwards, was more than just a slumlord, he was also, an alleged serial-killer.
THE MIAMI HERALD FULL PAGE ARTICLE FEATURING VICTOR- HUGO VACA JR. -JOURNALISTS AGAIN LOSE PUBLIC TRUST BY COMPLETELY IGNORING ALLEGED SERIAL-KILLER BUILDING OWNER ASPECT OF THE NEWS STORY IN FAVOR OF FLUFF, BECAUSE THE SUSPECT WAS A MAJOR ADVERTISER WITH THE NEWSPAPER.
When Victor-Hugo Vaca II confronted Elinor J. Brecher about this, she said Dr. Edwards legal team had sent a letter to The Miami Herald editors reminding them that he was a long time advertiser with the newspaper and that her series of investigative reports about the notorious Doctor and his trouble plagued North Bay Village monolith, The Grand View Palace, were creating potential harm to there longstanding business relationship.
“I thought newspapers were about reporting news?” Victor-Hugo Vaca II said.
“Wake up!” Elinor J Brecher answered. “Newspapers are a business.”
Crackhead Jesus Is Coming On Miami Herald
She went on to tell Victor-Hugo Vaca II how Miami Herald staff had been worried about losing their jobs based on rumors of a Knight-Ridder buyout by McClatchy and that the newspaper industry, would be decimated by the Internet. In March of 2006, McClatchy assumed about $2 billion in Knight Ridder’s debt when they purchased The Miami Herald and Brecher’s prediction about mobile technology and the Internet transforming newspapers came to fruition.
MAVERICK ARTIST VICTOR-HUGO VACA II, NY BORN FINE ARTIST, CREATES 7,000 SQUARE FOOT GRAFFITI MURAL INSIDE THE HAUNTED HALLS OF THE INFAMOUS MIAMI BEACH ADDRESS OF LEGENDARY HOT SPOTS, LIQUID AND SHOCK NIGHTCLUB, TO RAISE AWARENESS ABOUT THE EPIDEMIC OF ECONOMIC FRAUD AND ECONOMIC TERRORISM DESTROYING AMERICAN ECONOMY ENABLED BY WEAK INVESTIGATIVE JOURNALISM.
Fast forward, to February 17, 2011, when a Miami New Times article by Michael E. Miller, titled “SHOCK NIGHTCLUB OWNER SKIPS TOWN WITHOUT PAYING HIS BILLS” revealed that Julien Manival nicknamed, “The French Bernie Madoff”, had bragged to El Nuevo Herald, The Miami Herald’s Spanish language sister- publication, that he wanted his patrons’ heads to spin for days from all the special effects in his new nightclub, located at the former address of the legendary Liquid Nightclub.
MAVERICK ARTIST VICTOR-HUGO VACA II INSIDE THE 7,000 SQUARE FOOT MODERN- ART-GONZO-JOURNALISM GRAFFITI MURAL, WRITTEN IN SEVEN LANGUAGES INCLUDING: ARAMAIC, FRENCH, GERMAN, CHINESE AND SPANISH, HE MANIFESTED THROUGHOUT THE HAUNTED HALLS OF THE INFAMOUS LIQUID, SHOCK NIGHTCLUB, WASHINGTON AVENUE, MIAMI BEACH, FLORIDA, ADDRESS.
Having been hired as the official artist of Shock Nightclub by Manival himself, to create, “a world-record sized fine-art-graffiti mural” at the infamous 1437-39 Washington Avenue address on South Beach, Victor-Hugo Vaca II witnessed, first hand, the corruption and dangers to public safety that existed before two separate FBI corruption investigations led to eight individuals charged and arrested in a corruption probe including Miami Beach Code Compliance Officers, Miami Beach Firefighters and a Miami Dade Police Officer.
MIAMI BEACH MAYOR, MATTI BOWER, AND MIAMI HERALD EDITORS KNEW THAT THOUSANDS OF INTERNATIONAL PARTYGOERS WERE IN CLEAR AND PRESENT DANGER OF CEILING COLLAPSE AT 1437-39 WASHINGTON AVENUE, SHOCK NIGHTCLUB, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, BUT NEITHER DID ANYTHING TO GAIN PUBLIC TRUST BY WARNING TRAVELERS AND CONSTITUENTS.
Mayor Matti Bower and Miami Herald Editors had photographic evidence of clear and present danger, including shocking images of a rotting second story dance floor being concealed, without permits, to withstand the weight of hundreds of trusting revelers. Every editor at the Miami Herald was alerted to the dangerous situation being perpetrated by the epidemic of economic fraud and corruption endangering the lives of unsuspecting visitors to Miami Beach and its constituents.
MIAMI HERALD AND MAYOR MATTI BOWER FORFEIT PUBLIC TRUST BY IGNORING CLEAR AND PRESENT DANGER AT POPULAR MIAMI BEACH NIGHTCLUB ADORNED WITH FINE ART AND GIGANTIC GRAFFITI MURAL BY NEW YORK BORN HISPANIC ENTREPRENEUR MAVERICK ARTIST VICTOR-HUGO VACA II.
CBS NEWS MIAMI FILMED THE 7,000 SQUARE FOOT MODERN-ART-GONZO- JOURNALISM GRAFFITI MURAL TITLED, “FLOW”, BY MAVERICK ARTIST VICTOR-HUGO VACA II. THE MURAL CONTAINED SUBLIMINAL GRAFFITI IN SEVEN LANGUAGES AND POINTERS, FOR THE INQUISITIVE, PAINTED WITH FINE ART OIL BRUSHES, WITHIN THE LARGE WORDS, THAT TOLD A STORY OF CORRUPTION, FOR SAVVY SOCIALITES, INVESTIGATIVE JOURNALISTS AND THOSE ENTRUSTED WITH PUBLIC SAFETY TO DO THEIR JOB AND CATCH THE CLUES LEADING TO THE REALIZATION OF A CLEAR AND PRESENT DANGER POSSIBLY EXISTING ABOVE THE HEADS OF UNSUSPECTING INTERNATIONAL LUMINARIES AND CELEBRITIES, LIKE LADY GAGA AND RICKY MARTIN, DANCING THE NIGHT AWAY, IN THE VIP SECTION, OF ONE OF THE MOST INFAMOUS CLUBS ON SOUTH BEACH.
For reasons unknown, CBS News producers never aired the footage they obtained from inside of Shock Nightclub but Jenny Scordamaglia (Miami TV, VidBloggerNation), dared to air the following segment on the first season of her show, “Off Limits”, featuring the infamous censored and stolen paintings and 7,000 square foot fine-art-graffiti mural by Maverick Artist Victor-Hugo Vaca II, intended to raise awareness about economic terrorism and the epidemic of economic fraud impacting the global economy.
After a couple of weeks, Shock Nightclub abruptly shut down. When “The French Bernie Madoff”, Julien Manival’s, checks started bouncing, the Frenchman jetted back across the Atlantic, leaving behind over $100,000 in outstanding debts and an unsafe dance floor that could collapse under pressure on hundreds of unsuspecting people.
MONEY TRUMPS PUBLIC SAFETY: THE MIAMI HERALD FAILED TO REPORT UNSAFE STRUCTURE AT THE WORLD FAMOUS, SHOCK NIGHTCLUB, FEATURING DECOR BY MAVERICK ARTIST VICTOR-HUGO VACA II.
Once money became an issue, mainstream media news outlets like, The Miami New Times, began reporting the economic fraud and money laundering taking place between Miami Beach and France. Yet, editors at The Miami Herald failed to publish the photos they had in their possession, of rotting, unsafe, elevated dance floors, in the heart of Miami Beach, where the privileged pay good money to play and party like rock stars, royalty and celebrities in venues like Shock Nightclub, with artistic decor by Florida International University Alumni, Victor-Hugo Vaca II.
THOUSANDS OF WINTER MUSIC CONFERENCE REVELERS FROM ALL OVER THE GLOBE WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT “SHOCK NIGHTCLUB” BECAUSE THE MIAMI HERALD FAILED TO REPORT ON THESE PHOTOS, IN POSSESSION OF MAYOR MATTIE BOWER, SHOWING CONSTRUCTION WORK DONE WITH NO LICENSE OR PERMIT TO SECURE A ROTTING CEILING AND DANCE FLOOR.
The Miami Herald showed their commitment to public trust by dismissing the report. The only article published by the Miami Herald regarding Shock Nightclub was an article, that appeared in the Spanish language newspaper, El Nuevo Herald, noting the exceptional artwork and graffiti created by the New York born Hispanic artist Victor-Hugo Vaca II and heralding Julien Manival, as a nightclub impresario, creating a safe haven for elite patrons and public figures from around the world, in the heart of Miami Beach, Florida.
JET-SETTERS AND WEALTHY GLOBE TROTTERS WERE COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT THE WORLD FAMOUS SHOCK NIGHTCLUB, DECORATED IN GRAFFITI AND FINE ART BY MAVERICK ARTIST VICTOR-HUGO VACA II, BECAUSE THE MIAMI HERALD DISMISSED PUBLIC TRUST IN REPORTING CLEAR AND PRESENT DANGERS TO THE COMMUNITY.
MAVERICK ARTIST VICTOR-HUGO VACA II MASSIVE “FLOW” GRAFFITI MURAL TOWERS OVER PARTY PEOPLE FROM ALL OVER THE WORLD, COMPLETELY UNAWARE OF THE POTENTIAL CEILING COLLAPSE AT SHOCK NIGHTCLUB, BECAUSE THE MIAMI HERALD FAILED PUBLIC TRUST, IN FAVOR OF PUBLISHING AN ARTICLE PRAISING THE ARTWORK OF THE MODERN-ART-GONZO- JOURNALIST.
MAVERICK ARTIST VICTOR-HUGO VACA II 7,000 SQUARE FOOT GRAFFITI MURAL TITLED, “FLOW” AND FINE ART BY THE MODERN ART MUSIC MOVEMENT FOUNDER DECORATED THE WALLS OF THE WORLD FAMOUS MIAMI BEACH SHOCK NIGHTCLUB FREQUENTED BY AFFLUENT TRENDSETTERS AND GLOBETROTTING CLUBGOERS.
Fast forward again, this time to September 19, 2013 when the Pultizer Prize winning, Sun Sentinel published two stories about a high-speed chase on a winding, ocean-front, mansion-lined, two-lane road, through an exclusive residential neighborhood, without sidewalks, the day after an innocent victim was killed during another high-speed chase in the Miami Herald readership area and just days before Miriam Carey, was shot to death in D.C., with a 1-year-old girl in her car, after a high-speed car chase. The front-page articles contained quotes from the eyewitness account, of Victor-Hugo Vaca II, which were also given to Miami Herald reporters, who asked for bystander testimony.
‘THE BOOK OF LIFE PASSED ME BY AS I WALKED MY DOG’ BY VICTOR-HUGO VACA II
Neither newspaper mentioned the cavalry of black, grey and blue, unmarked SUV’s, that trembled earth, through the community, known as, “Millionaires Row”, like an endless rumbling freight train, at unsafe speeds, for over forty-five minutes, after the media reported, “two-minute” car chase, was over.
THE MIAMI HERALD REPORTS AN EARTH SHAKING, FORTY-FIVE MINUTE ONSLAUGHT OF HIGH-SPEED UNMARKED CARS RACING THROUGH “MILLIONAIRES ROW” ON A TIGHT, WINDING ROAD, AS A “TWO-MINUTE” CAR CHASE.
The Sun Sentinel Article read:
Victor-Hugo Vaca Jr. was walking his dog Romeo in front of his Hillsboro Beach home when the suspect’s vehicle and patrol cars whooshed past him like a barreling train, he said. Vaca feared for his life and first thought of Medina, he said.
“That’s the first thing that flashed in my mind. The second thing was my dog and my own safety,” he said. “I had enough time to grab his neck back with the leash before he walked into that chaos. It gave me just enough time to react.
“I felt the force of the chase coming towards me. They were coming at such a velocity and there was such a caravan of metal,” he said. “We were stuck in our tracks; we didn’t move.”
A bicyclist on the opposite side of the road jumped off his bike because he was so shaken and told Vaca how terrified he was, he said.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH HIS DOG ROMEO.
Roaring past pedestrians on a narrow, winding road at high speeds, for over forty-five minutes, a motorcade of unmarked law enforcement vehicles in one of the wealthiest neighborhoods on earth, recklessly endangered the lives of pets and pedestrians in the name of the law, but that’s not how The Miami Herald reported the incident, witnessed by Hillsboro Beach, Florida resident, Victor-Hugo Vaca II.
THE ICONIC MIAMI HERALD BUILDING IN RUINS AFTER DECLINING PUBLIC TRUST IN WEAK INVESTIGATIVE JOURNALISM- OUT WITH THE OLD IN WITH THE NEW: MAVERICK ARTIST VICTOR-HUGO VACA II INTRODUCES THE WORLD TO MODERN-ART-GONZO-JOURNALISM WITH HIS DIARY OF THE WORLD ON CANVAS.
The Miami Herald made it seem like all the life threatening chaos along “Millionaires Row” ensued over a burglary suspect and never delved deeper into this curious story that begged the questions, “Why would over 60 unmarked cars race through a winding road at breakneck speeds for over forty-five minutes endangering civilians to catch a burglar? What exactly did the suspect steal in the mega-mansion neighborhood, to warrant such an extreme response, from undercover law enforcement and where did all the unmarked vehicles come from?”
WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT ALL-STAR DJ MAMM JAM EVENT FEATURING MAVERICK ARTIST VICTOR-HUGO VACA II.
The painting titled, “Public Trust: The Story of How Miami Herald Circulation Declined”, was created for the promotion of public welfare, live, on-stage, at the 2013 Winter Music Conference (WMC) Sunbreeze Dance Music Festival with All-Star Dj’s including Ron D *8*Lim (Power of Love), DJ Romain, DJ Yass, Nermin, Viktor Simonelli, Patrick Bo, N ‘Dinga Gaba and Neal Fox (Polydor, RCA and Columbia Records recording artist).
MAVERICK ARTIST VICTOR-HUGO VACA II MANIFESTING, “PUBLIC TRUST: THE STORY OF HOW MIAMI HERALD CIRCULATION DECLINED”, ON STAGE AT THE WINTER MUSIC CONFERENCE ALL-STAR DJ’S MAMM JAM IN MIAMI BEACH.
MAVERICK ARTIST VICTOR-HUGO VACA II WITH THE POWER OF LOVE, RON D 8 LIM, PERFORM MODERN ART MUSIC MOVEMENT, AT THE WINTER MUSIC CONFERENCE ALL STAR DJ’S MAMM JAM.
The Power Of Love with Ron D 8 Lim has performed at The Winter Music Conference (WMC), FUSE, Detroit Electronic Music Festival, Art Basel Miami and fashion shows for BCBG and Elle.
MAVERICK ARTIST VICTOR-HUGO VACA II PERFORMS WITH RON D 8 LIM AT THE WINTER MUSIC CONFERENCE MODERN ART MUSIC MOVEMENT MIAMI MUSIC WEEK MAMM JAM IN MIAMI BEACH FLORIDA.
The Maverick Artist Victor-Hugo Vaca II and Neal Fox (The Conspiracy Project, Deliberate Dumbing Down of America, Fuck The Fed, Thank You, Dan Rather) collaborated on the following video, which premiered at the Miami Music Week Winter Music Conference (WMC) All Star Dj’s MAMM Jam event.
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The Modern Art Music Movement (MAMM) 
