Tag: The Age Of Donald Trump

MODERN CIVIL WAR PROPHESY ERUPTS IN USA AS SEEN IN NEW TIMES 2007 ART BASEL ARTICLE

Modern-Art-Gonzo-Journalism Forecast Civil Unrest In America, Fueled By A Breakdown In Public Trust Of Justice System, Government Leadership And Biased News Media, As Seen In New Times 2007 Art Basel, “Crackhead Jesus Is Coming Exhibit”, Article.

In 2007, the Miami New Times, Art Basel issue, featured an article titled, “What Is He Smoking? Victor-Hugo Vaca (II) presents an interesting art event.”

MIAMI NEW TIMES, 2007 ART BASEL ARTICLE, HIGHLIGHTS THE LEGENDARY “CRACKHEAD JESUS IS COMING” MODERN-ART-GONZO-JOURNALISM EXHIBIT, CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, THAT WARNED THE WORLD, OF AN IMPENDING MODERN CIVIL WAR IN AMERICA, FUELED BY PUBLIC DISTRUST IN NEWS MEDIA AND U.S. GOVERNMENT LEADERSHIP.

The controversial Art Basel Miami week exhibit, manifested by the Maverick Artist Victor-Hugo Vaca II, as a warning to the world, was witnessed by over ten-thousand global citizens.

DUE TO POPULAR DEMAND AND SOLD OUT CROWDS, THE “CRACKHEAD JESUS IS COMING EXHIBIT” WAS HELD OVER FOR FIVE WEEKS DURING THE 2007 CHRISTMAS SEASON.

The Maverick Artist Victor-Hugo Vaca II, modern-art-gonzo-journalism exhibit, was the largest and most attended, solo artist show, during the 2007 Miami Art Basel week.

THE INTERACTIVE “CRACKHEAD JESUS IS COMING”EXHIBIT PROPHESIED THE NET EFFECT OF NEWS MEDIA DUMBING DOWN MINORITIES TO INCITE A MODERN CIVIL WAR FOR PROFIT AND RATINGS.

Millennials and minorities with critical thinking skills trust modern-art-gonzo-journalism to predict the future being created by bias mainstream media outlets that censor news and which, in a recent Gallup Poll, have reached an all time low of public trust.

THE ART BASEL MIAMI WEEK EXHIBIT FOREWARNED THAT A BROKEN AND CORRUPT U.S. JUSTICE SYSTEM WOULD HAVE A BUTTERFLY EFFECT LEADING TO A MODERN CIVIL WAR IN AMERICA.

The elaborate multi-media event created by Maverick Artist Victor-Hugo Vaca II to warn people that, no justice equals no peace, was widely ignored by the mainstream media, offended by the censored “Crackhead Jesus Exhibit” title, but embraced by thousands of people who distrust biased mainstream media and corrupt government.

THE “CRACKHEAD JESUS EXHIBIT” PROGNOSTICATED THE AGE OF DONALD TRUMP AND HILLARY CLINTON IN THE NEW WORLD ORDER FOR THE UNITED SLAVES OF AMERICA.

Blacks and Hispanics, in spite of their oppression in the broken United States education system, are not stupid. Minorities realize that the racist term, “African-American”, perpetuates a false narrative. The African-American myth perpetrated by biased mainstream media and pandering U.S. government leaders, is used to dumb down Americans into falsely believing that, all African-Americans are black. The truth being ignored is, that just as not all Asians are Chinese, not all African-Americans are black. In fact, some white African-Americans are from South Africa and lived through Apartheid, which was fueled by racism and based on Nazi principles.

THE TERM, “AFRICAN-AMERICAN” IS A RACIST INSULT TO ALL AMERICANS BECAUSE IT ASSUMES ALL AFRICANS ARE BLACK AND CREATES ANIMOSITY BETWEEN BLACKS AND WHITES WHO ARE ALL, REGARDLESS OF COLOR, UNITED SLAVES OF AMERICA.

“Why does the media continue to ignore the fundamental problem of what is transpiring in our once great nation? The lack of clear oversight for those who set the standard of competency and ethics for lawyers in the state of Florida and in other states is creating a tsunami of global distrust for U.S leadership and lawmakers who have a special rule of law for the privileged like, Hillary Clinton and O.J. Simpson, and another set of rules and laws for everyone else.”

– Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

TWITTER BANS ZOMBIE HILLARY CLINTON AND OSAMA BIN LADEN RESURFACES TO SUPPORT CLINTON FOR PRESIDENT WWCHJD? What Would Crackhead Jesus Do?

“Radical Islamic Terrorists are like Unicorns, they simply don’t exist. President Barrack Hussein Obama and Hillary Clinton are 100% correct when they say, “Islam is a religion of peace” and anyone who thinks otherwise is, Islamophobic and xenophobic. Hillary Clinton is correct when she says, “Donald Trump’s supporters are deplorable racists that are beyond redemption”. Actually, all white people are racist. Allahu Akbar! Hillary Clinton 2016.” – Osama Bin Laden

MILLENNIALS DON’T NEED BIAS MAINSTREAM NEWS TO TELL THEM THE CLINTON MACHINE IS MANIPULATING SOCIAL MEDIA LIKE FACEBOOK, INSTAGRAM AND TWITTER, TO CENSOR FREE SPEECH IN AMERICA.

VICTOR HUGO COLLECTION SEEN ON BIG SCREEN IN THE LAST HIT AWARD WINNING ACTION DRAMA

https://www.youtube.com/watch?v=NeI4zNuSULM

“The Last Hit” features artwork and a cameo by Maverick Artist Victor-Hugo Vaca II. The action packed film is available on DVD and on major streaming outlets like HULU and Amazon Prime.

“WOMAN”, SEEN ON BIG SCREEN IN AWARD WINNING ACTION-DRAMA, ”THE LAST HIT”: Film Features Popular DNA Series Painting, By Maverick Artist Victor-Hugo Vaca II, In Hit Movie Climax.

HILLARY CLINTON KILLS THE WORD RACIST BY LABELING ALL BLACKS AND HISPANICS WHO PREFER CHANGE OVER OLIGARCHY AND A CORRUPT STATUS QUO AS RACIST BIGOTS

The Undecided Voter Calls Out Clinton’s Attempt To, “Dumb-Down” Minorities And Millennials, With False Definitions Of Racism And Prejudice.

THE WORD RACIST HAS LOST ITS MEANING IN THE NEW WORLD ORDER.

The Undecided Voter knows the meaning of the word, RACIST, which by definition, demands a superior-inferior power relationship: Therefore, Caucasians, like Hillary Clinton and Donald Trump, can be labeled “racist”; however, a Black or Hispanic person may be disdainful of, prejudiced against, or dislike a Caucasian, or all Caucasians for that matter, but a Black or Hispanic person or group, like La Raza or Black Lives Matter, cannot be labeled racist, ever.

TO DISTRACT FROM THE “HILLARY CLINTON PAY-FOR-PLAY-RIGGED- ELECTION-RACIST-DNC- EMAIL-SCANDALS” THE CLINTON MACHINE TRIES TO IGNITE A MODERN CIVIL WAR, BY LABELING SWATHS OF BLACKS AND HISPANICS, “ALT-RIGHT BIGOTS”, DURING THE 2016 TRUMP VS CLINTON WHITE HOUSE RACE.

The Undecided Voter realizes that Hillary Clinton is attempting to diminish the history and meaning of the word, “RACIST”, by politicizing racism and prejudice to mean: Anyone who is against corruption or oligarchy, as in; “If you do not vote for Hillary Clinton you are a racist, alt right, conspiracy theorist.”, which, of course, is simply not true.

THE UNDECIDED VOTER

The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe conspiracy theorists are tantamount to racists.

CONSPIRACY THEORY OR FACT?

The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe that Hispanics and Blacks who believe in change are racist.

ALT-RIGHT-HILLARY CLINTON WOULD HAVE EVERYONE BELIEVE THAT ALL HISPANICS ARE MEXICAN AND THAT ANY HISPANIC THAT SUPPORTS TRUMP IS RACIST OR IGNORANT.

The Undecided Voter notices that Hillary Clinton would have American citizens and constituents believe all Hispanics and Blacks who are pro-democracy and not in favor of plutocracy and oligarchy in the United States of America, are racist bigots or rapists.

ALT-RIGHT-HILLARY CLINTON WOULD HAVE PEOPLE BELIEVE THAT ALL BLACKS ARE LIKE BILL COSBY AND THAT ANY BLACK OR HISPANIC WHO VOTES FOR TRUMP IS RACIST AND IGNORANT.

The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe that Hispanics and Blacks who believe in Democracy without corruption are racist.

ALT-RIGHT –HILLARY CLINTON WOULD HAVE PEOPLE BELIEVE THAT BLACKS AND HISPANICS WHO DON’T VOTE FOR A CORRUPT SYSTEM OF GOVERNMENT ARE RACIST.

The Undecided Voter notices Hillary Clinton would have American citizens and constituents believe that Hispanics and Blacks who believe 9/11 was an inside job are racist.

CONTEMPORARY ART CONSPIRACY THEORY MEME UNDERSTOOD BY EVERYONE, INCLUDING NEEDY LATINO’S AND SUPER PREDATORS.

The Undecided Voter notices that Blacks and Hispanics know very well, that not all Hispanics are Mexican and not all African-Americans are Black.

THIS WHITE MAN IS AFRICAN, FROM SANDTON, JOHANNESBURG, SOUTH AFRICA. HE IS, CONVICTED MURDERER, OSCAR PISTORIUS, A.K.A. THE BLADE RUNNER. IF HE WERE TO BECOME AN AMERICAN CITIZEN, BY DEFINITION; HE WOULD BE LABELED, AN IMMIGRANT AFRICAN-AMERICAN CONVICTED OF MURDER. ACCORDING TO THE NFL, UNDER THE TOXIC LEADERSHIP OF ROGER GOODELL, ANYONE WHO STANDS FOR THE NATIONAL ANTHEM AND THINKS OUT LOUD THAT SOME PROFESSIONAL AFRICAN-AMERICAN ATHLETES ARE VIOLENT, IS A RACIST PERSON.

The Undecided Voter notices that there are some black Brazilians and White Mexicans that are wonderful human beings and some Brown, White, Black and Hispanic people that are rapists and murderers, which, like sexual predators and killers of any color, nationality or religious belief, are dangerous to civil society and the general public as a whole.

THE UNITED SLAVES OF AMERICA SEE PAST THE TRUTH OF RACISM AND BIGOTRY BEING PEDDLED AS POLITICAL CORRECTNESS IN AMERICA.

The Undecided Voter sees Blacks and Hispanics shouting, “No justice, no peace!”, while the United Slaves Of America demand Rule Of Law be fairly applied to all Constituents.

BLACKS, HISPANICS AND WHITES ARE ALL UNITED SLAVES OF AMERICA WHEN RULE OF LAW IS NOT APPLIED FAIRLY, AS IN THE CASE OF BARRACK HUSSEIN OBAMA AND HILLARY RODHAM CLINTON.

The Undecided Voter realizes that, being educated and informed, does not make Hispanics, Blacks or Whites radical, racist, alt-right, conspiracy-theorists.

BLACKS AND HISPANICS CAN TELL WHEN A WHITE MAN LIES TO THEM ON TELEVISION AND CALLS IT NEWS.

“As a United States Naval Academy Midshipman Officer, at the world famous leadership laboratory in Annapolis, Maryland, I learned that what Hillary Clinton has done to the citizens of the United States is tantamount to treason, because her actions have left our nation vulnerable to blackmail by enemies of the state.” – Victor-Hugo Vaca II

UNITED STATES NAVAL ACADEMY MIDSHIPMAN VICTOR-HUGO VACA II

MODERN ART GONZO JOURNALISM SERVES AS BRIDGE BETWEEN NEUTERED INVESTIGATIVE JOURNALISTS AND WANING PUBLIC TRUST IN SEARCH OF AN OUTLET.

Press, Blatantly Reporting Opinion And Hyperbole As News, Has A Frustrated Public Turning To Artists, To Document Untold History, On Canvas, In Lieu Of Weak Newspaper And Television Reporting In The Age Of Donald Trump And Hillary Clinton.

In the words of the alleged-serial-killer-spinal-surgeon, operating out of the Washington D.C. Baltimore, Maryland area, Dr. Charles Edwards: “You can get away with murder because you can always count on cops being overworked, underpaid and lazy and lawyers being greedy.”

Severe cuts in staffing high-quality investigative journalists at mainstream media news outlets, portends a disturbing trend, that should concern anyone who worries about living in a functioning Democracy.

“IF A MAJOR NEWS ORGANIZATION LIKE NBC IS GOING TO REDUCE THE NUMBER, AND IT SOUNDS LIKE A SIGNIFICANT NUMBER, OF THE PEOPLE WHO GO OUT AND GATHER INFORMATION TO GO INTO THE DAILY STREAM OF NEWS, IT’S GOING TO THIN OUR KNOWLEDGE OF THE WORLD SOMEWHAT.” – BILL KOVACH

So, then, what is one to do in a world, where weak investigative journalists, peddle opinion as news and see “The Clinton Death List” and the World Trade Center, Building Seven, spontaneous-implosion, in New York City, on September 11, 2001, as conspiracy theories?

MODERN-ART-GONZO-JOURNALISM PAINTS HISTORY IN A WAY THAT MAINSTREAM TELEVISION NEWS OUTLETS CAN NOT AFFORD TO DO.

Hopeless people, claiming cops don’t care and investigative journalists won’t listen, contact modern-art-gonzo journalists with stories that go unreported or woefully under-reported in weak mainstream media news outlets, due to lack of will, budget and corporate interest.

WORLD TRADE CENTER CONTEMPORARY ART MEME, EXPLORES THE FACT, THAT U.S. NEWS MEDIA, WOULD HAVE PUBLIC TRUST BELIEVE, THAT THE WORLD TRADE CENTER BUILDING SEVEN, COULD DEFY THE LAWS OF PHYSICS.

In the way jesters, during the Dark Ages, were able to point out, that the King was not wearing any clothes, so too, modern-art-gonzo journalism is able to skim past false truths, fed in soundbites, to skeptical public trust, in creating a vernacular and visual , “Diary Of The World On Canvas”, that interprets the court of public opinion, in brief moments of time, throughout history.

“COMPLIANCE IS NOT A DESTINATION, IT’S A JOURNEY SAYS THE SECURITIES AND EXCHANGE COMMISSION OFFICE OF CREDIT RATINGS DIRECTOR TO THE UNITED SLAVES OF AMERICA.”, IS A WORK OF MODERN-ART-GONZO-JOURNALISM CREATED BY MAVERICK ARTIST VICTOR-HUGO VACA II, USING BEAR STERNS STATIONARY, FROM THE OFFICE OF A SENIOR MANAGING DIRECTOR, AS CANVAS, FOR THIS MIXED MEDIA WORK OF ADHESIVE GRAFFITI FINE ART.

The world has become so immune to corruption and dishonesty that lying thieves are becoming the elected choice of people who have given up and feel safe in the status quo of false promises and exploitation.

LIKE A FLY ON THE WALL, OR, “WHERE’S WALDO”, MODERN-ART-GONZO-JOURNALIST, VICTOR HUGO VACA II, CAN BE FOUND IN THE BACKGROUND, CONTEMPLATING LIFE’S CURIOUS MOMENTS?

Corporations, like Nestle, buy water for pennies on the dollar, from natural springs, syphoned away, by greed, from public consumption and spend millions of dollars on advertising, with U.S. news networks, while people in Flint Michigan, are poisoned by corrupt government officials, under the nose of journalists, distracted by Miley Cyrus, twerking Robin Thicke, on an awards show.

“NEWS IS ABOUT ADVERTISING AND ADVERTISING IS A BUSINESS” – VICTOR-HUGO VACA II

News media turned a blind eye to the plight of the disenfranchised without a voice, until contemporary artists, like Cher and Beyonce, started raising public awareness about the reality surrounding us all, as cultured beings, in a state of rapid change and awakening.

DETAIL FROM FEATURED PAINTING, CREATED IN 2007 AT A MODERN ART MUSIC MOVEMENT REHEARSAL WITH, MAVERICK ARTIST VICTOR-HUGO VACA II AND POWER, FROM RYTHMM EPKINS, “MIND, BODY AND SOUL”, BEFORE A SOLD OUT CONCERT, IN BAKERSFIELD, CALIFORNIA, TO BENEFIT MENTALLY HANDICAPPED CHILDREN.

The following is an emailed example, with the name of the sender omitted to protect sources of information, of the sorts of requests from citizens of Earth, to modern-art-gonzo-journalists, in the hopes, that their story of the human condition, will be documented in art, for future generations of investigative journalists and historians, to revisit artistic canvassed chronicles, in the pursuit of a remedy, for the growing cancer of dishonesty and corruption in the evolution of human nature:

“IN MY DIARY OF THE WORLD ON CANVAS, I PAINT WHAT I SEE, AND WHAT I SEE IS THE BEAUTIFUL CHAOS THAT SURROUNDS US ALL IN THE MULTI-UNIVERSE.”- MAVERICK ARTIST VICTOR-HUGO VACA II.

Hi,

My friend asked me to email you the following basic info:

– Very high profile business individuals involved

– $18 Million invested

– Potential dirty money from Mexico

– City official involved with under the table “help”

– Embezzlement

– Infringement of ownership

– Fraudulent transfer to avoid paying due to local businesses ($1.5+ MM due)

– Documents forgeries

– Known name and about to reopen under a new name within the next 2-3 months

– Currently several lawsuits already filed against various group’s entities

– Etc.

Ex-executive with thousands of supporting documents potentially ready to talk under certain conditions and guarantied multiple city publication (getting involved other journalist to publish it nationally)

Let me know if any interests.

MODERN-ART-GONZO-JOURNALIST VICTOR-HUGO VACA II

“When I contacted WSVN 7 Fox News, after Hurricane Wilma, about a clear and present danger, impacting the lives of over fifteen-hundred residents, in a high rise building, destroyed by a tornado, the newsroom said: ‘Call us back when you see burning bodies flying out of the building, otherwise, it’s not news.'”. – Maverick Artist Victor-Hugo Vaca II

The Impact Of Street Art Sticker Slapping Culture On Millennials And Baby Boomers Living In The Age Of Donald Trump And Hillary Clinton

STICKER BOOK EXAMINES SOCIOPOLITICAL IMPACT OF GRAFFITI STICKER ART IN CONTEMPORARY CULTURE.

THE DEFINITIVE STICKER BOOK, BY DB BURKEMAN AND MCA, FEATURING THE ARTWORK OF MAVERICK ARTIST VICTOR-HUGO VACA II, HAS BEEN EXHIBITED IN MUSEUMS, GALLERIES AND ART FAIRS INCLUDING ART BASEL MIAMI WEEK.

STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART (A.K.A. “Stuck-Up Piece of Crap”) traces the visual and social history of the sticker art medium.

STICKERS, EXPLORES THE RELATIONSHIP THAT ARTISTS HAVE WITH THEIR PIECES AND HOW THEY COMMUNICATE WITH PASSING PEDESTRIANS.

The subculture and once deep, underground world of graffiti and street art, has recently been enthusiastically welcomed by fine art galleries, opening their doors, and embraced by art collectors, opening their wallets, to works of art that were once plastered, illegally, in cities throughout the world.

SHEPARD FAIREY AND THE MAVERICK ARTIST VICTOR-HUGO VACA II MANIFEST THOUGHT PROVOKING STREET ART IN WASHINGTON, D.C.

“All of this chaos and darkness fit my mental and emotional state perfectly.” – DB BURKEMAN

NEW YORK TIMES GRAFFITI STICKER TAGS.

“Stickers: From Punk Rock To Contemporary Art”, begins with Andy Warhols Banana sticker for the Velvet Underground and punk stickers in the mid 70’s to early 80’s.

CHINATOWN STREET ART

The Library of Congress and University reference book, “Stickers: From Punk Rock To Contemporary Art”, chronicles the development of sticker art through different eras, such as: Californian skate culture, early Hip Hop, infamous graffiti tags, Techno/Rave culture in the late 80s and early 90s, recent political and controversial subjects, right up to contemporary art and street art today.

STREET ART YBOR CITY

“STICKERS: From Punk Rock To Contemporary Art” spotlights “celebrity” artists who are not necessarily known for stickers and graffiti art, such as the Modern Art Music Movement™ founder, fine artist and award-winning filmmaker, Maverick Artist Victor-Hugo Vaca II.

STICKER TAG

A section of the book focuses on non-traditional sticker mediums like: wheat pastes, tape, tiles, postage stamps or anything else an artist chooses to work with that utilizes adhesive materials.

THOUGHT PROVOKING STICKER ART

“Whether printed or stenciled or painted or drawn with a marker, stickers confront the inequity of the mainstream artworld. Their presence declares that here is a spontaneous form of artistic expression that does not fit into the prescribed definition of art.” – Stikman

MIAMI GRAFFITI STICKER ART

Themes from branding to political activism are explored in the visually stunning book, “STICKERS: From Punk Rock To Contemporary Art”.

STREET ART MIAMI BEACH

“STICKERS: From Punk Rock To Contemporary Art” contains essays from Carlo McCormick, Shepard Fairey, and many other artists and collectors.

“IT’S HARD TO BELIEVE THAT PAPER AND VINYL WITH ADHESIVE BACKING CAN DO SO MUCH.”- SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Just like the people I knew then, very few stickers made it out alive.” – DB BURKEMAN

“A LITTLE STICKER CAN BE A WHOLE LOT OF THINGS, AND DO A WHOLE LOT OF THINGS.” – SHEPARD FAIREY: STICKER BOOK INTRODUCTION.

“Also that year, every time I got into the back seat of a cab I noticed that it had been hit with a silver foil sticker that read NEON LEON’S RAINBOW EXPRESS in orange lettering.” – DB BURKEMAN

SOCIOPOLITICAL STICKERS- STRONG MESSAGES ON A LOW BUDGET.

“Allegedly Leon was a pimp. ” – DB BURKEMAN

CHICAGO STREET ART

“He gave all the girls he was running his stickers and they went up and down the city hitting the taxis. – DB BURKEMAN

Miami Beach Street Art

“I would wander around downtown and marvel at the decay-and what was about to be called street art. -DB BURKEMAN

St. Petersburg Street Art

“With what was going on in the world, everybody was complaining and asking ‘Why?’ when in fact, the question should have been, ‘Why not?'” – Stewart Stewart

COCONUT GROVE STREET ART

In 1982, Stewart Stewart was arrested by the anti-vandal squad while hitting a NYC subway car.

MIAMI STREET ART

The arresting officers and prosecuting judge asked Stewart Stewart for autographed stickers.

NEW YORK STREET ART

“Years later, after officially giving up drugs and the fantasy of being a photographer, I felt like I’d been given a second chance at life and was filled with a new unstoppable energy.” – DB BURKEMAN

NEW YORK STREET ART

“What is it about stickers that some people find so intriguing, while others either don’t notice them or just think of them as stuck up pieces of crap?” – DB BURKEMAN

CRACKHEAD JESUS IS COMING ON WESTBORO BAPTIST CHURCH HATERS

“I fiended for the stickers that came in bubble gum cards.” – DB BURKEMAN

CHICAGO STREET ART

“I feel that the people who love stickers think of them as tiny, portable works of art.” – DB BURKEMAN

CHICAGO STREET ART

“At first I thought it was just geeky OCD types like myself that were into stickers, but I’ve found so many different kinds of people with sticker collections and stories; even some of the artists I’m in awe of.” – DB BURKEMAN

MIAMI DESIGN DISTRICT STREET ART

“Kids, in general, I think, are much more open to absorbing art in a profound way when it’s on the street and not in a sterile gallery.” – DB BURKEMAN

SOUTH BEACH STREET ART

“I came to a peaceful place, thinking that the artists would probably be happy to know their stickers will last a lot longer in a book.” – DB BURKEMAN

STICKER SLAPPING

“Topps are the American Sticker Gods” – DB BURKEMAN

STICKER TAGGING

“Topps ‘Wacky Packages’ and ‘Garbage Pail Kids’ set the standard for kids with warped senses of humor.” – DB BURKEMAN

STREET ART BETHLEHEM

“During the French Revolution, in the late eighteenth century, propaganda posters were stuck up in the streets, in order to hammer home the ideas of the revolution to the public, portraying images of King Louis XVI as a drunken pig and of Marie Antoinette in sexually explicit positions.” – DB BURKEMAN

STREET ART YBOR CITY

“It’s always appealed to me when an artist uses the medium of stickering as a way of dealing with personal issues: exorcising their inner demons and using the streets as their free therapist or confessional.” – DB BURKEMAN

STICKER BOMB

“It’s anti-media, anti-established art world.” – Poster Boy

SLAP TAGGING

“Guess he’s just an asshole in an art lover’s suit.” – DB BURKEMAN

NEW YORK STREET ART

R. Stanton Avery created the first self-adhesive sticker in the 1930’s.

ADHESIVE STICKER ART

In 1946 the first self-adhesive bumper stickers were produced by Forrest Gill.

NEW JERSEY STREET ART

“Since their inception, bumper stickers have played a role in every political election, religious ideology and social uprising in the United States. ” -Ken Harman

STREET ART CHICAGO

“Stickers rule.” – Shepard Fairey

STICKER TAGS

“When I pause to think about it, stickers have changed my life.” – Shepard Fairey

STICKER SLAP

“Repetition works and stickers are a perfect medium to demonstrate this principle.” – Shepard Fairey

STICKER BOMB

“Stickers were evidence that I wasn’t living in a total void.” – Shepard Fairey

STICKER TAG

“I wanted stickers as badges of my culture.” – Shepard Fairey

STICKER BOMB

The Maverick Artist Victor-Hugo Vaca II moved form New York City to Newport, Rhode Island in 1988 to attend the United States Naval Academy Prep School at The Newport Naval Base War College. That same year, fellow graffiti, sticker, artist Shepard Fairey moved to Providence, Rhode Island, to attend the Rhode Island School Of Design.

CHICAGO STREET ART

“Providence had a tremendous art and music scene compared to what I was used to, and stickers were everywhere. – Shepard Fairey

NEW YORK STREET ART

“There were tons of band stickers, political-cause stickers and most interesting to me, a few art stickers and ‘Hello My Name Is…’ stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“A lot of the art stickers begged the question: What is this about?” – Shepard Fairey

CHICAGO STREET ART

“It was at this point that I began to ponder the sticker as a means of expression and communication for an individual, instead of just representing a band, company or movement.” – Shepard Fairey

STICKER BOMB

“I liked the idea of having my own sticker, but couldn’t think of anything clever enough to be worth executing.” – Shepard Fairey

CHICAGO STREET ART

“I paid very close attention to stickers and I would try to figure out who and what was behind any sticker I saw.” – Shepard Fairey

SLAP TAGGING

“During a museum trip to New York that freshman year of college, I saw graffiti in risky places that gave me new respect for the dedication of the writers.” – Shepard Fairey

STICKER SLAPPING

“Just as I had been made curious by many of the stickers I’d seen, I now had my own sticker to taunt and/or stimulate the public.” – Shepard Fairey

CHICAGO STREET ART

“Once the first domino fell, I was addicted and had my sights set on world domination through stickers.” – Shepard Fairey

MIAMI BEACH STREET ART

“It amazed me just how liberating and easy sticking was.” – Shepard Fairey

STICKER SLAPPING

“Every sheet of stickers I printed felt like I was making the world a little smaller: I mean, all those stickers were gonna end up somewhere.” – Shepard Fairey

CHICAGO STREET ART

From 1989 to 1996, Shepard Fairey hand-printed and hand-cut over one million stickers.

GRAFFITI STICKER ART

To date, over, 25,000 black and white “Crackhead Jesus is coming” stickers have been distributed to global audiences at Modern Art Music Movement™ Happenings across the United States from New York City to Las Vegas during the 2005 and 2009 Modern Art Music Movement™ tours.

STICKER TAG

The Crackhead Jesus is coming sticker has appeared all over the world including Sydney, Australia and Paris, France, at Cimetiere du Pere-Lachaise beside the grave of The Doors, Jim Morrison.

THE DOORS, JIM MORRISON, GRAVE.

The deluxe limited edition of “Stickers: From Punk Rock To Contemporary Art” comes in a clamshell box with a folder of die-cut stickers, some of them signed by the artists, and sells for US $350.00 US / Can $400.00.

THE “STICKERS” DELUXE LIMITED EDITION SOLD OUT AND IS NOW A COLLECTORS ITEM.

The iconic, “Crackhead Jesus is coming” sticker, has appeared on television, in movies and music videos as well as in magazines and newspapers.

CRACKHEAD JESUS STICKER ON POLE AS SEEN ON FOX 13 NEWS TAMPA BROADCAST WITH EVAN AXELBANK.

During the live-on-the-scene evening news broadcast of a gruesome kidnapping and rape story in Tampa Bay, Florida, the “Crackhead Jesus is coming” sticker appeared, over the shoulder, of newsman Evan Axelbank, throughout his report.

STICKER BUM

“Crackheadjesus is coming and he doesn’t pull out.”

-MAVERICK ARTIST VICTOR HUGO VACA II

THE MUSE WITH THE MAVERICK ARTIST VICTOR-HUGO VACA II AT THE GRAFFITI SUMMIT IN FORT LAUDERDALE, FLORIDA.

https://www.youtube.com/watch?v=WZFjfMaJh1I

THE CRACKHEAD JESUS MEME AS CONTEMPORARY ART How The Union Of Fine Arts And Vernacular Culture Produced The CHJ Meme As A Contemporary Art Form.

ARTIST CREATES A CONTEMPORARY ART CRACKHEAD JESUS MEME

Memes are a great way of communicating an idea with strong words and visuals.

MEANWHILE, AT THE UNITED NATIONS.

The meme evolved organically into the fabric of digital art, from pop artists like Andy Warhol, who took the banal and forced it into the worldview of art curators and wealthy fine art collectors.

THE CONUNDRUM

Memes blur the line between content and art.

UNITED SLAVES OF AMERICA

Whether or not you think memes are contemporary works of art, at the very least, it’s impossible to discount them as creative, historical, digital artifacts.

HILLARY CLINTON OLIGARCHY

Teachers use memes as classroom tools that serve as powerful conversation starters.

DID GOD MAKE MAN OR DID SPIDERMAN MAKE GOD?

The May 2011 edition of Smithsonian Magazine featured an article in the Arts and culture section titled, “What Defines A Meme?” By James Gleick.

WELFARE STATE

On June 16, 2013, “Time” magazine published an article titled, “The Meme As Art: Painter Sophisticates Cyberculture”, by Samantha Grossman.

BUT I THINK YOU’RE A CUNT

On June 23, 2013, Kate Knibbs article, “Are Memes The Pop Culture Art Of Our Era?” was published in “Digital Trends”.

DONALD TRUMP VS. HILLARY CLINTON

Many galleries showcase Internet-based art. In 2012, Gallery 1988 featured an exhibit called “Memes”.

UNITED SLAVES OF AMERICA WAKE UP

On April 12, 2012 “The Verge” published an article titled, “Are Memes Art?” By Tyler Gold.

LOBBYISTS

Meme-lovers embrace the idea of communal ownership.

CONTEMPORARY ART MEME

On Saturday July 18, 2015 The “Independent” U.K. published an article by Richard Jinman titled, “ A Los Angeles Art Museum Is Turning Classic Works Into Memes And Sharing Them On Snapchat For Youngsters To View. One ‘snap was viewed more than 60,000 times.”

THIS 2ND AMENDMENT MEME WAS CENSORED BY FACEBOOK BECAUSE THE 1ST AMENDMENT DOESN’T APPLY TO PRIVATELY OWNED SOCIAL NETWORKS LIKE INSTAGRAM, FACEBOOK OR TWITTER: HOWEVER, THE AFOREMENTIONED SOCIAL NETWORKS, DO ALLOW TERRORISTS TO BE RECRUITED ON THEIR PLATFORMS AND RAPES TO BE BROADCAST LIVE.

In 2016, “Art Pulse” Published “What Happens When Contemporary Art Turns Into an Internet Meme?” By Domenico Quaranta.

THE CLINTON MACHINE DEFIES THE RULE OF LAW, CREATING ANARCHY IN THE USA.

On June 19, 2013, “Relevant Magazine” published an article titled, “The Fine Art Of The Meme”.

PUBLIC TRUST IN AMERICAN NEWS OUTLETS NOSEDIVES DUE TO WEAK INVESTIGATIVE JOURNALISM AND LAZY FACT CHECKING.

“People are creating images and sharing them with strangers to communicate their personal experiences? That, my friends, is art.” – PBS Idea Channel host, Mike Rugnetta, citing Tolstoy and Aristotle.

HAPPY MEAL

“When in doubt about the Golden Rule, ask yourself: What would Crackheadjesus do? Because we all know what Jesus Christ would do.” – Maverick Artist Victor-Hugo Vaca II

MAVERICK ARTIST VICTOR-HUGO VACA II

THE VICTOR HUGO COLLECTION Welcome To My Labyrinth Of Creativity

Welcome back, to those around the digital universe who visited www.vhvii.com, www.victorhugogallery.com and www.crackheadjesus.com when the internet was still spreading its wings and searching for purpose amongst artists and muses looking to interact with and redefine the creative process. No doubt, you noticed the award-winning websites were shut down or hacked and redirected at the peak of popularity, suddenly and without explanation.

Maverick Artist Victor Hugo Vaca II – The Censored Artist

Through over 1,000 works of impactful, thought-provoking, fine-art and graffiti, representing a diary-of-the-world-on-canvas and movie-story-board, for a forthcoming major motion picture series about the birth of modern-art-gonzo-journalism, you will learn, over time, the incredible events that manifested the creation of, The Victor-Hugo Collection.

The Victor-Hugo Collection

For those of you who thought The Maverick Artist Victor-Hugo had wandered off never to return, you were wrong. He’s back, with the Modern Art Music Movement™ to share with you, if you wish, “The Strangest Love Story Ever Told”.

Maverick Artist Victor-Hugo Vaca II

COMING SOON:

“The Strangest Love Story Ever Told.”